Reverb & Delay Plug-ins | Virtual Processors for Computer Audio

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Reverbs & Delays

Audio Ease All In Bundle XL
The complete versions of Audio Ease's acclaimed DAW tools all in one bundle

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The new Audio Ease Altiverb 7 looks and feels better than ever. Often used controls all line up on the front, while the more exotic ones are in drawers beneath. Picture Browser The IR library is more accessible than ever because of Altiverb's new visual browser: quicker loading, organize-by-size, and single click favorites. Keyword Searching A powerful keyword search field makes you find items like 'metallic resonances' 'bed room', 'street slapback' or 'brick studio' Brightness An algorithmic synthetic reverb layer that is tightly tailored to the impulse response provides a type of brightness that an EQ could never boost from a real world room. News Keep your IR library up to date from within Altiverb. You can go into Altiverb's news tab, see what's new and proceed to download and install without restarting, all from within Altiverb 7. Similar The room does work, but it is not quite the perfect one yet? Hit Similar and Altiverb will suggest similar sounding alternatives to the chosen impulse response. TDM simplified In Altiverb 7 XL, the TDM chip management can be done from within Altiverb, using one handy pop-up menu. This feature does away with the long list of Altiverbs in the TDM plug-in popup. On top of that Altiverb 7 XL allows the loading of all IR types (down to mono in / mono out) into a stereo to quad instance of Altiverb. Total Recall Automation Everything, including the impulse response choice is automatable in Altiverb 7. This means that you do not have to jump through hoops to fully automate Altiverb 7. And while there are still single-click snapshots, you do not need them to automate Altiverb. You can even read which IR is chosen in the automation curve. Drag and drop Just drop any audio onto Altiverb 7 to use it as an impulse response: sweep recordings, several type claps or bangs, or any kind of experimental audio like crashing cars or piano chords. The drag and drop IR feature includes new make-up curves that allows the making of decent IRs using a handheld portable radio, or even slates. Chaos Dial in a bit of chaotic modulation and not every hit will sound identical in the reverb. As a bonus tonal material will be dispersed which means that slightly out of tune notes will be covered up in the reverb tail. Interactive EQ curve To operate the equalizers you can still use the familiar turning knobs. But Altiverb 7 adds an interactive equalizer curve that allows you to set all four bands including the widths of the parametric ones. And More... Altiverb supports 64 bits. It has a new reverb gate and straightforward pre-delay and attack parameters. Times can be set in note values locked to your song's tempo, and you have 10 times as much space in the stage positioner.

Audio Ease Altiverb 7
The industry standard in stereo convolution reverb

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Software Plug-In Format

Audio Ease Speakerphone 2
Extensive convolution-based speaker, room and mic emulation complete with a host of presets, samples and various modulation effects

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A new plug-in from Digidesign designed exclusively for the new HD|Accel card, ReVibe provides Pro Tools TDM users with a reverb-modeling tool that can handle any reverberation task. The 96 kHz-capable ReVibe includes nine entirely new reverb algorithms combined with over 200 early room reflection/coloration models. If you use reverb to enhance your mix (and who doesn't), AND you're thinking about staying in the "virtual" domain, ReVibe is the plug-in you've been waiting for!

Digidesign ReVibe at a Glance:

Room Modeling at its best means life-sized reverbs 
Stereo AND surround sound reverb capabilities 
High-definition reverb for the most demanding studio needs 
Incredibly flexible, yet easy to use
Room Modeling

ReVibe's innovative Room Modeling algorithms allow combinations of different room reflections and coloration. Interactive displays are used throughout the ReVibe plug-in, making it even easier to visualize and edit reverb characteristics.

ReVibe reflects an entirely new approach to reverb. Its reverb modeling capabilities add an entirely new range of possibilities, which extend beyond any existing reverb technology. As such, ReVibe's ability to accurately model many types of real spaces as well as springs and plates is an ideal complement to Reverb One's classic digital reverb sound.

ReVibe includes nine new reverb algorithms and over 200 Room Types/early reflections, enabling you to easily dial in the reverberant space you're seeking. Employing an innovative approach to room coloration, ReVibe's room characteristics - accurate representations of a room's "sound" or "ambience" - can be added to a reverb along with an early reflection. Early reflections and room coloration are adjusted via a single control called Room Type.

Stereo or multi-channel reverbs 
ReVibe is a full-featured mono, stereo and surround reverb plug-in with an extensive set of room-modeling controls. It builds upon the intuitive user interface of Digidesign's Reverb One through increased functionality, while upholding the sound quality standards typical of professional Digidesign TDM plug-ins. 

While ReVibe is highly optimized for multi-channel processing, it also functions just as well in mono and stereo applications. Particularly useful in music production applications, all of ReVibe's multi-channel controls are also available in mono and stereo instances, and add more density and presence to the reverb.

