Plug-ins Starting at $45

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Plug-ins Starting at $45

Filtroid is another new PowerCore-exclusive plug-in. With its dual filters and extensive modulation capabilities, Filtroid brings the sound of analog filter banks to the PowerCore platform.<BR><BR>Filtroid consists of two filters with low-, hi- and band-pass shapes with 12, 18 or 24 db slope characteristics. The filters can be used in series or parallel for the utmost creative control, and external side-chain input provision allows for modulation of the filter from another track. <BR><BR>The modulation capabilities are extensive, including independent LFOs per filter and the envelope follower. Tempo sync ensures that filter movements are always synchronized to the speed of the sequencer, and a distortion unit adds an additional edge to the sound, if desired.<BR><BR>With serial or parallel filter routing, massive modulation options, side chain input, resonance with self-oscillation, envelope follower, distortion and out of phase modulation, PowerCore users have all the tools they need to make the most extreme filter effects.

TC Electronic TC Filtroid
PowerCore Plug-in with Two Filters

Antares SYBIL Evo
Variable frequency de-esser
This product is fulfilled via electronic download and requires iLok authorization. For more information, give us a call at 248.591.9276

<B>AC 30 Amp for PowerCore!</B><BR>TC Thirty is a virtual model of a classic british Vox amplifier from 1961, providing the sound and behavior of the "normal channel" found on that amp. <BR><BR>A lot of users of the classic AC 30 amplifier have added a modification called a "treble booster" that was used to overdrive the tubes of the amp and create a singing, crunchy guitar sound. On the TC Thirty there is also a treble booster option, which was conceived with the classic sound of Queen's Brian May in mind. The resonance can be switched to different frequencies so that people who are using different guitars can still get close to "that sound" - and they can create their own unique sound as well. <BR><BR>The plug-in features the TC Powercore "No Latency" mode that allows for playing TC Thirty in a live recording or performance situation. TC Thirty also offers an oversampling option for even better processing quality than in standard mode. Up to four standard mode instances of TC Thirty can run on one Powercore Firewire DSP.

TC Electronic TC Thirty
Amp Modeling PowerCore Plug-in

The <span style="font-weight: bold;">URS 1970 Classic Console Compressor </span>features digital recreation of transformer input and diode bridge gain reduction amplifier characteristics. 
Smooth and warm!
<br><br style="font-weight: bold;"><span style="font-weight: bold;">
High Res 48 bit "Double Precision" processing</span><br>
The URS Classic Console Compressors TDM versions feature Hi Resolution 48-bit TDM and 64-bit RTAS 
"Double Precision" processing for increased clarity, headroom and unparalleled gain reduction.  Hi Resolution "Double Precision" processing helps to avoid internal clipping in the Digital Domain. 
<br><br style="font-weight: bold;"><span style="font-weight: bold;">
Independent Compressor and Limiter sections</span><br>
The Compressor and Limiter sections are totally independent of each other.  Both feature separate variable Attack, Release and Threshold controls. 
<br><br style="font-weight: bold;"><span style="font-weight: bold;">
Built in Internal Side Chain Filtering</span><br>
The Internal Side Chain High and Low Pass Filters fine tune how narrow or "Broad Band" the URS Classic Console Compressor will affect the program material.  Both Filters completely overlap to dial in problem frequencies.
<br style="font-weight: bold;"><br style="font-weight: bold;"><span style="font-weight: bold;">
Listen Key</span><br>
The Listen Key is after the Filters section. The Listen Key allows you to monitor the signal being sent to the Gain Reduction detection circuit. 
<br><br>
<span style="font-weight: bold;">Signal Flow explained</span><br>
The URS Classic Console Compressors signal flow inserts the Gain Makeup control before the final Limiter.  This is the secret  to how hard you can hit the final "Brick Wall" Limiter.  The URS Classic Console Compressors utilize Feed-back gain sensing.  Feed-back gain sensing gives Compression and Limiting a servo type of control.  See the detailed signal flow diagram below.
<br><br>
<span style="font-weight: bold;">Classic Sound with Modern Features</span><br>
The URS Classic Console Compressor adds other powerful modern features such as totally variable Compression Ratios, Attack and Release times. 
<br><br style="font-weight: bold;"><span style="font-weight: bold;">
Two  Different Plug-ins</span><br>
Two different URS 1970 Classic Console Compressor plug-ins are included in this bundle. 
<br><br style="font-weight: bold;"><span style="font-weight: bold;">
The 1970 version includes :</span><br>
• Compressor/ Limiter / Side Chain version<br> 
• Compressor only version 
<br><br style="font-weight: bold;"><span style="font-weight: bold;">
The 1970 Compressor /Limiter / Side chain version</span> has a "Brick Wall Limiter to smooth out the most difficult musical tracks. The 1970 Compressor /Limiter / Side chain version is well suited for Drum Sub Groups, Aux sends (TDM versions) and especially on the Mix Bus. 
<br><br>
The 1970 Compressor only version is 3x more DSP efficient.  The Compressor only version is very well suited on general instruments, such as vocals, guitars, bass and individual drums. The 1970 Compressor Only version will act as a Limiter when the ratio is set at 10:1 and above.

