DAW Software | VintageKing.com

API Audio
Neve
Barefoot Sound
Shadow Hills Industries
Retro Instruments
Waves Audio
Coles Microphones
Endless Analog Clasp

Read what people are saying about Vintage King Audio Sales & Service from around the world. Read them here!

How about recycling your used gear for something different or just a change? When speaking to a sales representative, make sure to indicate that you are interested in trading your gear for a new purchase or please send an email to info@vintageking.com.

Results 1-20 of 21

Sort by Name

Sort by Price

DAW Software

Audio Ease VST Wrapper
Enables you to load VST effects and instruments in Digital Performer

...
Learn more

Celemony Melodyne Studio offers you the tried and tested Melodyne functions for the correction, shaping and arranging of audio on as many tracks as you want. Indispensable in the Studio Melodyne studio gives you all the functions that have made Melodyne one of the most valued tools in professional music production. Enthusiastic users, euphoric test reports and numerous awards all attest to the uniquely powerful, intuitive and musical editing possibilities of Melodyne studio. Whether it is used for the correction of errors or the creative refashioning of your audio material   Perfect Vocals Human hearing is particularly sensitive when it comes to vocal tracks, which is why producers all over the world are grateful that intonation and timing corrections with Melodyne studio are practically inaudible. Correct the notes quickly and easily with the help of a macro or drag them with the mouse to the correct pitch or position in time. Fine-tune their length, their volume or the intensity of their vibrato. They'll sound as if they had always been that way.   From Solo to Ensemble With Melodyne studio, you can see and edit not just one but as many tracks as you like. So you can create with extraordinary ease multi-voice arrangements from a source track with only one voice, taking advantage even of the possibility of outputting each individual voice via a separate channel in the mixer. You can quantize tracks using other tracks for reference and even copy pitches from one audio track to another. Melodyne studio offers the greatest possible degree of flexibility and creative freedom for your arrangements. Multi-tracking adds up to a lot more here than the sum of multiple tracks.   Any Workflow You Want Melodyne studio gives you the choice: you can create entire audio arrangements in Melodyne studio or unite the program seamlessly via ReWire or the Melodyne Bridge plug-in with your preferred audio workstation. Regardless of which procedure you prefer, Melodyne studio offers you a whole array of functions that make working with audio faster and simpler—and the results a whole lot better!

Celemony Melodyne Studio Bundle
Superlative Editor, unlimited tracks, 32|192, pitch, time, volume, formant, vibrato and Melodyne Editor

