Clocks & Synchronization | VintageKing.com

Results 1-20 of 21

1

Clocks & Synchronization

The <b>Antelope Audio Eclipse 384</b> is an advanced 384 kHz A/D & D/A converter clocked by Antelope's renowned 64-bit technology and a flexible monitoring system that creates a technological synergy by combining the most prominent Antelope's innovations. It provides mastering and mixing engineers an unprecedented level of productivity, sound quality and ease of use.<br><b><br>64-bit DSP Trinity-level clocks</b><br>The Eclipse comprises 384 kHz A/D & D/A converters clocked by two independent 64-bit DSP Trinity-level clocks. The fully integrated monitor controller employs 0.05 dB accurate gold-plated relay attenuators and provides speaker switching, bass management and cue mix functions with integrated talkback. The Eclipse also includes two dedicated headphone amplifiers and a custom USB interface, as well as two large peak meters on the front panel. The advanced software control panel compatible with both Mac & PC, allows five nameable presets for easy recall of favorite setups.<br><br><b>Studio and live</b><br>Master clocks are becoming more and more popular for use with digital consoles and recording equipment at concerts and live events. By using the Eclipse 384, a live sound engineer is able to provide sync reference for up to four different devices, while using the main D/A for backing material, the A/D with multiple digital outs feeding redundant recording systems, and monitor DAC to check the recording post A/D conversion.<br><br><b>Supreme audio quality and boosted efficiency</b><br>The unique dual-domain clocking system enables analog-based, more natural sounding sample rate conversion. The integrated patching/routing capabilities make monitoring of either analog or digital sources extremely simple, avoiding jitter, distortion and cabling noise. By eliminating the many input and output stages and the various power supplies, that would be present in separate devices, the noise floor can be substantially reduced and the audio quality significantly improved.<b><br><br>Features:</b><br> <br> <b>Clocking</b><br> <ul><li>64-bit DSP Trinity-quality clocking</li><li>0.001 PPM Oven-controlled oscillator</li><li>Two independent sample rates</li><li>Complete Varispeed capability</li><li>10M Atomic clock input</li></ul> <b>Conversion</b><br> <ul><li>384 kHz A/D & D/A converters</li><li>A/D with Dynamic Range of 124 dB</li><li>D/A with Dynamic Range of 129 dB</li><li>Two bypassable A/D inserts</li><li>480 Mbits USB 2.0 custom chip</li></ul> <b>Monitoring</b><br> <ul><li>Three sets of switchable monitor outs</li><li>Second dedicated monitor D/A</li><li>Base Management with LFE output</li><li>Relay attenuators matched to 0.05 dB</li></ul> Complete management via user-friendly Mac/PC/Linux software control panel.<br> <br> Six different presets for convenient set-up<b>.<br></b>

Antelope Audio Eclipse 384 Now shipping!
Mastering AD/DA converter with 64 bit acoustically focused clocking

<p><b>Antelope Audio Eclipse 384 Features:</b><br>
 <br>
 <b>Clocking</b><br>
 </p>
<ul><li>64-bit DSP Trinity-quality clocking</li><li>0.001 PPM Oven-controlled oscillator</li><li>Two independent sample rates</li><li>Complete Varispeed capability</li><li>10M Atomic clock input</li></ul>
 <b>Conversion</b><br>
 
<ul><li>384 kHz A/D & D/A converters</li><li>A/D with Dynamic Range of 124 dB</li><li>D/A with Dynamic Range of 129 dB</li><li>Two bypassable A/D inserts</li><li>480 Mbits USB 2.0 custom chip</li></ul>
 <b>Monitoring</b><br>
 
<ul><li>Three sets of switchable monitor outs</li><li>Second dedicated monitor D/A</li><li>Base Management with LFE output</li><li>Relay attenuators matched to 0.05 dB</li></ul>
 Complete management via user-friendly Mac/PC/Linux software control panel.<br>
 <br>
 Six different presets for convenient set-up<b>.</b>
<p>For those refusing to accept compromises with the audio quality there is the <b>Antelope Audio Isochrone 10M</b>
 - a Rubidium Atomic Reference Generator based on real atomic 
technology. The 10M is designed specifically to appeal to the most 
discerning audiophiles and audio professionals. If your goal is to set 
up your studio for maximum performance, you will certainly appreciate a 
clocking reference that is a staggering 100,000 times more accurate than
 the quartz oscillators used in most equipment.
</p>
<br>

