Analog to Digital Converters

API Audio
Neve
Barefoot Sound
Shadow Hills Industries
Retro Instruments
Waves Audio
Coles Microphones
Endless Analog Clasp

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Results 1-10 of 41

Analog to Digital Converters

Benchmark’s philosophy is very clear: digital converters should preserve
 all of the glorious nuances of the source so that the listener can 
simply engage with the music. Benchmark’s converters are world-renowned 
for fulfilling this mandate. 
 
The Benchmark ADC16 is, yet 
again, another successful actualization of this philosophy. With the 
ADC16, Benchmark’s storied sonic purity can span across an entire 
multi-track recording session. This 16-channel A/D converter conquers 
the digital demons that plague so many converters on the market. 
 
Features 
<ul><li>Two DB25 connectors for transformerless balanced analog input</li><li>16 channels of analog-to-digital conversion</li><li>Input gain trimpots for each channel provide high-performance over 20 dB range</li><li>+8 dBu to +28 dBu input sensitivity range (at 0 dBFS)</li><li>Benchmark’s 9-segment dual-range digital LED meters with ‘peak-hold’</li><li>Conversion at standard sample-rates (44.1, 48, 88.2, 96, 176.4, 
and 192 kHz) and will also lock to non-standard rates (anything between 
28 kHz and 200 kHz)</li><li>Multifunction clock input with autorecognition of AES, SPDIF, Word Clock, or Super Clock</li><li>Word Clock output</li><li>Total jitter-immunity with Benchmark’s, phase-accurate UltraLockDDS™ technology</li><li>Four sets of digital outputs (Balanced AES, coax, optical, Firewire [optional])</li><li>Independently controlled sourcing (A/D or DAW) for each set of digital outputs</li><li>AES/EBU, ADAT, and ADAT S/MUX2, and ADAT S/MUX4 optical output formats</li><li>THD+N = -104 dB, 0.00063% @ -3 dBFS input, SNR 121 dB A-weighted</li><li>Reliable and consistent performance under all operating conditions</li><li>Internal 90-264 VAC, 47-63 Hz international power supply with very wide operating range</li><li>Meets FCC Class B and CE emissions requirements </li></ul>

The ADC16 delivers the industry’s ‘Benchmark’ for performance in a 
package that is simultaneously full-featured, functionally flexible, 
intuitive, aesthetically alluring, and surprisingly affordable. 
 
Flexibility across DAW's 
The ADC16 has a slot for an optional Firewire card. With a Firewire 
connection to the computer, the ADC16 can operate as the sole interface 
to native DAW’s, including Pro Tools 9, without the need for any other 
hardware. Moreover, The ADC16 is completely compatible with the digital 
I/O interfaces of the Avid/Digidesign interfaces and other interfaces 
with AES, coaxial, and/or optical inputs. 
 
The ADAT mode of the optical outputs makes the ADC16 a perfect companion
 for older Pro Tools LE interfaces, as well as other digital interfaces 
with ADAT and coaxial inputs, as it can fulfill the entire digital-input
 capability of the interface with state-of-the-art A/D performance. 
 
This type of flexibility means the ADC16 can work perfectly with DAW setups from the past and the future. 
 
Flexibility at the I/O ports 
The ADC16 features 16-channels of transformerless balanced analog 
inputs. The analog front-end continues Benchmark’s tradition of 
exceptionally pristine, award-winning analog circuitry – a 27 year 
legacy. 
 
Each channel of analog input has a gain control (via a trim-pot) that 
has a 20 dB range. At 0 dB of gain, it can accept 28 dBu at the input 
without clipping. At max-gain, an 8 dB input-signal will drive the 
converters to full-scale. 
 
The ADC16 features very flexible I/O routing solutions. The control 
panel allows the user to dictate the source (A/D or DAW) for each of the
 AES, coaxial, and optical digital outputs. This is very useful when the
 ADC16 is used in a studio with an analog console. The digital audio 
from the A/D chips can be sent directly to the digital outputs to a 
multichannel D/A to feed the console – completely bypassing the DAW. 
This reduces latency and DAW artifacts in real-time monitoring. 
 
The eight optical outputs on the ADC16 can be operated in SPDIF or ADAT 
mode at sample-rates up to 192 kHz (ADAT has SMUX2 and SMUX4 
functionality). 
 