...
Learn more

Customized to meet our users' requirements, the Magix Sequoia 12 represents a milestone in software development for post production, broadcast radio and mastering. The latest generation of Sequoia products sets new standards for high definition DAW's, offering maximum flexibility, performance and efficiency: providing extensive improvements for the unique multi-sync editing, loudness metering according EBU R128, Spectral Cleaning as well as for the continually developing source destination edits. Mastering & post production For post-production, the option to use the audio input from the sound card for synchronizing Sequoia with the local external timecode is also available. AAF / OMF support enables projects to be exchanged between platforms quickly. After a film has been dubbed completely, Sequoia allows a display copy to be created uickly without the use of any additional additional programs. The video may be exported including the finished mix directly from Sequoia in different formats. For years, Sequoia has been an integral part of leading broadcast and mastering studios worldwide, including the BBC, German public broadcasters WDR, MDR, SWR, the Vienna Symphonic Library, and Sterling Sound in New York. For sound engineers, music producers, radio journalists, and so on, Sequoia is an indispensable tool for any type of professional media production. Registered users enjoy professional service and customer-oriented support. What's New: 64-Bit support Sequoia 12 can use the advantages of 64-bit Windows systems.  A definite advantage of 64-bit environments is the lack of a 4 GB memory limit. On a Windows 7 Professional 64-bit system the amount of useable memory increases to up to 192 GB. In particular, projects that use a range of memory consuming plug-ins or samples benefit greatly from the additional memory. Of course Sequoia can be used perfectly in 32-bit environments as well. If you installed the 64-bit version of Windows on your system you can use Sequoia as a 64-bit or 32-bit version. The internal VST bridge makes it possible to use both 32- and 64-bit plug-ins. Current limitations: 64-bit video functionality only for MXV and WMV.       Revised Metering and Broadcast Norms The metering display in Sequoia 12 has been completely revised.  Resulting in numerous graphical improvements and the option to work with various layouts, which feature a definable number of different visualizations. Furthermore presets for the following broadcast norms were added: <ul><li>Type I, DIN scale</li><li>Type I, Nordic scale</li><li>Type IIA, BBC</li><li>Type IIB, EBU</li></ul>Loudness Metering (EBU R 128 and ITU-R BS.1771) The most important addition to metering in Sequoia 12 is loudness metering, which has become one of the most important topics in the radio world in recent years, and is rapidly taking over from known peak-based metering methods. Up until now peak control using peak levels (-9 dBGS as a rule) has been the standard in radio production. Peak limiters were often used as they limit an audio signal's dynamics, thus negatively affecting sound quality.   In combination with the introduction of open standards for peak control there are reliable ways for engineers and producers to describe subjective loudness in countable terms. Sequoia 12 allows for the switch of EBU R 128 and ITU-R BS.1771 loudness measuring on the fly. ITU Recommendation BS.1770 forms the basis of international loudness measurement standards. True Peak Metering In addition to the method for loudness metering ITU-R BS.1770 provides a recommendation for measuring peak levels of digital audio signals. The device measures the peak value of the digital signal when it is reproduced in the analog domain. Samples of the signal are taken at regular intervals determined by the sample rate. As illustrated in figure 4, it cannot be assured that samples exactly match audio peaks. Theses peaks will be restored once the waveform is reconstructed or when signals are processed. Due to the reduced precision of the Sample Peak Meter these new samples may clip or distort, even if the original samples had not been full scale. The common peak meter cannot display “true” peak values. Sequoia introduces True Peak Metering in Version 12 along with the loudness metering functions. For this reason, the identification of these inter-sample peaks are displayed with 4-times oversampling of the signal and thereby enabling the detection of true peaks. Loudness Range [LU] <ul><li>Statistic parameter</li><li>Distribution of loudness values in a program</li><li>Description of the dynamic range of the program</li><li>No specific value given by EBU</li><li>EBU document [Tech3344]</li></ul> A relative level of 0,0 LU equals a target level of –23,0 LUFS if using EBU mode. Sequoia offers a switchable scale for EBU+9 scale and EBU+18 scale. Programme Loudness [LUFS] <ul><li>Long-term measurement over the entire length of the programme</li><li>Specific target level for European TV programs: - 23.0 LUFS</li></ul> The integrated measurement provides information about the loudness of the entire programme and describes a long-term measurement with the parameters start, pause, and reset. Maximum True Peak Level Describes the technical top level of the signal in time-domain <ul><li>Set at -1 dBTP (Decibel True Peak)</li><li>Lower levels might be required for further analog transmission and lossy coding</li></ul>Sequoia allows for the switch of EBU128 and ITU-R BS.1771 loudness measuring on the fly. Spectral Editing at Track Level The restoration function, especially for live-recordings with disturbances like coughs or chair squeaking, Spectral Cleaning has proven as most valuable tool for the correction of such noises. In Sequoia 12, Spectral cleaning can now be used directly in the Arranger. A dedicated time-frequency plot can be displayed for all or for individual objects, but spectral corrections can be carried out even without having the spectral view enabled. Also for multi-track recordings (e.g. Orchestra recordings with spot microphones), detection and removal disturbances becomes an easy task Macro Functionality Fast handling of elaborate workflows saves valuable time during production. With its new Macro Functionality, Sequoia 12 offers recording, programming and execution of user-defined macros. Macro recordings of individual tasks and actions can be stored and executed out Sequoia and even be triggered through project markers. Up to 128 macros can be assigned to customized shortcuts. Loudness Data Export An audio file's loudness parameters are displayed in the file manager and can be calculated there for a limited number of files. When switched on in the Broadcast Wave Editor, loudness parameters can be written to audio files when exporting and bouncing. The loudness parameters are stored in the broadcast wave files' standardized metadata fields. VCA Faders Mixing “in the box” has become more popular in applications with limited space e.g. in fly-away kits for music recording and mobile SNG teams for news production. Working with VCAs (voltage controlled amplifiers) or DCAs (digitally controlled amplifiers) simplifies the mixing and finalizing process. The levels of channels assigned to a VCA group are controlled from one Sequoia’s mixer VCA faders. Any number of channel faders can be assigned to any of the VCA master faders. Additionally, any existing channel fader can be changed into a VCA fader. By showing the VCA “ghost faders” in individual channels, the resulting volume depending on the control volume of the VCA master can be monitored. Independence Sampler Workstation Independence is the ultimate sampler workstation for professional music production in the studio and for live performances – also available now in Sequoia 12. The first class premium sample library with 70 GB of content and hundreds of instruments, arranger and step sequencer patches make Independence one of the most powerful tools for creating sample based compositions. <ul><li>Newly designed audio engine</li><li>70 GB Premium sample libraries respectively</li><li>Load VST effects and VST instruments from third parties</li><li>Supports up to 8 processor kernels</li><li>Drag'n'Drop support for audio and MIDI files</li><li>Incredible file browser including attribute based batch processing</li></ul> essentialFX Suite In Broadcast and advanced Music Production, especially when time is a decisive factor, easy-to-use effects with sophisticated sound quality become essential. The design goal for any of Sequoia’s essentialFX is to achieve maximum sound quality by just handling five buttons. The concept of operating essentialFX is equal for all FX of the essential suite, thus easing the use and reducing training time. Sequoia 12 now further expands the essential FX set adding new effects to the well-known “bread & butter” tools. Export While Recording Sequoia allows the user to play parts of the audio during recording. The versatile Audio Engine makes near impossible tasks a reality, for examples exporting a .wav, .mpg or .mus file that's still being recorded. Auto Ducking Auto Ducking refers to a dialog based tool used to manipulate the volume automation curve of one or more target tracks. Edits are made using the volume of the audio material of one or more source tracks. Auto ducking can be used to create volume curves for automatically fading background music during spoken sections. Timecode Track Now you can display the SMPTE timecode of your timecode track using the time display in Sequoia 12. To do so, define the track that contains the timecode as a timecode track. This is most relevant to post-production projects, so that a recorded timecode is available as a reference when editing in Sequoia. Sonoris Sequoia DDP Player The Sonoris DDP Player is a standalone application that imports DDP 1.0x and 2.00 images for playback. You can playback tracks, audition gaps, see all PQ codes, ISRC, MCN and CD-Text data and automatically check the project for RedBook compatibility. New Docking Concept The Docking System allows for interface adjustments, this means that the program can be optimized for the studio's requirements. Central components of the software can be repositioned or maximized using drag and drop. Choose to either arrange or display the analyzer, file browser or transport console etc. The docking concept was further developed and optimized for Sequoia 12. So now for example the object editor, visualizations and MIDI editor can be docked neatly. Of course, you can create your own toolbar too. By saving your own work spaces you can use customized program interfaces for various situations so that you always have the appropriate tools to hand. Advanced Hardware Controller Support Sequoia 12 now supports the Controller from the Artist Series. Artist Mix, Artist Control and Artist Transport are all part of this. These controllers are controlled using the EUCON protocol, which can be activated in the Hardware Controller Settings. Note: Windows 7 is a required to use the Artist series. New Object Editor The object editor and MIDI object editor now boast a wider range of functions as well as newly designed graphic interfaces. New highlights are the docker, the option to configure the editor, 4 slots for copy and paste purposes and object automation for EQ, pan and object surround. Surround Downmix In the Surround Master you can select "Surround Downmix" as an output device, then use various presets in the Downmix Matrix. Moreover, surround busses can only be routed to stereo busses. You can also set the Downmix Matrix here. The downmix is factored in during a stereo master bounce project, i.e. you can stereo bounce from a surround project when downmix is adjusted. Furthermore, the object surround can be automated using the Object Editor. Optimized Visualization The visualizations have been completely reworked and have a new design. The interface allows you to design multi-visualizations individually. You can integrate the visualization interface into the Docker or open it in its own window. A surround visualization is now also built in. Advanced features for spectral cleaning <ul><li>Logarithmic display</li></ul><blockquote>This setting allows you to change the spectrum's view to a logarithmic display. It makes sense to use this option when working in low frequency ranges. This results in the low frequencies being triggered higher up whilst still displaying the entire frequency spectrum. You can adjust the influence of the logarithmic display exactly to the users' needs using the logarithmic display.</blockquote><ul><li>Harmonics</li></ul><blockquote>You can remove individual noises, e.g. 50 Hz buzzing, as well as harmonic overtones from a spectrum using this function. To do this an individual sound is selected in the editing window with the smallest possible edge. Once the calculation is activated for harmonics, the corresponding harmonics will be automatically provided with an editing rectangle in the editing window above the selected root. Changing the root always effects a change in the harmonics. Specify in the settings dialog whether or not harmonics should be observed when making calculations, and if so, which ones in particular.</blockquote><ul><li>Threshold value editing</li></ul><blockquote>With this setting you can limit interpolation to certain amplitudes in the spectrum. This means certain notes can be removed from the spectrum, without influencing background noises. This range determines the volume window in which the set threshold can be interpolated. Quieter or louder signal components outside the area will not be affected.</blockquote><ul><li>Automatic click marker recognition</li></ul><blockquote>Use the "Click marker" buttons in spectral cleaning interface, to highlight special points, quickly jump between or delete markers in the spectrogram. You can set and delete click markers. Created click markers are marked with a "C" in the editing window's marker bar. </blockquote> The "Search clicks" button allows you to search the entire project for clicks and have them marked automatically so you can edit them in a group. You can set the sensitivity of the search using the corresponding knob.

Magix Sequoia 12
Networkable Digital Audio Workstation Software with Extensive Recording, Editing,and Mixing Functions - PC

...
Learn more

This cost-effective Pyramix configuration is ideal for Broadcast radio 
and television applications requiring minimal tracks and effects with a 
need to capture synchronized audio material from external VT or AT 
machines. CD-R mastering is also included with real-time editing, 
processing and mixing. 
 
