Big Bottom is a proven sound enhancement TDM Plug-In for Pro Tools from the company that invented sound enhancement. Modeled after the Big Bottom circuit in the Aphex Model 104, Big Bottom is an example of stunning, patented Aphex circuitry.
Big Bottom works on bass frequencies and adds low-end presence and punch without increasing peak level. This allows you to pack more bass into your mix without overloading amps and recorders or blowing up speakers.
Since DINR analyzes and subtracts noise entirely within the digital realm, the results can be virtually free of side effects — such as distortion, dynamic modulation (pumping and breathing), and the undesired fluctuations in frequency response associated with conventional noise reduction systems.
FEATURES
Professional-quality broadband noise reduction Broadband Noise Reduction compatible with Pro Tools systems running on Mac OS or Windows High fidelity, real-time processing with TDM and file-based processing with AudioSuite Unparalleled cost-effectiveness Automation features including dynamic TDM plug-in automation SYSTEM REQUIREMENTS Digidesign-approved Pro Tools system running 4.1.1 software (or higher)
Maximum Supported Sample Rate: 96 kHz
The Side-Chain Trigger can be set to key the gate from any audio track you choose, providing limitless processing possibilities. Key filters "tune" the gate to the required frequency to assist triggering, while the ultra-fast attack time adds punch. Audio is further enhanced by the compressor and is kept under precise control by the limiter.
For less percussive signals like vocals, guitar, and piano, Drawmer's Program Adaptive Circuits can intelligently shape and enhance the signal, breathing life into dull tracks and gently controlling excessively dynamic passages.
The Expander/Compressor/Limiter Plug-In is based on the Drawmer DL241 Auto Compressor and DL251 Limiter. Auto gain adjusts the gain of the compressor when the threshold or ratio controls are adjusted. Drawmer Dynamics takes full advantage of the latest Pro Tools functionality including dynamic automation, total save and recall of all parameters and mapping to external control surfaces.
External trigger from any TDM channel Frequency Selective Gate Compressor with optional Auto Attack and Release; optional Auto gain make up Gate with External Side-Chain Trigger Zero Overshoot Limiter Stereo Linking SYSTEM REQUIREMENTS
Digidesign-approved Mac OS or Windows NT Pro Tools TDM system
Utilizing virtual vintage modules, Forte Suite brings Focusrite’s sonic signature to Pro Tools through sophisticated modeling of the ISA 110 EQ and ISA 130 dynamics processors (including compressor, de-esser, and noise gate), the key modules from the acclaimed Focusrite Forte analog console. It also includes surround modes as well as graphical representations of EQ, compression, and related module curves. And its interface components closely resemble the ISA series modules treasured by audiophiles the world over.
Along with offering a host of powerful processing tools including a six-band EQ and a multi-channel compressor, gate, and expander, Forte Suite also features a sidechain input and frequency filters for the dynamics processors.
The Forte Suite can perform both as a channel strip plug-in and as individual ISA 110, ISA 130 dynamics, and ISA 130 compressor plug-ins. In addition, the ISA 130 compressor supports all Pro Tools surround formats.
ISA 110 Equalizer ISA 130 Multi Channel Surround Compressor ISA 130 Expander ISA 130 Gate ISA 130 De-esser Side Chain input for the Compressor and Gate Frequency filters for the dynamics processors Classic-style, vintage GUI with additional graphical representations of the EQ, Compressor, and Gate Taps into the power of Pro Tools|HD Accel cards Supports sampling rates up to 192 kHz The classic, vintage “Focusrite Sound” Support for Digidesign D-Control Internal clip detection (Pro Tools 6.4 or higher required) Support for Pro Tools Delay Compensation (Pro Tools 6.4 or higher required) Copy Protection: iLok (sold separately) Maximum Supported Sample Rate: 192 kHz
The 24-bit d2 is designed for the audio professional who requires the highest levels of performance and maximum versatility in a software-based equalizer, providing multiple modular configurations. With superior resolution, intuitive graphics, dynamic automation and save/copy/paste options, d2 takes full advantage of the power and capabilities of the Pro Tools TDM environment.
The d3 provides flexibility and versatility through separate insert configurations in addition to its highly impressive sonic characteristics. The d3 also functions in AudioSuite, providing file-based processing and conservation of DSP resources. Coupled with dynamic automation, multiple inserts and save/copy/paste options, the Focusrite d3 takes full advantage of the power and capabilities of Pro Tools.
Impact’s clean and well-organized user interface emulates the look of a console mix bus compressor. Its control set includes four selectable compression ratios and variable controls for Attack, Release, Threshold, and Make-up Gain. The Impact compressor interface includes a Gain Reduction meter that replicates an analog meter with an animated bouncing needle, displaying authentic ballistics as it meters gain reduction. The Impact compressor also includes a side-chain input, allowing any Pro Tools audio track to be used as an external key.