URS 1970 Classic Console Compressor - Native On sale!
Classic Console Compressor Plug-in
This product requires iLok authorization. For more information, give us a call at 248.591.9276

The <span style="font-weight: bold;">URS Classic Console Strip</span>  is our "Go To" solution for quick adjustments on individual tracks. 
We have selected our favorite algorithms for the Compressor and EQ sections. 
Easy to use!  Powerful Results!
The URS Classic Console Strip is Super DSP efficient 
<ul>
    <li> TDM - 12 instances per HD Accel chip and 5 instances per HD chip @44.1/48k, 
    </li><li> Native - 48 instances 1024 samples at 30% CPU on a Mac G5 Quad 2ghz. </li></ul>

The URS Classic Console Strip Compressor digitally recreates characteristics of a transformer input and a specially designed feed forward 1975 VCA gain reduction amplifier  The Compressor features fully adjustable Threshold, Ratio and Gain Makeup with three preset Attack and Release settings. Warm and Aggressive!
<br><br>
The URS Classic Console Strip EQ section features a three band EQ digitally recreated from three different analog consoles. We selected the critical frequencies for today's Hip Hop, R&B and Rock. Bass Drum, Snare, Guitar, Bass, Piano, Organ, Strings, Brass and Vocals jump out in the mix with quick EQ adjustment. The LF and HF EQ bands each offer three different frequencies.  The Mid range EQ band is fully sweepable with selectable Sharp or Wide "Q" bandwidth. 
<br><br style="font-weight: bold;"><span style="font-weight: bold;">
High Res 48-bit "Double Precision" processing</span><br>
The URS Classic Console Strip TDM features 48-bit Double Precision Processing and URS Classic Console Strip Native features 64-bit "Double Precision" floating processing for increased clarity and headroom with unparalleled gain reduction.  Hi Resolution "Double Precision" processing helps to avoid internal clipping in the Digital Domain. 
<br><br style="font-weight: bold;"><span style="font-weight: bold;">
Independent Compressor and EQ sections</span><br>
The Compressor and EQ sections are totally independent of each other featuring separate In/Out switching. The Compressor section is selectable between Pre/Post the EQ section.
<br><br>
<span style="font-weight: bold;">Easy Eight</span><br>
We call the URS Classic Console Strip the "Easy Eight".  The URS Classic Console Strip's eight knobs map perfectly to the Command 8, Digi002, ProjectMix I/O, ProControl, HUI and other popular controllers allowing for quick adjustments on individual tracks.  The eight knobs map to Page table 1 and all other functions map to Page table 2.
<br><br>
<span style="font-weight: bold;">46 Preset starting points</span><br>
We have included 46 Preset starting points for individual instruments, vocals and sub mixes.
<br><br>
Compact Screen Design saves valuable screen space!
<br><br>
<span style="font-weight: bold;">Features
</span><ul>
  <li> Pro Tools 8.x and Leopard OSX 10.5.x compatibility
   </li><li> Pro Tools 7.4.x and Leopard OSX 10.5.x compatibility
   </li><li> Pro Tools 8.x and Tiger OSX 10.4.x compatibility
   </li><li> Pro Tools 7.x.x and Tiger OSX 10.4.x compatibility
   </li><li> Pro Tools 6.9.2 and Tiger OSX 10.4.x compatibility
   </li><li> Pro Tools 6.9.2 and Panther OSX 10.3.9 compatibility 
   </li><li> Pro Tools 6.7 and Panther OSX 10.3.9 compatibility 
   </li><li> Pro Tools 6.2.3 and Jaguar 10.2.8 compatibility 
   </li><li> Pro Tools 7.x.x M-Powered version compatibility
   </li><li> Full Windows XP support! 
   </li><li> Full Pro Tools TDM support for Pro Tools|HD Accel, Pro Tools|HD and Pro Tools 24|MIX systems 
   </li><li> Full 192 kHz support for TDM, RTAS and AudioSuite versions 
   </li><li> Full ProControl, Control|24, Command|8 and Digi 002 support 
   </li><li> Full ICON Console Control Surface support — including center section Dynamics panel 
   </li><li> Supports Mbox, Digi 001, Digi 002, Digi 002 Rack, Pro Tools|24 MIX, Pro Tools|HD and Pro Tools|HD Accel and M-Audio Interfaces.
   </li><li> Audio Units support for Logic Pro 8.x thru 6.x, Digital Performer 6.x thru 4.x, Bias Peak 6.x thru 4.x, Abelton Live 7.x through 6.x, Final Cut Pro and more! 
   </li><li> VST support for Mac and PC Cubase, Nuendo, Sonar, Abelton Live, Acid, Sound Forge, Reaper, Wavelab, Bias Peak and more!</li></ul>

URS Classic Console Strip EQ + Compressor - Native
Classic Channel Strip Plug-In
This product requires iLok authorization. For more information, give us a call at 248.591.9276