96kHz support!
ReVibe also includes native 96kHz processing, allowing for its algorithm to process audio at 96 kHz without the need for sample rate conversion. ReVibe is optimized for 96 kHz mixing and engineered to take full advantage of the increased power and memory of the new 321 DSP chips residing on the HD Accel card.

Amazingly powerful, yet easy to "get"
ReVibe's user interface utilizes some of the same interactive displays found in Reverb One, with enhancements that make them even more informative. Reverb reflections and shape can be displayed independently for front and rear channels. And Reverb EQ and Reverb Color have been combined into a single interactive graph that accurately displays the frequency and gain of the EQ and coloration.

Digidesign ReVibe Features:

Superior, professional room modeling functionality 
Nine different reverb algorithms 
Multi-channel reverb controls 
Interactive displays for EQ, Decay Color, Early Reflections, and Reverb Shape 
Extensive set of Early Reflections and Room Types 
Supports up to 5.1 Pro Tools multi-channel formats 
Supports sampling rates up to 96 kHz

Avid ReVibe
Room Modeling Reverb TDM Plug-in (HD Accel systems only)

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If you're looking for a reverberation processor of uncompromising sonic quality that's also easy to use, look no further than the Reverb One TDM Plug-In. Reverb One is a reverb processor built from the ground up by Digidesign to satisfy demanding audio professionals. At every step in its development, Reverb One was subjected to critical listening tests, resulting in a TDM Plug-In that can compete with any software or hardware reverb processor on the market today. ReverbOne gives you complete control of the reverberant characteristics of your mix, and is equally at home in music, post production and sound design applications that require the utmost in clarity and precision. 
Features:

Independently controllable reverb settings, including Level, Decay Time, Attack, Spread, Room Size, Diffusion, Pre-Delay 
Extensive library of reverb presets 
Early Reflection controls, including Level, Delay, Spread, plus early reflection room presets 
Dynamics and Chorus sections for shaping reverb decay and optimizing reverb effects 
System Requirements:

Digidesign-approved Mac OS or Windows Pro Tools system running 5.0 software (or higher)

Avid Reverb One (TDM)
Reverb Processing for Pro Tools TDM Systems

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Eventide Blackhole - Electronic Delivery New!
Modulated reverb plug-in
Requires iLok2 dongle

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Eventide Reverb 2016 Plug-in Bundle - TDM
3 plug-ins (Stereo Room, Room Reverb, and High Density Plate)

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The Eventide Space Station is a signal processor that uses time delay techniques. It's different than just a plain digital delay those usually have one or perhaps 2 taps. The Space Station has eight taps just for listening: These are called Audition Delay Taps. There are a number of others used to synthesize reverb and echo. You can think of the Space Station like a multi-head tape recorder, operating with a loop of tape 255 milliseconds long. The tape is like the Space Station audio memory and the multiple playback heads are akin to the Space Station's multiple taps. The eight Audition Delay Taps are placed along this imaginary piece of tape with a resolution of 1 millisecond, and can be repositioned at will to any of 16 pre-programmed patterns. You also have continuous control over another tap, the Echo tap (active in Echo mode), which can be set from 1 to 255 milliseconds and can be fed back to the input to create the traditional effects of tape loops. A Reverb mode is also available. Proprietary internal programming randomizes these taps so that they can be stably fed back to produce reverberation. The equalized sum of these taps appears at a pot (Reverb/Echo Feedback) where the level of this sum can be adjusted to create any decay time from zero to about 3.5 seconds. An important part of the Space Station's fundamental concept is contained in two groups of delay taps, one for auditioning (output) and the other for reverberation. They operate independently of each other; that is, the Audition Delay Taps set up a way of hearing the contents of memory, while the Reverberation or Echo taps, when fed back, determine the type of reverberant sound existing in the memory. Each acts independently so that endless varieties of sound can be created. For example, a sound approximating normal room reverberation may be set up by feedback, and then auditioned with any of the 16 programs to sound like rooms, like a slap, an echo, or even a reverberating comb filter. Or, a comb-like reverberation effect can be set up by feedback and then auditioned in a room, another comb, or as echo, slap, etc. Even more versatility derives from the built-in mixer, where Audition Taps may be mixed in any desired ratio to emphasize earlier reflections, to delay the onset of reverb, etc. The possibilities are endless yet the front panel is intuitive, due in part to the flow chart displayed on the background graphic of the plug-in. You'll find that you will be able to create a wide variety of effects on a wide range of input sources with the Space Station.

Eventide Space Station SST-282 Plug-in - TDM
Plug-in of the legendary Ursa Major Space Station multi-tap delays with high and low pass filters and feedback

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The IK Multimedia CSR Classik Studio Reverb is a suite of four high-end studio-quality reverbs modeled after popular outboard classics. Now anyone can afford the quality sound of a signature reverb in their studio.
 
