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The Antares SYBIL Evo tames vocal sibilance with threshold, ratio, attack and decay
controls as well as a variable sidechain high pass frequency to match
any vocal performance.
The AVOX Evo bundle, which represents a greater than 50% savings
over the MSRPs of the individual plug-ins, is available at your local
Antares dealer in versions for RTAS (Mac OS X and PC), VST (Mac OS X
and PC), and Audio Units.
Antares SYBIL Evo
Variable frequency de-esser This product is fulfilled via electronic download and requires iLok authorization. For more information, give us a call at 248.591.9276
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AC 30 Amp for PowerCore! TC Thirty is a virtual model of a classic british Vox amplifier from 1961, providing the sound and behavior of the "normal channel" found on that amp. A lot of users of the classic AC 30 amplifier have added a modification called a "treble booster" that was used to overdrive the tubes of the amp and create a singing, crunchy guitar sound. On the TC Thirty there is also a treble booster option, which was conceived with the classic sound of Queen's Brian May in mind. The resonance can be switched to different frequencies so that people who are using different guitars can still get close to "that sound" - and they can create their own unique sound as well. The plug-in features the TC Powercore "No Latency" mode that allows for playing TC Thirty in a live recording or performance situation. TC Thirty also offers an oversampling option for even better processing quality than in standard mode. Up to four standard mode instances of TC Thirty can run on one Powercore Firewire DSP.
The URS 1970 Classic Console Compressor features digital recreation of transformer input and diode bridge gain reduction amplifier characteristics.
Smooth and warm!
High Res 48 bit "Double Precision" processing
The URS Classic Console Compressors TDM versions feature Hi Resolution 48-bit TDM and 64-bit RTAS
"Double Precision" processing for increased clarity, headroom and unparalleled gain reduction. Hi Resolution "Double Precision" processing helps to avoid internal clipping in the Digital Domain.
Independent Compressor and Limiter sections
The Compressor and Limiter sections are totally independent of each other. Both feature separate variable Attack, Release and Threshold controls.
Built in Internal Side Chain Filtering
The Internal Side Chain High and Low Pass Filters fine tune how narrow or "Broad Band" the URS Classic Console Compressor will affect the program material. Both Filters completely overlap to dial in problem frequencies.
Listen Key
The Listen Key is after the Filters section. The Listen Key allows you to monitor the signal being sent to the Gain Reduction detection circuit.
Signal Flow explained
The URS Classic Console Compressors signal flow inserts the Gain Makeup control before the final Limiter. This is the secret to how hard you can hit the final "Brick Wall" Limiter. The URS Classic Console Compressors utilize Feed-back gain sensing. Feed-back gain sensing gives Compression and Limiting a servo type of control. See the detailed signal flow diagram below.
Classic Sound with Modern Features
The URS Classic Console Compressor adds other powerful modern features such as totally variable Compression Ratios, Attack and Release times.
Two Different Plug-ins
Two different URS 1970 Classic Console Compressor plug-ins are included in this bundle.
The 1970 version includes :
• Compressor/ Limiter / Side Chain version
• Compressor only version
The 1970 Compressor /Limiter / Side chain version has a "Brick Wall Limiter to smooth out the most difficult musical tracks. The 1970 Compressor /Limiter / Side chain version is well suited for Drum Sub Groups, Aux sends (TDM versions) and especially on the Mix Bus.
The 1970 Compressor only version is 3x more DSP efficient. The Compressor only version is very well suited on general instruments, such as vocals, guitars, bass and individual drums. The 1970 Compressor Only version will act as a Limiter when the ratio is set at 10:1 and above.
The URS Classic Console Strip is our "Go To" solution for quick adjustments on individual tracks.
We have selected our favorite algorithms for the Compressor and EQ sections.
Easy to use! Powerful Results!
The URS Classic Console Strip is Super DSP efficient
TDM - 12 instances per HD Accel chip and 5 instances per HD chip @44.1/48k,
Native - 48 instances 1024 samples at 30% CPU on a Mac G5 Quad 2ghz.
The URS Classic Console Strip Compressor digitally recreates characteristics of a transformer input and a specially designed feed forward 1975 VCA gain reduction amplifier The Compressor features fully adjustable Threshold, Ratio and Gain Makeup with three preset Attack and Release settings. Warm and Aggressive!
