Effects Plug-ins | Virtual Processors for Computer Audio

API Audio
Neve
Barefoot Sound
Shadow Hills Industries
Retro Instruments
Waves Audio
Coles Microphones
Endless Analog Clasp

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Results 1-20 of 65

Effects

Antares WARM Evo
Tube saturation generator
This product is fulfilled via electronic download and requires iLok authorization. For more information, give us a call at 248.591.9276

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The new Audio Ease Altiverb 7 looks and feels better than ever. Often used controls all line up on the front, while the more exotic ones are in drawers beneath. Picture Browser The IR library is more accessible than ever because of Altiverb's new visual browser: quicker loading, organize-by-size, and single click favorites. Keyword Searching A powerful keyword search field makes you find items like 'metallic resonances' 'bed room', 'street slapback' or 'brick studio' Brightness An algorithmic synthetic reverb layer that is tightly tailored to the impulse response provides a type of brightness that an EQ could never boost from a real world room. News Keep your IR library up to date from within Altiverb. You can go into Altiverb's news tab, see what's new and proceed to download and install without restarting, all from within Altiverb 7. Similar The room does work, but it is not quite the perfect one yet? Hit Similar and Altiverb will suggest similar sounding alternatives to the chosen impulse response. TDM simplified In Altiverb 7 XL, the TDM chip management can be done from within Altiverb, using one handy pop-up menu. This feature does away with the long list of Altiverbs in the TDM plug-in popup. On top of that Altiverb 7 XL allows the loading of all IR types (down to mono in / mono out) into a stereo to quad instance of Altiverb. Total Recall Automation Everything, including the impulse response choice is automatable in Altiverb 7. This means that you do not have to jump through hoops to fully automate Altiverb 7. And while there are still single-click snapshots, you do not need them to automate Altiverb. You can even read which IR is chosen in the automation curve. Drag and drop Just drop any audio onto Altiverb 7 to use it as an impulse response: sweep recordings, several type claps or bangs, or any kind of experimental audio like crashing cars or piano chords. The drag and drop IR feature includes new make-up curves that allows the making of decent IRs using a handheld portable radio, or even slates. Chaos Dial in a bit of chaotic modulation and not every hit will sound identical in the reverb. As a bonus tonal material will be dispersed which means that slightly out of tune notes will be covered up in the reverb tail. Interactive EQ curve To operate the equalizers you can still use the familiar turning knobs. But Altiverb 7 adds an interactive equalizer curve that allows you to set all four bands including the widths of the parametric ones. And More... Altiverb supports 64 bits. It has a new reverb gate and straightforward pre-delay and attack parameters. Times can be set in note values locked to your song's tempo, and you have 10 times as much space in the stage positioner.

Audio Ease Altiverb 7
The industry standard in stereo convolution reverb

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Software Plug-In Format

Audio Ease Cabinet
Convolution-based speaker cabinet emulation for guitar, complete with spring reverb and room emulation

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The Audio Ease Nautilus Bundle for Mac OS X consists of three Midi controllable and automatable audio Plug-ins for RTAS, HTDM, MAS, Audio Unit and VST, supporting high samplerates and channel configurations from mono-mono up to surround formats. RiverRun is a Granular Soundscape Synthesizer capable of oozing immense sonic oceans of tiny particals taken from your original audio. It can build rythmic textures, wide harmonic soundscapes, and it can zoom in on your fragment by stretching it by a factor of up to 200. PeriScope Look at the audio spectrum via the real-time animating spectroscope, or graphic analyzer, and grab faders where you see the audio happening. Phase Correct EQ, with surgical precision, and unprecedented low frequency resolution. Edit modes range from fluent to massively steep. Deep Phase Nine is a true phaser that offers unprecedented control and visual feedback. Up to 24 notches per channel, beat locked sample and hold, one-shots, a true phaser (Not a flanger !) done the Audio Ease way.

Audio Ease Nautilus Bundle
Bundle of three automatable plug-ins including a spectroscope, a true phaser and a granular soundscape synthesizer (Mac OSX)

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The Audio Ease Rocket Science Bundle
for Mac OS X consists of three Midi controllable and automatable audio
plug-ins for RTAS, HTDM, MAS, Audio Unit and VST, supporting high
sample rates and channel configurations from mono-mono up to surround
formats. 
 