One of the most complete reverb suites to hit the market
 
Classik Studio Reverb offers in a single product, a suite of 4 high-quality reverb plug-ins: Plate, Hall, Room and Inverse. All are designed to give the same sound of an acclaimed high-quality outboard reverb unit. With a myriad of options and parameters to choose from, Classik Studio Reverb is truly a complete, great sounding package that can adapt to any mix situation with ease.
 
A musicality that rivals high-end outboard gear for a sound that sits perfectly in any mix
 
CSR offers high-quality, musical reverb processing with the flexibility previously available only in extremely expensive signature hardware reverb units. It carries the quality and character that top engineers have utilized for years. CSR is designed to get the maximum musicality, recreate the character that has made your favorite hit records, and that classic sound that sits perfectly in any mix.
 
Easy to use with advanced editing features, CSR is suitable for any user from beginner to pro
 
CSR has been designed for ease of use with advanced editing features. With the look and feel of a typical effects rack on the interface, all the necessary controls are laid out for an immediate great sound. All knobs and macro controls can be automated through your host’s sequencer. From the beginner to professional engineer, you won’t have a problem getting your desired result from CSR.
 
Ease of use for the beginning musician
 
CSR offers two modes: Easy and Advanced, coupled with more than 100 parameters. Easy Mode puts the most commonly changed controls on the front panel of the plug-in, making CSR an easy to use and quick solution when a high-quality reverb is needed. You shape the sound using only six parameters: Mix, Diffusion, Reverb Time, Low Frequency Gain, High Frequency Cutoff, and High Frequency Dampening; giving you full control over the main character of the reverb.
 
Depth and complexity for the professional engineer
 
In Advanced Mode, you will find an array of highly developed modeling and shaping controls that are hard to find in any reverb. All parameters, the Modulation Matrix, and Macro Controls, can be adjusted and changed to create the reverb effect that you need, tailored to the very finest detail. The Modulation Matrix is an 8x8 structure; meaning that 8 modulation sources can manipulate 8 destinations. For example, to apply an envelope to your reverb time, you can fine-tune the tail for a specific reverb sound. Or, use an LFO to modulate the reverb image, creating movement in the acoustic space.
 
A new level of texture and innovative programming potential
 
Macro controls can be created allowing complex sweeping changes in Classik Studio Reverb’s effects, virtually transferring environments at your command. You can associate up to 8 different CSR controls to a simple Macro slider, therefore making morphing between different reverb settings easier than ever. In both Easy and Advanced Modes, it is always simple to find that perfect sound. A convenient A/B comparison allows you to quickly apply modifications and compare between two reverb settings in a snap.
 
A flexibility that cannot be found in today’s popular impulse reverbs, with less strain on your CPU
 
While impulse reverbs have gained a lot of popularity because of their particular emulation of environment reverberation, they are inherently CPU-intensive. They typically lack the particular musical sound and editing possibilities that famous studio digital reverbs have always offered. CSR is not only less demanding in your processor, but much more flexible than impulse-based technologies. Now you have the ability to manipulate and shape reverbs from a number of angles, giving you performance that mirrors high-end studio quality.
 
Compatibility and flexibility for any studio
 
CSR offers a reverb solution for virtually any computer-based musician. VST, RTAS, and Audio Units formats are included for Mac and PC, allowing CSR to work as a plug-in with popular virtual studio environments such as: Cubase, Logic, Pro Tools, Digital Performer, Sonar, Ableton Live, and more.

The IK Multimedia CSR Classik Studio Reverb Features:
<ul>
 <li> Suite of 4 separate reverb units: Plate, Room, Hall, and Inverse
 <li> State of the art DSP based reverb algorithms
 <li> 2 operational modes: Easy and Advanced
 <li> 6 easy to use controls in Easy Mode
 <li> More than 100 parameters in Advanced Mode
 <li> Highly customizable 8x8 Modulation Matrix per unit
 <li> 4 assignable Macros per unit
 <li> Full automation through host sequencer
</ul>

IK Multimedia CSR (Classik Studio Reverb)
A suite of four high-end studio-quality reverbs modeled after popular outboard classics

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With more than a decade of research performed by the Acoustic and Cognitive Spaces Team at IRCAM, being at the forefront of scientific and technological innovations, the Ircam Spat by Flux is the most advanced and sophisticated tool for room acoustics simulation and localization ever designed, managing both spatialization (source localisation) and room acoustic simulation in a truly consistent and visually logical way.   Designed for surround and multi-channel use, SPAT presents the option to setup the output arrangements providing a variety of stereo and surround configurations, including subwoofer configuration. With eight input and output channels available in SPAT, configurations up to 7.1 and 8.0 are feasible.   Each of the up to eight incoming audio channels is internally mapped to a range of Virtual Sources localized in a 3D space, and connected to a room (a reverb). Up to 3 rooms in parallel are provided, presenting the option to simulate complex spaces (coupled room acoustics).   SPAT introduce state of the art techniques for room acoustics simulation utilizing advanced perceptive models, concealing the complexity behind the actual algorithms, allowing for intuitive and accommodating user interaction capabilities.