Pyramix Broadcast Pack - Key Features: 
<ul><li>Native or MassCore Version</li><li>MassCore Technology - (options for 48, 128 or 256+ channel I/O 
capability at 1fs)</li><li>Up to 96kHz sample rate as standard</li><li>CD Import and CD mastering to full Red Book standard</li><li>CD Disk Write to full Red Book CD standard</li><li>VST multi-channel support</li><li>Full delay compensation</li><li>External inserts</li><li>Video TC Synchronization</li></ul>
 
Included Software Options and Plug-ins: 
<ul><li>Bus Tools and Strip Tools Dyn/EQ package</li><li>Dual Compressor, 10 Band EQ, Generator (Sinus, Pulse, DC), Flanger</li><li>Wordlength Meter, Angudion.</li><li>Phase Correlator and Audio Vectorscope</li><li>VU, Peak Metering</li><li>Nagra Modulometer</li></ul>
 
Hardware Options: 
<ul><li>Requires one Mykerinos Processing card per I/O daughter card</li><li>I/O daughter card options include MADI, AES-EBU, ADAT, SDIF, TDIF 
and DUAL AES-EBU+Analog.</li><li>Supplied as a software and card-set, or full turnkey system housed
 in a dedicated Pyramix Chassis.</li><li>Isis Edit Controller</li><li>Full integration with Ramses MSC console control system</li></ul>

Merging Technologies Pyramix Native Broadcast Pack
Digital Audio Workstation (DAW) and Software Bundle

...
Learn more

Designed for the professional CD, DVD and SACD recording and mastering 
engineer. The Pyramix Mastering Pack
 configuration now supports all samples rates as standard from 32kHz to 
384kHz plus DXD and DSD (1-bit 2.8MHz) for SACD production in stereo and
 surround sound. 
 
Pyramix Mastering Pack - Key Features: 
<ul><li>Native or MassCore Version</li><li>MassCore Technology - (options for 48, 128 or 256+ channel I/O 
capability)</li><li>Real-time (instantaneous) editing</li><li>Surround Sound Mixing</li><li>Up to 384kHz sample rate plus DXD and DSD for Super Audio CD 
productions</li><li>CD Import and CD mastering to full Red Book standard</li><li>CD Disk Write to full Red Book CD standard</li><li>VST Multi-channel support</li><li>Full delay compensation</li></ul>
 
Included Software Options and Plug-ins: 
<ul><li>DDP Mastering</li><li>POW-r Redithering</li><li>EDL comparison tool</li><li>EQ-X: High Definition Parametric EQ.</li><li>Bus Tools and Strip Tools Dyn/EQ package</li><li>Dual Compressor, 10 Band EQ, Generator (Sinus, Pulse, DC), 
Flanger, Wordlength Meter, Angudion, Phase Correlator and Audio 
Vectorscope</li><li>VU, Peak Metering</li><li>Nagra Modulometer</li><li>iXML support</li><li>Sonic Import</li></ul>

Merging Technologies Pyramix Native Mastering Pack
Digital Audio Workstation (DAW) and Software Bundle

...
Learn more

Pyramix has long been established as one of the leading DAW systems for 
high quality high track count live multi-channel recording. On location 
recording of live concerts, or in the studio as a multi-track 
record/player. This cost-effective solution retains the same operational
 performance of the highest spec Pyramix at sample rates up to 192kHz as
 standard with the option for DXD/DSD multi-channel recording. 
 
For touring concerts Pyramix is often used to record the sound check a 
with discrete channel feeds from/to the desk giving the engineer as much
 time as he needs to ensure the perfect mix for the audience. Usually 
connected to the live desk through a single or multiple MADI streams, 
each capable of 56/64 channels to a maximum of 256 channels at 48kHz, 
Pyramix is also used to record the entire concert for later editing and 
mastering of live albums. The rugged Pyramix chassis is a robust touring
 case with the option of removable drive bays for rapid storage 
exchange. 
 
Pyramix Music Pack - Key Features: 
<ul><li>Native or MassCore Version</li><li>MassCore Technology - (options for 48, 128 or 256+ channel I/O 
capability at 1fs)</li><li>Multiple MADI coaxial and optical interface options.</li><li>Multiple single wire AES-EBU interface options.</li><li>Live punch-in punch-out recording</li><li>MassCore Technology - (options for 48, 128 or 256+ channel I/O 
capability)</li><li>Surround Sound Mixing</li><li>Up to 192kHz sample rate as standard</li><li>CD Import and CD mastering to full Red Book standard</li><li>CD Disk Write to full Red Book CD standard</li><li>VST multi-channel support</li></ul>
 
Included Software Options and Plug-ins: 
<ul><li>Bus Tools and Strip Tools Dyn/EQ package</li><li>Dual Compressor, 10 Band EQ, Generator (Sinus, Pulse, DC), Flanger</li><li>Wordlength Meter, Angudion.</li><li>Phase Correlator and Audio Vectorscope</li><li>VU, Peak Metering</li><li>Nagra Modulometer</li></ul>
 
Hardware Options: 
<ul><li>Requires one Mykerinos Processing card per I/O daughter card</li><li>I/O daughter card options include MADI, AES-EBU, ADAT, SDIF, TDIF 
and DUAL AES-EBU+Analog.</li><li>Supplied as a software and card-set, or full turnkey system housed
 in a dedicated Pyramix Chassis.</li><li>Isis Edit Controller</li><li>Full integration with Ramses MSC console control system.</li></ul>

Merging Technologies Pyramix Native Music Pack
Digital Audio Workstation (DAW) and Software Bundle

...
Learn more

The most advanced Pyramix configuration specifically designed for the 
professional audio for video post studio working in long or short format
 productions. Contains all the required editing features, 
synchronization to integrated or external SD or HD pictures with 
comprehensive project and session interchange formats for all leading 
DAW and NLE systems as standard. 
 
Pyramix Post Pack - Key Features: 
<ul><li>Native or MassCore Version</li><li>MassCore Technology - (options for 48, 128 or 256+ channel I/O 
capability)</li><li>Real-time (instantaneous) editing</li><li>Surround Sound Mixing</li><li>Up to 192kHz sample rate as standard</li><li>Advanced Video Support: Record and playback DV encoded AVI video 
files internally within Pyramix in PAL/NTSC via suitable DV converter 
(not supplied).</li><li>Integration to support Merging’s VCube SD, VCube HD and VCube SE 
video record/player systems.</li><li>Machine Control (Sony P2+ Midi Protocol)</li><li>Project/Session Interchange Support for: OMF, AAF, Apple Final Cut
 Pro XML, AES31, OpenTL, Akai DD-Series</li><li>CD Import and integrated CD mastering</li><li>CD Disk Write to full Red Book CD standard</li><li>VST Multi-channel support</li><li>Full delay compensation</li><li>External inserts</li></ul>
 
Included Software Options and Plug-ins: 
<ul><li>EDL comparison tool</li><li>Prosoniq MPEX3 Time/Pitch Scaling</li><li>EQ-X: High Definition Parametric EQ.</li><li>Bus Tools and Strip Tools Dyn/EQ package</li><li>Dual Compressor, 10 Band EQ, Generator (Sinus, Pulse, DC), 
Flanger, Wordlehgth Meter, Angudion. Phase Correlator and Audio 
Vectorscope</li><li>VU, Peak Metering</li><li>Nagra Modulometer</li><li>iXML support</li></ul>
 