Roger 
You can apply human vowel filters to your audio with Roger. Use the
vowel bar at the bottom to click through the vowels and click the
portrait to select one of the Roger family members. Features include
portamento, automation, Midi-control and rhythmic talk-nonsense mode. 
 
Portamento controls the transition speed between vowels, and the
‘sharpness’ of the vowel is controlled by the bandwidth parameter. 
 
Make the Roger family talk rhythmic random nonsense using Auto and
Tempo. Roger is MIDI controllable from your MIDI keyboard or from
recorded MIDI data on the sequencers tracks. 
 
Follo 
Dynamically adjusts the peak of a resonating bandpass filter according
to the level of the incoming audio. Applications of Follo include an
auto-wah on a guitar, and a thumping resonating bass generator. 
 
The analysis knob offers control over the sensitivity of the ball.
Applications of Follo include an auto-wah on a guitar, and a thumping
resonating bass generator when the ball clips at the blue slider. 
 
Orbit 
Orbit lets you control the virtual position of your sound source. It
accurately calculates the sound source’s reflections of the walls of a
virtual ‘outer room’, using the exact amount of delay and attenuation
for the direct sound and all reflections alike. Use it a s a physically
correct panner, select from preset source trajectories, or create them
yourself via live midi control or parameter automation. 
 
You can use Orbit merely as a physically correct panning device, or you
can use it as a flight path simulator that offers control over your
position, speed and location of the source, the size of the virtual
space and the absorption of high frequencies by the walls. For direct
sound and all reflections, Orbit will precisely emulate the Doppler
effect so that pitch will shift up when a sound (or a reflection) comes
at you, and will shift down when it moves away. 
 
The light blue small room is the room you are in. Its size is
determined by the speaker span parameter. You can drag the small room
around in the outer room. The tiled surface is the outer room, the size
of which is adjusted using the room size parameter. The red ball is the
sound source. 
 
The motion selector lets you choose between a static source or one that
follows an editable path in the outer room. The source can also follow
an adjustable oval, or it can just fly about like Buck Rogers on LSD.

Audio Ease Rocket Science Bundle
Bundle of three automatable plug-ins including a dynamic resonating bandpass filter, a physically correct panner and a human vowel filter (Mac OSX)

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Audio Ease Speakerphone 2
Extensive convolution-based speaker, room and mic emulation complete with a host of presets, samples and various modulation effects

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Bob Moog's moogerfoogers® go digital! Authentic analog designs from electronic music legend Bob Moog, featuring Bomb Factory digital technology, moogerfoogers combine the best features of audio effects and vintage synth modules, opening new frontiers for sonic exploration. All four of the following moogerfoogers are available together in this specially priced bundle:

The moogerfooger Ring Modulator's wide-range carrier oscillator and dual waveform LFO mean motion on rhythm tracks and radical lo-fidelity textures.

The moogerfooger Lowpass Filter's envelope follower delivers classic '60s and '70s sounds on bass and electric guitar. Or dial up fat analog for any instrument using the 2-pole/4-pole variable resonance filter. Groovy!

The moogerfooger 12-Stage Phaser combines a switchable 6- or 12-stage phaser with a wide-ranging, variable LFO. Start with subtle tremolo or radical modulation effects, then crank the distortion and resonant filters for unbelievable new sounds — all with the signature classic Moog sound.

The moogerfooger Analog Delay is simply the coolest (and warmest!) delay in the digital domain. Due to component shortages, fewer than 1,000 of Bob Moog's "real-world" version will be made. Bomb Factory snagged serial #1 and, as always, meticulously modeled every detail of the classic analog design. Wait until you hear it!