Ircam Spat by Flux
Multi-format room acoustics simulation & localization
This product requires iLok authorization dongle. For more information, give us a call at 248.591.9276

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The Ircam Tools Bundle by Flux Features the Following Plug-ins: Ircam Spat 
The complete Room Acoustics Simulation and Localization Solution 
 
With more than a decade of research performed by the Acoustic and 
Cognitive Spaces Team at Ircam, being at the forefront of scientific and
 technological innovations, the Spat is the most advanced and 
sophisticated tool for room acoustics simulation and localization ever 
designed, managing both spatialization (source localization) and room 
acoustic simulation in a truly consistent and visually logical way. 
 
Spat introduce state of the art techniques for room acoustics simulation
 utilizing advanced perceptive models, concealing the complexity behind 
the actual algorithms, allowing for intuitive and accommodating user 
interaction capabilities. 
 
Designed for surround and multi-channel use, Spat presents the option to
 setup the output arrangements providing a variety of stereo and 
surround configurations, including subwoofer configuration. With eight 
input and output channels available in SPAT, configurations up to 7.1 
and 8.0 are feasible. 
 
Ircam Verb 
Room Acoustics and Reverberation 
 
verb is an algorithmic room acoustics and reverberation processor. It 
has a modular construction, employing a recursive filtering reverb 
engine, reproducing and synthesizing the specific acoustical 
characteristics of any spatial sound environment. 
 
Following a decade of intense research by the Acoustic and Cognitive 
Spaces Team at Ircam, the Ircam Verb introduce state of the art 
techniques for room acoustics simulation utilizing advanced perceptive 
models, concealing the complexity behind the actual reverb algorithms 
and allowing for a flexible and intuitive experience for the user. 
 
The Ircam Verb provides eight input and output channels, presenting the 
option for reverberation processing in multi-channel and surround 
formats. A built in Input/Output (I/O) routing matrix provides instant 
flexibility when setting up the I/O in relation to the physical audio 
monitoring in the control room. 
 
Ircam Trax Transformer Real-time Voice and Sonic Modelling Processor 
Trax Transformer is based on an augmented phase vocoder technology, and a
 cutting edge transformation algorithm, allowing for manipulating 
characteristic properties of a voice such as gender, age and breath, and
 on any other sound; expression, formant and pitch. 
 
These voice transformation algorithms have already been used, with great
 success, in international and French cinema productions. (Farinelli, 
Vatel, Tirésia, Les amours d'Astrée and Céladon). 
 
Ircam Trax Cross Synthesis Spectral Envelope Morphing Processor 
 
TRAX Cross Synthesis utilizes a phase vocoder (the amplitude and the 
frequency/phase spectra), to morph the spectral characteristics of two 
sounds. The amplitude and frequency/phase spectra can be blended 
continuously and since the features that are used here are strongly 
nonlinear, the sound morphing is nonlinear as well, offering a way to 
create a wide range of new exciting and unusual sound effects. 
 
Ircam Trax Source Filter Enhanced Sound Filtering Processor 
 
Trax Source Filter is based on a signal model decomposing the signal 
into a time envelope describing the energy/loudness contour of the 
sound, and a spectral envelope describing the spectral colour of the 
sound timbre. The energy contour and the spectral colour of the source 
sound, can be continuously blended with the spectral colour and energy 
contour of an arbitrary filtrating sound, allowing transformation that 
extend well beyond the more common source filter morphing effect.

Ircam Tools Bundle by Flux
Includes Spat, Verb, and Trax plug-ins
This product requires iLok authorization dongle. For more information, give us a call at 248.591.9276

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Ircam Verb by Flux
Algorithmic room acoustics and reverberation processor
This product requires iLok authorization dongle. For more information, give us a call at 248.591.9276

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You’ve just wrapped up tracking with artists that are on the brink of 
breaking into the game. You start mixing when you realize you are 
craving more, the ability to envelope your mix with that “magical space”
 that delivers the clarity, depth and fullness that can only be created 
when recording in a major studio. So you turn to the most trusted name 
in reverb to achieve the ultimate sound. Lexicon’s LXP Native Reverb Bundle provides your music 
with an engaging aura that brings it to life by placing it in the 
perfect resonant space. 
 
Lexicon processors have become staples in the recording studio, on stage
 productions, as well as in every top post-production facility. Now 
Lexicon has complemented the finest hardware processors with the best 
software plug-ins available. The LXP Native Reverb Bundle offers four 
algorithm based plug-ins along with over 220 of the most versatile and 
finely-crafted studio presets that are sure to change the way you color 
your mix, forever. 
 