UltraLock DDS™ - Jitter-immunity without a catch 
The performance of the ADC16 never varies – another core philosophy of Benchmark products. 
 
Benchmark’s new UltraLockDDS™ clock system utilizes the latest 
low-jitter clock technology developed for high-frequency RF 
communications systems. The master oscillator is a low phase-noise, 
temperature-compensated, fixed-frequency crystal oscillator with a +/- 2
 PPM frequency accuracy. This oscillator drives a 500 MHz Direct Digital
 Synthesis (DDS) system that generates a 3072 x WC system clock. This 
high-frequency clock is divided by 6 and distributed directly to the A/D
 converters using a high-speed PECL clock distribution chip. Each of the
 8 converters are driven directly from a dedicated, matched-impedance 
transmission line. 
 
Jitter attenuation is achieved with digital filters in a custom FPGA 
that controls the DDS system. All jitter-induced distortion artifacts 
are well below audibility under all operating conditions. Jitter-induced
 distortion is always at least 135 dB below the level of the music. The 
jitter-performance of UltralLockDDS™ meets or exceeds the performance of
 Benchmark’s UltraLock™ system, but does not use asynchronous sample 
rate conversion (ASRC). The elimination of the ASRC processing 
significantly reduces system latency and provides the most direct path 
from the A/D to the digital interface. 
 
Flexibility at the Core 
Benchmark’s UltraLockDDS™ system is frequency agile. It can lock to any 
sample rate between 28 kHz and 200 kHz, and it can do so in a few 
milliseconds. Special pull-up and pull-down sample rates for film to 
video transfers are no problem. Best of all, jitter is always attenuated
 to levels that are well below audibility. Jitter performance is 
identical in all modes of operation. 
 
Precise, detailed metering 
The ADC16 features 9-segment meters for each channel. These meters are 
single-sample accurate, so that even the shortest peaks are registered. 
The meters can be set to display in 6 dB increments (48 dB range) or 1 
dB increments (20 dB range). In both cases, the meters can be put in 
‘peak-hold’ mode, which will hold the highest-valued sample until the 
‘peak-hold’ mode is reset.

Benchmark ADC16
16-channel 24-bit 192kHz A/D audio converter

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Designed to perform in the range of $2,000+ two-channel A/D converters, the Black Lion Audio Sparrow mk2 BLACK
 is much more advanced than its esteemed predecessor, (the original BLA 
Sparrow ADC, now discontinued). Its conversion circuitry utilizes our 
proprietary approach to noise reduction; a feature yielding audio that 
sounds less compressed and processed than traditional methods of 
converter design. The clocking circuitry features low-jitter, wide Q 
third harmonic crystal oscillators with advanced PLL recovery. This 
provides low-jitter master clocking regardless of whether the unit is 
locked to its internal clock or an external word source. The Sparrow 
mk2 is housed in a 1U 1/2 rack chassis, featuring XLR and ¼" balanced 
inputs, LED metering, BNC word clock I/O, AES output, coax & optical
 S/PDIF output, and user selectable signal calibration accommodating 
nominal input signal levels from +11dBu down to -10dBV. It features 
sampling rates from 44.1kHz -192kHz, with a clocking architecture that 
features low jitter and wide Q third harmonic crystal oscillators, and 
because of the quality of the clock multiplier and PLL recovery stages, 
performance will not degrade should the converter be synched to a lower 
quality word clock reference. The A/D conversion process is a 
tricky beast to tame. Because conversion requires so much current 
movement, there are plenty of places for unwanted noise to be created, 
both within the signal chain and in the power supply. This unwanted 
noise manifests itself within the audio signal as a grainy distortion, 
and often resides in the upper frequencies. 
 As we began to research and test approaches to converter design, we 
discovered a unique way to reduce this unwanted noise and distortion, 
one that's not only inexpensive to implement but also works better than 
traditional approaches. Black Lion coupled this proprietary converter 
circuit to a high-speed, high-headroom analog stage that can capture the
 smallest nuances and micro-dynamics. The result is unparalleled: an 
inexpensive two-channel A/D converter that not only has an enormous 
sound with pinpoint imaging, but also has the smooth, wide open sonic 
quality of expensive high end systems and a wonderfully rich midrange. 
 The Sparrow mk2 (named as homage to French singer Edith Piaf) 
features 4 input stage trim presets and a single ultra-low distortion 
amplifier before the converter for simplicity and purity of signal path.
 Power supply filtration is designed around latest-generation organic 
semiconductor capacitance instead of a traditional electrolytic-based 
method, ensuring low power supply noise. This is an A/D that can easily 
go head to head with the big boys; once you use the Sparrow Micro Series
 A/D converter, your standards will be forever changed! Features <ul><li>Balanced inputs (XLR or ¼")</li><li>Selectable user calibration</li><li>Word clock input and output</li><li>Sampling rates from 44.1kHz -192kHz</li><li>AES, coax S/PDIF, and optical S/PDIF</li><li>LED metering</li><li>Accommodates nominal input signal levels from +11dBu down to -10dBV</li><li>1U high, ½ space rack mount chassis</li><li>User selectable 110/220 voltage input</li></ul>  Specifications <ul><li>Dynamic
 range:                                             120dB Black and Red 
Sparrow Unweighted. 122dB for the White Sparrow Unweighted. (124dB 
A-Weighted)</li><li> Max analog input before digital clipping:   >+24dBu</li><li> Inputs:   Balanced Analog =  TRS and XLR Clock = 75 Ohm BNC</li><li> Outputs:  
 SPDIF = Coaxial (75 Ohm) and Optical, AES-EBU (110 
Ohm)                                Word Clock =  75 Ohm BNC            
                Word Clock Lock =  indicator LED</li><li>Sampling rates:   44.1kHz - 192kHz</li><li>Bit rate:   24 bit</li><li>Latency:   ≤ 65/Fs</li><li>Digital Audio Output Level Indicator:   Bi-Color LED (Green/Amber/Red)</li></ul>

