Avid Pro Tools TDM Plug-ins

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Neve
Barefoot Sound
Shadow Hills Industries
Retro Instruments
Waves Audio
Coles Microphones
Endless Analog Clasp

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Avid Pro Tools TDM Plug-ins

Avid Aphex Big Bottom Pro/Aural Exciter Bundle
TDM Plug-In

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Avid Bruno/Reso (TDM)
Cross-Synthesis Plug-In Duo for TDM Systems

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DINR, Digidesign's award-winning Intelligent Noise Reduction plug-in, effectively reduces unwanted noise — including tape hiss, guitar-amp buzz, and air conditioner rumble — for cleaner, more professional sounding audio.

Since DINR analyzes and subtracts noise entirely within the digital realm, the results can be virtually free of side effects — such as distortion, dynamic modulation (pumping and breathing), and the undesired fluctuations in frequency response associated with conventional noise reduction systems.

FEATURES

Professional-quality broadband noise reduction 
Broadband Noise Reduction compatible with Pro Tools systems running on Mac OS or Windows 
High fidelity, real-time processing with TDM and file-based processing with AudioSuite 
Unparalleled cost-effectiveness 
Automation features including dynamic TDM plug-in automation

SYSTEM REQUIREMENTS

Digidesign-approved Pro Tools system running 4.1.1 software (or higher)

Maximum Supported Sample Rate: 96 kHz

Avid DINR (TDM + AS)
Avid/Digidesign Intelligent Noise Reduction Plug-In (TDM + AS)

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DINR, Digidesign's award-winning Intelligent Noise Reduction plug-in, effectively reduces unwanted noise - including tape hiss, guitar-amp buzz, and air conditioner rumble - for cleaner, more professional sounding audio. Now, it's available as an Audio Suite plug-in for LE systems! Since DINR analyzes and subtracts noise entirely within the digital realm, the results can be virtually free of side effects - such as distortion, dynamic modulation (pumping and breathing), and the undesired fluctuations in frequency response associated with conventional noise reduction systems. Features: 
<UL>
<LI>Professional-quality broadband noise reduction </LI>
<LI>High-fidelity, file-based processing with AudioSuite </LI>
<LI>Listen to the noise being removed with DINR AudioSuite "Audition Noise" function </LI>
<LI>Post-processing removes undesirable artifacts with DINR AudioSuite "Artifact Removal" function </LI>
<LI>Unparalleled cost-effectiveness</LI></UL>

Avid DINR LE (AS)
DINR Plug-In For Pro Tools LE!

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Based on Drawmer's legendary DS201 Noise Gate, the Gate/Compressor/Limiter Plug-In is the ultimate processing tool for percussive and highly transient material. 

The Side-Chain Trigger can be set to key the gate from any audio track you choose, providing limitless processing possibilities. Key filters "tune" the gate to the required frequency to assist triggering, while the ultra-fast attack time adds punch. Audio is further enhanced by the compressor and is kept under precise control by the limiter. 

For less percussive signals like vocals, guitar, and piano, Drawmer's Program Adaptive Circuits can intelligently shape and enhance the signal, breathing life into dull tracks and gently controlling excessively dynamic passages. 

The Expander/Compressor/Limiter Plug-In is based on the Drawmer DL241 Auto Compressor and DL251 Limiter. Auto gain adjusts the gain of the compressor when the threshold or ratio controls are adjusted. Drawmer Dynamics takes full advantage of the latest Pro Tools functionality including dynamic automation, total save and recall of all parameters and mapping to external control surfaces.

FEATURES

External trigger from any TDM channel 
Frequency Selective Gate 
Compressor with optional Auto Attack and Release; optional Auto gain make up 
Gate with External Side-Chain Trigger 
Zero Overshoot Limiter 
Stereo Linking

SYSTEM REQUIREMENTS 

Digidesign-approved Mac OS or Windows NT Pro Tools TDM system

Maximum Supported Sample Rate: 96 kHz

Avid Drawmer Dynamics (TDM)
High Quality, Multi-Band Dynamics for Pro Tools

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EastWest/Quantum Leap is an industry-leading, critically acclaimed, sound developer. With Avid Symphonic Orchestra Gold Complete - Structure™ Edition,
 EastWest and Avid bring a complete virtual orchestra to Pro Tools® for 
use with Structure™, Avid’s professional sampler workstation, and 
Structure™ LE and Structure™ Free, Avid’s versatile sample players. 
 