The URS Classic Console Strip EQ section features a three band EQ digitally recreated from three different analog consoles. We selected the critical frequencies for today's Hip Hop, R&B and Rock. Bass Drum, Snare, Guitar, Bass, Piano, Organ, Strings, Brass and Vocals jump out in the mix with quick EQ adjustment. The LF and HF EQ bands each offer three different frequencies. The Mid range EQ band is fully sweepable with selectable Sharp or Wide "Q" bandwidth.
High Res 48-bit "Double Precision" processing
The URS Classic Console Strip TDM features 48-bit Double Precision Processing and URS Classic Console Strip Native features 64-bit "Double Precision" floating processing for increased clarity and headroom with unparalleled gain reduction. Hi Resolution "Double Precision" processing helps to avoid internal clipping in the Digital Domain.
Independent Compressor and EQ sections
The Compressor and EQ sections are totally independent of each other featuring separate In/Out switching. The Compressor section is selectable between Pre/Post the EQ section.
Easy Eight
We call the URS Classic Console Strip the "Easy Eight". The URS Classic Console Strip's eight knobs map perfectly to the Command 8, Digi002, ProjectMix I/O, ProControl, HUI and other popular controllers allowing for quick adjustments on individual tracks. The eight knobs map to Page table 1 and all other functions map to Page table 2.
46 Preset starting points
We have included 46 Preset starting points for individual instruments, vocals and sub mixes.
Compact Screen Design saves valuable screen space!
Features
Pro Tools 8.x and Leopard OSX 10.5.x compatibility
Pro Tools 7.4.x and Leopard OSX 10.5.x compatibility
Pro Tools 8.x and Tiger OSX 10.4.x compatibility
Pro Tools 7.x.x and Tiger OSX 10.4.x compatibility
Pro Tools 6.9.2 and Tiger OSX 10.4.x compatibility
Pro Tools 6.9.2 and Panther OSX 10.3.9 compatibility
Pro Tools 6.7 and Panther OSX 10.3.9 compatibility
Pro Tools 6.2.3 and Jaguar 10.2.8 compatibility
Pro Tools 7.x.x M-Powered version compatibility
Full Windows XP support!
Full Pro Tools TDM support for Pro Tools|HD Accel, Pro Tools|HD and Pro Tools 24|MIX systems
Full 192 kHz support for TDM, RTAS and AudioSuite versions
Full ProControl, Control|24, Command|8 and Digi 002 support
Full ICON Console Control Surface support — including center section Dynamics panel
Supports Mbox, Digi 001, Digi 002, Digi 002 Rack, Pro Tools|24 MIX, Pro Tools|HD and Pro Tools|HD Accel and M-Audio Interfaces.
Audio Units support for Logic Pro 8.x thru 6.x, Digital Performer 6.x thru 4.x, Bias Peak 6.x thru 4.x, Abelton Live 7.x through 6.x, Final Cut Pro and more!
VST support for Mac and PC Cubase, Nuendo, Sonar, Abelton Live, Acid, Sound Forge, Reaper, Wavelab, Bias Peak and more!
The URS 1980 Classic Console Compressor features digital recreation of the IC input and voltage controlled gain reduction amplifier (VCA) characteristics. Snappy and aggressive!
High Res 48 bit "Double Precision" processing
The URS Classic Console Compressors TDM versions feature Hi Resolution 48-bit TDM and 64-bit RTAS
"Double Precision" processing for increased clarity, headroom and unparalleled gain reduction. Hi Resolution "Double Precision" processing helps to avoid internal clipping in the Digital Domain.
Independent Compressor and Limiter sections
The Compressor and Limiter sections are totally independent of each other. Both feature separate variable Attack, Release and Threshold controls.
Built in Internal Side Chain Filtering
The Internal Side Chain High and Low Pass Filters fine tune how narrow or "Broad Band" the URS Classic Console Compressor will affect the program material. Both Filters completely overlap to dial in problem frequencies.
Listen Key
The Listen Key is after the Filters section. The Listen Key allows you to monitor the signal being sent to the Gain Reduction detection circuit.
Signal Flow explained
The URS Classic Console Compressors signal flow inserts the Gain Makeup control before the final Limiter. This is the secret to how hard you can hit the final "Brick Wall" Limiter. The URS Classic Console Compressors utilize Feed-back gain sensing. Feed-back gain sensing gives Compression and Limiting a servo type of control. See the detailed signal flow diagram below.
Classic Sound with Modern Features
The URS Classic Console Compressor adds other powerful modern features such as totally variable Compression Ratios, Attack and Release times.