Black Lion Audio Sparrow MKII - Black
Two-channel analog-to-digital converter

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The Black Lion Audio Sparrow mkII RED (red faceplate) is also a two-channel ADC but is more comparable to our acclaimed FM192 modification. With a slightly different design and components than the Black Sparrow, it is in a class of its own, yet priced at only $1295. It features a low-noise, low-ripple converter circuit design and the same novel 220/270SP master clock that's found in our FM192. Rich, euphonic frequency response, shimmering top end, and fat low-end extension are all elements of this uniquely musical converter. Once you track with it, you'll find other converters sound hard, processed, or lifeless. Use it for mastering, two-track classical or jazz recordings, final mixes, or whatever application your studio needs. The Sparrow mkII is housed in a 1U 1/2 rack chassis, featuring XLR and ¼" balanced inputs, LED metering, BNC word clock I/O, AES output, coax & optical S/PDIF output, and user selectable signal calibration accommodating nominal input signal levels from +11dBu down to -10dBV. It features sampling rates from 44.1kHz -192kHz, with a clocking architecture that features low jitter and wide Q third harmonic crystal oscillators, and because of the quality of the clock multiplier and PLL recovery stages, performance will not degrade should the converter be synched to a lower quality word clock reference. The A/D conversion process is a tricky beast to tame. Because conversion requires so much current movement, there are plenty of places for unwanted noise to be created, both within the signal chain and in the power supply. This unwanted noise manifests itself within the audio signal as a grainy distortion, and often resides in the upper frequencies. As we began to research and test approaches to converter design, we discovered a unique way to reduce this unwanted noise and distortion, one that's not only inexpensive to implement but also works better than traditional approaches. We coupled this proprietary converter circuit to a high-speed, high-headroom analog stage that can capture the smallest nuances and micro-dynamics. The result is unparalleled: an inexpensive two-channel A/D converter that not only has an enormous sound with pinpoint imaging, but also has the smooth, wide open sonic quality of expensive high end systems and a wonderfully rich midrange. Black Lion'sSparrow mkII (named as homage to French singer Edith Piaf) features 4 input stage trim presets and a single ultra-low distortion amplifier before the converter for simplicity and purity of signal path. Power supply filtration is designed around latest-generation organic semiconductor capacitance instead of a traditional electrolytic-based method, ensuring low power supply noise. This is an A/D that can easily go head to head with the big boys; once you use the Sparrow Micro Series A/D converter, your standards will be forever changed! Features: <ul><li>Balanced inputs (XLR or ¼")</li><li>Selectable user calibration</li><li>Word clock input and output</li><li>Sampling rates from 44.1kHz -192kHz</li><li>AES, coax S/PDIF, and optical S/PDIF</li><li>LED metering</li><li>Accommodates nominal input signal levels from +11dBu down to -10dBV</li><li>1U high, ½ space rack mount chassis  </li><li>User selectable 110/220 voltage input</li></ul>  Specifications: <ul><li>    Dynamic range:                                             120dB Black and Red Sparrow Unweighted. 122dB for the White Sparrow Unweighted. (124dB A-Weighted)</li><li>     Max analog input before digital clipping:   >+24dBu</li><li>     Inputs:   Balanced Analog =  TRS and XLR Clock = 75 Ohm BNC</li><li>     Outputs:   SPDIF = Coaxial (75 Ohm) and Optical, AES-EBU (110 Ohm)                                Word Clock =  75 Ohm BNC                            Word Clock Lock =  indicator LED</li><li>    Sampling rates:   44.1kHz - 192kHz</li><li>    Bit rate:   24 bit</li><li>    Latency:   ≤ 65/Fs</li><li>    Digital Audio Output Level Indicator:   Bi-Color LED (Green/Amber/Red)</li></ul>