Hardware Options: 
<ul><li>Requires one Mykerinos Processing card per I/O daughter card</li><li>I/O daughter card options include MADI, AES-EBU, ADAT, SDIF, TDIF 
and DUAL AES-EBU+Analog.</li><li>Supplied as a software and card-set, or full turnkey system housed
 in a dedicated Pyramix Chassis.</li><li>Isis Edit Controller</li><li>Full integration with Ramses MSC console control system</li></ul>

Merging Technologies Pyramix Native Post Pack
Digital Audio Workstation (DAW) and Software Bundle

...
Learn more

Presonus Studio One is a new, integrated approach to 
recording music, from tracking to mixing to mastering and distribution. 
It’s a creative environment built for intuitive use, speed, and 
efficiency–and yet it’s robust enough for the most complex productions. Studio
 One comes in three flavors to suit your specific needs: Artist, 
Producer, and Professional. We understand that there are different ways 
of making music and different levels of involvement. Some of you are 
cruising in home studios, capturing your creative grooves on your own 
time and at your own pace. Others are working in a project or commercial
 studio, whether on the clock for paying clients or producing your own 
work for sale. What’s New in 2? Integrated Melodyne Pitch Correction Celemony’s
 Melodyne is the most sought-after pitch-correction solution in the 
market, and it has been the model for proprietary solutions in several 
DAWs. Studio One 2 seamlessly integrates Melodyne so tightly that, for 
practical purposes, Melodyne is simply a part of Studio One. Transient Detection, Editing, and Groove Extraction Sure,
 you can do transient detection and editing in other DAWs—but it’s slow,
 and you often have to make a lot of decisions along the way. In Studio 
One, you can quantize multi-track drums in two steps: group the tracks, 
then quantize. Studio One does the analysis and phase-coherent
 quantization for you—with great-sounding results! Want to quantize 
audio to other existing audio? Drag-and-drop audio into the Groove 
panel, then quantize. Groove extraction is as simple as drag-and-drop; 
extract a groove from any audio and apply it to any other audio in 
seconds!Multi-track Comping Done Right Single and multi-track comping are quick and easy in Studio One—and faster than with most DAWs! No
 tool-switching is needed, and cross-fading between takes is automated, 
although you can edit the fades. Auditioning takes is as simple as 
holding Alt and clicking on a take—no more manually soloing entire 
lanes, as in other DAWs. Stay Organized Keeping 
everything organized can be critical to an efficient workflow, which is a
 breeze with the new Folder Tracks and Track List. Enhanced Mastering with Studio One Professional No other DAW offers a truly integrated mastering suite comparable to the Project page in Studio One Professional. Mastering
 an album is much more than sequencing and level-matching. Studio One 
Professional provides all of the necessary tools for professional 
production, including a phase meter and spectrum and peak/RMS level 
meters with K-System options. To all of this, Studio One Professional 2 
adds DDP Export, PQ editing, higher-quality sample-rate conversion, and 
other professional features. And So Much More… Find It Quickly! Studio
 One’s Browser offers quick access to instruments, effects, sounds, 
files, and more. In version 2, you can search within any location in the
 Browser, making it even faster and easier to find the resources you 
want. Typing text into the search field will immediately begin 
the search, and only results matching the search text will be displayed.
 Then the found content can be used directly. Choose Show in Context or 
Show in Explorer/Finder to quickly access other content that’s stored in
 the same location. Now it’s easier than ever to find what you want and 
drag-and-drop it where you want it quickly, while your creativity is 
still flowing. Edit Multiple Instrument Tracks Simultaneously Studio One’s editing features for musical-performance data have significantly increased in version 2. Now
 you can view and edit more than one instrument track at a time in the 
Music Editor, select multiple parts on different color-coded Tracks in 
the Arrangement and edit them together.  A Great Plug-in Collection Just Got Better Studio One’s Native Effects plug-ins have drawn rave reviews from the media. But we’re never satisfied. Our
 popular Ampire guitar-amp modeler is now Ampire XT and features new amp
 models, a new convolution-based cabinet-modeling section with some of 
the most revered cabinets ever, and a full-featured effects section. And
 although our MixVerb and Room Reverb plug-ins are first-rate, you can’t
 have too many good reverbs, so we added OpenAIR, a highly efficient 
convolution reverb, to Studio One Professional’s plug-in library. 
OpenAIR delivers ultra-realistic reverberation based on impulses 
captured from both real spaces and classic hardware reverbs. To top it 
off, with our new IR Maker utility plug-in, you can capture your own 
impulse responses for use with OpenAIR and with the cabinet section of 
Ampire XT. With these tools, you can put your music in almost any 
conceivable space! Track Transform and Event-Based Effects Studio One now features an innovative Track Transform feature, as well as event-based effects. Audio
 and instrument tracks feature the new Transform feature, which you can 
think of as a very flexible alternative to “freezing.” An entire audio 
track can be rendered in place with one click, removing any inserted 
effects plug-ins and conserving CPU power while still allowing normal 
editing. One click restores the original audio events and any inserted 
effects. One click can also transform an instrument track into an
 audio track, and the audio can then be edited normally. (Notes are 
displayed as a clear indication that the audio has been transformed from
 an instrument.) This conserves a lot of CPU power with today’s advanced
 virtual instruments, and it opens many creative possibilities that were
 too bothersome to attempt before now. And, as you might guess, one 
click brings the instrument track right back. Furthermore, every 
audio event in the arrangement has its own insert device rack, where any
 number of effects can be inserted, just like the insert device rack 
found on all mixer channels. When the desired sound is achieved, these 
effects can be rendered with a single click, removing the effects 
plug-in and conserving CPU power. And of course, one click can restore 
the effects for further editing at any time. SoundCloud is Integrated Into the Browser! Studio
 One version 1 brought the world’s first DAW integration of SoundCloud. 
With this feature, you could upload your music to SoundCloud directly 
from within Studio One. Studio One 2 brings another first: SoundCloud is
 now integrated directly into the Browser. View tracks from 
people you follow, your own tracks, and more. Stream a preview: Preview 
SoundCloud content as if it were audio on your local computer. If the 
track is downloadable from SoundCloud, just drag-and-drop it into your 
arrangement to immediately download and import it. Anyone collaborating 
or remixing via SoundCloud will love this!

Presonus Studio One 2 Artist - Electronic Delivery
Complete music creation and production software with unlimited tracks, mastering suite, 64-bit audio, VST and AU support

...
Learn more

Presonus Studio One 2 Artist - Retail Box
Complete music creation and production software with unlimited tracks, mastering suite, 64-bit audio, VST and AU support