Two Different Plug-ins
Two different URS 1980 Classic Console Compressor plug-ins are included in this bundle.
The 1980 version includes :
Compressor/ Limiter / Side Chain version
Compressor only version
The 1980 Compressor /Limiter / Side chain version has a modern "Brick Wall Limiter that was not found on the vintage unit. The 1980 Compressor /Limiter / Side chain version is also well suited for drum Sub groups, Aux sends (TDM versions) and highly recommended especially on the Mix Bus.
The 1980 Compressor only version is also 3x more DSP efficient. The 1980 Compressor Only version will act as a Limiter when the ratio is set at 10:1 and above
Waves Bass Rider is an innovative, easy-to-use plugin that rides bass levels automatically. A companion to our popular Vocal Rider plugin, Bass Rider delivers perfect bass levels, without changing the natural sound of your bass. Optimized especially for the frequency range and envelope characteristics of bass instruments, Bass Rider covers all the basses: DI, amplified, acoustic, synth, upright—you name it. A real time-saver with dedicated studio and live components, Bass Rider keeps bass levels in check and solid throughout your mix. Unlike a compressor, Bass Rider works note by note, without disturbing their inner dynamics, so they sustain and decay naturally. Best of all, since Bass Rider keeps your levels steady with automatic gain adjustment, now you can focus on the feel and flow of your bass—and use compression to add color and character. With Bass Rider, you’ll never mix bass the same way again. Features Rides bass levels automatically Optimized for bass instruments Retains the natural character of the bass Dedicated studio and live components Up to 24bit 192kHz resolution Mono and Stereo components Supports RTAS, Audio Suite, VST, AU PC and Mac compatible Controls Target Energy Meter shows the energy of the input signal. Target Slider sets the desired bass level range and calibrates the Rider Fader “0” position. Sensitivity controls the note detector sensitivity. Response controls the note detector response. Spill controls the amount of spill that the detector should ignore. Artifacts controls the note detector’s tolerance to artifacts. Max Range sets the upper boundary of the Rider Fader movement. Min Range sets the lower boundary of the Rider Fader movement. Rider Fader is Bass Rider’s automatic fader control. Output trims the vocal output gain, post-auto riding. Idle Arrow sets the Rider Fader value when there is no bass activity. Effective Range displays the total gain range available for automatic riding.
Developed in association with legendary producer/engineer Eddie Kramer,
the Waves PIE Compressor was
precision-modeled on a vintage Pye compressor like the ones he used in
historic sessions at London’s acclaimed Olympic Studios. A mainstay in
esteemed British studios throughout the classic rock era, the original
Pye processors are considered by many to be among of the best buss
compressors of all time. The Waves PIE plug-in features a meticulously
modeled VU meter with superfast refresh rates that recreates the
accuracy, sensitivity, and ballistic behavior of a physical analog
meter.
Featuring
Analog noise & hum for added realism Compression and limiting modes Auto-makeup gain Up to 24bit 192kHz resolution Mono and Stereo components Supports TDM, RTAS, Audio Suite, VST, AU PC and Mac compatible
Controls
Threshold sets the gain reference point beyond which compression
begins. Ratio controls the amount of gain reduction for signal above the
threshold. Decay Time (Release Time) sets the recovery speed of the gain
attenuation when the input drops below the threshold. Output sets the output level. Meter Select toggles between Input, Output, and Gain Reduction
metering. Analog controls analog characteristics caused by noise floor and
hum, based on the power supplies of the original units. VU Meter displays input or output level in dBVU. Clip LED lights up when levels exceed 0 dBFS. VU Calibrate controls the VU meter headroom calibration.