Black Lion Audio Sparrow MKII - Red
Two-channel analog-to-digital converter

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Okay, sometimes it's fun to show what your design team is capable of creating. The Black Lion Audio Sparrow mkII WHITE (white faceplate) represents a portion of our research into delta sigma conversion and clocking architecture. What sets it apart from the rest of the pack? For one thing, instead of using one converter for stereo conversion, it employs TWO converters in a parallel-balanced circuit to drastically boost converter dynamic range. Add to this our unique approach to converter configuration, our 220/270SP master clock with wide Q third harmonic crystal oscillators, advanced PLL recovery, and a low noise analog path, and all of these elements together will yield the richest, clearest and fattest sounding A/D converter to ever have set foot in your recording studio. The Sparrow mkII WHITE outperforms the FM192, making it among the best two-channel A/D converters available in the pro audio market today, period. Black Lion's Sparrow mk2 is housed in a 1U 1/2 rack chassis, featuring XLR and ¼" balanced inputs, LED metering, BNC word clock I/O, AES output, coax & optical S/PDIF output, and user selectable signal calibration accommodating nominal input signal levels from +11dBu down to -10dBV. It features sampling rates from 44.1kHz -192kHz, with a clocking architecture that features low jitter and wide Q third harmonic crystal oscillators, and because of the quality of the clock multiplier and PLL recovery stages, performance will not degrade should the converter be synched to a lower quality word clock reference. The A/D conversion process is a tricky beast to tame. Because conversion requires so much current movement, there are plenty of places for unwanted noise to be created, both within the signal chain and in the power supply. This unwanted noise manifests itself within the audio signal as a grainy distortion, and often resides in the upper frequencies. As we began to research and test approaches to converter design, we discovered a unique way to reduce this unwanted noise and distortion, one that's not only inexpensive to implement but also works better than traditional approaches. We coupled this proprietary converter circuit to a high-speed, high-headroom analog stage that can capture the smallest nuances and micro-dynamics. The result is unparalleled: an inexpensive two-channel A/D converter that not only has an enormous sound with pinpoint imaging, but also has the smooth, wide open sonic quality of expensive high end systems and a wonderfully rich mid-range. Our Sparrow mkII (named as homage to French singer Edith Piaf) features 4 input stage trim presets and a single ultra-low distortion amplifier before the converter for simplicity and purity of signal path. Power supply filtration is designed around latest-generation organic semiconductor capacitance instead of a traditional electrolytic-based method, ensuring low power supply noise. This is an A/D that can easily go head to head with the big boys; once you use the Sparrow Micro Series A/D converter, your standards will be forever changed! Features: <ul><li>Balanced inputs (XLR or ¼")</li><li>Selectable user calibration</li><li>Word clock input and output</li><li>Sampling rates from 44.1kHz -192kHz</li><li>AES, coax S/PDIF, and optical S/PDIF</li><li>LED metering</li><li>Accommodates nominal input signal levels from +11dBu down to -10dBV</li><li>1U high, ½ space rack mount chassis  </li><li>User selectable 110/220 voltage input</li></ul>  Specifications: <ul><li>    Dynamic range:                                             120dB Black and Red Sparrow Unweighted. 122dB for the White Sparrow Unweighted. (124dB A-Weighted)</li><li>     Max analog input before digital clipping:   >+24dBu</li><li>     Inputs:   Balanced Analog =  TRS and XLR Clock = 75 Ohm BNC</li><li>     Outputs:   SPDIF = Coaxial (75 Ohm) and Optical, AES-EBU (110 Ohm)                                Word Clock =  75 Ohm BNC                            Word Clock Lock =  indicator LED</li><li>    Sampling rates:   44.1kHz - 192kHz</li><li>    Bit rate:   24 bit</li><li>    Latency:   ≤ 65/Fs</li><li>    Digital Audio Output Level Indicator:   Bi-Color LED (Green/Amber/Red)</li></ul>