Symphonic Orchestra Gold Complete — Structure Edition is a 
comprehensive, professional 35 GB sound library of high-quality 
orchestral samples recorded in a $125 million concert hall. This special
 edition combines EastWest’s popular Symphonic Orchestra Gold with Gold 
Pro XP, offering 941 patches of the most ultra-realistic, high fidelity 
orchestral sounds that take advantage of the Structure family’s unique 
features. 
 
Choose from a wide variety of orchestral instrument articulations in a 
variety of playing styles, including strings (violins, cellos, violas, 
basses, and harps), woodwinds (flutes, oboes, English horns, bassoons, 
and clarinets), brass (French horns, trumpets, trombones, and tubas), 
and percussion (timpani, bass drum, snares, anvils, vibes, cymbals, 
gongs, bells, and more). Use the sounds in their pure forms, or layer 
and tweak them as the maestro of your own world-class orchestra.

Avid EastWest/Quantum Leap Symphonic Orchestra Gold
Comprehensive collection of orchestral sound samples for use in Avid/Digidesign Structure software sampler

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The Focusrite Forte Suite is a channel strip plug-in for Pro Tools based on the now-legendary Focusrite Forte recording console of the mid-'80s (original price for Forte console: $1.5 million).

Utilizing virtual vintage modules, Forte Suite brings Focusrite’s sonic signature to Pro Tools through sophisticated modeling of the ISA 110 EQ and ISA 130 dynamics processors (including compressor, de-esser, and noise gate), the key modules from the acclaimed Focusrite Forte analog console. It also includes surround modes as well as graphical representations of EQ, compression, and related module curves. And its interface components closely resemble the ISA series modules treasured by audiophiles the world over.

Along with offering a host of powerful processing tools including a six-band EQ and a multi-channel compressor, gate, and expander, Forte Suite also features a sidechain input and frequency filters for the dynamics processors.

The Forte Suite can perform both as a channel strip plug-in and as individual ISA 110, ISA 130 dynamics, and ISA 130 compressor plug-ins. In addition, the ISA 130 compressor supports all Pro Tools surround formats.

FEATURES

ISA 110 Equalizer

ISA 130 Multi Channel Surround Compressor

ISA 130 Expander

ISA 130 Gate

ISA 130 De-esser

Side Chain input for the Compressor and Gate

Frequency filters for the dynamics processors

Classic-style, vintage GUI with additional graphical representations of the EQ, Compressor, and Gate

Taps into the power of Pro Tools|HD Accel cards

Supports sampling rates up to 192 kHz

The classic, vintage “Focusrite Sound”

Support for Digidesign D-Control

Internal clip detection (Pro Tools 6.4 or higher required)

Support for Pro Tools Delay Compensation (Pro Tools 6.4 or higher required)

Copy Protection: iLok (sold separately) 
 
Maximum Supported Sample Rate: 192 kHz

Avid Focusrite Forte Suite (TDM + RTAS)
Channel Strip Plug-in for Pro Tools (TDM + RTAS)

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Avid Focusrite d2/d3 Bundle
High-quality, Multi-band EQ and Compressor/Limiter Plug-In Bundle (TDM + RTAS + AS)

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Digidesign Hybrid is a premium RTAS software synthesizer for Pro Tools systems that combines the warmth of legendary analog synths from the '70s with a full range of 21st-century analog and digital capabilities. The result is the best of both worlds - a virtual instrument with a comprehensive set of precisely adjustable parameters that can sound like the synths you remember or like something no one has ever heard before Digidesign Hybrid Software Synthesizer Features: 
<ul>
<li>More than 250 presets with a range of analog and digital sounds </li>
<li>Comprehensive user-modification capabilities from a straight-forward interface </li>
<li>Sample-accurate synth engine for super-fast envelopes and high-definition sound </li>
<li>Two simultaneous parts for creating complex patches </li>
<li>Three high-definition oscillators per part - two with seven wave modes </li>
<li>Revolutionary filter design with 23 filter modes and true saturation for warm patches </li>
<li>Flexible editing options with four envelope generators and three LFOs per part </li>
<li>Performance-oriented features, including a modulation matrix, "morph" groups, and a step sequencer/polyphonic phrase generator for each part </li>
<li>Two effects inserts per part, plus a master effects section </li></ul>