Waves PIE Compressor - Native
Compressor Plug-in based on the classic Pye Compressor. Modeled in association with Eddie Kramer. This product requires iLok authorization. For more information, give us a call at 248.591.9276
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The Nomad Factory Magnetic is a Reel-to-Reel Audio Tape Warming effect that gives your tracks the elusive vintage tape sound which your ears crave. This effect can inject sterile audio with the warmth and character of classic tube circuitry and analog tape saturation. The plug-in features pure analog reel-to-reel tape speeds, tape/tube saturation and tape color effects, as well as a dedicated vintage style EQ and a built in Boost mastering section. The result is a creamy, warm sound that can only be achieved by Magnetic. Never before has such a great sounding plug-in effect been so easy to use! At first touch, the plug-in’s interface is modern, simple, and extremely user-friendly which instantly allows you to dial in usable sounds. Magnetic can be used in many different musical ways. Try using it on individual tracks to add subtle warmth and tape color to your drums or use it to create a filtered cassette AM-radio effect on a vocal. But that’s not all… when used on the master bus, Magnetic can warm your entire mix and “boost” it up to broadcast level. It’s just like having a 30+ year old reel-to-reel tape machine at your fingertips, without all the maintenance costs.Features Reel speed controls the speed of the virtual tape machine. Higher speeds give you more studio-quality fidelity; lower speeds sound more like a cassette tape. The DASH setting gives you the highest-fidelity of digital audio tape predominately used in the 80’s and 90’s. Saturation gives different levels of tube and/or tape saturation effects. Recreates the warmth and character of classic tube circuitry and analog tape saturation. Tape color provides the highly sought-after sound of Natural, Vintage and Modern Tape Compression. Lows controls the amount of low frequency equalization. Select the boost/cut frequency range with the Body, Warm, and Lush Settings. Highs control the amount of high frequency equalization. Select the boost/cut frequency range with the Detail, Focus and Brilliance Settings. Boost switches on/off the built-in Mastering Limiter section. This incorporates multiple stages of limiting and a look-ahead brickwall limiter to deliver first-class peak reduction. Adjust the Gain and Ceiling Knobs to achieve High-Resolution Limiting. Gain sets the threshold for the incoming signal. Higher settings result in a louder sound. Ceiling sets the brickwall output level so that it limits all peaks above the number it is set to. VU Meter shows the amount of limiting taken place when the Boost circuit is engaged. Power bypasses the entire unit
The British MLC-2269 is a simple and elegant Master Compressor Limiter (MCL). The British MCL-2269
is the perfect choice for a truly "British-Style" vintage compression
sound by adding warmth and vintage compression to your music.Master Compressor Limiter (MLC) modeled from the legendary 2254 compressor Input and Output level controls Vintage Compressor section Vintage Limiter Section Phase reverse switch Overload 'Clipper' softknee limiter Vintage Gain Reduction VU Meters Windows XP / Vista32 and Mac OS X (Intel & PPC) supported VST, AU and RTAS supported 24 bit / 192 kHz supported The British "Nomad-EQ" NEQ-1972
is a simple and elegant “British-Style” four-band equalizer with a
lowpass and highpass filters. The NEQ-1972 provides ± 18 dB of gain and
switchable High-Q settings. The British "Nomad-EQ" NEQ-1972 is the perfect choice for a truly "British-Style" vintage EQ sound by adding an exceptional tone and character to your music.Vintage Equalizer modeled from the classic 1081 EQ module. High Pass and Low Pass filters 24 dB/octave 4-band equalizer with Frequency, Gain and Shapes controls Boost / Cut up to 18 dB Phase reverse switch Vintage switch control Modern Light Meters Windows XP / Vista32 and Mac OS X (Intel & PPC) supported VST, AU and RTAS supported 24 bit / 192 kHz supported
Original Manufacturers Description
The Flux Pure Compressor II produces a wide range of compression from ultra clean subtle compression to classic heavy pumping. It’s up to your artistic choice not to the technology's limitations. New functions have been added to the original Pure Compressor. External side chain inputs are now available. New dynamic detection algorithms are available. The MS Width control manages stereo signals. A Hold parameter and a Threshold for Hysteresis, complement the settings. Classic modes and Feedback modes are now available for signal level detection, completing the legacy Solera mode. Various new profiles can be selected for detecting the dynamics of the signal. A Maximum mode can be engaged on the Hysteresis control, allowing processing that takes into account maximum values of both the standard and the Hysteresis detection schemes. Our exclusive A / B morphing system, allows instant and efficient global control of processing. The preset manager allows you to save global presets made up of two different presets including the A / B morphing slider position. Note also that factory presets are provided for every plug-in. Pure Compressor II manages digital audio up to 384 KHz, and up to 8 channels. This is the native version of the plug-in for AU, RTAS and VST.
Flux Pure Compressor II - Native
Full Range Compressor Plugin This purchase is fulfilled via electronic delivery. You will receive an email with an authorization code and download instructions after your purchase has been processed. This product requires iLok authorization. For more information, give us a call at 248.591.9276.
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When it was originally introduced in the mid-1970s, the Aphex Aural
Exciter® brought its distinctive sound to select sessions by leading
recording artists, traveling from studio to studio as an exclusive (and
expensive) rental unit.