The<span style="font-weight: bold;"> URS 1980 Classic Console Compressor</span> features digital recreation of  the IC input and voltage controlled gain reduction amplifier (VCA) characteristics. Snappy and aggressive!
<p>
<span style="font-weight: bold;">High Res 48 bit "Double Precision" processing</span><br>
The URS Classic Console Compressors TDM versions feature Hi Resolution 48-bit TDM and 64-bit RTAS 
"Double Precision" processing for increased clarity, headroom and unparalleled gain reduction.  Hi Resolution "Double Precision" processing helps to avoid internal clipping in the Digital Domain.
</p><p>
<span style="font-weight: bold;">Independent Compressor and Limiter sections</span><br>
The Compressor and Limiter sections are totally independent of each other.  Both feature separate variable Attack, Release and Threshold controls. 
</p><p>
<span style="font-weight: bold;">Built in Internal Side Chain Filtering</span><br>
The Internal Side Chain High and Low Pass Filters fine tune how narrow or "Broad Band" the URS Classic Console Compressor will affect the program material.  Both Filters completely overlap to dial in problem frequencies.
</p><p>
<span style="font-weight: bold;">Listen Key</span><br>
The Listen Key is after the Filters section. The Listen Key allows you to monitor the signal being sent to the Gain Reduction detection circuit. 
</p><p><span style="font-weight: bold;">
Signal Flow explained</span><br>
The URS Classic Console Compressors signal flow inserts the Gain Makeup control before the final Limiter.  This is the secret  to how hard you can hit the final "Brick Wall" Limiter.  The URS Classic Console Compressors utilize Feed-back gain sensing.  Feed-back gain sensing gives Compression and Limiting a servo type of control.  See the detailed signal flow diagram below.
</p><p><span style="font-weight: bold;">
Classic Sound with Modern Features</span><br>
The URS Classic Console Compressor adds other powerful modern features such as totally variable Compression Ratios, Attack and Release times. 
</p><p><span style="font-weight: bold;">
Two Different Plug-ins </span><br>
Two different URS 1980 Classic Console Compressor plug-ins are included in this bundle. 
</p><p>
<span style="font-weight: bold;">The 1980 version includes :</span></p><ul>
<li>Compressor/ Limiter / Side Chain version 
</li><li> Compressor only version 
</li></ul>
The 1980 Compressor /Limiter / Side chain version  has a modern "Brick Wall Limiter that was not found on the vintage unit. The 1980 Compressor /Limiter / Side chain version is also well suited for drum Sub groups, Aux sends (TDM versions) and highly recommended especially on the Mix Bus. 
<p>
The 1980 Compressor only version is also 3x more DSP efficient.  The 1980 Compressor Only version will act as a Limiter when the ratio is set at 10:1 and above
</p>

URS 1980 Classic Console Compressor - Native On sale!
Classic Console Compressor Plug-in
This product requires iLok authorization. For more information, give us a call at 248.591.9276

<span style="font-weight: bold;">Waves Bass Rider </span>is an innovative, easy-to-use plugin that rides bass levels automatically. A companion to our popular Vocal Rider plugin, Bass Rider delivers perfect bass levels, without changing the natural sound of your bass. Optimized especially for the frequency range and envelope characteristics of bass instruments, Bass Rider covers all the basses: DI, amplified, acoustic, synth, upright—you name it. <br><br>A real time-saver with dedicated studio and live components, Bass Rider keeps bass levels in check and solid throughout your mix. Unlike a compressor, Bass Rider works note by note, without disturbing their inner dynamics, so they sustain and decay naturally. Best of all, since Bass Rider keeps your levels steady with automatic gain adjustment, now you can focus on the feel and flow of your bass—and use compression to add color and character.<br><br>With Bass Rider, you’ll never mix bass the same way again. <br><br><span style="font-weight: bold;">Features</span><br><ul><li>Rides bass levels automatically</li><li>Optimized for bass instruments</li><li>Retains the natural character of the bass</li><li>Dedicated studio and live components</li><li>Up to 24bit 192kHz resolution</li><li>Mono and Stereo components</li><li>Supports RTAS, Audio Suite, VST, AU</li><li>PC and Mac compatible</li></ul><br><span style="font-weight: bold;">Controls</span><br><ul><li>Target Energy Meter shows the energy of the input signal.</li><li>Target Slider sets the desired bass level range and calibrates the Rider Fader “0” position.</li><li>Sensitivity controls the note detector sensitivity.</li><li>Response controls the note detector response.</li><li>Spill controls the amount of spill that the detector should ignore.</li><li>Artifacts controls the note detector’s tolerance to artifacts. </li><li>Max Range sets the upper boundary of the Rider Fader movement. </li><li>Min Range sets the lower boundary of the Rider Fader movement.</li><li>Rider Fader is Bass Rider’s automatic fader control.</li><li>Output trims the vocal output gain, post-auto riding.</li><li>Idle Arrow sets the Rider Fader value when there is no bass activity.</li><li>Effective Range displays the total gain range available for automatic riding.</li></ul>

Waves Bass Rider - Native
Innovative, easy-to-use plugin that rides bass levels automatically

Developed in association with legendary producer/engineer Eddie Kramer, 
the <span style="font-weight: bold;">Waves PIE Compressor</span> was 
precision-modeled on a vintage Pye compressor like the ones he used in 
historic sessions at London’s acclaimed Olympic Studios. A mainstay in 
esteemed British studios throughout the classic rock era, the original 
Pye processors are considered by many to be among of the best buss 
compressors of all time. The Waves PIE plug-in features a meticulously 
modeled VU meter with superfast refresh rates that recreates the 
accuracy, sensitivity, and ballistic behavior of a physical analog 
meter.<br>
<br>
<span style="font-weight: bold;">Featuring</span><br>
<ul><li>Analog noise & hum for added realism</li><li>Compression and limiting modes</li><li>Auto-makeup gain</li><li>Up to 24bit 192kHz resolution</li><li>Mono and Stereo components</li><li>Supports TDM, RTAS, Audio Suite, VST, AU</li><li>PC and Mac compatible</li></ul>
<span style="font-weight: bold;">Controls</span><br>
<ul><li>Threshold sets the gain reference point beyond which compression 
begins.</li><li>Ratio controls the amount of gain reduction for signal above the 
threshold.</li><li>Decay Time (Release Time) sets the recovery speed of the gain 
attenuation when the input drops below the threshold.</li><li>Output sets the output level.</li><li>Meter Select toggles between Input, Output, and Gain Reduction 
metering.</li><li>Analog controls analog characteristics caused by noise floor and 
hum, based on the power supplies of the original units.</li><li>VU Meter displays input or output level in dBVU.</li><li>Clip LED lights up when levels exceed 0 dBFS.</li><li>VU Calibrate controls the VU meter headroom calibration.</li></ul>

Waves PIE Compressor - Native
Compressor Plug-in based on the classic Pye Compressor. Modeled in association with Eddie Kramer.
This product requires iLok authorization. For more information, give us a call at 248.591.9276