Features at a Glance 
<ul><li>LXP Reverb Plug-In 7 Unique Plug-ins</li><li>4 classic Lexicon reverb plug-ins</li><li>Over 220 finely-crafted studio presets</li><li>Intuitive user-interface provides easy access to key parameters</li><li>Multi-platform compatibility (Windows 7, Vista, XP; Mac OS X 10.4,
 10.5, 10.6)</li><li>Graphical real-time display illustrating the frequency stages of 
each algorithm</li><li>Formats that work seamlessly in any VST®, Audio Unit™ or RTAS® 
compatible DAW</li><li>Full parameter control and automation</li><li>Graphical real-time display illustrates the reverb tail, frequency
 content and impulse response</li><li>Presets can be stored in a DAW-independent format that can easily 
be transferred to a different DAW</li><li>Input and output meters for quick assessment of audio levels</li><li>iLok authorized</li></ul>
 
LXP User Interface 
Each algorithm can be run in mono, stereo or mono in/stereo out and the 
Input and Output Meters allow you to verify signal levels at a glance. 
The most noticeable feature, however, is center screen in a 
multi-dimensional realtime display. With three animated screens to 
choose from, all showing different frequency stages of the algorithm to 
help you shape your sound. 
 
With a wide array of adjustable parameters, you have the option to take 
the preset as it’s carefully been crafted, or make further adjustments 
and save it off once you’ve compared it with the original. You even have
 the ability to load that preset into a different DAW. 
 
The LXP Native Reverb Bundle is a fully functional cross-platform 
plug-in solution. It has been designed with flexibility to fit into the 
hardware/software platform of your choice. 
 
Computer System Requirements 
 
Macintosh Hardware 
<ul><li>Mac Power PC G5 1.8 GHz or any Intel</li><li>1GB RAM</li><li>500MB of available disk space</li><li>Screen resolution of 1280x800 or greater</li><li>Apple combo drive or SuperDrive</li></ul>
 
Macintosh Software 
<ul><li>Mac OS X version 10.4.10 or later</li><li>Any platform supporting Audio Units</li><li>Any platform supporting VST 2.4 or later</li><li>Any ProTools version from 7.3 or later</li></ul>
 
Windows Hardware 
<ul><li>A PC with a 1.6 GHz Intel or AMD processor</li><li>1GB RAM</li><li>100MB of available disk space</li><li>Screen resolution of 1280x800 or greater</li><li>CD-ROM or DVD drive</li></ul>
 
Windows Software 
<ul><li>Windows XP, Vista, and 7</li><li>Any platform supporting VST 2.4 or later</li><li>Any ProTools version from 7.3 or later</li></ul>
 
Additional software compatibility will become available in future 
updates. 
 
Lexicon engineers are constantly working to improve the quality of our 
products. Specifications are, therefore subject to change without 
notice.

Lexicon LXP Native Reverb Plugin Bundle PRICE DROP!
VST / Audio Unit / RTAS Software Reverb Plug-ins
This product requires iLok authorization. For more information, give us a call at 248.591.9276

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The Lexicon PCM Native Reverb Plugin Bundle is the result of several years of research and significant advances in computer processing speeds, that have enabled Lexicon to provide seven legendary Lexicon reverb algorithms with the original hardware levels of sonic quality and function, as native plugins.  The plugins can be used within popular DAWs such as Pro Tools and Logic, as well as with any other VST, Audio Unit, or RTAS compatible host. The bundle includes unique plugin for each algorithm, including vintage plate, plate, hall, room, random hall, concert hall and chamber, with hundreds of versatile and finely crafted studio presets including recognizable classics from Lexicon’s substantial library of sounds. Librarian functionality allows the user the option to take an available preset, adjust the parameters, compare it to the original and then return to the edited preset. Presets can also be saved off in a DAW independent file format allowing a user to easily move custom presets to any DAW.
 
Features at a Glance <ul><li>PCM Reverb Plug-In 7 Algorithms</li><li>7 legendary Lexicon Reverbs</li><li>Hundreds of brilliantly crafted studio presets</li><li>Multi-platform compatibility (Windows XP, Vista, and 7; Mac OSX 10.4, 10.5, 10.6, PowerPC and Intel)</li><li>Formats that work seamlessly in any VST, Audio Unit, or RTAS compatible DAW</li><li>Graphical real-time display illustrating the frequency stages of each algorithm</li><li>Visual EQ section for easy adjustment of both early and late reflections</li><li>Presets can be stored in a DAW independent format which allows custom presets to be transferred between any DAWs.</li><li>Full parameter control and automation</li><li>Input and output meters for quick assessment of audio levels going to and from the reverb</li><li>iLok authorized</li></ul> Each reverb algorithm can be run in mono, stereo or a combination of the two. The user interface features a ‘pro or go’ mode which enables the user to easily access nine of the most logical parameters for customization, but also provides the ability to transition deeper into the algorithm to edit the full matrix of parameters. Input and output meters allow a user to quickly assess the audio levels going to and from each algorithm, while the eq section makes it possible to visually dial in the eq settings for both the early and late reflections of the algorithm. Each algorithm is complemented with three different real time displays providing graphical insight into what is happening inside the different frequency stages of the reverbs. The PCM Native reverb plugin bundle is a fully functional cross-platform program that is compatible with Windows XP, Vista, and 7 along with MAC OSX 10.4, 10.5, 10.6, Power PC and Intel based. The bundle is native only, and requires iLok authorization.