A true ground-breaker, the original Aural Exciter was highly regarded
for its ability to increase and enhance presence, brightness, and
vibrancy on vocal and instrumental tracks alike. It was even credited as
a "session player" on best-selling albums by the likes of Jackson
Browne, Linda Ronstadt and James Taylor, engineered by Val Garay, who
worked closely with us on the development of the plugin.
Modeled on one of only a few tube-powered units ever made, the Waves Aphex Vintage Aural Exciter plug-in delivers all the unique character of the rare original hardware unit, with all the advantages of software.
Features
Faithful model of the rare tube-powered original Adds brightness, vibrancy and depth Increases presence without raising levels Perfect for vocal and instrumental tracks alike Mix and AX modes for insert or send configurations Mono and stereo components Up to 24bit/192kHz resolution Supports TDM, RTAS, Audio Suite, VST, AU PC and Mac compatible
Controls
Mode selects the processing mode: MIX1, MIX2, AXMeter selects VU meter view optionsInput controls input gainAx Mix controls the amount of AX (aural excitement) added to the original signalOutput controls output gainMains controls analog characteristics caused by hum, based on the power supplies of the original unitsNoise controls the level of the modeled analog noise
Waves Aphex Vintage Aural Exciter - Native
Dynamics plug-in developed in association with Aphex This purchase is fulfilled via electronic delivery. You will receive an email with an authorization code and download instructions after your purchase has been processed. This product requires iLok authorization. For more information, give us a call at 248.591.9276.
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For years, the C4 has been a favorite of studio engineers the world
over, and in live sound, it's quickly become a must-have for
front-of-house and monitor professionals as well. To create the C6, we
took the tried-and-true functions of the C4, and added two additional
floating bands plus a side-chain feature, for one-stop vocal and
instrument shaping. Equally at home in the studio, live, and in post
production, the C6 lets you zero in on problem frequencies with surgical
precision.
Perfect for de-essing and de-popping in the studio or
onstage, the C6 gives you all the multiband compression and dynamic
equalization you need to control, tame, and shape your sound.
Features:
Internal/external side-chain per band Individual band listen mode Four crossover bands plus two floating bands Dynamic EQ, compression & expansion Double precision bit resolution processing ARC™ Auto Release Control Up to 24bit, 192kHz resolution Mono and stereo components Supports TDM, RTAS, Audio Suite, VST, AU PC and Mac compatible
Waves C6 Multiband Compressor - Native
Six-bands of compression and dynamic equalization with side-chain This product is fulfilled via electronic download and requires iLok authorization. For more information, give us a call at 248.591.9276
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The A.M.T Amp Leveling is a highly optimized look-ahead Brickwall Limiter and Level Maximization. The A.M.T Amp Leveler has been designed to be used for Mixing, Mastering, Tracking and Live use. Using a new proprietary algorithm ensuring a very smooth-warm sounding with maximum loudness and no digital-over-clipping as well as low CPU consumption for lightening-fast processing, the A.M.T Amp Leveler is nothing short of amazing.High quality signal processing algorithms Look-ahead Peak Limiting and Loudness Maximizer Input Threshold (Maximizer) variable from -20dB to +20dB Out Ceiling variable from -20dB to +20dB Recovery (Release Time) 5 settings Full Automation for all parameters PC and Mac OS X Easy-to-use vintage interface. Windows XP / Vista32 and Mac OS X (Intel) supported VST, AU and RTAS supported 24 bit / 192 kHz supported The A.M.T Max Warm is a highly optimized look-ahead Brickwall Limiter, Equalizer and Level Maximizer. What makes the A.M.T Max Warm process unique is the approach used for its dynamic signal analysis. Internally, the A.M.T Max Warm uses a special processing algorithm to accurately maximize the incoming signal level while limiting the ceiling peak levels. This approach tends to produce a more natural warm-sound, the A.M.T Max Warm also includes a two-band equalizer (Shelving/Peaking) with adjustable frequencies, making this plug-in an amazing advanced and versatile tool.High quality signal processing algorithms Peak Limiting and Loudness Maximizing with Baxandall Equalizer (Shelving/Peaking). Look-ahead Brickwall limiting Low and High Shelving controls - Boost / Cut up to 12dB Low Frequency variable from 60 Hz to 800 Hz (Shelving/Peaking) High Frequency variable from 1.2 kHz to 16 kHz (Shelving/Peaking) Input Threshold (Maximizer) variable from -20dB to +20dB Out Ceiling variable from -20dB to +20dB Limit Mode (Compression) 5 settings Recovery (Release Time) from 10ms to 999ms Full Automation for all parameters PC and Mac OS X Easy-to-use vintage interface. Windows XP / Vista32 and Mac OS X (Intel) supported VST, AU and RTAS supported 24 bit / 192 kHz supported The A.M.T Multi Ma x multiband peak limiter is a highly optimized 3 band look-ahead Brickwall Limiter, and Level Maximizer. The A.M.T Multi Max uses a special processing algorithm to accurately split and maximize the incoming signal level while limiting the ceiling peak levels. This approach tends to produce a loud and clear natural warm-sound. The A.M.T Multi Max 3 band crossover with adjustable frequencies delivers sweet highs and punchy lows, making this plug-in an amazing advanced and powerful tool. When you need maximum sound with minimum latency and complete control, the choice is clear, use the A.M.T Multi Max plug-in.3-Band crossover high quality signal processing algorithms Look-ahead Peak Limiting and Loudness Maximizer Low, Mid and High bands gain controls - Boost / Cut up to 12dB per band Input Threshold (Maximizer) variable from -20dB to +20dB Out Ceiling variable from -20dB to +20dB Limit Mode (Compression) 5 settings Recovery (Release Time) 5 settings Full Automation for all parameters PC and Mac OS X Easy-to-use vintage interface. Windows XP / Vista32 and Mac OS X (Intel) supported VST, AU and RTAS supported 24 bit / 192 kHz supported
When leading mastering engineers work their magic, they need to maximize
levels and enhance frequency response, all the while remaining faithful
to their source material. That’s why the Waves L3 Multimaximizer is an indispensable tool in
mastering rooms around the globe. The world’s first auto-summing
multiband limiter for all-in-one mastering, the L3 maximizes your sound
with unparalleled precision and greater transparency than any plug-in of
its kind. The L3 Multimaximizer bundle includes the L3 Ultramaximizer
as well as the low-latency L3-LL Multimaximizer and the L3-LL
Ultramaximizer.
Features
PLMixer™ Peak Limiting Mixer Technology
Linear Phase EQ for sweet highs and punchy lows
IDR™ Increased Digital Resolution with double precision bit
re-quantization and dither with 9th-order noise shaping filter
Master and Individual ARC™ Automatic Release Controls
Also includes the L3 Ultramaximizer
Up to 24bit 96kHz resolution (TDM 24/96 Accel only)
Mono and Stereo components
Supports TDM, RTAS, Audio Suite, VST, AU
PC and Mac compatible
Waves L3 Multimaximizer - Native
Mastering Plug-In Bundle with L3 Ultramaximizer/Multimaximizer and L3-LL Multimaximizer/Ultramaximizer This product requires iLok authorization. For more information, give us a call at 248.591.9276
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The Lexicon PSP 42 is a
high-quality digital stereo delay and phrase sampler plug-in based on the legendary Lexicon PCM
42 processor famous for its distinctive sound and unique concept.
Lexicon PSP 42 has been carefully designed to accurately reproduce the
flexibility and warmth of this renowned classic. This has been
accomplished by incorporating precise tape saturation algorithm and a
delay line operating with variable sampling rate which simulates
physical properties of vintage tape machine delays. The plug-in has
been designed with consideration to preserve maximum signal quality at
every processing stage.
The Lexicon PSP 42 is capable of generating wide variety of delay-based
effects ranging from tempo-locked feedback delay with high frequency
absorption and tape saturation to flanging and phasing effects. A
flexible modulation section for continuous delay time and pitch control
allows the user to add subtle animation or swing to the processed
signal as well as to create unpredictable, alien sounds when pushed to
its limits. The freely adjustable delay line sampling frequency makes
Lexicon PSP 42 a good tool for creating low-fi effects that sound
smooth thanks to the superior characteristics of employed interpolation
algorithm. Close attention has been paid to make the unit operate
without audible clicks or pops.
PSP is the sole developer and manufacturer of the Lexicon PSP 42.
Functionality and sound of the Lexicon PSP 42 have been approved by
Lexicon. PSP is responsible for all customer support.