The <span style="font-weight: bold;">Nomad Factory Magnetic</span> is a Reel-to-Reel Audio Tape Warming effect that gives your tracks the elusive vintage tape sound which your ears crave. This effect can inject sterile audio with the warmth and character of classic tube circuitry and analog tape saturation.<br><br>The plug-in features pure analog reel-to-reel tape speeds, tape/tube saturation and tape color effects, as well as a dedicated vintage style EQ and a built in Boost mastering section. The result is a creamy, warm sound that can only be achieved by Magnetic.<br><br>Never before has such a great sounding plug-in effect been so easy to use! At first touch, the plug-in’s interface is modern, simple, and extremely user-friendly which instantly allows you to dial in usable sounds.<br><br>Magnetic can be used in many different musical ways. Try using it on individual tracks to add subtle warmth and tape color to your drums or use it to create a filtered cassette AM-radio effect on a vocal. But that’s not all… when used on the master bus, Magnetic can warm your entire mix and “boost” it up to broadcast level. It’s just like having a 30+ year old reel-to-reel tape machine at your fingertips, without all the maintenance costs.<br><br><span style="font-weight: bold;">Features</span><br><ul><li>Reel speed controls the speed of the virtual tape machine. Higher speeds give you more studio-quality fidelity; lower speeds sound more like a cassette tape. The DASH setting gives you the highest-fidelity of digital audio tape predominately used in the 80’s and 90’s.</li><li>Saturation gives different levels of tube and/or tape saturation effects. Recreates the warmth and character of classic tube circuitry and analog tape saturation.</li><li>Tape color provides the highly sought-after sound of Natural, Vintage and Modern Tape Compression.</li><li>Lows controls the amount of low frequency equalization. Select the boost/cut frequency range with the Body, Warm, and Lush Settings.</li><li>Highs control the amount of high frequency equalization. Select the boost/cut frequency range with the Detail, Focus and Brilliance Settings.</li><li>Boost switches on/off the built-in Mastering Limiter section. This incorporates multiple stages of limiting and a look-ahead brickwall limiter to deliver first-class peak reduction. Adjust the Gain and Ceiling Knobs to achieve High-Resolution Limiting.</li><li>Gain sets the threshold for the incoming signal. Higher settings result in a louder sound.</li><li>Ceiling sets the brickwall output level so that it limits all peaks above the number it is set to.</li><li>VU Meter shows the amount of limiting taken place when the Boost circuit is engaged.</li><li>Power bypasses the entire unit</li></ul>

Nomad Factory Magnetic
Reel-to-reel audio tape warmer plug-in

<span class="MainText">The <span style="font-weight: bold;">British MLC-2269</span> is a simple and elegant Master Compressor Limiter (MCL). The British<br>MCL-2269
is the perfect choice for a truly "British-Style" vintage compression
sound by adding warmth and vintage compression to your music.<br><ul><li>Master Compressor Limiter (MLC) modeled from the legendary 2254 compressor</li><li>Input and Output level controls</li><li>Vintage Compressor section</li><li>Vintage Limiter Section</li><li>Phase reverse switch</li><li>Overload 'Clipper' softknee limiter</li><li>Vintage Gain Reduction VU Meters</li><li>Windows XP / Vista32 and Mac OS X (Intel & PPC) supported</li><li>VST, AU and RTAS supported</li><li>24 bit / 192 kHz supported</li></ul>The <span style="font-weight: bold;">British "Nomad-EQ" NEQ-1972</span>
is a simple and elegant “British-Style” four-band equalizer with a
lowpass and highpass ﬁlters. The NEQ-1972 provides ± 18 dB of gain and
switchable High-Q settings.<br><br>The<span style="font-weight: bold;"> British "Nomad-EQ" NEQ-1972</span> is the perfect choice for a truly "British-Style" vintage EQ sound by adding an exceptional tone and character to your music.<br><ul><li>Vintage Equalizer modeled from the classic 1081 EQ module.</li><li>High Pass and Low Pass filters 24 dB/octave</li><li>4-band equalizer with Frequency, Gain and Shapes controls</li><li>Boost / Cut up to 18 dB</li><li>Phase reverse switch</li><li>Vintage switch control</li><li>Modern Light Meters</li><li>Windows XP / Vista32 and Mac OS X (Intel & PPC) supported</li><li>VST, AU and RTAS supported</li><li>24 bit / 192 kHz supported</li></ul></span> <br>
                <img src="http://vintageking.com/site/files/images/spacer.gif" height="20" width="1"> 
            
          
		  
            
              Original Manufacturers Description

Nomad Factory British Bundle
Two plug-ins designed to digitally recreate the classic British console sound

The <span style="font-weight: bold;">Flux Pure Compressor II</span> produces a wide range of compression from ultra clean subtle compression to classic heavy pumping. It’s up to your artistic choice not to the technology's limitations.<br><br>New functions have been added to the original Pure Compressor. External side chain inputs are now available. New dynamic detection algorithms are available. The MS Width control manages stereo signals. A Hold parameter and a Threshold for Hysteresis, complement the settings. Classic modes and Feedback modes are now available for signal level detection, completing the legacy Solera mode. Various new profiles can be selected for detecting the dynamics of the signal. A Maximum mode can be engaged on the Hysteresis control, allowing processing that takes into account maximum values of both the standard and the Hysteresis detection schemes.<br><br>Our exclusive A / B morphing system, allows instant and efficient global control of processing. The preset manager allows you to save global presets made up of two different presets including the A / B morphing slider position. Note also that factory presets are provided for every plug-in.<br><br>Pure Compressor II manages digital audio up to 384 KHz, and up to 8 channels. This is the native version of the plug-in for AU, RTAS and VST.

