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Neve

Originally designed in 1974, the Neve 2264A mono Limiter/Compressor unit  quickly became a legend. Delivering similar facilities and performance  as the earlier 2254 Limiter/Compressor type, it did so despite being  packaged in a more compact form-factor. Discrete, Class A/B design and  transformer-coupled circuits used in the input, innovative bridge-driver  design, side-chain and output stages ensured a totally unique sound.  The original 2264A units are still sought after, decades after  production stopped, and they remain one of the milestone pieces of  studio equipment. <br> <br> And now the 2264A is available for your 500 Series rack. <br> <br> Crafted in England by Neve engineers, the <b>Neve 2264ALB</b> retains  the unique sonic characteristics of the original 2264A by using the same  architecture, matching components and original hand-wound transformers  as its classic counterpart and adds new features: a Signal Presence  indicator LED and a Slow Attack option. And it delivers it in a modern  and portable form-factor which professional producers and engineers  demand. <br> <br> Simply install into an empty slot in your compatible 500 Series rack,  connect your line level signals and inject the legendary Neve dynamic  sound into your audio creations. And it's the perfect pairing for the  incredible Neve 1073LB microphone pre amp module. The 2264ALB module can  be inserted between the input and output stages of the 1073LB module,  creating an all-new Neve classic audio path. <br> <br> Classic… and Revolutionary.<br> <br> <b>Features:</b><br> <ul><li>Classic mono Limiter/Compressor, available in a 500-series format</li><li>Transformer-coupled circuits used in Input, Bridge-driver, Side-chain and Output stages</li><li>Independent Limiter and Compressor IN/OUT selectors</li><li>BYPASS switch connects input terminals directly to output terminals</li><li>Slow Attack switch changes between classic 2264A attack settings and new Slow Attack setting for buss compression work</li><li>Digital LED meter with approximate PPM ballistics indicates 0dB to 20dB of gain reduction</li><li>Audio Processing Insert design allows the audio to/from the  2264ALB module to be inserted into the audio path of an existing 1073LB  (modules must be fitted in the same rack chassis)</li></ul>

Neve 2264ALB
500 Series Compressor/Limiter

The <span style="font-weight: bold;">Neve 1073LBEQ</span> provides a 
Neve 1073 EQ circuit in a single 500-series module.  The 1073 is widely 
considered the world’s premier mic preamp & EQ module, delivering 
the unique Neve sound featured on some of the most famous recordings of 
the past 40 years.<br>
<br>
The big, punchy sound of the classic Neve 1073 module complements any 
musical genre, from rock to rap, jazz to classical. Its lush sound with 
classic Neve signature makes it the consummate mic-pre/EQ module for 
recording vocals, guitars, and acoustic instruments of all descriptions.
 With the 1073LBEQ module, the highly sought-after classic EQ sound is 
now available in a 500-series form-factor.<br>
<br style="font-weight: bold;">
<span style="font-weight: bold;">Highlights</span><br>
<ul><li>Legendary 3-band EQ design</li><li>When integrated with 1073LB preamp, the combination is 100% discrete and = genuine 1073 mic pre/EQ</li><li>Rotary controls provide accurate adjustment of the 1073 3-band EQ and High Pass Filter</li><li>Signal presence LED illuminates green from a level of -25dB and red from a level of +24dB</li><li>Switch for EQ IN/OUT function, with LED indication</li><li>Electronically balanced classic Neve circuits used in Line Input 
and Line Output stages for standalone module use. These stages are 
bypassed and the 1073LBEQ module is 100% discrete when combined with the
 1073LB mic preamp</li><li>Audio Processing Insert design allows the audio to/from the 
1073LBEQ module to be inserted into the audio path of an existing 1073LB
 (modules must be fitted in the same rack)</li><li>High frequency concentric knobs perform two functions: HF shelf control and High Pass Filter control</li><li>Fully screened module packaged in Mu-metal case eliminates stray electromagnetic fields from Lunchbox PSU or other module types</li></ul>

The 1073LBEQ provides the legendary sound of Neve in a remarkably simple
 format. A Line level input feeds an electronically balanced EQ circuit 
with 3-bands of adjustable EQ and a High Pass filter, which can easily 
be switched in/out. The output is also an electronically balanced Line 
level output. A signal presence LED and Neve’s clever Audio Processing 
Insert design is also integrated into the module. <br>
<br>
The 1073LBEQ can be modified to work as an inserted process with an 
existing 1073LB mic pre module.  A modification is required inside both 
units and a cable, which is supplied with the 1073LBEQ module, is needed
 to connect the LB mic pre to the LB EQ.  The result of this is a <span style="font-weight: bold;">genuine 1073 mic/pre input -> EQ -></span> output audio path when in this mode.  Revolutionary!<br>
<br>
This mono unit is the perfect solution for studios and audio engineers 
looking to bring in the very essence of the Neve 1073 EQ sound to their 
portable racks.<br>
<br>
<span style="font-weight: bold;">Note:</span> The Neve 1073LBEQ will <span style="font-weight: bold;">not work</span>
 with the A Designs 500HR 2 Slot rack or the Empirical Labs EL500 2 Slot
 500 Series Rack due the physical size of the slots in those particular 
racks not being able to accommodate the dimensions of the module. The 
module will fit in all other new 500 series racks that we carry.