The Lexicon PSP 42 Features:
High quality signal processing algorithms, Up to 9600 ms of delay time depending on internal sampling frequency, Continuous control of delay time, Tight synchronization to the host tempo and its changes, Tape saturation simulation based on the algorithm used in the line of our mastering processors, Low pass filter for high frequency absorption modeling, Modulation section with three different modulation signal sources (sinus, square, envelope detector) mixed in any proportions, Phrase sampler capability, Parameter filtration and on-the-fly cross-fades for smooth and click-free operation, Support for sampling rates of up to 192kHz, MIDI and VST automation, Logic Control support. Library of presets
Applications:
The Lexicon PSP 42 is primarily intended for processing individual
tracks within a mix. It can be productively used to add superior
sounding delay-based effects to solo instruments and vocals as well as
to simulate vintage delay with tape saturation, high frequency
absorption and variable tape speed. Tempo locking and handy modulation
section make Lexicon PSP 42 an essential tool for experimenting with
drum loops and other rhythmic patterns. Variable delay line sampling
rate allows to generate good sounding low-fi effects as well as
out-of-this-world sounds. Short delay times, pitch modulation and phase
inverters reveal Lexicon PSP 42 potentials as a source of vibrant
modulation effects such as flanger and doubler. Last but not least
Lexicon PSP 42 is a simple ring reverb for a denser output.
Minimum system requirements:
Windows XP with ServicePack 2 or later
VST or RTAS compatible host application ProTools TDM/LE 7.3 or later for running RTAS 256 MB RAM Pentium III 600 MHz High Color S-VGA, 1024x768
MacOS X 10.4.0 or later
IntelMac or PowerPC G4 or G5 512 MB RAM AudioUnit, VST or RTAS compatible host application ProTools TDM/LE 7.3 or later for running RTAS
MacOS 8.5
VST or RTAS compatible host application 256 MB RAM G3 300 Mhz High Color S-VGA, 1024x768
PSP Lexicon PSP 42
Digital stereo delay and phrase sampler based on the legendary Lexicon PCM 42 - sound and functionality approved by Lexicon Electronic Delivery Only
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The PSP 84 is a high-quality
processor, capable of producing a wide variety of delay-based effects.
Two independent delay lines operating with variable sampling rate and
precise tape saturation algorithm with adjustable gain, allow for
convincingly sounding simulation of tape delay, including all the
exciting effects resulting from tape speed instability. A filtration
section consisting of three 2nd order switchable resonant filter types
can be used to process input, feedback or wet signal. The adjustable
slope of the filter ranges from a gentle curve, which is useful for
simulating high frequency absorption typical for tape delay and wet
signal equalization to an extremely steep curve with a high cutoff
frequency peak, making all the wild wah-wah and resonance effects
easily available. Delay line sampling rate and filter cutoff can be
modulated by any of the 5 LFO waveforms that are automatically
synchronized to the sequencer tempo or envelope follower with
adjustable sensitivity and attack/release. Moreover, the PSP 84
contains the fully functional reverb unit, with simplified settings
carefully tuned to exactly reproduce the sound of classic spring and
plate reverberators.
The PSP 84 Features:
High quality, unique signal processing algorithms, Up to 10 seconds of delay time per channel (depending on internal sampling frequency), Continuous control over the delay time with little harmonic distortion, Cross-channel feedback and independent channel settings with channel link mode, Tape saturation simulation with adjustable gain based on the algorithm used in the line of our mastering processors, Modulation section consisting of LFO and envelope follower mixed in any proportions, 5 click-free LFO waveforms and variable LFO channel phase offset, LP, BP, HP filter with adjustable cutoff and resonance, Flexible filter routing capabilities, Vintage reverberation module for faithful simulation of spring and plate reverb characteristics, Parameter filtration for smooth and click-free operation, Support for sampling rates of up to 192kHz, MIDI and VST automation of all parameters, Logic Control support, 60 presets for easy start.
Applications:
The PSP 84 is primarily meant for applying to individual tracks within
a mix and experimenting with drum and synth loops. The included presets
reveal its huge potential in processing vocal, guitar and bass tracks.
Though it can be succesfully used for adding classic sounding delay,
its capabilities go far beyond that. The PSP 84's independent channel
settings and cross-channel feedback allow for creating animated delay
effects that are more spacial and cut better through the mix than a
simple center-panned delay. Resonant filters and a modulation section
that synchronizes to the host tempo make it possible to create superb
auto-wah-wah effects, warm smoky dub sweeps, evolving ambient textures,
as well as to easily shape the wet signal's spectral contents. The PSP
84 can create both pristine clean sounding echoes or degenerate the
signal to great extent - all depending on your needs -, thanks to the
variable internal sampling rate allowing the pitch-twist effects, rich
vocal doublers, flangers and unsurpassed detune effects to be achieved.