Flux Pure Compressor II - Native
Full Range Compressor Plugin
This purchase is fulfilled via electronic delivery. You will receive an email with an authorization code and download instructions after your purchase has been processed. This product requires iLok authorization. For more information, give us a call at 248.591.9276.

When it was originally introduced in the mid-1970s, the Aphex Aural 
Exciter® brought its distinctive sound to select sessions by leading 
recording artists, traveling from studio to studio as an exclusive (and 
expensive) rental unit.<br>
<br>
A true ground-breaker, the original Aural Exciter was highly regarded 
for its ability to increase and enhance presence, brightness, and 
vibrancy on vocal and instrumental tracks alike. It was even credited as
 a "session player" on best-selling albums by the likes of Jackson 
Browne, Linda Ronstadt and James Taylor, engineered by Val Garay, who 
worked closely with us on the development of the plugin.<br>
<br>
Modeled on one of only a few tube-powered units ever made, the <span style="font-weight: bold;">Waves Aphex Vintage Aural Exciter</span> plug-in delivers all the unique character of the rare original hardware unit, with all the advantages of software.<br>
<br>
<span style="font-weight: bold;">Features</span><br>
<ul><li>Faithful model of the rare tube-powered original</li><li>Adds brightness, vibrancy and depth</li><li>Increases presence without raising levels</li><li>Perfect for vocal and instrumental tracks alike</li><li>Mix and AX modes for insert or send configurations</li><li>Mono and stereo components</li><li>Up to 24bit/192kHz resolution</li><li>Supports TDM, RTAS, Audio Suite, VST, AU</li><li>PC and Mac compatible</li></ul>
<span style="font-weight: bold;">Controls</span><br>
<ul><li><span style="font-weight: bold;">Mode</span> selects the processing mode: MIX1, MIX2, AX</li><li><span style="font-weight: bold;">Meter</span> selects VU meter view options</li><li><span style="font-weight: bold;">Input</span> controls input gain</li><li><span style="font-weight: bold;">Ax Mix</span> controls the amount of AX (aural excitement) added to the original signal</li><li><span style="font-weight: bold;">Output</span> controls output gain</li><li><span style="font-weight: bold;">Mains</span> controls analog characteristics caused by hum, based on the power supplies of the original units</li><li><span style="font-weight: bold;">Noise</span> controls the level of the modeled analog noise</li></ul>

Waves Aphex Vintage Aural Exciter - Native
Dynamics plug-in developed in association with Aphex
This purchase is fulfilled via electronic delivery. You will receive an email with an authorization code and download instructions after your purchase has been processed. This product requires iLok authorization. For more information, give us a call at 248.591.9276.

<div style="color: rgb(0, 0, 0);"><p>For years, the C4 has been a favorite of studio engineers the world 
over, and in live sound, it's quickly become a must-have for 
front-of-house and monitor professionals as well. To create the C6, we 
took the tried-and-true functions of the C4, and added two additional 
floating bands plus a side-chain feature, for one-stop vocal and 
instrument shaping. Equally at home in the studio, live, and in post 
production, the C6 lets you zero in on problem frequencies with surgical
 precision.</p>
        <p>Perfect for de-essing and de-popping in the studio or 
onstage, the C6 gives you all the multiband compression and dynamic 
equalization you need to control, tame, and shape your sound.</p><p><br></p><p><span style="font-weight: bold;">Features:</span><br></p><p>
    
      
        </p><ul><li>Internal/external side-chain per band</li><li>Individual band listen mode</li><li>Four crossover bands plus two floating bands</li><li>Dynamic EQ, compression & expansion</li><li>Double precision bit resolution processing</li><li>ARC™ Auto Release Control</li><li>Up to 24bit, 192kHz resolution </li><li>Mono and stereo components</li><li>Supports TDM, RTAS, Audio Suite, VST, AU</li><li>PC and Mac compatible</li></ul></div>

Waves C6 Multiband Compressor - Native
Six-bands of compression and dynamic equalization with side-chain
This product is fulfilled via electronic download and requires iLok authorization. For more information, give us a call at 248.591.9276