Neve 1073LBEQ
Single channel 500 Series equalizer

The <span style="font-weight: bold;">Neve 1073LBEQ</span> provides a  Neve 1073 EQ circuit in a single 500-series module.  The 1073 is widely  considered the world’s premier mic preamp & EQ module, delivering  the unique Neve sound featured on some of the most famous recordings of  the past 40 years.<br> <br> The big, punchy sound of the classic Neve 1073 module complements any  musical genre, from rock to rap, jazz to classical. Its lush sound with  classic Neve signature makes it the consummate mic-pre/EQ module for  recording vocals, guitars, and acoustic instruments of all descriptions.  With the 1073LBEQ module, the highly sought-after classic EQ sound is  now available in a 500-series form-factor.<br> <br style="font-weight: bold;"> <span style="font-weight: bold;">Highlights</span><br> <ul><li>Legendary 3-band EQ design</li><li>When integrated with 1073LB preamp, the combination is 100% discrete and = genuine 1073 mic pre/EQ</li><li>Rotary controls provide accurate adjustment of the 1073 3-band EQ and High Pass Filter</li><li>Signal presence LED illuminates green from a level of -25dB and red from a level of +24dB</li><li>Switch for EQ IN/OUT function, with LED indication</li><li>Electronically balanced classic Neve circuits used in Line Input  and Line Output stages for standalone module use. These stages are  bypassed and the 1073LBEQ module is 100% discrete when combined with the  1073LB mic preamp</li><li>Audio Processing Insert design allows the audio to/from the  1073LBEQ module to be inserted into the audio path of an existing 1073LB  (modules must be fitted in the same rack)</li><li>High frequency concentric knobs perform two functions: HF shelf control and High Pass Filter control</li><li>Fully screened module packaged in Mu-metal case eliminates stray electromagnetic fields from Lunchbox PSU or other module types</li></ul>    The 1073LBEQ provides the legendary sound of Neve in a remarkably simple  format. A Line level input feeds an electronically balanced EQ circuit  with 3-bands of adjustable EQ and a High Pass filter, which can easily  be switched in/out. The output is also an electronically balanced Line  level output. A signal presence LED and Neve’s clever Audio Processing  Insert design is also integrated into the module. <br> <br> The 1073LBEQ can be modified to work as an inserted process with an  existing 1073LB mic pre module.  A modification is required inside both  units and a cable, which is supplied with the 1073LBEQ module, is needed  to connect the LB mic pre to the LB EQ.  The result of this is a <span style="font-weight: bold;">genuine 1073 mic/pre input -> EQ -></span> output audio path when in this mode.  Revolutionary!<br> <br> This mono unit is the perfect solution for studios and audio engineers  looking to bring in the very essence of the Neve 1073 EQ sound to their  portable racks.<br> <br> <span style="font-weight: bold;">Note:</span> The Neve 1073LBEQ will <span style="font-weight: bold;">not work</span>  with the A Designs 500HR 2 Slot rack or the Empirical Labs EL500 2 Slot  500 Series Rack due the physical size of the slots in those particular  racks not being able to accommodate the dimensions of the module. The  module will fit in all other new 500 series racks that we carry.

Neve 1073LBEQ (Demo Deal)
Single channel 500 Series equalizer

Launched in 1970, the 1073 is the first choice of leading producers and artists, delivering the unique Neve sound on some of the most famous recordings of the past 40 years. The big, punchy sound of the 1073 complements any musical genre – from rock to pop, hip-hop to rap, thrash to classical.  <br><br> And now it is available for your Lunchbox<sup>TM<br></sup></p> <p>Designed and manufactured in England, the 1073LB retains the unique sonic characteristics of the original 1073 Classic microphone preamplifier by using the same architecture, matching components and original hand-wound transformers. And it delivers it in a modern and portable form-factor that professional producers and engineers demand.</p><p>With new features like a fine TRIM control, switchable microphone input impedance, signal presence LED, intelligent protected switching of front combi-XLR input connector and Neve's clever Audio Processing Input design, the 1073LB takes your Lunchbox<sup>TM</sup> to the next level.<br></p><p>Simply install into an empty slot in your compatible Lunchbox<sup>TM</sup> rack, connect your microphone or line level signals and inject that legendary sound into your audio creations.<br></p><p><span style="font-weight: bold;">Highlights</span><br></p><ul><li>Classic transformer microphone preamp amp (Class A design)</li><li>Audio path is <span style="font-weight: bold;">absolutely 100% discrete</span> and the same design as the 1073 Classic module mic/pre circuit<br> </li><li>Neve designed hand-wound transformers</li><li>Both Mic and Line inputs are transformer balanced and earth free</li><li>Gain knob with Signal Presence LED<br></li><li>+5/-10dB level Trim control with integrated phantom power on/off switch</li><li>Phase, Impedance and Front Input selector switches</li><li>Front combi-XLR connector with intelligent switching of phantom power</li><li>Audio Processing Insert design allows processing from adjacent Neve modules in same Lunchbox to be inserted into the 1073LB's pre-output stage</li><li>Microphone Input: Gain -80db to -20dB in 5dB steps</li><li>Line Input: Input impedance 4k ohms bridging, gain -20dB to +10dB in 5dB steps</li><li>Output is transformer balanced and earth free</li><li>Distortion: Not more than 0.07% from 50Hz to 10kHz at +20dBu output</li><li>(80kHz bandwidth)</li><li>Freq Response: ±0.5dB 20Hz to 20kHz, -3dB at 40kHz</li><li style="text-align: left;">Crafted in England by Neve engineers <br></li></ul>Lunchbox<sup>TM</sup> is a trademark of Automated Processes, Inc.<br> <br> <span style="font-weight: bold;">Note:</span> The Neve 1073LB will <span style="font-weight: bold;">not work</span>  with the A Designs 500HR 2 Slot rack or the Empirical Labs EL500 2 Slot  500 Series Rack due the physical size of the slots in those particular  racks not being able to accommodate the dimensions of the module. The  module will fit in all other new 500 series racks that we carry.

Neve 1073LB
100% discrete 500 Series mic pre

Launched in 1970, the <b>Neve 1073</b> is the first choice of leading producers and artists, delivering the unique Neve sound on some of the most famous recordings of the past 30 years. The big, punchy sound of the 1073 compliments any musical genre - from rock to pop, hip-hop to rap, thrash to classical. <br><br>Handcrafted and completely hand-wired by Neve’s dedicated professionals in Burnley, England, the modern-day 1073 is produced to the exact specifications of the original modules. Considerable resources have been devoted to the acquisition of the original components to ensure the sound remains true. <br><br>Looking for an outside opinion? Lynn Fuston at EQ Magazine performed an in-depth review of the modern-day 1073 versus a vintage model. We think you’ll find his conclusions quite comforting. <br><br>The Class A design 1073 microphone preamplifier features 3 bands of EQ, with one fixed high frequency band, two switchable bands with cut and boost capability, and a high pass filter. All Neve channel amplifiers are designed to accept signals from a wide range of microphone and line sources. <br><br>The Neve 1073 mic pre and EQ combination adds warmth and depth to recordings, brings out subtle ambience, maintains spatial positioning, and more effectively captures a precise image. That’s why the 1073 mic preamp is considered by many to be the very essence of the Neve sound. <br><br><b>Highlights</b><ul><li>Classic transformer microphone preamp amp (Class A design)</li><li>3 EQ bands</li><li>Hand-built and hand-wired to original 1970s design</li><li>HP filter</li><li>Neve designed hand-wound transformers </li><li>Both inputs are transformer balanced and earth free</li><li>Microphone Input: Gain +80db to +20dB in 5dB steps.</li><li>Line Input: Input impedance 10k ohms, gain +20dB to -10dB in 5dB steps.</li><li>Output: Maximum output is >+26dBu into 600 ohms.</li><li>Output is transformer balanced and earth free</li><li>Distortion: Not more than 0.07% from 50Hz to 10kHz at +20dBu output</li><li>(80kHz bandwidth) into 600 ohms.</li><li>Freq Response: +/-0.5dB 20Hz to 20kHz, -3dB at 40kHz. EQ Out.</li></ul>The 1073 can be purchased as single or multiple units. Each 1073 module has been designed to perfectly retrofit into the 80 Series Neve Classic consoles as part of a channel strip or can be mounted in a custom rack. The available rack sizes are 3U (which accommodates 2 modules horizontally) or 5U (which accommodates 8 modules vertically). <br><br><b>Neve "Classic" Outboard - Genuine Neve product hand built in UK using all of the original components, nothing new in 30 years</b>