"Bomb Factory's moogerfooger plug-ins combine gorgeous and smooth graphics with meticulously-crafted signal processing. They're a musician's dream come true: They have the essential sound and responsive interface of the analog originals."
— Bob Moog

Avid BF Mooger Fooger Bundle
Authentic Analog Designs with Bob Moog (TDM + RTAS +AS)

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Add the richness of analog tape recordings and tape effects to your digital recordings or live audio easily and realistically with Reel Tape Suite™, a collection of three plug-ins to warm up digital sound. All of the plug-ins feature streamlined interfaces with intuitive controls that are easy to work with, day in and day out. Whether you’re a professional audio mixer, musician, or live sound engineer, Reel Tape Suite brings the vintage sound of analog tape to digital audio while providing all the advantages of today’s state-of-the-art digital effects processors. Reel Tape Saturation Re-create the classic analog recording experience. Reel Tape™ Saturation emulates the color characteristics, tape compression, and saturation effects of popular analog tape formulations, including the classic Ampex 456* and higher-output Quantegy GP9*. It also features carefully modeled characteristics from renowned tape machines such as the 3M M79* and Studer A800*. Enjoy full control over tape speed, hiss, bias, and calibration levels — and forget about cotton swabs, rubbing alcohol, and razor blades! 
<UL>
<LI>Bring the warmth and punch of analog tape color and saturation into the digital domain 
<LI>Phase and frequency response characteristics modeled from three types of analog tape machines 
<LI>Saturation effects modeled from two popular tape formulations 
<LI>Control the tape speed effect from 7.5 to 30 ips (inches per second) 
<LI>Noise controls adjust the amount of tape hiss 
<LI>Bias controls simulate the effect of under- or over-biasing the tape machine 
<LI>Cal Adjust control simulates the effect of three common calibration levels</LI></UL>*Digidesign Reel Tape plug-ins are not connected with, or approved or endorsed by, the owners of the 3M, Studer, Ampex, or Quantegy trademarks. These names are used solely to identify the products that were modeled to create the Reel Tape plug-ins. Reel Tape Delay Psychedelic, Dub, and Electro music styles are hotter than ever, and the warm, ear-pleasing sound of tape-based delay has never been more relevant. Reel Tape™ Delay emulates analog tape echo and delay effects with expertly modeled frequency response, noise, wow and flutter, and distortion characteristics. Reproduce fluctuations in tape speed — both small and large. Even get the full effect of adjusting tape speed during the record/playback process. Delays are fully adjustable over a wide range, and because EQ and detailed level control are built into the echo/delay loop, the feedback controls allow you to dial-in a variety of effects, from tastefully subtle to over-the-top. 
<UL>
<LI>Authentically modeled analog tape echo and delay effects 
<LI>Reproduce the fluctuations in tape speed 
<LI>Adjust delays from 93 ms to 1,486 ms (1-7/8 ips to 30 ips) 
<LI>Feedback control adjusts the amount of delayed output fed back into the input 
<LI>Wow & Flutter controls adjust tape speed fluctuation 
<LI>Bass and Treble controls in the echo/delay feedback loop allow for subtle to extreme feedback and saturation effects</LI></UL> Reel Tape Flanger The reason why most flanger effects sound unconvincing is because the studio technique that they imitate is dependent on so many real-world factors. Reel Tape™ Flanger thoroughly models the tape flanging process and hardware characteristics, and provides an arsenal of controls for shaping the output in real time. The results are as close as you can get to the real thing — and a lot easier to use! The sonic characteristics of frequency response, noise, wow and flutter, and distortion are captured in detail and applied to a variety of tape speed and delay control options. Infamously difficult manual flange and artificial double-tracking (ADT) techniques are simple to re-create. Simply adjust the variable delay manually (or use the LFO and Depth controls) and listen to the captivating frequency sweep and “crossover” cancellation effects heard on so many classic recordings. You also get easy access to tape speed fluctuation and feedback controls. 
<UL>
<LI>Accurately reproduce analog tape machine flanging 
<LI>Adjustable speed control allows for manual flanging and artificial double-tracking effects 
<LI>Feedback control adjusts the amount of flanged output fed back into the input 
<LI>Wow & Flutter controls adjust tape speed fluctuation 
<LI>LFO Rate and Depth settings control the speed and depth of the flanging effect</LI></UL>

Avid Reel Tape Suite
Add the richness of analog tape recordings and tape effects to your digital recordings or live audio easily and realistically

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The Digidesign Structure LE
is an advanced sample player that provides many of the same powerful
and creative features as its big brother, Structure™, for a fraction of
the price. Structure LE doesn’t bother with all of the multifaceted
details of sample mapping and in-depth editing as Structure does;
instead it allows you to focus on quickly and easily integrating a wide
range of samples into your Pro Tools sessions and tweaking them to
create your own unique sounds — from the simple to the complex. 
 