<span class="MainText">The <span style="font-weight: bold;">A.M.T Amp Leveling</span> is a highly optimized look-ahead Brickwall Limiter and Level Maximization. The A.M.T Amp Leveler has been designed to be used for Mixing, Mastering, Tracking and Live use. Using a new proprietary algorithm ensuring a very smooth-warm sounding with maximum loudness and no digital-over-clipping as well as low CPU consumption for lightening-fast processing, the A.M.T Amp Leveler is nothing short of amazing.<br><ul><li>High quality signal processing algorithms</li><li>Look-ahead Peak Limiting and Loudness Maximizer</li><li>Input Threshold (Maximizer) variable from -20dB to +20dB</li><li>Out Ceiling variable from -20dB to +20dB</li><li>Recovery (Release Time) 5 settings</li><li>Full Automation for all parameters PC and Mac OS X</li><li>Easy-to-use vintage interface.</li><li>Windows XP / Vista32 and Mac OS X (Intel) supported</li><li>VST, AU and RTAS supported</li><li>24 bit / 192 kHz supported</li></ul>The <span style="font-weight: bold;">A.M.T Max Warm</span> is a highly optimized look-ahead Brickwall Limiter, Equalizer and Level Maximizer. What makes the A.M.T Max Warm process unique is the approach used for its dynamic signal analysis. Internally, the A.M.T Max Warm uses a special processing algorithm to accurately maximize the incoming signal level while limiting the ceiling peak levels. This approach tends to produce a more natural warm-sound, the A.M.T Max Warm also includes a two-band equalizer (Shelving/Peaking) with adjustable frequencies, making this plug-in an amazing advanced and versatile tool.<br><ul><li>High quality signal processing algorithms</li><li>Peak Limiting and Loudness Maximizing with Baxandall Equalizer (Shelving/Peaking).</li><li>Look-ahead Brickwall limiting</li><li>Low and High Shelving controls - Boost / Cut up to 12dB</li><li>Low Frequency variable from 60 Hz to 800 Hz (Shelving/Peaking)</li><li>High Frequency variable from 1.2 kHz to 16 kHz (Shelving/Peaking)</li><li>Input Threshold (Maximizer) variable from -20dB to +20dB</li><li>Out Ceiling variable from -20dB to +20dB</li><li>Limit Mode (Compression) 5 settings</li><li>Recovery (Release Time) from 10ms to 999ms</li><li>Full Automation for all parameters PC and Mac OS X</li><li>Easy-to-use vintage interface.</li><li>Windows XP / Vista32 and Mac OS X (Intel) supported</li><li>VST, AU and RTAS supported</li><li>24 bit / 192 kHz supported</li></ul><br>The <span style="font-weight: bold;">A.M.T Multi Ma</span>x multiband peak limiter is a highly optimized 3 band look-ahead Brickwall Limiter, and Level Maximizer. The A.M.T Multi Max uses a special processing algorithm to accurately split and maximize the incoming signal level while limiting the ceiling peak levels. This approach tends to produce a loud and clear natural warm-sound. The A.M.T Multi Max 3 band crossover with adjustable frequencies delivers sweet highs and punchy lows, making this plug-in an amazing advanced and powerful tool. When you need maximum sound with minimum latency and complete control, the choice is clear, use the A.M.T Multi Max plug-in.<br><ul><li>3-Band crossover high quality signal processing algorithms</li><li>Look-ahead Peak Limiting and Loudness Maximizer</li><li>Low, Mid and High bands gain controls - Boost / Cut up to 12dB per band</li><li>Input Threshold (Maximizer) variable from -20dB to +20dB</li><li>Out Ceiling variable from -20dB to +20dB</li><li>Limit Mode (Compression) 5 settings</li><li>Recovery (Release Time) 5 settings</li><li>Full Automation for all parameters PC and Mac OS X</li><li>Easy-to-use vintage interface.</li><li>Windows XP / Vista32 and Mac OS X (Intel) supported</li><li>VST, AU and RTAS supported</li><li>24 bit / 192 kHz supported</li></ul></span>

Nomad Factory Analog Mastering Tools
Three software tools to add the subtelty and character of tube gear to your mixes and masters

When leading mastering engineers work their magic, they need to maximize
 levels and enhance frequency response, all the while remaining faithful
 to their source material. That’s why the <span style="font-weight: bold;">Waves L3 Multimaximizer</span> is an indispensable tool in 
mastering rooms around the globe. The world’s first auto-summing 
multiband limiter for all-in-one mastering, the L3 maximizes your sound 
with unparalleled precision and greater transparency than any plug-in of
 its kind. The L3 Multimaximizer bundle includes the L3 Ultramaximizer 
as well as the low-latency L3-LL Multimaximizer and the L3-LL 
Ultramaximizer. <br><br>
<b>Features</b>
<ul><li>PLMixer™ Peak Limiting Mixer Technology
</li><li>Linear Phase EQ for sweet highs and punchy lows
</li><li>IDR™ Increased Digital Resolution with double precision bit
      re-quantization and dither with 9th-order noise shaping filter
</li><li>Master and Individual ARC™ Automatic Release Controls
</li><li>Also includes the L3 Ultramaximizer
</li><li>Up to 24bit 96kHz resolution (TDM 24/96 Accel only)
</li><li>Mono and Stereo components
</li><li>Supports TDM, RTAS, Audio Suite, VST, AU
</li><li>PC and Mac compatible</li></ul>

Waves L3 Multimaximizer - Native
Mastering Plug-In Bundle with L3 Ultramaximizer/Multimaximizer and L3-LL Multimaximizer/Ultramaximizer
This product requires iLok authorization. For more information, give us a call at 248.591.9276