Neve 1073 CV (Demo Deal)
The world's favorite Mic Pre / EQ, hand-wired in England, and produced to the original 1970-issue specifications with matching components for uncompromised sound quality. The CV version is a vertical rack design.

Originally designed in 1974, the <b>Neve 2264A </b>mono 
Limiter/Compressor unit quickly became a legend. Delivering similar 
facilities and performance as the earlier 2254 Limiter/Compressor type, 
it did so despite being packaged in a more compact form factor. 
Discrete, Class A/B design and transformer-coupled circuits used in the 
input, innovative bridge-driver design, side-chain and output stages 
ensured a totally unique sound. The original 2264A units are still 
sought after, decades after production stopped, and they remain one of 
the milestone pieces of studio equipment.<br><br>Now crafted in England by Neve engineers, the classic 2264A is available again.<br><br>Not
 only does it retain the original 2264A’s unique sonic characteristics 
by using the same architecture, matching components and original 
hand-wound transformers as its historic counterpart, but it is also 
available in both vertical and horizontal orientations. Being 
electrically and mechanically the same D.L.1 format as the Neve 1073 and
 1084 Mic/Pre modules, the 2264A can be inserted into any compliant 
console or rack that houses the 1073 or 1084 module types.<br><br><b>Features</b>
<ul><li>Classic mono limiter/compressor, available in Vertical or Horizontal orientations</li><li>Transformer-coupled circuits used in Input,</li><li>Bridge-driver, Side-chain and Output stages</li><li>Independent Limiter and Compressor IN/OUT selectors</li><li>BYPASS switch connects input terminals directly to output terminals</li><li>Multiple units can be linked together to provide multi-unit side-chain control from a single unit</li><li>Analogue meter with approximate PPM ballistics indicates 0dB to 20dB of gain reduction</li></ul>

Neve 2264A CV (Demo Deal)
Mono limiter/compressor module (vertical)

Originally designed in 1974, the <b>Neve 2264A </b>mono  Limiter/Compressor unit quickly became a legend. Delivering similar  facilities and performance as the earlier 2254 Limiter/Compressor type,  it did so despite being packaged in a more compact form factor.  Discrete, Class A/B design and transformer-coupled circuits used in the  input, innovative bridge-driver design, side-chain and output stages  ensured a totally unique sound. The original 2264A units are still  sought after, decades after production stopped, and they remain one of  the milestone pieces of studio equipment.<br><br>Now crafted in England by Neve engineers, the classic 2264A is available again.<br><br>Not  only does it retain the original 2264A’s unique sonic characteristics  by using the same architecture, matching components and original  hand-wound transformers as its historic counterpart, but it is also  available in both vertical and horizontal orientations. Being  electrically and mechanically the same D.L.1 format as the Neve 1073 and  1084 Mic/Pre modules, the 2264A can be inserted into any compliant  console or rack that houses the 1073 or 1084 module types.<br><br><b>Features</b> <ul><li>Classic mono limiter/compressor, available in Vertical or Horizontal orientations</li><li>Transformer-coupled circuits used in Input,</li><li>Bridge-driver, Side-chain and Output stages</li><li>Independent Limiter and Compressor IN/OUT selectors</li><li>BYPASS switch connects input terminals directly to output terminals</li><li>Multiple units can be linked together to provide multi-unit side-chain control from a single unit</li><li>Analogue meter with approximate PPM ballistics indicates 0dB to 20dB of gain reduction</li></ul>

Neve 2264a CV
Mono limiter/compressor module (vertical)

Originally designed in 1974, the <b>Neve 2264A </b>mono 
Limiter/Compressor unit quickly became a legend. Delivering similar 
facilities and performance as the earlier 2254 Limiter/Compressor type, 
it did so despite being packaged in a more compact form factor. 
Discrete, Class A/B design and transformer-coupled circuits used in the 
input, innovative bridge-driver design, side-chain and output stages 
ensured a totally unique sound. The original 2264A units are still 
sought after, decades after production stopped, and they remain one of 
the milestone pieces of studio equipment.<br><br>Now crafted in England by Neve engineers, the classic 2264A is available again.<br><br>Not
 only does it retain the original 2264A’s unique sonic characteristics 
by using the same architecture, matching components and original 
hand-wound transformers as its historic counterpart, but it is also 
available in both vertical and horizontal orientations. Being 
electrically and mechanically the same D.L.1 format as the Neve 1073 and
 1084 Mic/Pre modules, the 2264A can be inserted into any compliant 
console or rack that houses the 1073 or 1084 module types.<br><br><b>Features</b>
<ul><li>Classic mono limiter/compressor, available in Vertical or Horizontal orientations</li><li>Transformer-coupled circuits used in Input,</li><li>Bridge-driver, Side-chain and Output stages</li><li>Independent Limiter and Compressor IN/OUT selectors</li><li>BYPASS switch connects input terminals directly to output terminals</li><li>Multiple units can be linked together to provide multi-unit side-chain control from a single unit</li><li>Analogue meter with approximate PPM ballistics indicates 0dB to 20dB of gain reduction</li></ul><span style="font-weight: bold;">Note:</span> Image shows a vertical module. Check back for updates.