Structure LE comes with a professional 3 GB sound library from A.I.R.
to get you started, though it also plays nice with native Structure
samples and your unencrypted sound libraries. It also features an
advanced multitimbral sound engine that handles even the most complex
sounds and a powerful multi-effects processing engine to enhance your
sonic creations. And like its big brother, Structure LE delivers
exceptional performance and unprecedented reliability to keep your
creativity flowing. With its incredible playability and rock-solid performance and
reliability, Structure™ LE is destined to become a vital instrument in
your music and post-production projects. 
 
The Digidesign Structure LE Features: 
<ul><li>Advanced RTAS® sample player designed and optimized for Pro Tools® 
</li><li>Delivers superior performance and unprecedented reliability* 
</li><li>Includes professional 3 GB sound library from A.I.R. 
</li><li>Plays your unencrypted SampleCell, Kontakt 1 and 2, and EXS24 sound libraries 
</li><li>Drag-and-drop Pro Tools regions into the sample player for easy custom sound creation 
</li><li>Powerful database and integrated file browser make finding sounds and managing them easy 
</li><li>Integrated stereo and surround multi-effects processing engine
offers over 20 effects types — including surround convolution reverb —
and hundreds of effects presets 
</li><li>Advanced sound engine supports up to 8-channel multitimbral playback per Structure instance and 256-note polyphony 
</li><li>Supports all common bit depths, sample rates, and surround formats — up to 24-bit / 192 kHz / 7.1 surround 
</li><li>Surround/stereo main outputs and three stereo auxiliary outputs allow discrete source mixing and processing 
</li><li>Six context-dependent Smart Knobs enable fast access to the most important sound sculpting parameters 
</li><li>Powerful hands-on, real-time control of the player using a Digidesign control surface, or MIDI controller via MIDI Learn 
</li><li>Integrated REX player allows you to play REX 1 and 2 files</li></ul>

Avid Structure LE Full Upgrade
Virtual Instrument Sampler Upgrade to full version from LE version

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In the worlds of electronic music and sound design, a tool occasionally appears that promises to leave a permanent imprint. Digidesign's new Synchronic software instrument is such a device, providing musicians and sound sculptors with an intuitive, deep-featured means of developing truly distinctive loops and enhancing the originality of one's work. Whether in a studio environment or onstage, the Synchronic plug-in for Pro Tools gives you the power to substantially modify looped audio on the fly and, in the process, define your signature sound. Digidesign Synchronic at a Glance: 
<UL>
<LI>Sculpt loops and create tempo-based effects in a live setting in real time. </LI>
<LI>Five main sections, each of which can be edited, stored, and recalled. </LI>
<LI>Perform complex beat manipulations, effects, and cross-modulations while remaining tightly synced to the Pro Tools MIDI Beat Clock. </LI>
<LI>200 MB of royalty-free loops. </LI>
<LI>Sample-rate support up to 96 kHz, SD II, WAV, and AIFF files can be easily imported. </LI>
<LI>LE and HD Compatible, Win XP or Mac.</LI></UL>
 Spontaneous Composition and Improvisation An ideal instrument for spontaneous composition and improvisation, Synchronic offers performing electronic musicians and DJs the ability to sculpt loops and create tempo-based effects in a live setting in real time. With Synchronic, you can easily create rhythmic modifications and in-tempo effects with individual beats and beat subdivisions within a loop. With Synchronic's many possibilities and ease-of-use, you can achieve virtually any desired effect or something completely unexpected. When combined with a MIDI controller, all of its parameters can be controlled in real time, and individual presets within Synchronic's modules can be recalled simply by triggering a MIDI key. Once audio loops are loaded into Synchronic, they can be controlled using Synchronic's user interface, Pro Tools MIDI tracks, an external MIDI controller, a qualified Digidesign control surface such as Command|8, and/or Pro Tools plug-in automation. Multiple instances of Synchronic can run within the same Pro Tools LE or TDM session to meet your creative demands. Synchronic can even work alongside other music software products such as Ableton Live and Propellerhead Reason to bring a new breadth to your music.