Avid Hybrid
Premium RTAS software synthesizer for Pro Tools systems

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The first Digidesign TDM plug-in compatible exclusively with the new HD Accel PCI cards, the Impact compressor is the first of its kind to bring console-style mix bus compression to Pro Tools via a familiar user interface and control set. With support for multichannel tracks up to 7.1 and sampling rates up to 192 kHz, Impact offers unmatched features and sound previously unavailable with other TDM compressors.

Impact’s clean and well-organized user interface emulates the look of a console mix bus compressor. Its control set includes four selectable compression ratios and variable controls for Attack, Release, Threshold, and Make-up Gain. The Impact compressor interface includes a Gain Reduction meter that replicates an analog meter with an animated bouncing needle, displaying authentic ballistics as it meters gain reduction. The Impact compressor also includes a side-chain input, allowing any Pro Tools audio track to be used as an external key.

Ideal for professional music and post environments where critical control of dynamic program material is essential, Impact’s ability to go from subtle smoothing of dynamics to extreme squashing compression is without peer.

Copy Protection: iLok (sold separately) 

Maximum Supported Sample Rate: 192 kHz

Avid Impact (HD Accel systems only)
Console-Style Mix Bus Compression

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Since its introduction in 1998, Line 6’s Amp Farm TDM plug-in has become the trusted tool to create realistic simulations of recording with a miked guitar amplifier and cabinet. A favorite of professional producers in nearly every area of audio production, Amp Farm has been used on literally hundreds of Pro Tools projects of all shapes and sizes, including platinum albums, mega-budget film soundtracks, and television productions.
 
And now, Line 6 and Digidesign are excited to announce the latest version of Amp Farm: Digidesign Amp Farm 3.0. Thanks to Line 6’s exclusive microphone modeling and new generation of cabinet models, Amp Farm 3.0 provides a new level of guitar amplifier- and cabinet-modeling realism. Using a Pro Tools-exclusive variation of technology from the acclaimed Line 6 PODxt-series hardware, these features dramatically improve the sonic power and flexibility of Amp Farm.
 
While still featuring all of the same great amplifier and cabinet models found in previous versions of Amp Farm, Amp Farm 3.0 adds a wide-variety of new cabinet models and allows you to select one of four microphone setups to use with the cabinet you choose. Amp Farm 3.0 also features sonic improvements over previous versions of Amp Farm.
 
Amp Farm 3.0 is compatible with Pro Tools 6.7 software on Digidesign Pro Tools|HD and Pro Tools|HD Accel systems, and supports high-definition sample rates up to 192 kHz*. Amp Farm 3.0 also works with Digidesign’s VENUE live sound environment, allowing touring acts and fixed live sound installations to benefit from Amp Farm’s premier sound quality and flexibility.
 
Ease of Use 
Amp Farm 3.0 allows you to plug in any guitar directly into a Pro Tools|HD, HD Accel, or VENUE live sound system and instantly hear it running through your choice of spot-on simulations of world-class guitar amplifiers and miked cabinets — all without the hassle of dragging around physical amps, cabinets, and microphones, or paying for cartage.
 
Amp Farm 3.0 works on live input tracks as well as pre-recorded Pro Tools tracks. This allows mixers to make adjustments to the plug-in’s parameters to right up until the final mix, providing incredible flexibility and creative freedom when mixing.
 
Not Just for Guitars 
In addition to guitar recording, creative producers and sound designers have also used Amp Farm to process non-guitar sources, punching up — or munching up — the sound of drums, keyboards, vocals, sound design sources and practically any audio that can benefit from tube warmth, distortion, or speaker cabinet life.
 