Neve 2264a CH
Mono limiter/compressor module (horizontal)

With the release of the 1073 mic preamp/EQ in 1970, and the 1081 
released in 1973, Neve’s classic circuitry has consolidated their 
position in the professional audio industry. Since then, a desire for 
‘cleaner’ recordings using modern circuitry has resulted in classic 
circuitry becoming an option – but not the only option.<br>
<br>
The development of technology and the digital world cannot be ignored.<br>
<br>
With these two mindsets clear, the <span style="font-weight: bold;">Custom Series 75</span> has achieved a world first, the combination of classic circuitry and modern circuitry in one console.<br>
<br>
The classic Neve circuitry has been painstakingly re-created, keeping 
faithful to the original whilst taking advantage of modern assembly 
methods. The original circuits have only been changed where justified by
 an improvement in reliability or performance. Rather than running the 
length of the console, the voltage summing busses are a mere 150mm long 
and they are now balanced, resulting in lower noise and less crosstalk. 
Other “charming quirks” of the original circuits such as the level onto 
busses varying as more busses are assigned from a channel, have been 
overcome. Improved BA338 amplifying stages and legendary BA283 output 
stages combined with classic Neve LO1166 output transformers, sound 
warm, defined and punchy.<br>
<br>
Stereo busses are implemented in both classic (voltage summing) and 
modern (current summing) technology and the feed to these can be 
selected on a per-channel basis. The 2 busses are combined at the master
 fader then passed via (patchable) 2254 compressors and an insert, to 
the stereo outputs. There are both modern (transformerless) and classic 
(transformer) outputs, providing maximum flexibility of sonic “flavour”.
 Naturally the AFL busses are also replicated for correct Solo 
monitoring. The eight Group outputs use classic circuitry, with the 
added bonus of Stem outputs, inserts and 8 dedicated faders to feed 
groups or playback to the stereo busses. A 32 channel console can mix a 
total of 80 inputs to stereo.<br>
<br>
The 2081 inline channel module features a blend of the best features of 
Neve’s legendary 1073 and 1081 modules. The mic preamp and 4 band EQ is 
straight from the 1081, while the output amp is based on the 1970′s 
BA283, single ended, class A circuitry with a gapped core transformer, 
as used in the 1073 and 2254. Five auxiliary sends, fader swap and a 
choice of either classic or modern channel output circuitry are 
provided.<br>
<br>
Two 2254 compressors, four stereo reverb returns, eight recallable 
scenes, monitoring of up to 12 sources simultaneously and comprehensive 
7.1 monitoring are just some of the features found in the master 
section.<br>
<br>
Available in a 16, 24, 32, 40, 48, 56 or 64 module chassis, the Series 
75 is flexible and able to suit a variety of studio applications from 
broadcast to music and even film production.<br>
<br>
Designed specifically for longevity, gold plated switches and connectors
 have been used for all audio circuits, and all parts have been selected
 on their projected availability many years from now. All capacitors in 
the signal path are polypropylene film or Rubycon ZLH series 
electrolytic, chosen for superb sonic performance and long life. 
Ergonomic design allowing the engineer to reach any parameter on the 
board from a seated position (up to 32 Channels) make this console a 
workstation that is comfortable for long hours, flexible for countless 
practical and creative applications, and unbeatable for sonic character 
or transparency!<br>
<br>
<span style="font-weight: bold;">The Neve Custom Series 75 is a console that is here to stay.</span><br>
<br>
<span style="font-weight: bold;">Technical Specs</span><br>
<ul><li>Switchable “retro” (transformer) or “modern” (transformerless) output</li><li>Voltage and current summing mix busses</li><li>All capacitors in the audio signal path are either:</li><li>o WIMA polypropylene film capacitors, or</li><li>o Rubycon ZLH electrolytic capacitors</li><li>Gold plated switchers and audio connectors</li><li>Two linkable mono 2254 compressors (option)</li><li>Four stereo reverb returns</li><li>Eight recallable console scenes</li><li>Up to twelve monitoring sources</li><li>True stereo to 7.1 monitoring</li><li>Original mic pre-amp from the Neve 1073</li><li>Four band EQ based on the 1073 circuitry & 1081 functionality</li><li>Five AUX sends (2 stereo & 3 mono)</li><li>Redesigned BA338 amplifying stages</li><li>BA283 output stages</li><li>Neve LO1166 output transformers</li></ul>
<br style="font-weight: bold;">
<span style="font-weight: bold;">Main Features</span><br>
<ul><li>One year labour and five (5) years parts guarantee</li><li>From 8 to 64 channels</li><li>Flexible Master Section position</li><li>Flexible Channel numbering</li><li>Fader swap and patchable insert points</li><li>Wood Panels: Rosewood, Ash, clear and black.</li><li>Redundancy broadcast power supply</li><li>Handrest Leather: black, red, blue</li><li>Optional patch-bay</li><li>Dual stereo outputs (classic and modern)</li><li>Fader Automation (from mid 2011)</li><li>Retrofit HUI automation (from mid 2011)</li><li>All Direct Transformer outputs, 8 sub-groups</li><li>In line design with great monitor features</li></ul>
<br>
<span style="font-weight: bold;">Dimensions</span><br style="font-weight: bold;">
<br style="font-weight: bold;">
<span style="font-weight: bold;">32 Channel Frame</span><br>
<ul><li>Width: 167cm (65.75 in)</li><li>Depth: 99cm (38.98 in)</li><li>Height (without stand): 45cm  (17.72 in)</li></ul>
<br style="font-weight: bold;">
<span style="font-weight: bold;">24 Channel Frame</span><br>
<ul><li>Width: 135cm (53.15 in)</li><li>Depth: 99cm (38.98 in)</li><li>Height (without stand): 45cm  (17.72 in)</li></ul>
<br>
<span style="font-weight: bold;">16 Channel Frame</span><br>
<ul><li>Width: 102cm (40.16 in)</li><li>Depth: 99cm (38.98 in)</li><li>Height (without stand): 45cm  (17.72 in)</li></ul>

Custom Series 75 Console - 32 Channel Call for custom quote
A new direction in analog consoles powered by Neve, designed in co-operation with SAE Institute