Avid Synchronic
Loop Manipulation Plug-in for Pro Tools - RTAS

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Bomb Factory SansAmp PSA-1 HD
Amplifier Plug-in

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The Crane Song Phoenix II is an update of Crane Song's suite of TDM plug-ins designed to emulate the unique properties of a magnetic tape machine.   Phoenix II runs both NATIVE and DSP on Avid's PT 10 AAX format. Phoenix II uses 32 bit floating point math and has a lower noise floor than the original release. Designer Dave Hill has crafted this software with the same attention to detail he used to create the electronics for ATR Service's much heralded "Aria" discrete tape recorders.  His intimate knowledge of analog electronics, as well as decades of experience as a recording engineer has spawned a very useful, musical suite of plug-ins.  The Phoenix II process not only incorporates the nonlinear saturation characteristics created by magnetic tape itself, but also includes the interrelation of an analog tape recorder's record/reproduce electronics and equalization curves.  Phoenix II is a ground-up application derived from HEDD technology, and specifically engineered and optimized for Avid's PT 10 architecture. Phoenix II has five different tape-analog characteristics. The type is selected with a switch for easy comparison between the types, and the brightness is also selected with a switch.  Gold is the position where the color is approximately flat in frequency response, with Sapphire being a brighter, and Opal being a warmer tonality.  A level control determines the amount of the Phoenix II process integrated into the audio signal, and an input trim determines "how hard you hit the tape." Because the DSP process is level dependent, the input level trim control has been improved and an output trim control has been added.    The input trim can also be used to prevent clipping in the rare cases where clipping may be a problem and bringing up the level of a track for an increased amount of color.  This can be useful on material that is hitting close to or at digital zero and on material that has a low recorded level. When the input trim and output trim controls are at 0dB, (no change in gain) and no tape process is being added to the sound, the plug-in is bit accurate, meaning the output exactly matches the input.  The Phoenix II contains five separate flavors: <ul><li>Luminescent is the most neutral sounding process of the five.</li><li>Iridescent has a similar magnetic character, but with a fatter bottom and midrange. (This plug-in is the most similar to the tape knob on HEDD-192.)</li><li>Radiant is characterized by a more aggressive compression curve </li><li>Dark Essence is even more aggressive. (The effect is a color with a wider frequency range-when used on a vocal  Dark Essence can reduce sibilance problems by increasing the apparent loudness of the rest of the signal.)</li><li>Luster starts more gently than the other four processes, but becomes as aggressive as Dark Essence when the process is at full scale.</li></ul>

Crane Song Phoenix II Plug-In
AAX Plug-in Suite for Pro Tools

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Crane Song Phoenix is designed 
to emulate the unique properties of a magnetic tape machine. Designer 
Dave Hill has crafted this software with the same attention to detail he
 used to create the electronics for ATR Service’s much heralded “Aria”  
discrete tape recorders. His intimate knowledge of analog electronics, 
as well as decades of experience as a recording engineer has spawned a 
very useful, musical suite of plug-ins. 
 
The Phoenix process not only incorporates the nonlinear saturation 
characteristics created by magnetic the tape itself, but also includes 
the interrelation of an analog tape recorder’s record/reproduce 
electronics and equalization curves. The Phoenix suite is not merely a 
down-scaled version of the Crane Song HEDD processor, but a ground-up 
application derived from HEDD technology, and specifically engineered 
and optimized for Digidesign’s TDM architecture. 
 
Five different TDM plug-ins emulate different tape characteristics, each
 one incorporating a color change button allowing three choices to 
modify the process. The Gold button is the position where the color is 
approximately flat in frequency response, with Sapphire being a 
brighter, and Opal being a warmer tonality. A level control determines 
the amount of the Phoenix process integrated into the audio signal, and 
an input trim determines “how hard you hit the tape.” Because the DSP 
process is level dependent, reducing the input level will also cause a 
change in sound. 
 
The input trim can also be used to prevent clipping in the rare cases 
where clipping may be a problem. This can be useful on material that is 
hitting close to or at digital zero. When the input trim is at 0dB, (no 
change in gain) and no tape process is being added to the sound, the 
plug-in is bit accurate, meaning the output exactly matches the input. 
 