<span style="font-weight: bold;">Features:</span><br>
<ul><li>Swiss-made Rubidium core with accuracy of 0.03 parts per BILLION</li><li>Ultra-precise Atomic oscillator with stability of 1 second in 1,000 years</li><li>Rubidium core is FEI 5660 Compatible Stanford PRS10 Equivalent</li><li>Dual Redundant power supply with automatic switchover</li><li>8 BNC outputs of 10 MHz</li><li>Compatible with any device that accepts 10 MHz reference</li><li>Utmost ease of operation, just connect it and power it on</li><li>Extremely sturdy mechanical construction</li><li>Perfect match for OCX, OCX-V and Trinity</li></ul>
<span style="font-weight: bold;">The Rubidium Core</span><br>
Isochrone
 10M brings to your studio the most accurate clock on Earth - the Atomic
 clock. With the deviation of 1 second in 1,000 years, it is a real 
quantum leap in clocking technology, making all other reference 
generators pale by comparison. The heart of the Isochrone 10M is its 
Swiss-made, high precision sub-miniature Rubidium oscillator, capable of
 producing extremely stable sinusoidal frequencies.<br>
<br>
<span style="font-weight: bold;">Atomically Mastered</span><br>
Isochrone
 10M not only renders superb sound quality, but leaves a strong 
impression on your clients. An atomic clock in your gear rack speaks 
louder about your studio, your professionalism, and your commitment to 
quality than anything else. And, of course, with an early adoption of 
the atomic technology you will have a dramatic competitive advantage 
over conventional studios.<br>
<br>
<span style="font-weight: bold;">The Ultimate Jitter Solution</span><br>
When
 used in audio because of its staggering precision, Isochrone 10M 
virtually eliminates any traces of jitter. If you have invested in top 
quality equipment and state-of-the-art audio and video devices, you need
 the 10M to realize the full potential of your gear. The atomic clock 
eliminates the last weak link in your studio.<br>
<br>
<span style="font-weight: bold;">Dual Redundant Power Supply</span><br>
Isochrone
 10M has a dual redundant power supply (100-240 VAC and 12 VDC), which 
increases the reliability and eliminates the expensive downtime in case 
of power failure.<br>
<br>
<span style="font-weight: bold;">Upgrade Your Studio</span><br>
The
 Rubidium Atomic Clock is the perfect companion to the Isochrone audio 
master clocks such as the OCX or OCX-V. When connected to the Isochrone 
10M, these devices switch over automatically from oven based crystal to 
the superior Rubidium Core. Isochrone 10M is the ultimate tool in 
achieving analog sound. Experts agree that 10M is probably “the best 
sounding clock” ever produced.<br>
<br>
<span style="font-weight: bold;">Reliability and Ease of Use</span><br>
The
 Atomic Clock is distinguished by an extremely sturdy mechanical 
construction, making it highly resistant to mechanical shocks. In the 
Antelope's tradition of making things easy to use, just connect and 
power it on; the status lights are visible at a glance and all 
information is prominently shown on the easy-to-read frequency display.

Antelope Audio Eclipse 384 & 10M Bundle Save $1995!
Mastering AD/DA converter and rubidium atomic clock

For those refusing to accept compromises with the audio quality there is the <b>Antelope Audio Isochrone 10M</b> - a Rubidium Atomic Reference Generator based on real atomic technology. The 10M is designed specifically to appeal to the most discerning audiophiles and audio professionals. If your goal is to set up your studio for maximum performance, you will certainly appreciate a clocking reference that is a staggering 100,000 times more accurate than the quartz oscillators used in most equipment.
<br><br>

<span style="font-weight: bold;">Features:</span><br><ul><li>Swiss-made Rubidium core with accuracy of 0.03 parts per BILLION</li><li>Ultra-precise Atomic oscillator with stability of 1 second in 1,000 years</li><li>Rubidium core is FEI 5660 Compatible Stanford PRS10 Equivalent</li><li>Dual Redundant power supply with automatic switchover</li><li>8 BNC outputs of 10 MHz</li><li>Compatible with any device that accepts 10 MHz reference</li><li>Utmost ease of operation, just connect it and power it on</li><li>Extremely sturdy mechanical construction</li><li>Perfect match for OCX, OCX-V and Trinity</li></ul><span style="font-weight: bold;">The Rubidium Core</span><br>Isochrone 10M brings to your studio the most accurate clock on Earth - the Atomic clock. With the deviation of 1 second in 1,000 years, it is a real quantum leap in clocking technology, making all other reference generators pale by comparison. The heart of the Isochrone 10M is its Swiss-made, high precision sub-miniature Rubidium oscillator, capable of producing extremely stable sinusoidal frequencies.<br><br><span style="font-weight: bold;">Atomically Mastered</span><br>Isochrone 10M not only renders superb sound quality, but leaves a strong impression on your clients. An atomic clock in your gear rack speaks louder about your studio, your professionalism, and your commitment to quality than anything else. And, of course, with an early adoption of the atomic technology you will have a dramatic competitive advantage over conventional studios.<br><br><span style="font-weight: bold;">The Ultimate Jitter Solution</span><br>When used in audio because of its staggering precision, Isochrone 10M virtually eliminates any traces of jitter. If you have invested in top quality equipment and state-of-the-art audio and video devices, you need the 10M to realize the full potential of your gear. The atomic clock eliminates the last weak link in your studio.<br><br><span style="font-weight: bold;">Dual Redundant Power Supply</span><br>Isochrone 10M has a dual redundant power supply (100-240 VAC and 12 VDC), which increases the reliability and eliminates the expensive downtime in case of power failure.<br><br><span style="font-weight: bold;">Upgrade Your Studio</span><br>The Rubidium Atomic Clock is the perfect companion to the Isochrone audio master clocks such as the OCX or OCX-V. When connected to the Isochrone 10M, these devices switch over automatically from oven based crystal to the superior Rubidium Core. Isochrone 10M is the ultimate tool in achieving analog sound. Experts agree that 10M is probably “the best sounding clock” ever produced.<br><br><span style="font-weight: bold;">Reliability and Ease of Use</span><br>The Atomic Clock is distinguished by an extremely sturdy mechanical construction, making it highly resistant to mechanical shocks. In the Antelope's tradition of making things easy to use, just connect and power it on; the status lights are visible at a glance and all information is prominently shown on the easy-to-read frequency display.