Lexicon PCM Native Reverb Plugin Bundle
VST / Audio Unit / RTAS Software Reverb Plug-in
This product requires iLok authorization. For more information, give us a call at 248.591.9276

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The Nomad Factory BlueVerb DRV-2080
is a vintage-style world-class recording studio reverb. This
“must-have” reverb plug-in includes individual two-band equalization,
as well as ambiance, decay RT60 and pre-delay controls. Whether
sweetening mono or stereo tracks, or simply adding dimension to an
entire mix, the BlueVerb DRV-2080 has all the flexibility you’ll need
to custom craft your sound. Intended to recreate the qualities of vintage-style digital reverbs from the 80’, the BlueVerb is nothing short of amazing. Impressive
for tracking, mixing or mastering, the BlueVerb DRV-2080 is a
well-designed, superb-sounding effects processor with a unique and
attractive sound character. The Nomad Factory BlueVerb DRV-2080 Features: <ul><li>Pre-Delay control 0 to 999 ms</li><li>Decay - RT60 : 0.50 to 10 sec</li><li>Two Band Equalizer</li><li>Low Frequency : ±15dB variable from 50 Hz to 800 Hz</li><li>High Frequency : ±15dB variable from 1kHz to 8 kHz</li><li>Input, Output and Mix controls</li><li>Windows XP / Vista32 and Mac OS X (Intel & PPC) supported</li><li>VST, AU and RTAS supported</li><li>24 bit / 96 kHz supported</li></ul>

Nomad Factory BlueVerb DRV-2080
A well-designed, superb-sounding effects processor with a unique and attractive sound character

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The PSP 608 MD is perhaps
the most fully featured delay plug-in available on the market (VST,
AudioUnit and RTAS format for Mac OSX Universal Binary and VST, DirectX
and RTAS format for Windows). We have striven to offer you a creative
tool that is not only functional, but inspiring. Each tap has
selectable feedback, stereo image and position, delay time, multimode
filter, modulation, drive/tape saturation, and reverb. Moreover, the
feedback and drive can be placed at the beginning or end of the signal
chain for even more sound design options! The modulation section
consists of both an LFO and Envelope follower, and the tape saturation
algorithm is taken from our renowned mastering processors. And of
course all this can be done at any bit depth and sample rate up to
24-bit, 192kHz, and be fully automated via MIDI and any host sequencer. The PSP 608 MultiDelay Features: <ul><li>Up to 8 seconds of delay time per channel</li><li>Continuous control over the delay time in milliseconds and/or chosen quantize note</li><li>Two
operation modes: Multidelay, in which each tap has its own feedback
buffer; and Multitap, in which the Master Feedback operates on one
(user selectable) tap</li><li>Each tap included independent adjustment
of the following: gain, stereo field width and balance, delay time,
filtering, modulation, saturation simulation and reverberation</li><li>Each
tap can choose between multiple quadruple biquadratic filter types,
including: Low Pass, Band Pass, High Pass, PEAK filter and four Shelf
filters</li><li>Modulation section (LFO and envelope follower) offer
adjustable modulation depth of ± 3 octaves, and can be selected for
filter cutoff</li><li>Tape saturation simulation with adjustable gain based on the algorithm used in our mastering processors</li><li>Filtering
module in feedback includes LP, BP, HP filter (either State Variable
Filter or Biquad) with adjustable cutoff and resonance</li><li>Vintage reverberation module for faithful simulation of spring and plate reverbs</li><li>Support for sample rates of up to 192kHz</li><li>Host and MIDI automation of all processing </li></ul>Minimum system requirements: 
 
Windows XP or later 
<ul><li>VST, DirectX or RTAS compatible host application</li><li>256 MB RAM</li><li>Intel Celeron 1GHz or faster processor</li><li>High Color S-VGA, 1024x768 </li></ul>
 
Tiger MacOS X 10.4.0 or later 
<ul><li>Intel Mac or G4 or G5</li><li>512 MB RAM</li><li>AudioUnit,VST or RTAS compatible host application </li></ul>

PSP 608 MultiDelay
Perhaps the most fully featured delay plug-in available on the market
Electronic Delivery Only