The Phoenix suite contains five separate plug-ins: 
<ul><li>Luminescent is the most 
neutral sounding process of the five.</li><li>Iridescent has a similar 
magnetic character, but with a fatter bottom and midrange. This plug-in 
is the most similar to the tape knob on HEDD-192.</li><li>Radiant is characterized 
by a more aggressive compression curve</li><li>Dark Essence is even more 
aggressive. (The effect is a color with a wider frequency range--when 
used on a vocal Dark Essence can reduce sibilance problems by increasing
 the apparent loudness of the rest of the signal.)</li><li>Luster starts more gently 
than the other four processes, but becomes as aggressive as Dark Essence
 when the process is at full scale.</li></ul>
 
Running within Digidesign’s multi-shell architecture, PHOENIX is very 
DSP efficient. It will run approximately twenty instances of a plug-in 
on a single DSP chip (HD system at 44.1 kHz sample rate). 
 
Phoenix’s color is dependent on signal level, program material and 
sample rate. A higher sample rate results in smother sounds. 
 
The Phoenix plug-in suite provides a wide range of choices to make your 
digital world sound warmer, fatter, and more analog. The plug-ins can be
 somewhat subtle, but the cumulative affect when used on a number of 
tracks can bring back the warmth and richness which only analog 
recording has been able to provide.

Crane Song Phoenix Plug-In
TDM Plug-in Suite for Pro Tools

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The Ircam Tools Bundle by Flux Features the Following Plug-ins: Ircam Spat 
The complete Room Acoustics Simulation and Localization Solution 
 
With more than a decade of research performed by the Acoustic and 
Cognitive Spaces Team at Ircam, being at the forefront of scientific and
 technological innovations, the Spat is the most advanced and 
sophisticated tool for room acoustics simulation and localization ever 
designed, managing both spatialization (source localization) and room 
acoustic simulation in a truly consistent and visually logical way. 
 
Spat introduce state of the art techniques for room acoustics simulation
 utilizing advanced perceptive models, concealing the complexity behind 
the actual algorithms, allowing for intuitive and accommodating user 
interaction capabilities. 
 
Designed for surround and multi-channel use, Spat presents the option to
 setup the output arrangements providing a variety of stereo and 
surround configurations, including subwoofer configuration. With eight 
input and output channels available in SPAT, configurations up to 7.1 
and 8.0 are feasible. 
 
Ircam Verb 
Room Acoustics and Reverberation 
 
verb is an algorithmic room acoustics and reverberation processor. It 
has a modular construction, employing a recursive filtering reverb 
engine, reproducing and synthesizing the specific acoustical 
characteristics of any spatial sound environment. 
 
Following a decade of intense research by the Acoustic and Cognitive 
Spaces Team at Ircam, the Ircam Verb introduce state of the art 
techniques for room acoustics simulation utilizing advanced perceptive 
models, concealing the complexity behind the actual reverb algorithms 
and allowing for a flexible and intuitive experience for the user. 
 
The Ircam Verb provides eight input and output channels, presenting the 
option for reverberation processing in multi-channel and surround 
formats. A built in Input/Output (I/O) routing matrix provides instant 
flexibility when setting up the I/O in relation to the physical audio 
monitoring in the control room. 
 
Ircam Trax Transformer Real-time Voice and Sonic Modelling Processor 
Trax Transformer is based on an augmented phase vocoder technology, and a
 cutting edge transformation algorithm, allowing for manipulating 
characteristic properties of a voice such as gender, age and breath, and
 on any other sound; expression, formant and pitch. 
 
These voice transformation algorithms have already been used, with great
 success, in international and French cinema productions. (Farinelli, 
Vatel, Tirésia, Les amours d'Astrée and Céladon). 
 
Ircam Trax Cross Synthesis Spectral Envelope Morphing Processor 
 
TRAX Cross Synthesis utilizes a phase vocoder (the amplitude and the 
frequency/phase spectra), to morph the spectral characteristics of two 
sounds. The amplitude and frequency/phase spectra can be blended 
continuously and since the features that are used here are strongly 
nonlinear, the sound morphing is nonlinear as well, offering a way to 
create a wide range of new exciting and unusual sound effects. 
 