Antelope Audio Isochrone 10M
Rubidium Atomic Clock

The <span style="font-weight: bold;">Antelope Isochrone DA</span> is a 
new, unprecedented approach to clock distribution. As digital technology
 proliferates, clock distribution is more critical than ever, and the DA
 is the definitive solution. Designed to provide far more than clock 
distribution, the DA's unique regeneration technology will both 
synchronize the studio with unmatchable precision, and also make 
connected devices sound better than anyone thought possible. The 
Isochrone DA was created to benefit any studio, not just ones that need 
more clock outputs.<br><br><span style="font-weight: bold;">Features:</span><br><ul><li>Clock Regeneration, allowing distributed clock superior in quality to the source</li><li>Jitter Management Module</li><li>DDS based Acoustically Focused Clocking (AFC)</li><li>Wide Frequency support 30Hz-200kHz</li><li>Freewheel support. Protection from source clock dropouts</li><li>8 Word Clock outputs, two supporting custom frequencies</li><li>4 AES / EBU outputs</li><li>2 S/PDIF outputs</li><li>2 Word Clock outputs</li><li>S/PDIF input with rebuffered audio pass through</li><li>AES/EBU input with rebuffered audio pass through</li><li>Superclock support for Avid Pro Tools systems</li><li>Large, accurate frequency display with brightness control</li><li>Power supply for automatic compliance with all international voltage standards</li></ul>

Antelope Audio Isochrone DA
Jitter Canceling Clock Distribution Amplifier

The <B>Antelope Isochrone OCX</B> emerges as the new quality standard in professional master clocks. A master clock is the heart of the digital studio, essential to maintaining stability and preserving sonic integrity. It is crucial that a master clock be flawless, and the Isochrone OCX exists to meet this need. Uncompromised design has created the most stable, best sounding master clock available.<br><br><span style="font-weight: bold;">Features</span><br><ul><li>Oven Controlled Discrete Transistor Crystal</li><li>Oscillator for lowest jitter</li><li>Atomic clock input resolves to Rubidium clock for perfect stability</li><li>Jitter Management Module improves sonic performance</li><li>Sample Rates 32-192 kHz</li><li>Factory calibrated to better than +/- 0.02PPM accuracy via Atomic Clock</li><li>Can be recalibrated in the field to an Atomic Clock for</li><li>better than +/- 0.02PPM accuracy</li><li>W/Cx256 "Superclock" output for Digidesign Pro-Tools systems</li><li>Outputs multiple, divisible sample rates</li><li>8 Word Clock outputs</li><li>2 AES/EBU outputs</li><li>2 S/PDIF output </li></ul><span style="font-weight: bold;">Oven Control</span><br>Oscillator accuracy is compromised when exposed to temperature fluctuations. The Isochrone OCX addresses this completely with oven control. The oven's temperature controlled environment allows unparalleled oscillator stability.<br><br><span style="font-weight: bold;">Antelopes Jitter Management Module</span><br>Jitter free operation is critical in the modern studio. Antelope's Jitter Management Module makes jitter essentially nonexistent. Adaptive Loop Filtering is taken to the next level with a sophisticated DSP Based Multistage IIR filter, ensuring a jitter free, great sounding studio.<br><br><span style="font-weight: bold;">Atomic Clock</span><br>The Isochrone OCX can be locked to the most accurate clock on Earth: the Atomic clock. A studio can truly achieve perfect stability with the power of Atomic Clock. The OCX, OCX-V and Trinity are the only Master Clocks capable of locking to this unprecedented technology.<br><br><span style="font-weight: bold;">Intuitive Design</span><br>No nested menus to scroll through, control positions are plainly visible on front panel of the unit.<br><br><span style="font-weight: bold;">Antelope Clocking. Driven by the Highest Quality Oscillator in Existence.</span><br>The core of any master clock is the Crystal Oscillator, and clock performance is impacted greatly by the type of Oscillator used. While other master clocks cut corners with their Oscillators, Antelope chose the best. The Oven Controlled Discrete Transistor Crystal Oscillator is without question the most stable, jitter free in existence. Before the OCX, these oscillators were found only in aerospace and telecommunication hardware designed for critical operations. The OCX is the only master clock to address jitter at the source. Its Oven Controlled Discrete Transistor Oscillator provides 4X-6X less jitter and 100X greater stability than its closest competitor.<br><br><span style="font-weight: bold;">Acoustically Focused Clocking, The Next Generation of DDS Technology</span><br>Connecting a device to the OCX will make it sound noticeably better. This is achieved with Antelope's exclusive Acoustically Focused Clocking technology (AFC). AFC is the 3rd generation of DDS, a technology introduced over ten years ago by Isochrone engineer Igor Levin with his ground breaking Aardsync master clock. The AardSync was immediately recognized as the industry's best sounding clock. It's successor, the AardSyncII, provided even greater sonic benefits with its 2nd generation DDS technology. This legacy of amazing sound continues to evolve with AFC. AFC was designed to provide far more than impressive specs, Advanced engineering combined with exhaustive listening tests culminated in AFC's extraordinary sound.<br><br><span style="font-weight: bold;">Peace of Mind</span><br>Clocking is a critical task, and should never be complex. With straightforward controls dedicated to specific tasks, warning lights for critical errors, and a highly visible, accurate frequency display, the OCX's operating status is apparent with a momentary glance.