The <span style="font-weight: bold;">Lexicon PSP 42</span> is a
high-quality digital stereo delay and phrase sampler plug-in based on the legendary Lexicon PCM
42 processor famous for its distinctive sound and unique concept.
Lexicon PSP 42 has been carefully designed to accurately reproduce the
flexibility and warmth of this renowned classic. This has been
accomplished by incorporating precise tape saturation algorithm and a
delay line operating with variable sampling rate which simulates
physical properties of vintage tape machine delays. The plug-in has
been designed with consideration to preserve maximum signal quality at
every processing stage.<br>
<br>
The Lexicon PSP 42 is capable of generating wide variety of delay-based
effects ranging from tempo-locked feedback delay with high frequency
absorption and tape saturation to flanging and phasing effects. A
flexible modulation section for continuous delay time and pitch control
allows the user to add subtle animation or swing to the processed
signal as well as to create unpredictable, alien sounds when pushed to
its limits. The freely adjustable delay line sampling frequency makes
Lexicon PSP 42 a good tool for creating low-fi effects that sound
smooth thanks to the superior characteristics of employed interpolation
algorithm. Close attention has been paid to make the unit operate
without audible clicks or pops.<br>
<br>
PSP is the sole developer and manufacturer of the Lexicon PSP 42.
Functionality and sound of the Lexicon PSP 42 have been approved by
Lexicon. PSP is responsible for all customer support.<br>
<br>
<span style="font-weight: bold;">The Lexicon PSP 42 Features:</span><br>
<ul><li>High quality signal processing algorithms,</li><li>Up to 9600 ms of delay time depending on internal sampling frequency,</li><li>Continuous control of delay time,</li><li>Tight synchronization to the host tempo and its changes,</li><li>Tape saturation simulation based on the algorithm used in the line of our mastering processors,</li><li>Low pass filter for high frequency absorption modeling,</li><li>Modulation section with three different modulation signal sources (sinus, square, envelope detector) mixed in any proportions,</li><li>Phrase sampler capability,</li><li>Parameter filtration and on-the-fly cross-fades for smooth and click-free operation,</li><li>Support for sampling rates of up to 192kHz,</li><li>MIDI and VST automation,</li><li>Logic Control support.</li><li>Library of presets </li></ul>
<br style="font-weight: bold;">
<span style="font-weight: bold;">Applications:</span><br>
<br>
The Lexicon PSP 42 is primarily intended for processing individual
tracks within a mix. It can be productively used to add superior
sounding delay-based effects to solo instruments and vocals as well as
to simulate vintage delay with tape saturation, high frequency
absorption and variable tape speed. Tempo locking and handy modulation
section make Lexicon PSP 42 an essential tool for experimenting with
drum loops and other rhythmic patterns. Variable delay line sampling
rate allows to generate good sounding low-fi effects as well as
out-of-this-world sounds. Short delay times, pitch modulation and phase
inverters reveal Lexicon PSP 42 potentials as a source of vibrant
modulation effects such as flanger and doubler. Last but not least
Lexicon PSP 42 is a simple ring reverb for a denser output.<br>
<br style="font-weight: bold;">
<span style="font-weight: bold;">Minimum system requirements:</span><br>
<br style="font-weight: bold;">
<span style="font-weight: bold;">Windows XP with ServicePack 2 or later</span><br>
<ul><li>VST or RTAS compatible host application</li><li>ProTools TDM/LE 7.3 or later for running RTAS</li><li>256 MB RAM</li><li>Pentium III 600 MHz</li><li>High Color S-VGA, 1024x768 </li></ul>
<br style="font-weight: bold;">
<span style="font-weight: bold;">MacOS X 10.4.0 or later</span><br>
<ul><li>IntelMac or PowerPC G4 or G5</li><li>512 MB RAM</li><li>AudioUnit, VST or RTAS compatible host application</li><li>ProTools TDM/LE 7.3 or later for running RTAS </li></ul>
<br>
<span style="font-weight: bold;">MacOS 8.5</span><br>
<ul><li>VST or RTAS compatible host application</li><li>256 MB RAM</li><li>G3 300 Mhz</li><li>High Color S-VGA, 1024x768</li></ul>

PSP Lexicon PSP 42
Digital stereo delay and phrase sampler based on the legendary Lexicon PCM 42 - sound and functionality approved by Lexicon
Electronic Delivery Only

The <span style="font-weight: bold;">PSP 84</span> is a high-quality
processor, capable of producing a wide variety of delay-based effects.
Two independent delay lines operating with variable sampling rate and
precise tape saturation algorithm with adjustable gain, allow for
convincingly sounding simulation of tape delay, including all the
exciting effects resulting from tape speed instability. A filtration
section consisting of three 2nd order switchable resonant filter types
can be used to process input, feedback or wet signal. The adjustable
slope of the filter ranges from a gentle curve, which is useful for
simulating high frequency absorption typical for tape delay and wet
signal equalization to an extremely steep curve with a high cutoff
frequency peak, making all the wild wah-wah and resonance effects
easily available. Delay line sampling rate and filter cutoff can be
modulated by any of the 5 LFO waveforms that are automatically
synchronized to the sequencer tempo or envelope follower with
adjustable sensitivity and attack/release. Moreover, the PSP 84
contains the fully functional reverb unit, with simplified settings
carefully tuned to exactly reproduce the sound of classic spring and
plate reverberators.<br>
<br style="font-weight: bold;">
<span style="font-weight: bold;">The PSP 84 Features:</span><br>
<ul><li>High quality, unique signal processing algorithms,</li><li>Up to 10 seconds of delay time per channel (depending on internal sampling frequency),</li><li>Continuous control over the delay time with little harmonic distortion,</li><li>Cross-channel feedback and independent channel settings with channel link mode,</li><li>Tape saturation simulation with adjustable gain based on the algorithm used in the line of our mastering processors,</li><li>Modulation section consisting of LFO and envelope follower mixed in any proportions,</li><li>5 click-free LFO waveforms and variable LFO channel phase offset,</li><li>LP, BP, HP filter with adjustable cutoff and resonance,</li><li>Flexible filter routing capabilities,</li><li>Vintage reverberation module for faithful simulation of spring and plate reverb characteristics,</li><li>Parameter filtration for smooth and click-free operation,</li><li>Support for sampling rates of up to 192kHz,</li><li>MIDI and VST automation of all parameters,</li><li>Logic Control support,</li><li>60 presets for easy start. </li></ul>
<br style="font-weight: bold;">
<span style="font-weight: bold;">Applications:</span><br>
<br>
The PSP 84 is primarily meant for applying to individual tracks within
a mix and experimenting with drum and synth loops. The included presets
reveal its huge potential in processing vocal, guitar and bass tracks.
Though it can be succesfully used for adding classic sounding delay,
its capabilities go far beyond that. The PSP 84's independent channel
settings and cross-channel feedback allow for creating animated delay
effects that are more spacial and cut better through the mix than a
simple center-panned delay. Resonant filters and a modulation section
that synchronizes to the host tempo make it possible to create superb
auto-wah-wah effects, warm smoky dub sweeps, evolving ambient textures,
as well as to easily shape the wet signal's spectral contents. The PSP
84 can create both pristine clean sounding echoes or degenerate the
signal to great extent - all depending on your needs -, thanks to the
variable internal sampling rate allowing the pitch-twist effects, rich
vocal doublers, flangers and unsurpassed detune effects to be achieved.
Guitarists that are not satisfied with dry and cold sounding tracks
recorded using direct-boxes will appreciate saturation algorithm, great
for adding mild overdrive and harmonic contents enrichment. Last but
not least, the unique reverberation unit allows for adding space and
warmth that most of the digital reverbs lack.<br>
<br style="font-weight: bold;">
<span style="font-weight: bold;">Minimum system requirements:</span><br style="font-weight: bold;">
<br style="font-weight: bold;">
<span style="font-weight: bold;">Windows XP with ServicePack 2 or later</span><br>
<ul><li>VST or RTAS compatible host application</li><li>ProTools TDM/LE 7.3 or later for running RTAS</li><li>256 MB RAM</li><li>Pentium III 600 MHz</li><li>High Color S-VGA, 1024x768 </li></ul>
<br style="font-weight: bold;">
<span style="font-weight: bold;">MacOS X 10.4.0 or later</span><br>
<ul><li>IntelMac or PowerPC G4 or G5</li><li>512 MB RAM</li><li>AudioUnit, VST or RTAS compatible host application</li><li>ProTools TDM/LE 7.3 or later for running RTAS </li></ul>
<br style="font-weight: bold;">
<span style="font-weight: bold;">MacOS 8.5</span><br>
<ul><li>VST or RTAS compatible host application</li><li>256 MB RAM</li><li>G3 300 Mhz</li><li>High Color S-VGA, 1024x768</li></ul>