* 192 kHz support requires Pro Tools|HD Accel hardware.
 
Features:
<UL>
<LI> Over a dozen faithful recreations of a world-class collection of guitar combos and heads
<LI> Simple amp-style control and automation of all parameters
 <LI> Mix and match any amplifier and cabinet models for a wide variety of sounds
 <LI> Selectable microphone models capture classic cabinet miking techniques
<LI> Process live guitar inputs or tweak pre-recorded tracks right up to the final mix
 <LI>Add tube warmth, dynamic distortion, or speaker cabinet life to any audio track
 <LI> Tonal flexibility beyond the limitations of traditional amp designs
 <LI> Supports up to 192 kHz sample rates with Pro Tools|HD Accel
<LI> Compatible with Pro Tools 6.7 software on Pro Tools|HD and Pro Tools|HD Accel systems
 <LI>Supports the Digidesign VENUE live sound environment

Avid Line 6 Amp Farm Version 3 (TDM)
Industry-standard Guitar Amp-modeling Effects Plug-in from Line 6

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Avid Line 6 Echo Farm (TDM)
Vintage Echo Plug-In for Pro Tools

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Developed by the creator of the parametric EQ, George Massenburg, Massenburg DesignWorks® Hi-Res Parametric EQ 3.0 emulates the filter curves of Massenburg’s legendary GML 8200 reference-standard equalizer. Designed for Pro Tools|HD® systems, version 3.0 offers new RTAS® support, giving you the flexibility to use the EQ with Pro Tools LE® and Pro Tools M-Powered™ systems too. With its unprecedented clarity, unmatched smoothness, and excellent high-frequency response, MDW® Hi-Res Parametric EQ will help you achieve optimal definition in your mixes. Features 
<UL>
<LI>Wide frequency selection, from 10 Hz to 41 kHz, with variable Q and choice of three- or five-band EQ 
<LI>Double-precision 48-bit processing for unprecedented clarity 
<LI>Emulates GML 8200 constant shape reciprocal filter curves — the industry-standard reference 
<LI>IsoPeak® functionality lets you quickly solo a target frequency band 
<LI>A/B snapshots allow settings comparisons 
<LI>Supports both TDM and RTAS plug-in formats </LI></UL>Digidesign MDW® Hi-Res Parametric EQ emulates the constant shape reciprocal filter curves of Massenburg’s legendary GML 8200 equalizer — the industry-standard reference. The plug-in offers a choice of three or five bands of equalization (both versions support the ultra-wide 10 Hz to 41 kHz frequency range) to target certain frequencies, or conserve DSP resources when only three bands of EQ are needed. Professional Features MDW Hi-Res Parametric EQ offers a number of features to help you achieve better mixes. It allows you to view the frequency grid in 6, 12, or 24 dB resolution for more editing precision. IsoPeak® lets you quickly isolate and sweep through the frequency spectrum to find a targeted frequency. You can also toggle between two EQ band settings using A/B snapshots, copy one setting to the other, and invert the phase of a track. And when used with an ICON worksurface or Digidesign® control surface, the EQ organizes the bands into ergonomic groups on the channel strips. High-Resolution Filtering MDW Hi-Res Parametric EQ 3.0 lives up to its high-resolution name. The plug-in delivers double-precision 48-bit processing for optimal clarity with natural-sounding results. It also provides high-resolution 96 kHz sample-rate processing for audio recorded at 48 kHz or 96 kHz, and 192 kHz sample-rate processing for 192 kHz audio, allowing for increased headroom, fewer artifacts, and more predictable filter curves. And with a variable Qs (adjustable bandwidths) from 25.6 (1/18 of an octave) to 0.1 (6-2/3 octaves), MDW Hi-Res Parametric EQ 3.0 delivers unmatched precision. Excellent DSP Efficiency MDW Hi-Res Parametric EQ 3.0 allows you to tailor the number of frequency bands for better DSP processing efficiency. Use the three-band version to conserve resources, allowing you to instantiate the EQ plug-in up to eight times per DSP chip at 48 kHz and 96 kHz on Pro Tools|HD® Accel systems. With the five-band version, you can instantiate the EQ plug-in up to four times per DSP chip at 48 kHz and 96 kHz on Pro Tools|HD Accel systems. System Requirements 
<UL>
<LI>Digidesign-qualified Windows- or Mac-based Pro Tools|HD®, Pro Tools LE®, or Pro Tools M-Powered™ system running Pro Tools® 7.3 or higher software 
<LI>iLok USB Smart Key (sold separately), Internet access, and free iLok.com account for authorization </LI></UL>