Antelope Audio Isochrone OCX
Audio Master Clock Generator

In the fickle world of Audio & Video formats, the new <span style="font-weight: bold;">Antelope Audio Trinity</span> will be the Master Clock that stands out from the crowd for years to come, with the kind of features that other manufacturers can only aspire to. With dedicated functions and controls, The new Trinity is the best sounding and most versatile Master Clock available anywhere. There are unique features that are only available on the Trinity - such as Audio up to 384kHz, Varispeed, Nine completely independent generators, and a Triple display! Of course, all of this comes in an intuitive menu-free user interface, just as you would expect from Antelope.
<br><br>
<span style="font-weight: bold;">Features:</span><br><ul><li>4th Generation of Acoustically Focused Clocking employing 64 bit DSP leads to a new level in detailed & focused sound.</li><li>Oven Controlled Crystal Oscillator or Atomic input for supremely low jitter.</li><li>Factory calibrated to better than +/- 0.001 ppm accuracy.</li><li>A wealth of rear panel connectivity for tremendous flexibilty</li><li>Comprehensive audio gearboxing for anything in, anything out</li><li>Atomic input for ultimate performance</li><li>3 Independent & simultaneous audio generators up to 384kHz, and varispeed control +/- 200 cents.</li><li>3 Independent & simultaneous HD generators, covering 16 formats</li><li>3 Independent & simultaneous SD generators, simultaneously offering PAL & NTSC.</li><li>Full Euro and USA Pull-ups / pull-downs for SD and HD video.</li><li>USB connection via PC & Mac allowing full remote control, loading/saving presets and firmware upgrades.</li><li>Dual redundant power supply with automatic switchover for added reliability</li></ul><br><span style="font-weight: bold;">Oven Control</span><br>The crystal oscillators in the isochrone Trinity are housed in a temperature controlled oven, as commonly used in military and satellite communication. This keeps the oscillator at a constant temperature making the Isochrone 100x more stable than similar products.<br><br><span style="font-weight: bold;">Atomic Clock</span><br>The Isochrone Trinity can be locked to the most accurate clock on Earth: the Atomic clock. A studio can truly achieve perfect stability with the power of Atomic Clock, and only Isochrone clocks are capable of locking to this unprecedented technology.<br><br><span style="font-weight: bold;">Brand New 64 Bit Design</span><br>Trinity is the culmination of many years of clocking knowhow from the designers at Antelope, and is a brand new design with more design integration which leads to an even tighter and more focused sound quality. The 4th generation of Acoustically Focused Clocking with 64 bit DDS plays a major role in why Trinity makes your converters sound even better than ever.

Antelope Audio Isochrone Trinity PRICE DROP!
Next Generation Master Clock. 384 kHz and 9 Independent Generators

<B> It's About Time...</B><BR>
For years audio professionals have been requesting that Apogee make their legendary clocking technology available in a stand-alone master clock. We have responded not only by making it available but by making it revolutionary. Apogee’s BIG BEN is already astonishing users with its ability to bring amazing clarity and quality to audio production while providing flexibility and features like no other studio clock before.<BR><BR>