...
Learn more

Presonus Studio One is a new, integrated approach to 
recording music, from tracking to mixing to mastering and distribution. 
It’s a creative environment built for intuitive use, speed, and 
efficiency–and yet it’s robust enough for the most complex productions. Studio
 One comes in three flavors to suit your specific needs: Artist, 
Producer, and Professional. We understand that there are different ways 
of making music and different levels of involvement. Some of you are 
cruising in home studios, capturing your creative grooves on your own 
time and at your own pace. Others are working in a project or commercial
 studio, whether on the clock for paying clients or producing your own 
work for sale. What’s New in 2? Integrated Melodyne Pitch Correction Celemony’s
 Melodyne is the most sought-after pitch-correction solution in the 
market, and it has been the model for proprietary solutions in several 
DAWs. Studio One 2 seamlessly integrates Melodyne so tightly that, for 
practical purposes, Melodyne is simply a part of Studio One. Transient Detection, Editing, and Groove Extraction Sure,
 you can do transient detection and editing in other DAWs—but it’s slow,
 and you often have to make a lot of decisions along the way. In Studio 
One, you can quantize multi-track drums in two steps: group the tracks, 
then quantize. Studio One does the analysis and phase-coherent
 quantization for you—with great-sounding results! Want to quantize 
audio to other existing audio? Drag-and-drop audio into the Groove 
panel, then quantize. Groove extraction is as simple as drag-and-drop; 
extract a groove from any audio and apply it to any other audio in 
seconds!Multi-track Comping Done Right Single and multi-track comping are quick and easy in Studio One—and faster than with most DAWs! No
 tool-switching is needed, and cross-fading between takes is automated, 
although you can edit the fades. Auditioning takes is as simple as 
holding Alt and clicking on a take—no more manually soloing entire 
lanes, as in other DAWs. Stay Organized Keeping 
everything organized can be critical to an efficient workflow, which is a
 breeze with the new Folder Tracks and Track List. Enhanced Mastering with Studio One Professional No other DAW offers a truly integrated mastering suite comparable to the Project page in Studio One Professional. Mastering
 an album is much more than sequencing and level-matching. Studio One 
Professional provides all of the necessary tools for professional 
production, including a phase meter and spectrum and peak/RMS level 
meters with K-System options. To all of this, Studio One Professional 2 
adds DDP Export, PQ editing, higher-quality sample-rate conversion, and 
other professional features. And So Much More… Find It Quickly! Studio
 One’s Browser offers quick access to instruments, effects, sounds, 
files, and more. In version 2, you can search within any location in the
 Browser, making it even faster and easier to find the resources you 
want. Typing text into the search field will immediately begin 
the search, and only results matching the search text will be displayed.
 Then the found content can be used directly. Choose Show in Context or 
Show in Explorer/Finder to quickly access other content that’s stored in
 the same location. Now it’s easier than ever to find what you want and 
drag-and-drop it where you want it quickly, while your creativity is 
still flowing. Edit Multiple Instrument Tracks Simultaneously Studio One’s editing features for musical-performance data have significantly increased in version 2. Now
 you can view and edit more than one instrument track at a time in the 
Music Editor, select multiple parts on different color-coded Tracks in 
the Arrangement and edit them together.  A Great Plug-in Collection Just Got Better Studio One’s Native Effects plug-ins have drawn rave reviews from the media. But we’re never satisfied. Our
 popular Ampire guitar-amp modeler is now Ampire XT and features new amp
 models, a new convolution-based cabinet-modeling section with some of 
the most revered cabinets ever, and a full-featured effects section. And
 although our MixVerb and Room Reverb plug-ins are first-rate, you can’t
 have too many good reverbs, so we added OpenAIR, a highly efficient 
convolution reverb, to Studio One Professional’s plug-in library. 
OpenAIR delivers ultra-realistic reverberation based on impulses 
captured from both real spaces and classic hardware reverbs. To top it 
off, with our new IR Maker utility plug-in, you can capture your own 
impulse responses for use with OpenAIR and with the cabinet section of 
Ampire XT. With these tools, you can put your music in almost any 
conceivable space! Track Transform and Event-Based Effects Studio One now features an innovative Track Transform feature, as well as event-based effects. Audio
 and instrument tracks feature the new Transform feature, which you can 
think of as a very flexible alternative to “freezing.” An entire audio 
track can be rendered in place with one click, removing any inserted 
effects plug-ins and conserving CPU power while still allowing normal 
editing. One click restores the original audio events and any inserted 
effects. One click can also transform an instrument track into an
 audio track, and the audio can then be edited normally. (Notes are 
displayed as a clear indication that the audio has been transformed from
 an instrument.) This conserves a lot of CPU power with today’s advanced
 virtual instruments, and it opens many creative possibilities that were
 too bothersome to attempt before now. And, as you might guess, one 
click brings the instrument track right back.Furthermore, every 
audio event in the arrangement has its own insert device rack, where any
 number of effects can be inserted, just like the insert device rack 
found on all mixer channels. When the desired sound is achieved, these 
effects can be rendered with a single click, removing the effects 
plug-in and conserving CPU power. And of course, one click can restore 
the effects for further editing at any time. SoundCloud is Integrated Into the Browser! Studio
 One version 1 brought the world’s first DAW integration of SoundCloud. 
With this feature, you could upload your music to SoundCloud directly 
from within Studio One. Studio One 2 brings another first: SoundCloud is
 now integrated directly into the Browser. View tracks from 
people you follow, your own tracks, and more. Stream a preview: Preview 
SoundCloud content as if it were audio on your local computer. If the 
track is downloadable from SoundCloud, just drag-and-drop it into your 
arrangement to immediately download and import it. Anyone collaborating 
or remixing via SoundCloud will love this!

Presonus Studio One 2 Producer - Electronic Delivery
Complete music creation and production software with unlimited tracks, mastering suite, 64-bit audio, VST and AU support