Black Lion Audio Sparrow MKII - White
Two-channel analog-to-digital converter

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The Burl B2 Bomber ADC is the most significant piece of audio 
gear in your studio, and you don’t even own it yet. You’ve spent a 
fortune on great mics, great mic pres, and a kick ass DAW, but 
unfortunately you are missing one key component; an ADC with an audio 
path worthy of your recordings.
 
Open up your best mic pre and look inside. You will see high quality 
components like tubes, large transformers and high quality capacitors. 
Open up your ADC and you will find cheap 10 cent capacitors and 
run-of-the-mill 25 cent op-amps, even when you’ve spent a lot of money 
on your interface. Most DAW hardware interfaces are designed for 
inter-connectivity with little attention to the analog audio path, or 
even the conversion, let alone the tone.
 
The B2 Bomber is designed for great specifications, but more 
importantly, it is designed to give you the ultimate in recording tone. 
For years now people have been trying to figure out why their digital 
recordings don’t have the warmth and feel of analog tape recordings. We 
try using tube mic pres and great compressors, but there is still 
something missing. There is still that blurriness, that graininess and 
lack of depth that comes with digital recordings.
 
BURL Audio has solved this problem by designing an analog audio path 
that is complimentary to your mic pre and to the analog to digital 
process. By using a revolutionary hybrid circuit with a proprietary 
transformer, the BURL AUDIO BX1, and a discrete class-A, zero feedback, 
zero capacitor signal path, we have achieved dynamic and tonal balance.
 
Using a B2 Bomber in the studio is like taking the governor off of your 
recordings. And, the B2 is not just for tracking. Mix down and mastering
 were the main focus of the B2's layout and design. With 30 segment peak
 amplitude and RMS metering, the B2 lets you know exactly how hot you 
are running your signal which is critical for mastering. The attenuator 
settings on the front easily allow you to change input headroom giving 
you the ability to hit the front end hotter or colder depending on what 
the material calls for. And don’t be afraid to run the B2 Bomber hot, it
 only sounds better. Couple that with an extremely low jitter clock 
source, and you have the B2 Bomber ADC, the most significant piece of 
gear in your studio.
<ul><li>44.1k Hz to 192k Hz, 24 bit, 2 channel ADC
</li><li>Proprietary, high definition, BURL Audio BX1 transformer input
</li><li>All class A, discrete transistors signal path with zero feedback, zero caps
</li><li>Audiophile quality 6 position attenuator with standard headroom settings
</li><li>High definition metering with simultaneous RMS and peak indication
</li><li>Two AES and one SPDIF output with dual AES wire support
</li><li>BNC word clock input with two outputs of extremely low jitter clock
</li><li>Frequency response at 48kHz sample rate is 12Hz to 22kHz, +/- 0.1dB
</li><li>Frequency response at 96kHz sample rate is 15Hz to 46kHz, +/- 0.1dB
</li><li>Frequency response at 192kHz sample rate is 18Hz to 94kHz, +/- 0.1dB
</li><li>120dB Dynamic Range (A- weighted), 117dB (no weighting)
</li><li>-100dB THD+N (+4dBU = -15dBFs)
</li><li>-94 dB THD+N (+18dBU = -1dBFs)
</li><li>Rugged, Made in USA design</li></ul>

Burl Audio B2 Bomber ADC
2-channel 192kHz analog/digital converter

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The DAD AX24 Converter System is Musical, Correct, and Flexible 
AX24 allows you to config the number of line and Mic channels that you 
need at the sample rate currently used. Analog in and output channels 
can be expanded in pairs of two. Especially configurations like 2 or 4 
analog input channels and 6 analog output channels are very suitable for
 mastering or multi-track productions where only few analog input 
channels are used simultaneously but monitoring in 5.1. is essential. 
 