<B>A Cure for the Jitters – Apogee’s new “C777” Clock</B><BR>
At the heart of any word clock regeneration is a phase lock loop (PLL). The PLL is a combination of analog and digital elements without the ability to dynamically adapt to the nature of the external clocks. In other words, the better the clock performance, the less flexibility it has. And conversely, the more flexibility there is in a PLL, the less effective it is at jitter reduction. Apogee’s new C777 is built to address these inadequacies. The C777 utilizes an entirely digital process that Apogee has developed using the most advanced Direct Digital Synthesis (DDS) technology available along with DSP based digital filtering. The result is the most aggressive jitter reduction ever. With the flexibility and stability provided the C777, Big Ben is able to re-clock devices with excessive jitter and function as if it were the master clock. The ultimate in flexibility combined with unprecedented levels of performance make the C777 unequaled in the world of clocking.<BR><BR>

<B>Added Flexibility with Format Conversion</B><BR>
Not that you would expect it from a master clock, BIG BEN gives you the option of real-time format conversion. Use BIG BEN’s intuitive digital display to go from S/PDIF to AES, AES to ADAT, ADAT to S/PDIF, etc.<BR><BR>

<B>X-Video Expansion Card for Video-Sync Generation</B><BR>
The multi-standard X-Video card will allow BIG BEN to function as a master video sync generator, outputting a composite video black-burst (including color burst for PAL and NTSC color). When functioning as a master video sync generator BIG BEN can perform as a clock slave to the video-board and generate digital audio clocks based on the video standard selected. Alternatively, the X-Video card can function as a Slave video sync generator. In this mode the output video will be a regeneration of the input video. The X-Video card will maintain the color-phase and field information through “Genlocking”, while simultaneously stripping the original signal from its pixel information.<BR><BR>

<B>“Adaptive Loop Filtering” (ALF)</B><BR>
ALF maximizes BIG BEN’s clocking ability with an intelligent low pass filter. Because the C777 has made all incoming signals into data (1’s and 0’s) BIG BEN is able to dynamically compensate for excessive jitter and even improve already acceptable clock signals to levels unattainable until now. No matter what your input looks like, ALF can adapt and overcome all obstacles to create a stable, reliable, low jitter clock source.<BR><BR>

<B>“SureLock”... Your Drop out Defense</B><BR>
So, BIG BEN is masterfully handling external clock signals and all of their anomalies and you’ve got your jitters under control. What if BIG BEN encounters the ultimate disturbance in clocking, a dropped signal? Not to worry, with “SureLock” BIG BEN will compensate by remaining locked on the last relevant frequency sent by the delinquent device. When the signal resumes, BIG BEN will gradually, and smoothly re-synchronize without interruption.
<BR><BR>
<B>Termination Issues... A Thing of the Past</B><BR>
Very often in an elaborate audio chain word clock signals are improperly terminated. BIG BEN will chime in with a visual indication of over or under termination on it’s digital display for each word clock output, allowing you to troubleshoot more quickly and get back to business.

Apogee Big Ben
192k Master Digital Clock

The <span style="font-weight: bold;">Black Lion Micro Clock mk2</span> 
is a radical departure in design from its predecessor. It features 
ultra-low jitter third order crystal oscillators with a revolutionary 
patent-pending high current parallel drive circuit designed to increase 
the amount of desirable harmonics within the clock's spectral band. In 
addition to this, our proprietary noise reduction circuitry dramatically
 eliminates the unwanted switching harmonics normally found in digital 
signals. These are musically unrelated signals that create distortion 
and phase cancellation within the converted audio signal. Because of 
these technological advances, the Micro Clock mk2 is one of the best 
performing external word clocks within the pro audio market today.<br>
<br>
When we introduced the Micro Clock mk2 we didn't anticipate the amount 
of demand and controversy that managed to accompany it. External 
clocking is certainly a hot button issue. Some folks maintain that 
there's no basis for it; that it's a sort of modern "emperor's new 
clothes." The reasoning behind this is that the device being clocked 
externally will simply filter the incoming clock signal through its 
phase lock loop, thereby eliminating any sort of benefit associated with
 the superior clock. In addition, the simple act of accepting the 
incoming signal and creating a new signal that's in phase will add some 
jitter.<br>
<br>
The biggest problem with this theory is that we know nothing about the 
PLL filter in question; it's completely hypothetical. Many PLL's in pro 
audio are designed to filter out unwanted signals that are outside of 
the desired bandwidth, although some are configured to filter out 
unwanted harmonics that lie within the signal's frequency band. It's 
incredibly rare to find one that does both at the same time. In the case
 of the Micro Clock mk2, there is very little undesirable in-band or out
 of band content (below 10 picoseconds using a Delta Sigma average). 
There is, however, an abundance of desirable harmonically related 
in-band spectral content; more so than the average internal clock. No 
PLL filter is designed to remove these desirable harmonics; they're busy
 trying to remove the unwanted stuff. Simply put, the Micro Clock mk2 
will not only provide audible improvement to your conversion process, 
but it will do it as well as or better than any other external clock on 
the market today.<br>
<br>
<br>
<span style="font-weight: bold;">Specifications</span><br>
<ul><li><span style="font-weight: bold;">Output:</span> 3 galvanic-isolated BNC with fixed 75 ohm terminations @ 6 volts peak to peak</li><li><span style="font-weight: bold;">Power:</span> 9-12 volts DC</li><li>Sampling rates: six selectable rates, 44.1 kHz-192 kHz</li><li><span style="font-weight: bold;">Jitter:</span> maximum 1 pico 
second of intrinsic jitter, less than 10 picoseconds of accumulated 
jitter measured using a delta sigma averaging method.</li></ul>
<br>
The Micro Clock mk2 is simple and probably even boring looking by most 
standards. It's housed in a rugged yet basic 3 inch by 4 inch chassis 
that provides optimum RF shielding. It has no lights, no frequency 
display, and none of the usual visual candy that your friends might 
envy, but that's because those items create unwanted noise that affect 
the signal. For a modest black box, it does its job incredibly well and 
at a price that's unheard of for this level of performance!<br>
<br>
The power supply is 12 volts DC using a wall wart that's capable of 
accepting both 120 and 240 volts AC. It features six selectable output 
frequencies from 44.1 kHz on up to 192 kHz. Output level is 
approximately 4 volts peak to peak. Jitter at the crystal oscillator is 
approximately 1 picosecond RMS, and it's just under 10 picoseconds RMS 
at the output. Both of these figures are obtained using a Delta Sigma 
averaging method. The Micro Clock mk2 is compatible with all modern 
digital devices that have 75 ohm BNC word clock input.