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The PSP 84 is a high-quality
processor, capable of producing a wide variety of delay-based effects.
Two independent delay lines operating with variable sampling rate and
precise tape saturation algorithm with adjustable gain, allow for
convincingly sounding simulation of tape delay, including all the
exciting effects resulting from tape speed instability. A filtration
section consisting of three 2nd order switchable resonant filter types
can be used to process input, feedback or wet signal. The adjustable
slope of the filter ranges from a gentle curve, which is useful for
simulating high frequency absorption typical for tape delay and wet
signal equalization to an extremely steep curve with a high cutoff
frequency peak, making all the wild wah-wah and resonance effects
easily available. Delay line sampling rate and filter cutoff can be
modulated by any of the 5 LFO waveforms that are automatically
synchronized to the sequencer tempo or envelope follower with
adjustable sensitivity and attack/release. Moreover, the PSP 84
contains the fully functional reverb unit, with simplified settings
carefully tuned to exactly reproduce the sound of classic spring and
plate reverberators. 
 
The PSP 84 Features: 
<ul><li>High quality, unique signal processing algorithms,</li><li>Up to 10 seconds of delay time per channel (depending on internal sampling frequency),</li><li>Continuous control over the delay time with little harmonic distortion,</li><li>Cross-channel feedback and independent channel settings with channel link mode,</li><li>Tape saturation simulation with adjustable gain based on the algorithm used in the line of our mastering processors,</li><li>Modulation section consisting of LFO and envelope follower mixed in any proportions,</li><li>5 click-free LFO waveforms and variable LFO channel phase offset,</li><li>LP, BP, HP filter with adjustable cutoff and resonance,</li><li>Flexible filter routing capabilities,</li><li>Vintage reverberation module for faithful simulation of spring and plate reverb characteristics,</li><li>Parameter filtration for smooth and click-free operation,</li><li>Support for sampling rates of up to 192kHz,</li><li>MIDI and VST automation of all parameters,</li><li>Logic Control support,</li><li>60 presets for easy start. </li></ul>
 
Applications: 
 
The PSP 84 is primarily meant for applying to individual tracks within
a mix and experimenting with drum and synth loops. The included presets
reveal its huge potential in processing vocal, guitar and bass tracks.
Though it can be succesfully used for adding classic sounding delay,
its capabilities go far beyond that. The PSP 84's independent channel
settings and cross-channel feedback allow for creating animated delay
effects that are more spacial and cut better through the mix than a
simple center-panned delay. Resonant filters and a modulation section
that synchronizes to the host tempo make it possible to create superb
auto-wah-wah effects, warm smoky dub sweeps, evolving ambient textures,
as well as to easily shape the wet signal's spectral contents. The PSP
84 can create both pristine clean sounding echoes or degenerate the
signal to great extent - all depending on your needs -, thanks to the
variable internal sampling rate allowing the pitch-twist effects, rich
vocal doublers, flangers and unsurpassed detune effects to be achieved.
Guitarists that are not satisfied with dry and cold sounding tracks
recorded using direct-boxes will appreciate saturation algorithm, great
for adding mild overdrive and harmonic contents enrichment. Last but
not least, the unique reverberation unit allows for adding space and
warmth that most of the digital reverbs lack. 
 
Minimum system requirements: 
 
Windows XP with ServicePack 2 or later 
<ul><li>VST or RTAS compatible host application</li><li>ProTools TDM/LE 7.3 or later for running RTAS</li><li>256 MB RAM</li><li>Pentium III 600 MHz</li><li>High Color S-VGA, 1024x768 </li></ul>
 
MacOS X 10.4.0 or later 
<ul><li>IntelMac or PowerPC G4 or G5</li><li>512 MB RAM</li><li>AudioUnit, VST or RTAS compatible host application</li><li>ProTools TDM/LE 7.3 or later for running RTAS </li></ul>
 
MacOS 8.5 
<ul><li>VST or RTAS compatible host application</li><li>256 MB RAM</li><li>G3 300 Mhz</li><li>High Color S-VGA, 1024x768</li></ul>

PSP 84
High-quality processor, capable of producing a wide variety of delay-based effects - big brother to the PSP 42
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The PSP EasyVerb is a
reverberation effect plug-in. The PSP EasyVerb contains nine high
quality reverb algorithms designed to simulate physical spaces
(ambience, room, chamber, club, hall, arena, cathedral) or popular
reverb machines such as plate and spring reverbs. In developing this
plug-in, we endeavored to make it simple to use, while offering enough
control over each algorithm for you to customize the effect to your
specific needs. In other words we wanted to offer you a reverb that is
operationally “easy,” but sonically complex! 
 