Designed in 1969, the original Neve 2254 mono Limiter/Compressor unit quickly became a legend. Discreet, Class A design and transformer-coupled circuits used in the input, innovative bridge-driver design, side-chain and output stages ensured a totally unique sound. The original 2254 units are still sought after, decades after production stopped, and they remain one of the milestone pieces of studio equipment.<br><br>Forty years on, the 2254's successor, the <span style="font-weight: bold;">Neve 2254/R</span> mono limiter/compressor represents another milestone.<br><br>Not only does it retain the original 2254's unique sonic characteristics - using the same architecture, matching components and original hand-wound transformers - but enhances it with the features that modern-day producers and engineers have asked for. Whereas the original, developed before outboard designs had been standardized, was roughly cubic in shape, the new 2254/R comes in 1U 19” rack-mount form. And the new model allows settings to be saved and recalled using Neve Recall software via USB.<br><br>There’s also manual adjustment of Fast Attack Time, continuously variable and fully sweepable between 100µS and 2mS. Plus enhancement of the signal presence LED, which changes from green to red to warn of imminent clipping.<br><br><b>Neve 2254-R Features:</b> 
<ul>
<li>Classic mono limiter/compressor made to the exacting late-1960’s design 
</li><li>Hand-made in Burnley, England using original Neve specification transformers 
</li><li>Original Neve 2254 discreet, Class A circuit design 
</li><li>Transformer-coupled circuits used in Input, Bridge-driver, Side-chain and Output stages 
</li><li>Manual Fast Attack Time adjustment and transparent level control 
</li><li>Independent Limiter In/Out and Compressor In/Out selection 
</li><li>Total bypass switch 
</li><li>Multiple units can be linked together to provide multi-unit side-chain control from a single unit 
</li><li>Compatible with Neve Recall software, simply connect the 2254R using USB to a host PC or Mac running Neve Recall software</li></ul>

Neve 2254R Mono Limiter/Compressor
Rackmount reissue of the legendary Neve 2254 with manually adjustable attack time, clipping indication and storable settings

Launched in 1970, the <b>Neve 1073</b> is the first choice of leading producers and artists, delivering the unique Neve sound on some of the most famous recordings of the past 30 years. The big, punchy sound of the 1073 compliments any musical genre - from rock to pop, hip-hop to rap, thrash to classical. <br><br>Handcrafted and completely hand-wired by Neve’s dedicated professionals in Burnley, England, the modern-day 1073 is produced to the exact specifications of the original modules. Considerable resources have been devoted to the acquisition of the original components to ensure the sound remains true. <br><br>Looking for an outside opinion? Lynn Fuston at EQ Magazine performed an in-depth review of the modern-day 1073 versus a vintage model. We think you’ll find his conclusions quite comforting. <br><br>The Class A design 1073 microphone preamplifier features 3 bands of EQ, with one fixed high frequency band, two switchable bands with cut and boost capability, and a high pass filter. All Neve channel amplifiers are designed to accept signals from a wide range of microphone and line sources. <br><br>The Neve 1073 mic pre and EQ combination adds warmth and depth to recordings, brings out subtle ambience, maintains spatial positioning, and more effectively captures a precise image. That’s why the 1073 mic preamp is considered by many to be the very essence of the Neve sound. <br><br><b>Highlights</b><ul><li>Classic transformer microphone preamp amp (Class A design)</li><li>3 EQ bands</li><li>Hand-built and hand-wired to original 1970s design</li><li>HP filter</li><li>Neve designed hand-wound transformers </li><li>Both inputs are transformer balanced and earth free</li><li>Microphone Input: Gain +80db to +20dB in 5dB steps.</li><li>Line Input: Input impedance 10k ohms, gain +20dB to -10dB in 5dB steps.</li><li>Output: Maximum output is >+26dBu into 600 ohms.</li><li>Output is transformer balanced and earth free</li><li>Distortion: Not more than 0.07% from 50Hz to 10kHz at +20dBu output</li><li>(80kHz bandwidth) into 600 ohms.</li><li>Freq Response: +/-0.5dB 20Hz to 20kHz, -3dB at 40kHz. EQ Out.</li></ul>The 1073 can be purchased as single or multiple units. Each 1073 module has been designed to perfectly retrofit into the 80 Series Neve Classic consoles as part of a channel strip or can be mounted in a custom rack. The available rack sizes are 3U (which accommodates 2 modules horizontally) or 5U (which accommodates 8 modules vertically). <br><br><b>Neve "Classic" Outboard - Genuine Neve product hand built in UK using all of the original components, nothing new in 30 years</b>

Neve 1073 CH
The world's favorite Mic Pre / EQ, hand-wired in England, and produced to the original 1970-issue specifications with matching components for uncompromised sound quality. The CH version is a horizontal rack design.

Launched in 1970, the <b>Neve 1073</b> is the first choice of leading producers and artists, delivering the unique Neve sound on some of the most famous recordings of the past 30 years. The big, punchy sound of the 1073 compliments any musical genre - from rock to pop, hip-hop to rap, thrash to classical. <br><br>Handcrafted and completely hand-wired by Neve’s dedicated professionals in Burnley, England, the modern-day 1073 is produced to the exact specifications of the original modules. Considerable resources have been devoted to the acquisition of the original components to ensure the sound remains true. <br><br>Looking for an outside opinion? Lynn Fuston at EQ Magazine performed an in-depth review of the modern-day 1073 versus a vintage model. We think you’ll find his conclusions quite comforting. <br><br>The Class A design 1073 microphone preamplifier features 3 bands of EQ, with one fixed high frequency band, two switchable bands with cut and boost capability, and a high pass filter. All Neve channel amplifiers are designed to accept signals from a wide range of microphone and line sources. <br><br>The Neve 1073 mic pre and EQ combination adds warmth and depth to recordings, brings out subtle ambience, maintains spatial positioning, and more effectively captures a precise image. That’s why the 1073 mic preamp is considered by many to be the very essence of the Neve sound. <br><br><b>Highlights</b><ul><li>Classic transformer microphone preamp amp (Class A design)</li><li>3 EQ bands</li><li>Hand-built and hand-wired to original 1970s design</li><li>HP filter</li><li>Neve designed hand-wound transformers </li><li>Both inputs are transformer balanced and earth free</li><li>Microphone Input: Gain +80db to +20dB in 5dB steps.</li><li>Line Input: Input impedance 10k ohms, gain +20dB to -10dB in 5dB steps.</li><li>Output: Maximum output is >+26dBu into 600 ohms.</li><li>Output is transformer balanced and earth free</li><li>Distortion: Not more than 0.07% from 50Hz to 10kHz at +20dBu output</li><li>(80kHz bandwidth) into 600 ohms.</li><li>Freq Response: +/-0.5dB 20Hz to 20kHz, -3dB at 40kHz. EQ Out.</li></ul>The 1073 can be purchased as single or multiple units. Each 1073 module has been designed to perfectly retrofit into the 80 Series Neve Classic consoles as part of a channel strip or can be mounted in a custom rack. The available rack sizes are 3U (which accommodates 2 modules horizontally) or 5U (which accommodates 8 modules vertically). <br><br><b>Neve "Classic" Outboard - Genuine Neve product hand built in UK using all of the original components, nothing new in 30 years</b>

Neve 1073 CV
The world's favorite Mic Pre / EQ, hand-wired in England, and produced to the original 1970-issue specifications with matching components for uncompromised sound quality. The CV version is a vertical rack design.