Black Lion Audio Micro Clock MK2
Compact, high-quality, low-jitter external word clock

The <b>Drawmer D-Clock</b> is a dual input/twenty output word clock 
distributor with a 16 character blue LCD display providing a reference 
measurement of the incoming sample rate. Both AES/EBU and BNC word clock
 inputs feature a zero latency loop-through output with switchable high 
impedance to maintain the correct level of the digital signal for onward
 distribution. The D-Clock displays incoming sample frequencies up to 
768 kHz to an accuracy of 2ppm (parts per million) with two further 
modes - sample frequency with ±ppm error and sample frequency with % 
pull up/down for video users.<br>
<br>
Sixteen BNC clock outputs are situated on the rear panel with a further 
four BNC clock outputs on the front panel for quick patching to other 
digital devices. The word clock outputs can be derived from either a 
word clock input or alternatively an AES/EBU audio signal from which 
clock information can be stripped. In the latter case, one of the many 
mic pre’s with internal A/D conversion but no word clock output can be 
utilized as the master clock source for the whole digital studio.<br>
<b><br>
Features:</b><br>
<ul><li>Inputs: BNC with zero latency loop-through</li><li>AES with with zero latency loop-through</li><li>Outputs: BNC loop-through / AES loop-through</li><li>20 BNC clock outputs - 33½ impedance</li><li>3 sample rate measurement LCD modes accurate to 2ppm</li><li>Universal voltage filtered mains power input</li></ul>

Drawmer D-Clock
2 in/20 out Clock Measurement and Distribution Amp

The <b>Drawmer D-Clock</b> is a dual input/twenty output word clock distributor with a 16 character blue LCD display providing a reference measurement of the incoming sample rate. Both AES/EBU and BNC word clock inputs feature a zero latency loop-through output with switchable high impedance to maintain the correct level of the digital signal for onward distribution. The D-Clock displays incoming sample frequencies up to 768 kHz to an accuracy of 2ppm (parts per million) with two further modes - sample frequency with ±ppm error and sample frequency with % pull up/down for video users.<br><br>Sixteen BNC clock outputs are situated on the rear panel with a further four BNC clock outputs on the front panel for quick patching to other digital devices. The word clock outputs can be derived from either a word clock input or alternatively an AES/EBU audio signal from which clock information can be stripped. In the latter case, one of the many mic pre’s with internal A/D conversion but no word clock output can be utilized as the master clock source for the whole digital studio.<br><b><br>Features:</b><br><ul><li>Inputs: BNC with zero latency loop-through</li><li>AES with with zero latency loop-through</li><li>Outputs: BNC loop-through / AES loop-through</li><li>20 BNC clock outputs - 33½ impedance</li><li>3 sample rate measurement LCD modes accurate to 2ppm</li><li>Universal voltage filtered mains power input</li></ul>

Drawmer D-Clock (Demo Deal)
2 in/20 out Clock Measurement and Distribution Amp

Drawmer M-Clock Lite
AES Grade 1 Master Clock

<span style="font-weight: bold;">Drawmer M-Clock Plus</span> is a high stability master clock generator offering clock rates from 44.1 to 192kHz, coupled to two sample rate converters, which allow material to be re-sampled and syncronised to the selected high precision clock.<br><br>In addition to the internal clocks, M-Clock Plus can sync to either external word clock or clocks from AES/EBU signals. Precision clock frequency measurement and display indicates the exact frequency of the selected clock, whether internal or external, to an accuracy of 2ppm.<br><ul><li>M-Clock Plus has an external word clock input and an AES11 input which retrieves the clock from an AES audio signal.</li><li>Each sample rate converter has selectable AES, SPDIF or TOSLINK inputs, with simultaneous AES, SPDIF and TOSLINK outputs. This allows many possibilities for format conversion as well as sample rate conversion.</li><li>Sample rate converter #2 has inputs on the front panel for easy access.</li><li>User selectable word length of 16 or 24 bits with automatic dither generation - particularly valuable for 16 bit word lengths at low signal levels.</li><li>10 word clock outputs - 8 at the rear and 2 at the front for easy access.</li></ul>