The PSP EasyVerb Features: 
<ul><li>9 high quality reverberation algorithms</li><li>easy control over general algorithms' parameters</li><li>low shelf and high shelf filters</li><li>up to 96kHz sample rate support</li><li>library of presets </li></ul>
 
Minimum system requirements: 
 
Windows XP with ServicePack 2 
<ul><li>Intel Pentium II CPU or later,</li><li>CPU with SSE support is strongly recommended,</li><li>512 MB</li><li>VST or RTAS compatible host application,</li><li>ProTools TDM/LE 7.3 or later for running RTAS,</li><li>High Color S-VGA, 1024x768 </li></ul>
 
Mac OSX 10.4 or later 
<ul><li>Intel Mac or PowerPC G4 or G5,</li><li>512 MB RAM</li><li>AudioUnit, VST or RTAS compatible host application,</li><li>ProTools TDM/LE 7.3 or later for running RTAS,</li><li>Tiger MacOS X 10.4.0 or later</li></ul>

PSP EasyVerb
Reverb effect plug-in with nine high-quality algorithms
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The Lexicon PSP 42 is a
high-quality digital stereo delay and phrase sampler plug-in based on the legendary Lexicon PCM
42 processor famous for its distinctive sound and unique concept.
Lexicon PSP 42 has been carefully designed to accurately reproduce the
flexibility and warmth of this renowned classic. This has been
accomplished by incorporating precise tape saturation algorithm and a
delay line operating with variable sampling rate which simulates
physical properties of vintage tape machine delays. The plug-in has
been designed with consideration to preserve maximum signal quality at
every processing stage. 
 
The Lexicon PSP 42 is capable of generating wide variety of delay-based
effects ranging from tempo-locked feedback delay with high frequency
absorption and tape saturation to flanging and phasing effects. A
flexible modulation section for continuous delay time and pitch control
allows the user to add subtle animation or swing to the processed
signal as well as to create unpredictable, alien sounds when pushed to
its limits. The freely adjustable delay line sampling frequency makes
Lexicon PSP 42 a good tool for creating low-fi effects that sound
smooth thanks to the superior characteristics of employed interpolation
algorithm. Close attention has been paid to make the unit operate
without audible clicks or pops. 
 
PSP is the sole developer and manufacturer of the Lexicon PSP 42.
Functionality and sound of the Lexicon PSP 42 have been approved by
Lexicon. PSP is responsible for all customer support. 
 
The Lexicon PSP 42 Features: 
<ul><li>High quality signal processing algorithms,</li><li>Up to 9600 ms of delay time depending on internal sampling frequency,</li><li>Continuous control of delay time,</li><li>Tight synchronization to the host tempo and its changes,</li><li>Tape saturation simulation based on the algorithm used in the line of our mastering processors,</li><li>Low pass filter for high frequency absorption modeling,</li><li>Modulation section with three different modulation signal sources (sinus, square, envelope detector) mixed in any proportions,</li><li>Phrase sampler capability,</li><li>Parameter filtration and on-the-fly cross-fades for smooth and click-free operation,</li><li>Support for sampling rates of up to 192kHz,</li><li>MIDI and VST automation,</li><li>Logic Control support.</li><li>Library of presets </li></ul>
 
Applications: 
 
The Lexicon PSP 42 is primarily intended for processing individual
tracks within a mix. It can be productively used to add superior
sounding delay-based effects to solo instruments and vocals as well as
to simulate vintage delay with tape saturation, high frequency
absorption and variable tape speed. Tempo locking and handy modulation
section make Lexicon PSP 42 an essential tool for experimenting with
drum loops and other rhythmic patterns. Variable delay line sampling
rate allows to generate good sounding low-fi effects as well as
out-of-this-world sounds. Short delay times, pitch modulation and phase
inverters reveal Lexicon PSP 42 potentials as a source of vibrant
modulation effects such as flanger and doubler. Last but not least
Lexicon PSP 42 is a simple ring reverb for a denser output. 
 
Minimum system requirements: 
 
Windows XP with ServicePack 2 or later 
<ul><li>VST or RTAS compatible host application</li><li>ProTools TDM/LE 7.3 or later for running RTAS</li><li>256 MB RAM</li><li>Pentium III 600 MHz</li><li>High Color S-VGA, 1024x768 </li></ul>
 
MacOS X 10.4.0 or later 
<ul><li>IntelMac or PowerPC G4 or G5</li><li>512 MB RAM</li><li>AudioUnit, VST or RTAS compatible host application</li><li>ProTools TDM/LE 7.3 or later for running RTAS </li></ul>
 
MacOS 8.5 
<ul><li>VST or RTAS compatible host application</li><li>256 MB RAM</li><li>G3 300 Mhz</li><li>High Color S-VGA, 1024x768</li></ul>

PSP Lexicon PSP 42
Digital stereo delay and phrase sampler based on the legendary Lexicon PCM 42 - sound and functionality approved by Lexicon
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Softube TSAR1/1R Reverb
True Stereo Algorithmic Reverb Plug-in
This product requires iLok authorization. For more information, give us a call at 248.591.9276

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