...
Learn more

Presonus Studio One is a new, integrated approach to recording music, from tracking to mixing to mastering and distribution. It’s a creative environment built for intuitive use, speed, and efficiency–and yet it’s robust enough for the most complex productions. Studio One comes in three flavors to suit your specific needs: Artist, Producer, and Professional. We understand that there are different ways of making music and different levels of involvement. Some of you are cruising in home studios, capturing your creative grooves on your own time and at your own pace. Others are working in a project or commercial studio, whether on the clock for paying clients or producing your own work for sale. What’s New in 2? Integrated Melodyne Pitch Correction Celemony’s Melodyne is the most sought-after pitch-correction solution in the market, and it has been the model for proprietary solutions in several DAWs. Studio One 2 seamlessly integrates Melodyne so tightly that, for practical purposes, Melodyne is simply a part of Studio One. Transient Detection, Editing, and Groove Extraction Sure, you can do transient detection and editing in other DAWs—but it’s slow, and you often have to make a lot of decisions along the way. In Studio One, you can quantize multi-track drums in two steps: group the tracks, then quantize. Studio One does the analysis and phase-coherent quantization for you—with great-sounding results! Want to quantize audio to other existing audio? Drag-and-drop audio into the Groove panel, then quantize. Groove extraction is as simple as drag-and-drop; extract a groove from any audio and apply it to any other audio in seconds!Multi-track Comping Done Right Single and multi-track comping are quick and easy in Studio One—and faster than with most DAWs! No tool-switching is needed, and cross-fading between takes is automated, although you can edit the fades. Auditioning takes is as simple as holding Alt and clicking on a take—no more manually soloing entire lanes, as in other DAWs. Stay Organized Keeping everything organized can be critical to an efficient workflow, which is a breeze with the new Folder Tracks and Track List. Enhanced Mastering with Studio One Professional No other DAW offers a truly integrated mastering suite comparable to the Project page in Studio One Professional. Mastering an album is much more than sequencing and level-matching. Studio One Professional provides all of the necessary tools for professional production, including a phase meter and spectrum and peak/RMS level meters with K-System options. To all of this, Studio One Professional 2 adds DDP Export, PQ editing, higher-quality sample-rate conversion, and other professional features. And So Much More… Find It Quickly! Studio One’s Browser offers quick access to instruments, effects, sounds, files, and more. In version 2, you can search within any location in the Browser, making it even faster and easier to find the resources you want. Typing text into the search field will immediately begin the search, and only results matching the search text will be displayed. Then the found content can be used directly. Choose Show in Context or Show in Explorer/Finder to quickly access other content that’s stored in the same location. Now it’s easier than ever to find what you want and drag-and-drop it where you want it quickly, while your creativity is still flowing. Edit Multiple Instrument Tracks Simultaneously Studio One’s editing features for musical-performance data have significantly increased in version 2. Now you can view and edit more than one instrument track at a time in the Music Editor, select multiple parts on different color-coded Tracks in the Arrangement and edit them together.  A Great Plug-in Collection Just Got Better Studio One’s Native Effects plug-ins have drawn rave reviews from the media. But we’re never satisfied. Our popular Ampire guitar-amp modeler is now Ampire XT and features new amp models, a new convolution-based cabinet-modeling section with some of the most revered cabinets ever, and a full-featured effects section. And although our MixVerb and Room Reverb plug-ins are first-rate, you can’t have too many good reverbs, so we added OpenAIR, a highly efficient convolution reverb, to Studio One Professional’s plug-in library. OpenAIR delivers ultra-realistic reverberation based on impulses captured from both real spaces and classic hardware reverbs. To top it off, with our new IR Maker utility plug-in, you can capture your own impulse responses for use with OpenAIR and with the cabinet section of Ampire XT. With these tools, you can put your music in almost any conceivable space! Track Transform and Event-Based Effects Studio One now features an innovative Track Transform feature, as well as event-based effects. Audio and instrument tracks feature the new Transform feature, which you can think of as a very flexible alternative to “freezing.” An entire audio track can be rendered in place with one click, removing any inserted effects plug-ins and conserving CPU power while still allowing normal editing. One click restores the original audio events and any inserted effects. One click can also transform an instrument track into an audio track, and the audio can then be edited normally. (Notes are displayed as a clear indication that the audio has been transformed from an instrument.) This conserves a lot of CPU power with today’s advanced virtual instruments, and it opens many creative possibilities that were too bothersome to attempt before now. And, as you might guess, one click brings the instrument track right back. Furthermore, every audio event in the arrangement has its own insert device rack, where any number of effects can be inserted, just like the insert device rack found on all mixer channels. When the desired sound is achieved, these effects can be rendered with a single click, removing the effects plug-in and conserving CPU power. And of course, one click can restore the effects for further editing at any time. SoundCloud is Integrated Into the Browser! Studio One version 1 brought the world’s first DAW integration of SoundCloud. With this feature, you could upload your music to SoundCloud directly from within Studio One. Studio One 2 brings another first: SoundCloud is now integrated directly into the Browser. View tracks from people you follow, your own tracks, and more. Stream a preview: Preview SoundCloud content as if it were audio on your local computer. If the track is downloadable from SoundCloud, just drag-and-drop it into your arrangement to immediately download and import it. Anyone collaborating or remixing via SoundCloud will love this!

Presonus Studio One 2 Producer - Retail Box
Complete music creation and production software with unlimited tracks, mastering suite, 64-bit audio, VST and AU support

...
Learn more

Artists of all levels, from beginner to seasoned professional, will
find Presonus Studio One a welcome alternative to the intimidating,
bloated offerings currently considered the standards. 
 
Studio One is a groundbreaking music creation and production
application for Mac OS X and Windows XP/Vista that makes audio
recording, MIDI sequencing, and audio mastering ridiculously simple
right out of the box. 
 
It’s a creative environment built for intuitive use, speed, and
efficiency–and yet it’s robust enough for the most complex productions.
It’s the DAW that a band of leading recording-hardware engineers and a
team of industry-defining software-design veterans want to use for
themselves. It’s incredibly easy to use yet provides a wealth of
professional features. 
 
Far from just another music-production program, Studio One changes the
rules of the game. Fresh code, innovative drag-and-drop MIDI mapping
and plug-in management, auto-configuration with PreSonus hardware,
insanely good audio quality, unlimited tracks and plug-ins per track,
and a powerful, inventive Start page that literally puts the whole
project right in your hands are just a few of the compelling features
of Studio One. 
 
After all, recording systems should serve the artist, not the other way around. 
 
Features: 
<ul><li>Elegant single-window work environment</li><li>Powerful drag-and-drop functionality</li><li>Unlimited audio tracks, MIDI tracks, virtual instruments, buses, and FX channels</li><li>Content browser with convenient sort options and preview player</li><li>Integrated mastering suite with automatic mix updating, Red Book CD burning, and digital release</li>
<li>MP3 import and export</li>
<li>AU, VST2, VST3, and ReWire support</li>
<li>Automatic delay compensation</li><li>Advanced automation</li><li>64-bit audio processing</li>
<li>Easy-to-use sidechain routing</li><li>Stunning virtual instruments</li><li>User-friendly sampler</li><li>Most intuitive MIDI-mapping system available</li><li>Real-time audio timestretching and resampling</li><li>K-System metering</li><li>Compatible with any ASIO-, Windows Audio-, or Core Audio-compliant audio interface</li><li>Works with key commands from Pro Tools, Cubase, and Logic.</li><li>Native Effects™ 64-bit effects library with 26 dynamics processors, reverbs, modulations effects, amp simulators, etc.</li>
<ul><li> Ampire - Amplifier-Modeling</li><li> Analog Delay tape-delay emulation</li>
<li> Auto Filter - Envelope Filter</li><li> Beat Delay - Tempo-Synchronized Delay</li><li> Binaural Pan - Stereo Panning Effect</li><li> Channel Strip - Dynamics Processing and Equalizer</li><li> Chorus - Mono/Stereo Chorus</li><li> Compressor - Mono/Stereo Variable Compressor</li><li> Expander mono/stereo expander</li>
<li> Flanger - Stereo/Mono Flanger</li><li> Gate noise gate</li>
<li> Groove Delay multitap and tempo-synchronized delay</li>
<li> Limiter - Mono/Stereo Limiter</li><li> Mixtool - Phase and MS Utility</li><li> MixVerb - Mono/Stereo Reverb</li><li> Multiband Dynamics mono/stereo multiband compressor/expander</li>
<li> Phase Meter phase-correlation analysis</li><li> Phaser mono/stereo phaser</li><li> Pipeline hardware insert (use external hardware processor, with delay compensation)</li>
<li> Pro EQ 7-band parametric EQ</li><li> Red Light Distortion distortion processor</li><li> Room Reverb stereo/mono room reverb</li><li> Spectrum Meter frequency analyzer</li><li> Tricomp 3-band compressor</li><li> Tuner instrument tuner</li><li> X-Trem mono/stereo tremolo</li></ul><li>Four virtual instruments</li><ul><li> Impact™ Sample Trigger Drum Instrument with 32 drum kits by Ueberschall™</li><li> Presence™ Sample Player Virtual Instrument with 200 sampled
instruments by Digital Sound Factory™ plus 100 additional premium
Digital Sound Factory sampled instruments</li>
<li> SampleOne™ Sampler Virtual Instrument</li><li> Mojito™ Analog-Modeling Subtractive Synthesizer</li></ul><li>Native Instruments™ Kore™ Player with 150 instruments</li><ul><li> Custom SoundPack for Kore™ Player, with 200 more instruments</li>
</ul><li>Native Instruments™ Guitar Rig LE</li><li>Toontrack™ EZDrummer Lite</li><li>Nearly 1,400 drum loops (1.4 GB!) by Bandmate™ Loops plus…</li><ul><li> More than 2,000 additional loops (4 GB) by Bandmate Loops</li>
</ul></ul>

Presonus Studio One 2 Professional - Electronic Delivery
Complete music creation and production software with unlimited tracks, mastering suite, 64-bit audio, VST and AU support

...
Learn more

Presonus Studio One 2 Professional - Retail Box
Complete music creation and production software with unlimited tracks, mastering suite, 64-bit audio, VST and AU support

...
Learn more

Solid Stage Logic Pro-Convert is a new software application designed to improve workflow and make it easier for producers to use their Digital Audio Workstation of choice. Pro-Convert is audio project translation software that facilitates the exchange of entire projects between audio applications. The application is designed to make it much easier and quicker to move projects between producers or facilities where different audio applications are in daily use. SSL Pro Convert is designed to remove the creative and technical constraints presented by an ‘industry standard’ DAW environment.
 
