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Handcrafted and completely hand-wired by Neve's dedicated professionals in Burnley, England, the modern-day products are produced to the exact specifications of the original modules. Considerable resources have been devoted to the acquisition of the original components to ensure the sound remains true.
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Launched in 1970, the 1073 is the first choice of leading producers and artists, delivering the unique Neve sound on some of the most famous recordings of the past 40 years. The big, punchy sound of the 1073 complements any musical genre - from rock to pop, hip-hop to rap, thrash to classical.
The Class A design 1073 microphone preamplifier features 3 bands of EQ, with one fixed high frequency band, two switchable bands with cut and boost capability, and a high pass filter. All Neve channel amplifiers are designed to accept signals from a wide range of microphone and line sources. (LEARN MORE)
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Designed in 1972, the 1081 was originally conceived as a combined mic/line preamp and equalizer section for the Neve modular consoles. A glance through the credits on today's platinum-selling albums reveals that these vintage consoles are still widely used to great effect, confirming the 1081's status as a truly classic component in a recording front-end or mixing environment. We are still hand-building 1081 modules in Burnley, UK much the same way as the original modules, using the original components, hand-wound transformers, and time-honed construction methods.
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Occupying a special place in the imagination of engineers and producers, the 1084 delivers an incredibly fat, smooth sound. While the 1084 builds on the same basic design of the world-famous 1073, it offers a significantly different palette of frequency selections. The 1084 also features a "Q" switch, allowing the user to choose between two different Q types, either narrow or wide with respect to the parametric band. These added features and the 1084's extended versatility make it a preference over the 1073.
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Hand-built to its original 1970's specifications, the Neve 33609JD Stereo Compressor offers comprehensive limiting and compression facilities for music recording, mastering, post production and broadcast applications. The combination of hand-wired transformers and gain reduction circuitry produces a sound quality which is often duplicated, yet seldom achieved by any other compressor / limiter. Coupled with the unit's unparalleled ease of use, this inimitable sound quality has made the 33609 a worldwide studio standard for three decades.
(LEARN MORE)
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"Like solid gold for any audio source, hands down. Plug in and record, you can't go wrong. And the eq is more generous than a 1073, so you got all angles covered..." -Jeremy Harding on the Neve 1084
Jeremy Harding is an engineer, producer, musician, DJ and manager whose 2 Hard recording studio (and label of the same name) has a prominent hold on the music scene in his native Kingston, Jamaica. Learn more about Jeremy and his favorite gear in our Producers Corner. |
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"The 2254/R certainly looks the business and feels truly professional to use; rugged, precise, and accurate. The sound is pleasingly smooth and full but not obviously colored, and the dynamic control is sublime and almost creamy. I loved using this product and was sorry to see it go. It's expensive, but 10 minutes' use will be enough to convince you of it's worth. Nice!" -Hugh Robjohns, Sound on Sound, August 2009
Read the full review
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