Occupying a special place in the imagination of engineers and producers, the <b>Neve 1084</b> delivers an incredibly fat, smooth sound. While the 1084 builds on the same basic design of the world-famous 1073, it offers a significantly different palette of frequency selections. The 1084 also features a "Q" switch, allowing the user to choose between two different Q types, either narrow or wide with respect to the parametric band. These added features and the 1084’s extended versatility make it a preference over the 1073. <br><br>The 1084’s three EQ bands provide selectable frequency, with cut and boost capability, and a mid-frequency band which benefits from a High Q Presence switch. The high pass filter can be switched between 45Hz, 70Hz, 160Hz & 360Hz, and the low pass filter between 6kHz, 8kHz, 10kHz, 14kHz, & 18kHz. Both boast 18dB per octave slopes. <br><br>Handcrafted and completely hand wired in Burnley, UK by Neve’s dedicated professionals, the 1084 reissue has been reproduced to the exact specifications of the original modules. Where innovation has improved on previous technology, Neve has welcomed such improvements. However, not all things lend themselves to enhancement. Example: audio transformers. While other manufacturers use replacements, AMS Neve alone has access to the original hand-wound transformers. This is an important factor when you consider that an analogue preamp is only as good as its transformer. That is why only a Neve sounds like a Neve. <br><br>All Neve mic preamplifiers are designed to accept signals from a wide range of microphone and line sources. Uncompromisingly low noise and distortion with generous overload performance are noteworthy hallmarks of all Neve products. <br><br><b>Highlights</b><ul><li>Classic Neve transformer mic preamplifier with wide range of equaliser settings</li><li>Choice of "Standard" or "Air Studio" preamp modules</li><li>3 switchable EQ bands</li><li>Hand crafted and tested precisely to original 1970 design</li><li>HP and LP filters with High Q setting</li><li>Transformer-balanced and earth free inputs and outputs</li><li>Output: Maximum output >+26dBu into 600 ohms. Output impedance is 75 ohms @1kHz.</li><li>Distortion: Not more than 0.07% from 50Hz to 10kHz at +20dBu output</li><li>Freq. Response: +/-0.5dB 20Hz to 20kHz, -3dB at 40kHz. EQ Out.</li><li>Noise: Not more than -83dBu at all Line gain settings EQ In/Out</li></ul>The 1084 can be purchased as single or multiple units. Each 1084 module has been designed to perfectly retrofit into the 80 Series Neve Classic consoles as part of a channel strip or can be mounted in a custom rack. The available rack sizes are 3U (which accommodates 2 modules horizontally) or 5U (which accommodates 8 modules vertically). <br><br><b>Neve "Classic" Outboard - Genuine Neve product hand built in UK using all of the original components, nothing new in 30 years</b>

Neve 1084 CH
Hand-built in England to original specifications, the 1073-based 1084 offers a different frequency palette plus the choice of narrow or wide Q settings

Occupying a special place in the imagination of engineers and producers, the <b>Neve 1084</b> delivers an incredibly fat, smooth sound. While the 1084 builds on the same basic design of the world-famous 1073, it offers a significantly different palette of frequency selections. The 1084 also features a "Q" switch, allowing the user to choose between two different Q types, either narrow or wide with respect to the parametric band. These added features and the 1084’s extended versatility make it a preference over the 1073. <br><br>The 1084’s three EQ bands provide selectable frequency, with cut and boost capability, and a mid-frequency band which benefits from a High Q Presence switch. The high pass filter can be switched between 45Hz, 70Hz, 160Hz & 360Hz, and the low pass filter between 6kHz, 8kHz, 10kHz, 14kHz, & 18kHz. Both boast 18dB per octave slopes. <br><br>Handcrafted and completely hand wired in Burnley, UK by Neve’s dedicated professionals, the 1084 reissue has been reproduced to the exact specifications of the original modules. Where innovation has improved on previous technology, Neve has welcomed such improvements. However, not all things lend themselves to enhancement. Example: audio transformers. While other manufacturers use replacements, AMS Neve alone has access to the original hand-wound transformers. This is an important factor when you consider that an analogue preamp is only as good as its transformer. That is why only a Neve sounds like a Neve. <br><br>All Neve mic preamplifiers are designed to accept signals from a wide range of microphone and line sources. Uncompromisingly low noise and distortion with generous overload performance are noteworthy hallmarks of all Neve products. <br><br><b>Highlights</b><ul><li>Classic Neve transformer mic preamplifier with wide range of equaliser settings</li><li>Choice of "Standard" or "Air Studio" preamp modules</li><li>3 switchable EQ bands</li><li>Hand crafted and tested precisely to original 1970 design</li><li>HP and LP filters with High Q setting</li><li>Transformer-balanced and earth free inputs and outputs</li><li>Output: Maximum output >+26dBu into 600 ohms. Output impedance is 75 ohms @1kHz.</li><li>Distortion: Not more than 0.07% from 50Hz to 10kHz at +20dBu output</li><li>Freq. Response: +/-0.5dB 20Hz to 20kHz, -3dB at 40kHz. EQ Out.</li><li>Noise: Not more than -83dBu at all Line gain settings EQ In/Out</li></ul>The 1084 can be purchased as single or multiple units. Each 1084 module has been designed to perfectly retrofit into the 80 Series Neve Classic consoles as part of a channel strip or can be mounted in a custom rack. The available rack sizes are 3U (which accommodates 2 modules horizontally) or 5U (which accommodates 8 modules vertically). <br><br><b>Neve "Classic" Outboard - Genuine Neve product hand built in UK using all of the original components, nothing new in 30 years</b>

Neve 1084 CV
Hand-built in England to original specifications, the 1073-based 1084 offers a different frequency palette plus the choice of narrow or wide Q settings