PSP 84
High-quality processor, capable of producing a wide variety of delay-based effects - big brother to the PSP 42
Electronic Delivery Only

Waves Vocal Rider - Native
Level-Riding Plugin
This product requires iLok authorization. For more information, give us a call at 248.591.9276

The <span style="font-weight: bold;">McDSP 4030 Retro Compressor</span> 
is a new dynamic range control topology coupled with a wet/dry mix 
control to balance compressed and uncompressed signals.  An active 
attack and release design allows aggressive compression settings with 
minimal artifact generation.<br>
<br>
All Retro plug-ins use a McDSP designed output stage topology to 
eliminate digital clipping at any output level and produce a smoother 
distortion characteristic.  This feature is in addition to the analog 
saturation modeling that has made McDSP famous over the last decade.<br>
<br>
Retro plug-ins are a line of ‘classics’ that can live up to their own name without emulating something else.<br>
<br>
<span style="font-weight: bold;">Features</span><br>
<ul><li>Unique original algorithms with transparent yet vintage sound</li><li>Mix control</li><li>Side chain support</li><li>Anti-Clip Output Stage Topology</li><li>Analog Saturation Modeling</li><li>Double Precision Processing</li><li>Ultra Low Latency</li><li>Mono and Stereo versions</li></ul>
<span style="font-weight: bold;">Retro Pack includes:</span><br>
<ul><li>4020 Retro EQ</li><li>4030 Retro Compressor</li><li>4040 Retro Limiter</li><li>Pre-programmed McDSP green iLok</li></ul>

McDSP 4030 Retro Compressor Native v5
Vintage compressor plug-in with wet/dry mix control
Electronic Delivery

<span style="font-weight: bold;">SoundToys Tremolator</span> emulates the tremolo effect of classic guitar amps such as the Fender, and even the great tremolo sound of the Wurlitzer electric piano. Add dynamic control of speed and depth that lets the tremolo respond to the music. Then toss in MIDI sync to lock to your tempo. Oh, yeah, then there's our programmable Rhythm Editor that let's you write custom patterns and turns this amazing tremolo into a outrageous rhythmic auto-gate. Vintage guitar effect and modern remix tool at your service.<br><br><span style="font-weight: bold;">Tremolo of Old</span><br>Gear heads that we are, we broke out the test gear and analyzed the waveforms created by some of our favorite old gear. Then we used our custom LFO waveshape editor built into Tremolator to perfectly recreate them. It's very interesting to look at these shapes and see why each of these vintage pieces has a unique sound. Pass that through our Analog mode, which emulates going in and out of a piece of analog hardware, and you've got all the pieces of a great sounding tremolo..<br><br><span style="font-weight: bold;">Chop Shop: Auto-Gate Mania</span><br>Switch the nice smooth tremolo waveforms over to a sharp squarewave and you turn this into a monster of an auto-gate. You can lock it to MIDI with the flip of a switch, then select 1/8th notes, 16th notes or whatever fits the rhythm you need. If straight note pulses isn't what you need, use the Rhythm Editor to write your own cool groove (You can even pull a groove from our library). More? Add some swing or shuffle, accents, and analog mode. You can even use the Waveshape Editor to tighten or loosen the gate time.<br><br><span style="font-weight: bold;">Get Dynamic</span><br>In the Tweak menu you'll find the Dynamics controls. These parameters let your playing control the speed and/or depth of the modulation. You can create cool speed ups or slow downs based on how loud or soft you play. You can create smooth increases in depth as your cords fade out, or heavy tremolo that fades away. Plus there are already some great presets in our Dynamics folder that you can "tweak" to fit your needs.

SoundToys Tremolator - Native
Tremolo and Auto-Gate Plug-in
Electronic Delivery Only

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API Audio Neve Barefoot Sound Shadow Hills Industries Retro Instruments Waves Audio Coles Microphones Endless Analog Clasp		Read what people are saying about Vintage King Audio Sales & Service from around the world. Read them here!		How about recycling your used gear for something different or just a change? When speaking to a sales representative, make sure to indicate that you are interested in trading your gear for a new purchase or please send an email to info@vintageking.com.

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