Features 
<ul><li>Fully Modular - 224 different configurations</li><li>Sample rates and I/O structure can be upgraded</li><li>From 2 to 8 analog Line or Mic input channels</li><li>From 2 to 8 analog output channels</li><li>24 bit PCM sample rates up to 384 kHz</li><li>DXD sample-rate: 352.8 kHz</li><li>DSD sample rates: 64fs & 128 fs </li><li>Digital I/O: MADI, AES3, TDIF, and ProTools</li><li>Digital DSD formats compatible with MADI and SDIF-3</li><li>Integrated Mic pre with analog gain</li><li>Full remote controllable via RS-422, USB or Ethernet</li><li>Mic pre controls can be represented on the channel strip of major consoles and work stations</li></ul>
24 bit PCM sample rates up to 384 kHz, DXD and DSD 
AX24 is based on the Digital Audio Denmark high quality multi bit 
converter and modulator design, using a 5 bit delta sigma modulator. 
AX24 offers A/D and D/A conversion in PCM up-tp 384 kHz, DSD at 64fs or 
128fs and DXD at a sample-rate of 352.8 kHz. AX24 covers applications 
for music recording as well as mastering and monitoring in DSD. Mic pre with analog gain
 in 3 dB steps and digital gain with 0.25 dB accuracy is available for 
AX24 providing a sonically very transparent integrated Mic pre and ADC 
design. The Dynamic range is between 118 & 121 dB and the Mic pre 
equivalent noise floor is at -130 dB. AX24 offers an impressive dynamic 
range , making it the quietest and most transparent converter on the 
market. Full remote controllable via USB or Ethernet 
AX24 is ideally suited for stage box applications or machine room 
environment, due to the powerful remote control. The remote control 
interface is RS-422 and can be adapted to USB, Ethernet or other data 
formats providing a very flexible control structure. The DADman control utilities, provides various control interfaces for MAC and PC 
This enables the Mic pre controls can be represented on the 
channel strip of major consoles, and various DAW including ProTools HD Modular Interface structure 
All DAD-I/O modules are available for AX24 providing interfacing for the
 most used PCM formats up-to 96 kHz. Additionally the 8 channel AES3 
module can interface 192 kHz and 384 kHz on a multiple wire interface. The MADI interface 
Supports all the sampling formats of the AX24, and is an extremely 
powerful and capable interface MADI which input and output all the PCM 
rates up-to 192 kHz as well as DSD and DXD. The interface can be 
configured to operate in a daisy chain for connecting more converters to
 the same MADI link. The MADI interface and the converter can be set to 
access any of the up-to 64 MADI channels in any configuration in blocks 
of 8 consecutive channels. All "unused" channels are linked trough the 
interface with very low latency of only a few samples. External synchronization to AES 11, Word Clock, Super clock or video (PAL, NTSC, SECAM) 
The built-in PLL circuit is able to correct for minor variations in the 
external sync clock signal, giving a very stable adaptation to the 
external synchronization signal. Sync alarm 
If a digital output is chosen with the DA source button, and the digital
 input for some reason is out of synchronization, the red Sync alarm LED
 will blink. This function is available to secure that the whole 
recording system is synchronized. The function can be turned off in the 
system menu.

DAD AX24 2 Line A/D - 192 kHz
Includes one AES, MADI, TDIF, PTMIX24, SDIF3 or Pro Tools HD interface of your choice

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DAD AX24 2 Line A/D - DSD
Includes one AES, MADI, TDIF, PTMIX24, SDIF3 or Pro Tools HD interface of your choice

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DAD AX24 2 Mic/Line A/D - 192 kHz
Includes one AES, MADI, TDIF, PTMIX24, SDIF3 or Pro Tools HD interface of your choice

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DAD AX24 2 Mic/Line A/D - DSD
Includes one AES, MADI, TDIF, PTMIX24, SDIF3 or Pro Tools HD interface of your choice

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DAD AX24 8 Line A/D - 192 kHz
Includes one AES, MADI, TDIF, PTMIX24, SDIF3 or Pro Tools HD interface of your choice

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