Designed in 1972, the <b>Neve 1081</b> was originally conceived as a combined mic/line preamp and equaliser section for the Neve modular consoles. A glance through the credits on today’s platinum-selling albums reveals that these vintage consoles are still widely used to great effect, confirming the 1081’s status as a truly classic component in a recording front-end or mixing environment. We are still hand-building 1081 modules in Burnley, UK much the same way as the original modules, using the original components, hand-wound transformers, and time-honed construction methods. <br><br>The 1081 provides remarkable sensitivity, fast and musical response to transients, plus inimitable Neve equalisation featuring effective high- and low-pass filters designed to separate unwanted signal outside the passband. This gives users a flexible tool with which to shape new sounds and control any part of the audio spectrum. The curves and slopes have been carefully tailored to enable users to exercise maximum technical and artistic skill. <br><br>Over three decades of engineers have found the 1081 an indispensable tool for recording and mixing drums, bass and percussion. As with all Neve outboard gear, users are assured the highest quality signal acquisition, thanks to uncompromising Class AB circuitry, hand-wound Neve-designed transformers, and unrivalled attention to every last component and construction detail. <br><br><b>Highlights</b><ul><li>Legendary Neve microphone preamp and equaliser design (Class A)</li><li>Hand-built and wired precisely to original 1972 specifications</li><li>5 switchable EQ bands</li><li>HP and LP selectable filters (18dB per octave)</li><li>Separate 48V phantom power supply</li><li>Solo button selects channel unbalanced output</li><li>Neve-designed hand-wound transformers </li><li>Both inputs transformer-balanced and earth free</li><li>Microphone Input: Gain +80db to +10dB in 5dB steps</li><li>Line Input: Gain +20dB to -10dB in 5dB steps</li><li>Output: Maximum output >+26dBu into 600 ohms; Output impedance 75ohms @1kHz</li><li>Distortion: Not more than 0.07% at +20dBu output</li><li>Freq Response: +/-0.5dB 20Hz to 20kHz, -3dB at 45kHz. EQ Out.</li><li>Output noise better than -80 dB at all line levels</li></ul>The 1081 can be purchased as single or multiple units. Each 1081 module can be mounted in a custom rack. The available rack sizes are 3U (which accommodates 2 modules horizontally) or 7U (which accommodates 8 modules vertically). <br><br><b>Neve "Classic" Outboard - Genuine Neve product hand built in UK using all of the original components, nothing new in 30 years</b>

Neve 1081 CH
Hand-built in the UK using original components, the classic 1081 unit provides remarkable sensitivity, fast and musical response to transients and inimitable Neve equalisation. The CH version is a horizontal rack design.

Designed in 1972, the <b>Neve 1081</b> was originally conceived as a combined mic/line preamp and equaliser section for the Neve modular consoles. A glance through the credits on today’s platinum-selling albums reveals that these vintage consoles are still widely used to great effect, confirming the 1081’s status as a truly classic component in a recording front-end or mixing environment. We are still hand-building 1081 modules in Burnley, UK much the same way as the original modules, using the original components, hand-wound transformers, and time-honed construction methods. <br><br>The 1081 provides remarkable sensitivity, fast and musical response to transients, plus inimitable Neve equalisation featuring effective high- and low-pass filters designed to separate unwanted signal outside the passband. This gives users a flexible tool with which to shape new sounds and control any part of the audio spectrum. The curves and slopes have been carefully tailored to enable users to exercise maximum technical and artistic skill. <br><br>Over three decades of engineers have found the 1081 an indispensable tool for recording and mixing drums, bass and percussion. As with all Neve outboard gear, users are assured the highest quality signal acquisition, thanks to uncompromising Class AB circuitry, hand-wound Neve-designed transformers, and unrivalled attention to every last component and construction detail. <br><br><b>Highlights</b><ul><li>Legendary Neve microphone preamp and equaliser design (Class A)</li><li>Hand-built and wired precisely to original 1972 specifications</li><li>5 switchable EQ bands</li><li>HP and LP selectable filters (18dB per octave)</li><li>Separate 48V phantom power supply</li><li>Solo button selects channel unbalanced output</li><li>Neve-designed hand-wound transformers </li><li>Both inputs transformer-balanced and earth free</li><li>Microphone Input: Gain +80db to +10dB in 5dB steps</li><li>Line Input: Gain +20dB to -10dB in 5dB steps</li><li>Output: Maximum output >+26dBu into 600 ohms; Output impedance 75ohms @1kHz</li><li>Distortion: Not more than 0.07% at +20dBu output</li><li>Freq Response: +/-0.5dB 20Hz to 20kHz, -3dB at 45kHz. EQ Out.</li><li>Output noise better than -80 dB at all line levels</li></ul>The 1081 can be purchased as single or multiple units. Each 1081 module can be mounted in a custom rack. The available rack sizes are 3U (which accommodates 2 modules horizontally) or 7U (which accommodates 8 modules vertically). <br><br><b>Neve "Classic" Outboard - Genuine Neve product hand built in UK using all of the original components, nothing new in 30 years</b>

Neve 1081 CV
Hand-built in the UK using original components, the classic 1081 unit provides remarkable sensitivity, fast and musical response to transients and inimitable Neve equalisation. The CV version is a vertical rack design.