For commercial music facilities ProConvert means the ability to streamline the process of opening projects created within a broader range of DAW environments. For the creative producer Pro-Convert means being able to begin projects within your private studio using the DAW that is the best creative fit for the way you want to work, secure in the knowledge that you can easily transport your project for collaboration or mastering. For Commercial Post facilities, Pro-Convert means the ability to easily import music and material created within a diverse range of DAW environments for mixing. For large scale Post Production projects or facilities where multiple producers contribute to a single production process, production teams can enjoy significantly streamlined workflow.
 
SSL Pro-Convert effectively supports over 40 different audio applications (see the Format Overview page for details) each of which has a very different feature set and method of implementing specific features. There are therefore a great many permutations of conversion that might be undertaken using Pro-Convert. Some applications have extensive feature sets, others do not. It is not always possible to convert specific features between selected applications… it is possible for us to provide a definitive list of which features are available for translation with each key application; that list is available in our online help file and on the Format Table web page. Our online help file also provides additional detail regarding advantages or limitations of specific leading applications so please read any sections of particular interest to you.
 
SSL Pro-Convert Key Features
<UL>
<LI>Streamlines project transfer between Digital Audio Workstations
<LI>Compatible with over 40 different applications
<LI>Converts to and from Pro Tools® 7.x
<LI>Simple step by step operation
<LI>'Audio Tool' audio file format batch converter
<LI>Frame accurate offset feature
<LI>‘Housekeeping’ features for cleaning up projects
<LI>Fade curve translation control
<LI>Pan and Volume automation curve conversion
<LI>Includes Track Markers and PQ Data
<LI>Search & Replace missing audio file functions
<LI>Rapid offline conversion process
</UL>
System Requirements
<UL>
<LI>Microsoft Windows 98, 98 SE, ME, NT 4.0 SP5, Windows 2000, Windows XP or Windows Vista (32-Bit)
<LI>266 MHz processor or higher
<LI>20 MB hard-disk space for program installation
<LI>VGA Display

SSL Pro-Convert V5.0 (Mac)
Digital Audio Project Translator

...
Learn more

SSL Pro-Convert V5.0 (Windows)
Digital Audio Project Translator

...
Learn more

SSL Soundscape V6 is a highly 
evolved DAW application that benefits from nearly 20 years of 
development. It specializes in audio only recording, editing and mixing;
 it does not have MIDI sequencing or offer Virtual Instruments for 
creative composition, instead it offers a specialized, elegant, 
versatile, functionally advanced user environment with the capacity to 
support a wide range of approaches to workflow. The V6 DAW software is 
intrinsically tied to the presence of an SSL MX4 PCIe card (or its 
predecessor the Mixpander); the DAW utilizes the DSP power and extremely
 low latencies (4 samples) of the card and its high channel count fiber 
optic MADI I/O connectivity. The system employs SSL’s Soundscape Hybrid 
Core Audio and Processing engine which uses a combination of the MX4 DSP
 and the host computer CPU/RAM resources with drivers that are designed 
from the ground up to gain optimum performance from latest generation 
multi-core PC Processors and Windows 7 Operating Systems (32 Bit or 64 
Bit). 
 
Mission Critical Applications 
Soundscape V6 is designed to satisfy the requirements of professional 
recording engineers in sophisticated, demanding, high pressure 
environments. Historically Soundscape has enjoyed an enviable reputation
 for total reliability and stability and V6 maintains and builds upon 
the tradition. Soundscape V6 offers up to 128 channels of simultaneous 
recording and playback at 24bit/96kHz, whilst running large amounts of 
plug-in processing and utilizing sophisticated mixer architecture to 
deliver complex monitoring set ups… and it does it elegantly without 
over-stretching the host computer. It offers truly professional 
performance and stability. 
 
Benchmark Audio Quality 
The Solid State Logic brand is synonymous with the highest standards of 
audio performance, setting quality standards for others to follow. 
Soundscape V6 maintains these standards at every step of the production 
process. In addition to expected high quality recording, a suite of SSL 
plug-ins that includes the SSL Channel EQ, Channel Dynamics and Stereo 
Bus Compressor provide processing tools with the perfect balance of 
precision and unique tonal character. For those who mix inside the box 
Soundscape V6 offers a superior Double Precision digital mix bus. 
 
Optimized For Real Time Performance 
The Soundscape V6 flexible mixer architecture, true multi client 
operation and stunning ‘near zero’ latency creates a powerful system 
with the versatility to create multiple (or duplicate) multi channel 
record feeds, to create multiple headphone/artist monitor feeds or to 
build Mix Minus monitor feeds in Broadcast applications with SSL Console
 Grade quality processing. 
 
State Of The Art I/O 
The MX4 PCIe card offers 128 channels of fiber optic MADI I/O presented 
as a pair of 64 Channel connections. MADI fiber is a lossless digital 
audio format that can be combined with SSL Alpha-Link audio format 
converters, connected directly to suitably equipped consoles, or 
integrated with Broadcast Routers to deliver a very high channel count 
with uncompromising audio quality. 
 
Advanced Shared Network Workflow 
V6 offers true collaborative workflow at the very heart of its 
architecture. It is designed to accommodate and encourage collaborative 
file and project exchange between multiple audio engineer ‘seats’ either
 working independently with remote file distribution/exchange or 
connected locally via a gigabit Ethernet or Fibrechannel network and 
central storage (NAS or SAN) infrastructure. V6 is optimised for multi 
file format workflow with the facility to use Soundscape Take, standard 
Wav and Broadcast Wav file types with different bit-depths on a single 
timeline without conversion, dramatically speeding workflow. 
 