Avid MDW Hi-Res Parametric EQ 3.0 - TDM & RTAS
Optimum High-Res Digital EQ Plug-in Featuring Double Precision Processing

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Tightly integrated with Digidesign Pro Tools software, the Neyrinck SoundCode for Dolby Digital plug-in suite provides mastering-quality workflow tools that enable you to encode and decode Dolby Digital (AC-3) audio directly within Pro Tools software, without the need for dedicated Dolby hardware. Whether you are mixing in surround, delivering surround audio for DVD video, decoding audio from a DVD video within Pro Tools, creating a DVD reference disk, or producing a surround-compatible audio CD, SoundCode provides a range of powerful features to help you accomplish your goals, all within the industry-standard Pro Tools environment. Faster-Than-Real-Time* Encoding The SoundCode Encoder offers a fast way to encode audio as AC-3 and WAV files from a Pro Tools session, ready for use with DVD audio or video authoring applications, CD burning applications, or any other application that uses the Dolby Digital standard. Because the SoundCode Encoder operates as an AudioSuite™ plug-in, you can encode Dolby Digital faster than real time* to accelerate your workflow. SoundCode encodes to all AC-3 file types, including AC-3 with time code. SoundCode also encodes to 16- or 24-bit stereo interleaved WAV files so you can lay back the Dolby Digital audio to digital tape or create an audio disc for playback on a consumer stereo system that has a Dolby Digital decoder. With the SoundCode Encoder, you can adjust preprocessing settings and add extensive metadata to ensure greater consistency in the presentation of audio on a variety of playback systems. The SoundCode Encoder also gives you the option to import the encoded Dolby Digital audio back into the Pro Tools timeline, where you can decode and monitor it using the real-time SoundCode Decoder. Punch In/Out Capabilities SoundCode includes a time-saving Punch In/Out encoding feature that allows you to punch in fixes to an existing AC-3 file. If you've already encoded the audio for a two-hour program but need to replace a single line of dialog, SoundCode lets you encode just that line, without having to re-encode the entire two-hour soundtrack. SoundCode then automatically “punches in” that line to the correct location within the previously encoded file.

Avid Neyrinck SoundCode for Dolby Digital
Dolby Digital Encoding Plug-in for Pro Tools - RTAS

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Avid Prosoniq Orange Vocoder (RTAS)
Real-time Vocoder and Software Synthesizer (RTAS)

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A new plug-in from Digidesign designed exclusively for the new HD|Accel card, ReVibe provides Pro Tools TDM users with a reverb-modeling tool that can handle any reverberation task. The 96 kHz-capable ReVibe includes nine entirely new reverb algorithms combined with over 200 early room reflection/coloration models. If you use reverb to enhance your mix (and who doesn't), AND you're thinking about staying in the "virtual" domain, ReVibe is the plug-in you've been waiting for!

Digidesign ReVibe at a Glance:

Room Modeling at its best means life-sized reverbs 
Stereo AND surround sound reverb capabilities 
High-definition reverb for the most demanding studio needs 
Incredibly flexible, yet easy to use
Room Modeling

ReVibe's innovative Room Modeling algorithms allow combinations of different room reflections and coloration. Interactive displays are used throughout the ReVibe plug-in, making it even easier to visualize and edit reverb characteristics.

ReVibe reflects an entirely new approach to reverb. Its reverb modeling capabilities add an entirely new range of possibilities, which extend beyond any existing reverb technology. As such, ReVibe's ability to accurately model many types of real spaces as well as springs and plates is an ideal complement to Reverb One's classic digital reverb sound.