Guitarists that are not satisfied with dry and cold sounding tracks
recorded using direct-boxes will appreciate saturation algorithm, great
for adding mild overdrive and harmonic contents enrichment. Last but
not least, the unique reverberation unit allows for adding space and
warmth that most of the digital reverbs lack.
Minimum system requirements:
Windows XP with ServicePack 2 or later
VST or RTAS compatible host application ProTools TDM/LE 7.3 or later for running RTAS 256 MB RAM Pentium III 600 MHz High Color S-VGA, 1024x768
MacOS X 10.4.0 or later
IntelMac or PowerPC G4 or G5 512 MB RAM AudioUnit, VST or RTAS compatible host application ProTools TDM/LE 7.3 or later for running RTAS
MacOS 8.5
VST or RTAS compatible host application 256 MB RAM G3 300 Mhz High Color S-VGA, 1024x768
PSP 84
High-quality processor, capable of producing a wide variety of delay-based effects - big brother to the PSP 42 Electronic Delivery Only
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The name says it all - Waves Vocal Rider is
designed to match your vocal tracks to the rest of the mix and then
keep the relative volume throughout the song. All you do is instantiate
it on your vocal track, bus a summed instrumental mix to the
side-chain, and hit play. The plug-in fader then takes over, keeping
the relative volume of the vocals and the rest of the mix constant.
And, unlike compression, Vocal Rider doesn't crush the dynamic range or
color the vocal track at all.
Features
Intelligent adjustment of the vocal track based on the dynamics of the music
Saves time doing the kind of automation you would have to do manually
Writes automatic volume riding to the track as automation for fine tuning
The McDSP 4030 Retro Compressor
is a new dynamic range control topology coupled with a wet/dry mix
control to balance compressed and uncompressed signals. An active
attack and release design allows aggressive compression settings with
minimal artifact generation.
All Retro plug-ins use a McDSP designed output stage topology to
eliminate digital clipping at any output level and produce a smoother
distortion characteristic. This feature is in addition to the analog
saturation modeling that has made McDSP famous over the last decade.
Retro plug-ins are a line of ‘classics’ that can live up to their own name without emulating something else.
Features
Unique original algorithms with transparent yet vintage sound Mix control Side chain support Anti-Clip Output Stage Topology Analog Saturation Modeling Double Precision Processing Ultra Low Latency Mono and Stereo versions
Retro Pack includes:
4020 Retro EQ 4030 Retro Compressor 4040 Retro Limiter Pre-programmed McDSP green iLok
SoundToys Tremolator emulates the tremolo effect of classic guitar amps such as the Fender, and even the great tremolo sound of the Wurlitzer electric piano. Add dynamic control of speed and depth that lets the tremolo respond to the music. Then toss in MIDI sync to lock to your tempo. Oh, yeah, then there's our programmable Rhythm Editor that let's you write custom patterns and turns this amazing tremolo into a outrageous rhythmic auto-gate. Vintage guitar effect and modern remix tool at your service.Tremolo of Old Gear heads that we are, we broke out the test gear and analyzed the waveforms created by some of our favorite old gear. Then we used our custom LFO waveshape editor built into Tremolator to perfectly recreate them. It's very interesting to look at these shapes and see why each of these vintage pieces has a unique sound. Pass that through our Analog mode, which emulates going in and out of a piece of analog hardware, and you've got all the pieces of a great sounding tremolo..Chop Shop: Auto-Gate Mania Switch the nice smooth tremolo waveforms over to a sharp squarewave and you turn this into a monster of an auto-gate. You can lock it to MIDI with the flip of a switch, then select 1/8th notes, 16th notes or whatever fits the rhythm you need. If straight note pulses isn't what you need, use the Rhythm Editor to write your own cool groove (You can even pull a groove from our library). More? Add some swing or shuffle, accents, and analog mode. You can even use the Waveshape Editor to tighten or loosen the gate time.Get Dynamic In the Tweak menu you'll find the Dynamics controls. These parameters let your playing control the speed and/or depth of the modulation. You can create cool speed ups or slow downs based on how loud or soft you play. You can create smooth increases in depth as your cords fade out, or heavy tremolo that fades away. Plus there are already some great presets in our Dynamics folder that you can "tweak" to fit your needs.
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