Drawmer M-Clock Plus
AES Grade 1 Master Clock/Dual SRC

The <span style="font-weight: bold;">Grimm Audio CC1 Master Clock</span> is the lowest jitter Word Clock generator and distributor available, providing 16 super high quality Word Clock outputs. The CC1 can slave to incoming Word Clock and distribute the resulting dejittered Word Clock signal. The CC1 can slave to incoming AES/EBU and pass through a reclocked/dejittered AES/EBU signal, providing an ultra-low jitter digital source for feeding your favorite D/A converter.<br><br>“Owing to a radically redesigned discrete crystal oscillator, clock stability betters that of even the best test equipment available.”<br><br>Grimm Audio’s extensive research into the correlation between jitter and sound quality brought to light that emotional response to music is vastly more sensitive to jitter than previously realized. Attention turned from “making jitter low” to achieving the most stable clock possible. This research turned up a surprising array of previously underestimated performance factors like power supply noise, oscillator control circuit noise and low-level crosstalk. Owing to a radically redesigned discrete crystal oscillator, clock stability betters that of even the best test equipment available.<br><br>To sync to an external reference the CC1 sports a PLL offering an astounding 90dB of jitter suppression at 10Hz, further improving at 60dB/dec. The CC1 offers base rates of 44.1kHz and 48kHz and 1/2/4 multiples in separately selectable groups, in addition to an AES/EBU reclocker for cleaning the digital feed to your DA converter. Like all Grimm Audio products, the CC1 features striking styling and solid build quality.<br><br><span style="font-weight: bold;">Features</span><br><ul><li>Ultra-low jitter clock source</li><li>16 word clock outputs</li><li>AES/EBU reclocking</li><li>Sample rates from 44.1kHz up to 192kHz</li><li>Two independent sample rate groups</li></ul>

Grimm Audio CC1 Master Clock
Master Clock with AES/EBU reclocking, ultra-low jitter, 16 word clock outputs, sample rates from 44.1kHz to 192kHz and two independent sample rate groups.

The "LavryBlue" Conversion System offers affordable high-end conversion and features. The LavryBlue system is suited for applications ranging from 2 channel recording and mastering to multitrack workstations, and surround sound applications. Versatile and flexible, the LavryBlue is field expandable as more tracks or capabilities are desired. This versatile system gives you 44.1, 48, 88.2 or 96 kHz sampling frequencies.
<p>
A/D cards allow the selection of various word lengths, Analog or Digital soft saturation and Acoustic Bit Correction, dither and noise shaping. Other features include LED metering, Reference meter bridge, Peak detection and front panel gain control. Conversion may use internal crystals or externaly lock to Word Clock or AES signal.
<p>
The D/A is easy to use. It automatically detects and displays the input data rate. The user can optimize for minimum jitter by setting the D/A to CrystalLock for stereo, narrow lock for multitrack applications and wide lock for non standard frequencies.
<p>
Analog A/D inputs and D/A outputs may be configured for balanced or unbalanced operation.
<p>
This system may be ordered in several A/D and D/A configurations ranging from 2 to 8 channels (up to 4 stereo channels) in each 1U 19 inch rack mountable chassis. Other optional configurations include synchronous Up Sample/Down sample converters and dual channel professional microphone preamps. This unit operates with AC power from 90 - 264 VAC, 50/60 Hz.

Lavry MSync Kit
Lavry MSync Kit

Mytek Digital StudioClock 192
Ultra solid house clock generator

RME TCO FF Fireface 800 Time Code Option Module
Optional card for FIREFACE 800.