Hand-built in Burnley, England to its original 1970’s specifications, the <B>Neve 33609 Stereo Compressor </B>offers comprehensive limiting and compression facilities for music recording, mastering, post production and broadcast applications. The 33609’s combination of hand-wired transformers and gain reduction circuitry produces a sound quality which is often duplicated, yet seldom achieved by any other compressor / limiter. Coupled with the unit’s unparalleled ease of use, this inimitable sound quality has made the 33609 a worldwide studio standard for three decades. <BR><BR>The hallmark 33609 compression sound is very smooth, and extreme settings may be used with the compression or limiting remaining transparent. Two versions of this compressor are available, the 33609J and the 33609JD. Both units offer the legendary Neve sound, with enhanced internal and external I/O switching compared to the original model. The only difference between the units is that the 33609JD utilizes a discrete output stage for a slightly warmer sound that is preferred by some professionals. Multiple units can be easily linked for multi-channel operation. <BR><BR>The 33609 features independent sidechains for the compressor and limiter sections, with similarly independent threshold, recovery and attack controls. The compressor features a selection of ratios from 1.5:1 to 6:1 and a gain make-up control that comes before the limiter. Overall gain reduction is indicated on a moving coil meter. <BR><BR>Much like the classic 1073 and 1081 microphone preamplifiers, the 33609 Stereo Compressor is often cited as a “desert island” compressor—one which a healthy sampling of the world’s top engineers and producers would choose above all others.<BR><BR><B>Heritage <BR></B>The 33609 is based on the classic 2254 Limiter/Compressor, introduced by Neve in 1969. The 33609J uses circuitry similar to the classic 33609C. The 33609/JD, on the other hand, incorporates a 340 discreet output stage as used in the original 33609 design.
<BR><BR>
<B>Neve 33609 JD Overview</B><UL>
<LI>Classic Stereo Compressor / Limiter designed
to exacting 1970’s specifications
<LI>Hand-made using hand-wired Neve
transformers in Burnley, England
<LI>Classic 2254 feedback compression circuitry
<LI>Discrete output stage for warm, full sound
<LI>Brick Wall Limiting
<LI>Transparent level control
<LI>Perfect for mixing, broadcast, and
mastering applications
<LI>Hard Limit feature for digital recording
<LI>Limit in/out Compress in/out</UL>
<br><br>
<b>Neve "Classic" Outboard -  Genuine Neve product hand built in UK using all of the original components, nothing new in 30 years</b>

Neve 33609 J/D Stereo Compressor
The best of both worlds: original Neve 33609 sound with enhanced I/O switching

The <b>Neve 4081 Quad Mic Preamp</b> builds on the incredible success of the 1081 and 1081R modules and provides both powerful control and legendary Neve sound. <br><br>Perfect for vocals, ADR and Foley Recording, the 4081 features make it the number one choice for any studio, OB truck or live stage environment. <br><br>Every function of the 4081 can be controlled directly from the front panel or by remote control using a Mac or Intel based computer with <span style="font-weight: bold;">Neve Remote Control software</span>. This provides a simple and elegant solution for users of ProTools, Nuendo, Cubase and similar DAW systems. Multiple 4081 units can be linked together to create up to 64 independent channels of Mic Preamps or Line Level inputs – all controlled from a single computer. <br><br>An optional Digital card provides a FireWire/AES interface with four channels of A/D conversion to either AES or FireWire. An insert point is available before the A/D converter on each channel to allow external, analogue Outboard equipment to be switched into the signal path. Four channels of AES-to-analogue or FireWire-to-analogue conversion are also available. <br><br>An optional 19" rack-mount kit is also available and can be used to securely mount one or two 4081 units into a 19" rack enclosure. <br><br><span style="font-weight: bold;">Highlights 
</span><ul>
<li>Legendary Neve microphone preamp design 
</li><li>Four genuine 1081 Mic preamp channels in a single 9.5” wide unit 
</li><li>Two units can be fastened together to provide 8-channels in a 19” unit with optional 19" rack-mount kit 
</li><li>Remote control using a Mac/Intel computer and Neve Remote Control software 
</li><li>XLR Mic input can be switched between Mic and electronically balanced Line 
</li><li>Switchable 48V Phantom power supply 
</li><li>Digital I/O Option: Firewire/AES interface with four channels of A/D conversion to either AES or FireWire and 4 channels of D/A conversion. Analogue Insert (pre A/D converter) per channel. </li></ul>

Neve 4081 Quad Mic Pre
Four Classic Mic Preamps, One Powerful Remote-Controlled Unit -Mac & Windows compatible

The <span style="font-weight: bold;">Neve 1073DPA</span> provides two of our world-famous Class A Neve 1073 microphone preamplifiers in a single rackspace. The 1073 is widely considered the world’s premier mic preamp, delivering the unique Neve sound featured on some of the most famous recordings of the past 40 years.<br><br>The big, punchy sound of the 1073 complements any musical genre, from rock to rap, jazz to classical. Its lush sound with classic Neve signature makes it the consummate mic pre for recording vocals, guitars, and acoustic instruments of all descriptions. With the 1073DPA, the highly sought-after 1073 mic amp sound is now available in a cost-effective 1U stereo rackmount solution, without the additional EQ found on the classic 1073 unit.<br><br>The 1073DPA provides the legendary sound of Neve in a remarkably simple format. Two rear-panel Mic and Line inputs feed dual Class A gain stages, with adjustable Gain control and selectable 48V available on the Mic inputs. Class A analogue outputs in XLR format are also found on the rear panel, controlled via adjustable front-panel ±10dB Trim controls. This stereo unit is the perfect solution for studios looking to bring in the very essence of the Neve 1073 sound.

Neve 1073 DPA
The 1073DPA provides the sought-after sound of the Neve 1073 (minus the EQ from the classic 1073 unit) in a cost-effective stereo solution.

The <B>Neve 1073 DPD</B> is the latest generation of Neve Class A transformer balanced Mic Amplifiers. Based on the vintage 1073, it incorporates it's classic sound and features with modern upgrades that maintain Neve's long standing heritageand reputation in sound quality. <BR><BR>The 1073 DP is a dual Mic/Line amplifier with an optional ADC and presented in a1U, 19" standalone rack with an integral PSU. The unit includes Hi and Lo impedance switches for ribbon microphonesand Inserts at the rear allowing engineers to add an existing compressor or an EQ to the signal path before the ADC. <BR><BR>Levels can be set using the classic gain control in 5dB steps then finely tuned with the Trim controls. XLR/Jack inputsalso feature giving additional flexibility for use with stereo analogue synthesisers or Guitars. <BR><BR><B>1073DPA</B> <BR>The1073DPA provides two of the world famous Class A Neve 1073 microphone pre-amplifiers. This classic design is a consummate mic pre for recording vocals, guitars and acoustic instruments of all descriptions. The sought after Neve Sound is now available in a cost effective 1u box. <BR><BR><B>1073DPD</B> <BR>Two classic Neve 1073 mic pre-amplifiers are complemented by pristine professional ADCs to capture a performance to any required format. In addition to Neve's famous Class A analogue outputs are a series of digital options including all standard PCM sampling rates up to 192kHz. A unique feature is the Neve DSD output. Analogue insert points are provided ahead of the ADCs. The ultimate analogue circuitry is coupled with superior digital quality making this unit the obvious choice as a front end for recording to workstations.

Neve 1073 DPD
Two classic Neve 1073 mic pres complemented with pristine digital outputs

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