Soundscape V6 Key Features 
<ul><li>High channel count – up to 128 channels of simultaneous audio 
record/playback</li><li>Optimized for real time performance – near zero latency, 
sophisticated monitoring options</li><li>Total reliability – extremely robust system delivers industrial 
strength stability</li><li>Requires MX4 PCIe card – dual 64 channel MADI I/O, DSP, multi-core
 powered multi-client drivers</li><li>Sounds superb – benchmark SSL audio quality inside the box from 
recording to mixdown</li><li>Highly evolved User Interface - streamlined Audio Editing with 
many workflow options</li><li>SSL channel EQ, Dynamics and Bus Comp plug-ins – DSP powered 
legendary SSL sound inside the box</li><li>Supports standard native VST plug-ins running alongside our DSP 
powered plug-ins</li><li>The legacy collection of plug-ins from other manufacturers remain 
available for Soundscape from the SSL web shop</li><li>Soundscape Hybrid Core Audio Engine – 32/64 Bit driver powered 
Recording/Mixing Engine utilising MX4 card DSP’s and multi core host 
processing</li><li>Multi format projects – 16/24 Bit & different file formats on a
 single track without converting</li><li>Local or networked collaboration – multiple users connected via 
standard Gigabit Ethernet</li></ul>

SSL Soundscape V6
Ultra reliable 128 channel simultaneous recording, SSL plug-ins, 128 channel MADI I/O and advanced DAW editing and workflow

...
Learn more

Sony Acid Music Studio 7. It's Time to Start Making YOUR Music If you're serious about making your own music, ACID Music Studio software is the perfect tool for original song creation, multitrack audio and MIDI recording, studio-quality mixing, and effects processing. Share your songs any way you want — burn your own CDs, upload to the web, prepare audio for podcasts, or export to your MP3 player. With built-in tutorials to guide you, you'll be composing, mixing, and mastering like a pro in no time. Easy Live Recording Record vocals, guitars, keyboards, and other instruments with ACID Music Studio software. It's easy - simply plug your microphone or instrument into your PC sound card and click Record to capture audio and MIDI. Powerful Mixing 3,000 ACIDized music loops, 1,000 MIDI files, built-in effects, and other tools. You can also import your own songs and MP3 files for beat-matching and mixing. Share Anywhere Burn your own music CDs, save the songs you create.

Sony ACID Music Studio 7
Compose, mix and master like a pro in no time

...
Learn more

Sony ACID Pro 7 software
is a DAW powerhouse that combines full multi-track recording and
mixing, MIDI sequencing, and legendary ACID looping functionality for a
seamless music-creation and post-production environment. More creative
partner than production tool, ACID Pro 7 software inspires you like
nothing else. With its Transparent Technology™ design, ACID Pro 7
software removes typical barriers to the creative work flow so you can
effortlessly transform ideas into real results. 
 
Professional Multitrack Recording 
For uncompromising 24-bit, 192 kHz sound quality production live or in
studio, ACID Pro 7 software has an expanded set of features for maximum
audio performance. Whether you're recording your band or creating
MIDI-based studio sequences, ACID Pro 7 software is the optimal
platform for reliable multitrack recording and production: on-the-fly
punch in/out, unlimited tracks for audio and MIDI, control surface
support, powerful plug-in processing, and 5.1 surround mixing. 
  
Innovative Loop-Based Music Creation 
ACID Pro software has been the leader in loop-based music creation for
nearly ten years. Version 7 has all of the core ACID Pro features:
automatic pitch and tempo matching, real-time loop previewing,
unlimited tracks, and our signature pick/paint/play interface. ACID Pro
7 software also includes over 3,000 Sony Sound Series loops and 1,000
MIDI files so you can start creating music right out of the box. 
  
Comprehensive MIDI Support 
Experience unparalleled MIDI sequencing in ACID Pro 7 software, with
real time MIDI processing and precise control over MIDI events. All
note and controller data can be recorded and edited on the timeline as
easily as audio tracks. Use track envelopes to automate and modify
modulation, expression, or other types of MIDI controller data over
time. Other features let you record multiple tracks of MIDI, apply real
time MIDI quantization, perform filtering and processing, create and
edit drum patterns, and step record. ACID Pro 7 also includes over
1,000 free MIDI files for music creation. 
  
Superior Mixing and Editing 
ACID Pro 7 software has a dedicated mixing console for a flexible and
efficient recording environment. Specify routing, assign audio effects,
and use external effects processors with tracks and busses. ACID Pro 7
software also supports control surface automation and channel tracking
for devices such as the Mackie Control and Frontier Design TranzPort.
Its unique Beatmapper tool makes remixing easy, and the Chopper tool
helps you create impressive drum fills, stutters, and DJ-style effects. 
  
Professional Effects and Soft Synth Support 
Expand your sound palette with native support for VST instruments, as
well as VST and DirectX audio plug-ins. Create resonant sweeps,
dramatic fades, EQ changes and add effects with parameter automation.
ReWire and ASIO support help you smoothly integrate ACID Pro 7 software
with your existing studio. 
  
Exclusive Quantization Tools 
Transform loops and MIDI tracks into fresh, new sounds with our
exclusive Groove Mapping and Groove Cloning quantization tools. Change
the groove of a track, apply different grooves to the same track,
extract a groove from one file and apply it to another, or even create
custom grooves. 
  
Professional Workflow Features 
Maximize efficiency with folder tracks and cluster editing to drag,
pitch-shift, cut, copy, and paste sections of loops. Use the Clip Pool
to choose and arrange events to use in your compositions. Create
dramatic or subtle tempo changes using new tempo curves. Deliver
projects in nearly any format without leaving the ACID Pro 7
environment. 
 
Interactive Tutorials New! 
ACID Pro 7 software now includes built-in interactive tutorials for
step-by-step help. Work along with the tutorials from within your
project so you can learn and create at the same time. 
  
Included with ACID Pro 7 software New! 
ACID Pro 7 includes software for professional music production and
editing, including ACID Pro Effects Rack, powered by iZotope, Garritan
Aria for ACID Pro Player, Submersible Music KitCore, and Native
Instruments Guitar Combos. 
  
Free Loops and Samples 
Add to your content library with ACIDplanet.com 8packs. Available as a
free download each week, an 8pack is eight loops arranged into a song.
ACID Pro registered users can also download free exclusive content
using Get Media. Click Get Media on the ACID Pro 7 toolbar for instant
access to folders full of royalty-free loops.

Sony ACID Pro 7
Powerful DAW combining full multitrack recording and mixing, MIDI sequencing and legendary looping functionality

...
Learn more

Steinberg Cubase 6
Music Production Software

...
Learn more

Steinberg Nuendo 5 empowers
 professionals working in audio, live and post production for the film, 
television and media industry to higher levels of productivity. 
Post-production editors, film mixers as well as live recording engineers
 around the world rely on the flexibility and industry openness that 
Nuendo provides. 
 
Features 
<ul><li>Leading native audio post-production environment</li><li>Toolset for ADR work and new native video engine</li><li>Extended project exchange, including support of EDL lists</li><li>Superior editing features and smooth new scrubbing engine</li><li>Unique Nuendo Surround Panner V5 and more new VST3 plug-ins</li><li>Extended automation system with “flexible passes” technology</li><li>World-class mixing and routing features with automatable mix buses</li><li>Completely reworked MediaBay with networking capabilities</li><li>Network collaboration for multi-seat projects via LAN or WAN</li></ul>

Steinberg Nuendo 5
Audio and Post Production Software

...
Learn more

Results 1-20 of 21

Sort by Name

Sort by Price

SALES		CUSTOMER SERVICE
888.653.1184 ext 3 +1.248.591.9276 ext 3 Sales Hours: M-F 10 to 8 (ET) Sat 12 to 4 (ET) Sun Closed More Information		888.653.1184 ext 2 +1.248.591.9276 ext 2 Customer Service Hours M-F 10 to 6 (ET) Sat Closed Sun Closed More Information