ReVibe includes nine new reverb algorithms and over 200 Room Types/early reflections, enabling you to easily dial in the reverberant space you're seeking. Employing an innovative approach to room coloration, ReVibe's room characteristics - accurate representations of a room's "sound" or "ambience" - can be added to a reverb along with an early reflection. Early reflections and room coloration are adjusted via a single control called Room Type.

Stereo or multi-channel reverbs 
ReVibe is a full-featured mono, stereo and surround reverb plug-in with an extensive set of room-modeling controls. It builds upon the intuitive user interface of Digidesign's Reverb One through increased functionality, while upholding the sound quality standards typical of professional Digidesign TDM plug-ins. 

While ReVibe is highly optimized for multi-channel processing, it also functions just as well in mono and stereo applications. Particularly useful in music production applications, all of ReVibe's multi-channel controls are also available in mono and stereo instances, and add more density and presence to the reverb.

96kHz support!
ReVibe also includes native 96kHz processing, allowing for its algorithm to process audio at 96 kHz without the need for sample rate conversion. ReVibe is optimized for 96 kHz mixing and engineered to take full advantage of the increased power and memory of the new 321 DSP chips residing on the HD Accel card.

Amazingly powerful, yet easy to "get"
ReVibe's user interface utilizes some of the same interactive displays found in Reverb One, with enhancements that make them even more informative. Reverb reflections and shape can be displayed independently for front and rear channels. And Reverb EQ and Reverb Color have been combined into a single interactive graph that accurately displays the frequency and gain of the EQ and coloration.

Digidesign ReVibe Features:

Superior, professional room modeling functionality 
Nine different reverb algorithms 
Multi-channel reverb controls 
Interactive displays for EQ, Decay Color, Early Reflections, and Reverb Shape 
Extensive set of Early Reflections and Room Types 
Supports up to 5.1 Pro Tools multi-channel formats 
Supports sampling rates up to 96 kHz

Avid ReVibe
Room Modeling Reverb TDM Plug-in (HD Accel systems only)

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Add the richness of analog tape recordings and tape effects to your digital recordings or live audio easily and realistically with Reel Tape Suite™, a collection of three plug-ins to warm up digital sound. All of the plug-ins feature streamlined interfaces with intuitive controls that are easy to work with, day in and day out. Whether you’re a professional audio mixer, musician, or live sound engineer, Reel Tape Suite brings the vintage sound of analog tape to digital audio while providing all the advantages of today’s state-of-the-art digital effects processors. Reel Tape Saturation Re-create the classic analog recording experience. Reel Tape™ Saturation emulates the color characteristics, tape compression, and saturation effects of popular analog tape formulations, including the classic Ampex 456* and higher-output Quantegy GP9*. It also features carefully modeled characteristics from renowned tape machines such as the 3M M79* and Studer A800*. Enjoy full control over tape speed, hiss, bias, and calibration levels — and forget about cotton swabs, rubbing alcohol, and razor blades! 
<UL>
<LI>Bring the warmth and punch of analog tape color and saturation into the digital domain 
<LI>Phase and frequency response characteristics modeled from three types of analog tape machines 
<LI>Saturation effects modeled from two popular tape formulations 
<LI>Control the tape speed effect from 7.5 to 30 ips (inches per second) 
<LI>Noise controls adjust the amount of tape hiss 
<LI>Bias controls simulate the effect of under- or over-biasing the tape machine 
<LI>Cal Adjust control simulates the effect of three common calibration levels</LI></UL>*Digidesign Reel Tape plug-ins are not connected with, or approved or endorsed by, the owners of the 3M, Studer, Ampex, or Quantegy trademarks. These names are used solely to identify the products that were modeled to create the Reel Tape plug-ins. Reel Tape Delay Psychedelic, Dub, and Electro music styles are hotter than ever, and the warm, ear-pleasing sound of tape-based delay has never been more relevant. Reel Tape™ Delay emulates analog tape echo and delay effects with expertly modeled frequency response, noise, wow and flutter, and distortion characteristics. Reproduce fluctuations in tape speed — both small and large. Even get the full effect of adjusting tape speed during the record/playback process. Delays are fully adjustable over a wide range, and because EQ and detailed level control are built into the echo/delay loop, the feedback controls allow you to dial-in a variety of effects, from tastefully subtle to over-the-top. 
<UL>
<LI>Authentically modeled analog tape echo and delay effects 
<LI>Reproduce the fluctuations in tape speed 
<LI>Adjust delays from 93 ms to 1,486 ms (1-7/8 ips to 30 ips) 
<LI>Feedback control adjusts the amount of delayed output fed back into the input 
<LI>Wow & Flutter controls adjust tape speed fluctuation 
<LI>Bass and Treble controls in the echo/delay feedback loop allow for subtle to extreme feedback and saturation effects</LI></UL> Reel Tape Flanger The reason why most flanger effects sound unconvincing is because the studio technique that they imitate is dependent on so many real-world factors. Reel Tape™ Flanger thoroughly models the tape flanging process and hardware characteristics, and provides an arsenal of controls for shaping the output in real time. The results are as close as you can get to the real thing — and a lot easier to use! The sonic characteristics of frequency response, noise, wow and flutter, and distortion are captured in detail and applied to a variety of tape speed and delay control options. Infamously difficult manual flange and artificial double-tracking (ADT) techniques are simple to re-create. Simply adjust the variable delay manually (or use the LFO and Depth controls) and listen to the captivating frequency sweep and “crossover” cancellation effects heard on so many classic recordings. You also get easy access to tape speed fluctuation and feedback controls. 
<UL>
<LI>Accurately reproduce analog tape machine flanging 
<LI>Adjustable speed control allows for manual flanging and artificial double-tracking effects 
<LI>Feedback control adjusts the amount of flanged output fed back into the input 
<LI>Wow & Flutter controls adjust tape speed fluctuation 
<LI>LFO Rate and Depth settings control the speed and depth of the flanging effect</LI></UL>