Ircam Trax Source Filter Enhanced Sound Filtering Processor 
 
Trax Source Filter is based on a signal model decomposing the signal 
into a time envelope describing the energy/loudness contour of the 
sound, and a spectral envelope describing the spectral colour of the 
sound timbre. The energy contour and the spectral colour of the source 
sound, can be continuously blended with the spectral colour and energy 
contour of an arbitrary filtrating sound, allowing transformation that 
extend well beyond the more common source filter morphing effect.

Ircam Tools Bundle by Flux
Includes Spat, Verb, and Trax plug-ins
This product requires iLok authorization dongle. For more information, give us a call at 248.591.9276

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Ircam Trax by Flux is a
 suite of three ingenious processors using advanced technology, 
developed during many years, by the sound analysis/synthesis team at 
IRCAM. These precision tools provide truly innovative signal 
transformation algorithms allowing the user to alter sound 
characteristics such as; pitch, timbre and duration, using a highly 
intuitive user interface. 
 
Transformer - Real-time Voice and Sonic Modelling Processor 
TRAX Transformer is based on an augmented phase vocoder technology and a
 cutting edge transformation algorithm, allowing for manipulating 
characteristic properties of a voice such as gender, age and breath, and
 on any other sound; expression, formant and pitch. 
 
These voice transformation algorithms have already been used, with great
 success, in international and French cinema productions. (Farinelli, 
Vatel, Tirésia, Les amours d'Astrée and Céladon). 
 
Cross Synthesis - Spectral Envelope Morphing Processor 
TRAX Cross Synthesis utilizes a phase vocoder (the amplitude and the 
frequency/phase spectra), to morph the spectral characteristics of two 
sounds. The amplitude and frequency/phase spectra can be blended 
continuously and since the features that are used here are strongly 
nonlinear, the sound morphing is nonlinear as well, offering a way to 
create a wide range of new exciting and unusual sound effects. 
 
Source Filter - Enhanced Sound Filtering 
TRAX Source Filter is based on a signal model decomposing the signal 
into a time envelope describing the energy/loudness contour of the 
sound, and a spectral envelope describing the spectral colour of the 
sound timbre. The energy contour and the spectral colour of the source 
sound, can be continuously blended with the spectral colour and energy 
contour of an arbitrary filtrating sound, allowing transformation that 
extend well beyond the more common source filter morphing effect.

Ircam Trax by Flux
Next generation vocal and sonic processing tools
This product requires iLok authorization dongle. For more information, give us a call at 248.591.9276

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The Analog Experience The McDSP Analog Channel AC1 configuration acts as a digital pre-amp allowing even excessive amounts of gain without digital distortion. A drive control determines where the audio “sits” in the saturation/compression region, and even the attack and release times of the distortion character are adjustable. The AC2 configuration emulates analog tape machines. In addtiion to standard tape machine parameters such as bias, playback speed, and IEC1/2 equalization, AC2 offers controls well beyond the limits of the reel-world devices including adjustable low frequency roll off and head bump - independent of playback speed. The user can select from several playback head types, tape formulations, and even control the tape saturation recovery time.   Features: 
<ul>
<li>Library of presets emulating analog mixing systems 
</li><li>Real-time display of saturation curves and calibrations 
</li><li>Analog Saturation Modeling 
</li><li>Double precision processing 
</li><li>Ultra low latency 
</li><li>Mono and stereo versions</li></ul>

McDSP Analog Channel HD v5 - Electronic Delivery
Analog Channel emulates the sounds of high-end analog tape machines, tape, and channel amplifiers
Electronic Delivery Only

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McDSP Analog Channel Native v5 - Electronic Delivery
Analog Channel emulates the sounds of high-end analog tape machines, tape, and channel amplifiers
Electronic Delivery Only

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McDSP Channel G Compact HD v5 - Electronic Delivery
Channel G Compact delivers the same sonic experience as Channel G with a smaller dsp footprint
Electronic Delivery Only

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McDSP Channel G Compact Native v5 - Electronic Delivery
Channel G Compact delivers the same sonic experience as Channel G with a smaller dsp footprint
Electronic Delivery Only

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McDSP Channel G Surround - Electronic Delivery
Channel G delivers the big board sound with unprecedented flexibility
Electronic Delivery Only

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