Ideal for professional music and post environments where critical control of dynamic program material is essential, Impact’s ability to go from subtle smoothing of dynamics to extreme squashing compression is without peer.
Copy Protection: iLok (sold separately)
Maximum Supported Sample Rate: 192 kHz
Features: A whole collection of classic echo units - all programmable and automatable Echo Models based on: Maestro Echoplexes, Roland RE-101 Space Echo, Boss DM-2, Electro-Harmonix Memoryman, TC Electronics 2290, plus Lo Res Delay, Filter-Sweep Echo, and more System Requirements: Digidesign-approved Macintosh or Windows CPU
FEATURES Real-Time Vocoder – uses any input source/audio track or the built-in oscillator as carrier signal, any audio track as the modulator Integrated, eight-voice virtual analog synthesizer Breakpoint EQ and Input Channel Flip for customizing and controlling your signals Filterbank Reverb Automation supports both RTAS sidechain routing and Pro Tools automation
Digidesign ReVibe at a Glance: Room Modeling at its best means life-sized reverbs Stereo AND surround sound reverb capabilities High-definition reverb for the most demanding studio needs Incredibly flexible, yet easy to use Room Modeling ReVibe's innovative Room Modeling algorithms allow combinations of different room reflections and coloration. Interactive displays are used throughout the ReVibe plug-in, making it even easier to visualize and edit reverb characteristics. ReVibe reflects an entirely new approach to reverb. Its reverb modeling capabilities add an entirely new range of possibilities, which extend beyond any existing reverb technology. As such, ReVibe's ability to accurately model many types of real spaces as well as springs and plates is an ideal complement to Reverb One's classic digital reverb sound. ReVibe includes nine new reverb algorithms and over 200 Room Types/early reflections, enabling you to easily dial in the reverberant space you're seeking. Employing an innovative approach to room coloration, ReVibe's room characteristics - accurate representations of a room's "sound" or "ambience" - can be added to a reverb along with an early reflection. Early reflections and room coloration are adjusted via a single control called Room Type.
Stereo or multi-channel reverbs ReVibe is a full-featured mono, stereo and surround reverb plug-in with an extensive set of room-modeling controls. It builds upon the intuitive user interface of Digidesign's Reverb One through increased functionality, while upholding the sound quality standards typical of professional Digidesign TDM plug-ins.
While ReVibe is highly optimized for multi-channel processing, it also functions just as well in mono and stereo applications. Particularly useful in music production applications, all of ReVibe's multi-channel controls are also available in mono and stereo instances, and add more density and presence to the reverb.
96kHz support! ReVibe also includes native 96kHz processing, allowing for its algorithm to process audio at 96 kHz without the need for sample rate conversion. ReVibe is optimized for 96 kHz mixing and engineered to take full advantage of the increased power and memory of the new 321 DSP chips residing on the HD Accel card.
Amazingly powerful, yet easy to "get" ReVibe's user interface utilizes some of the same interactive displays found in Reverb One, with enhancements that make them even more informative. Reverb reflections and shape can be displayed independently for front and rear channels. And Reverb EQ and Reverb Color have been combined into a single interactive graph that accurately displays the frequency and gain of the EQ and coloration.
Digidesign ReVibe Features: Superior, professional room modeling functionality Nine different reverb algorithms Multi-channel reverb controls Interactive displays for EQ, Decay Color, Early Reflections, and Reverb Shape Extensive set of Early Reflections and Room Types Supports up to 5.1 Pro Tools multi-channel formats Supports sampling rates up to 96 kHz
Features: Independently controllable reverb settings, including Level, Decay Time, Attack, Spread, Room Size, Diffusion, Pre-Delay Extensive library of reverb presets Early Reflection controls, including Level, Delay, Spread, plus early reflection room presets Dynamics and Chorus sections for shaping reverb decay and optimizing reverb effects System Requirements: Digidesign-approved Mac OS or Windows Pro Tools system running 5.0 software (or higher)
Digidesign Smack™ is a new professional compressor/limiter plug-in designed specifically for music applications, but capable of accommodating virtually any kind of audio material with equal success. Smack! features three compression modes, unique compression ratios, and harmonic distortion ideally suited for achieving a wide range of sonic variations and colorations. Additionally, the plug-in supports side-chain processing, multichannel track types, and the full range of ProTools sample rates and plug-in formats.Smack! has been developed for Pro Tools music makers who require a great-sounding, flexible and easy-to-use compression tool. Accurately modeling automatic gain reduction devices previously found only in hardware, Smack! controls the volume of just about any source in a very “musical” manner, adding fullness, intelligibility, and excitement to any track. Its user interface is intuitively constructed, with a look and feel reminiscent of vintage devices, enabling the user to create an amazingly wide range of tonal coloration with a minimal set of controls.