Avid Reel Tape Suite
Add the richness of analog tape recordings and tape effects to your digital recordings or live audio easily and realistically

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If you're looking for a reverberation processor of uncompromising sonic quality that's also easy to use, look no further than the Reverb One TDM Plug-In. Reverb One is a reverb processor built from the ground up by Digidesign to satisfy demanding audio professionals. At every step in its development, Reverb One was subjected to critical listening tests, resulting in a TDM Plug-In that can compete with any software or hardware reverb processor on the market today. ReverbOne gives you complete control of the reverberant characteristics of your mix, and is equally at home in music, post production and sound design applications that require the utmost in clarity and precision. 
Features:

Independently controllable reverb settings, including Level, Decay Time, Attack, Spread, Room Size, Diffusion, Pre-Delay 
Extensive library of reverb presets 
Early Reflection controls, including Level, Delay, Spread, plus early reflection room presets 
Dynamics and Chorus sections for shaping reverb decay and optimizing reverb effects 
System Requirements:

Digidesign-approved Mac OS or Windows Pro Tools system running 5.0 software (or higher)

Avid Reverb One (TDM)
Reverb Processing for Pro Tools TDM Systems

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Digidesign Smack™ is a new professional compressor/limiter plug-in designed specifically for music applications, but capable of accommodating virtually any kind of audio material with equal success. Smack! features three compression modes, unique compression ratios, and harmonic distortion ideally suited for achieving a wide range of sonic variations and colorations. Additionally, the plug-in supports side-chain processing, multichannel track types, and the full range of ProTools sample rates and plug-in formats. Smack! has been developed for Pro Tools music makers who require a great-sounding, flexible and easy-to-use compression tool. Accurately modeling automatic gain reduction devices previously found only in hardware, Smack! controls the volume of just about any source in a very “musical” manner, adding fullness, intelligibility, and excitement to any track. Its user interface is intuitively constructed, with a look and feel reminiscent of vintage devices, enabling the user to create an amazingly wide range of tonal coloration with a minimal set of controls.

Avid Smack! LE
Foolproof Compressor and Limiter Plug-in for All Pro Tools Systems (RTAS + AS)

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Avid Smack! TDM
Foolproof Compressor and Limiter Plug-in for All Pro Tools Systems (TDM +RTAS + AS)

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