The new TCO-HDSP adds time code capabilities to various cards of the HDSP series. The TCO can be used for clock generation and sync/chase with LTC. The TCO-HDSP is an optional card for a free standard computer slot, without requiring a PCI slot on the motherboard.
<P>
The TCO derives a stable word clock signal from Video, LTC and word clock sources. This allows connection and sample-accurate synchronisation of various audio and video applications with time code information.
<P>
LTC can be derived and generated in all common formats, i.e. 24, 25, 30, and 29.97 frames; drop-frame or non-drop-frame.
<P>
Commonly used Pull-Up- und Pull-Down Formats (+/- 0.1% und +/- 4%) can be utilised, and PAL and NTSC video formats will be automatically detected and processed.
<P>
The generated Time Code can be sent to the audio or video application as ASIO Positioning Protocol (APP) or MTC. An application can send APP or MTC to the TCO, which will generate LTC on hardware level with lowest jitter (no software/driver routine).
<P>
Several fly-wheel functions facilitate chase operation (adjustable drop-out length, Continuous- or Jam-Sync). All settings can be accessed conveniently from an additional page in the settings dialog of the HDSP card.
<P>
The TCO HDSP has a combined switchable Word Clock /Video Input (BNC) as well as an LTC input (BNC). The Word Clock /Video Input on the card can comfortably be terminated (relay-controlled) with a 75 Ohm terminator from the settings dialog.
<P>
The TCO features an LTC Output (BNC) with two level settings (configurable via jumper) and a Word Clock Output (BNC).
<P>
Various practical combinations of TCO HDSP and HDSP interface cards:
<P>
The TCO HDSP can be combined with one or more HDSP AES-32 cards.
<P>
Thanks to the common driver, the TCO HDSP can also be used with a combination of HDSP AES-32 and the HDSP MADI. This allows for the use of the TCO with the HDSP MADI as well.

RME TCO HDSP
Time Code Option Module - Additional Sync Capabilities for various HDSP Cards

RME Word Clock Module
For HDSP 9632

The <B>Rosendahl MIF3 </B>generates LTC and MTC simultaneously from LTC or MTC sources. Consequently the box can be used as LTC to MTC and MTC to LTC converter as well as LTC and MTC refresher. Rosendahl sync algorithms suppress time code jitter and drop outs to allow the use of unstable, jittery MTC sources produced by most PC and MAC based audio workstations. In the generator mode the unit works as a MMC (Midi Machine Control) controlled virtual machine with MTC and LTC outputs. Most DAW and MIDI-Sequencer programs can output MMC commands for start, stop and locate functions. The time code outputs follow positional, reverse and looped time code. Instant cue software stops and restarts the time code slaved systems when the master time code is looping or jumping. Eight internal DIP switches serve to enable special functions as midi output mode for cueing, time code standard conversion (electronic gear box), time code speed measurement and the standard default setting. The interface has a robust aluminium housing, a large 7-segment LED display and a built-in power supply. An optional rackmount kit for fitting the unit into a 19 inch rack is also available.

Rosendahl MIF3
The Professional MIDI Time Code Box

<B>Rosendahl Nanoclocks </B>is a word clock distributor with integrated audio master clock generator, dual inputs with frequency status indicators and programmable output matrix - a flexible tool for all extensive digital audio installations. The unit provides two transformer isolated word clock inputs and 12 word clock outputs to receive and distribute word clock signals over long distances. Ground potential variations, similar to earthloop induced hum in analog audio, can cause jitter in clock signals, a transformer isolated input eliminates this effect. In operation mode DISTRIBUTOR the two inputs A and B can be routed individually to each of the 12 outputs. Ten LEDs on the front panel indicate the sample rate of the incoming signals. Input B also accepts Fs x256 signals (also known as super clock). GENERATOR mode changes the unit into a ultra low jitter audio master clock generator with 12 programmable outputs. Supported sample rates are 44.1, 48, 88.2, 96, 176.4 and 192 kHz as well as the respective super clocks (Fs x256). FAILSAFE mode is a broadcast application, which monitors the two input signals and performs an automatic switch over of all 12 outputs if the primary word clock signal fails.
<BR><BR>
<B>Features:</B><UL>
<LI>Two transformer isolated word clock inputs and 12 word clock outputs
		
<LI>Dual frequency status indicators
		
<LI>Internal ultra low jitter audio master clock generator

Rosendahl Nanoclocks
Digital Audio Clock Server

Results 1-20 of 21

1




API Audio Neve Barefoot Sound Shadow Hills Industries Retro Instruments Waves Audio Coles Microphones Endless Analog Clasp		Read what people are saying about Vintage King Audio Sales & Service from around the world. Read them here!		How about recycling your used gear for something different or just a change? When speaking to a sales representative, make sure to indicate that you are interested in trading your gear for a new purchase or please send an email to info@vintageking.com.

SALES		CUSTOMER SERVICE
888.653.1184 ext 3 +1.248.591.9276 ext 3 Sales Hours: M-F 10 to 8 (ET) Sat 12 to 4 (ET) Sun Closed More Information		888.653.1184 ext 2 +1.248.591.9276 ext 2 Customer Service Hours M-F 10 to 6 (ET) Sat Closed Sun Closed More Information

WHY SHOP KING?

Privacy and Security

Satisfaction Guaranteed

Warranty Information

Shipping and Delivery

Lifetime Customer Support

RESOURCES

Frequently Asked Questions

Terms and Conditions

Infrasonic Sound

Article Archives

Tax Exempt Forms

NEWS ROOM

ENTER EMAIL FOR
SPECIAL OFFERS

OUR NETWORKS

CATEGORIES

QUICK LINKS

Producers Corner

Trade Your Gear

Pensado's Place

Facebook Giveaways

OUR NETWORKS