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ADAM Audio studio monitors are state-of-the-art, no compromise speakers intended for audio engineers who are interested in the truest possible reproduction of their recordings. ADAM monitors have been constructed with one design objective only: to achieve the most realistic sound quality for each speaker in the line. Groundbreaking innovation in electro-acoustic transducers, painstaking design and superior materials are the cornerstones of ADAM Technology. The authentic reproduction of recordings of acoustical events (a frequently discussed and subjective issue) is our yardstick in the unconditional search for the finest products possible. ADAM Audio produces a complete range of both passive and active monitoring systems to suit any given studio environment, from the smallest project studios to the most demanding professional environments and applications, providing insight, quality design and superior technology for all Vintage King clients, from the home studio engineer to some of today’s leading producers.
The similar dimensions and name could make one believe that the Adam A5X is nothing more than a new version of the A5. A quick listening however leaves no doubt that the A5X is much more than that. Like all other models of the AX-Series it features the proprietary X-ART tweeter. The very data of this technology shows that it is at the forefront of what tweeters can accomplish. Numerous listening tests have confirmed this. A 5.5” Midwoofer reproduces the frequencies below 2.5kHz. The diaphragm is made from Carbon fiber/Rohacell/Glass fiber, which is the same composite structure shared in the next two bigger models. This material with minimum weight and maximum rigidity prevents break up resonances, resulting in an outstanding dynamic behaviour and impeccable sound characteristics.Stereolink A very handy and exclusive feature found in the two smaller AX monitors is the Stereolink. This is accomplished by a pair of additional RCA connections that allow for a bypass of the second stereo channel to the other speaker. This new technology connects two A5X speakers in such a manner as to allow the user the option to control the overall stereo volume of the system from either speakers gain control. This makes the A5X a natural for “mixer-less” desktop applications where overall system volume needs to be adjusted easily.
The predecessor to the Adam A7X , the A7, became the most famous of all ADAM monitors in a very short time. Not only has it been reviewed over three dozen times with outstanding results, it has also received numerous awards. The A7 quickly gained mass appeal, praised in many of the world’s largest internet forums. Still today, the A7 are the reference monitors in many smaller studios. With the A7X, ADAM Audio proudly presents the evolution of a legend. It takes everything that made the A7 such an outstanding speaker to a new level.Driver technology The first aspect that distiguishes the old from the new model is the X-ART tweeter. The ‘X’ stands for ‘eXtended frequency response’ and thus for one of the features of the Accelerating Ribbon Technology that has been drastically improved: the frequency response. It now extends all the way up to 50kHz. In addition, the X-ART tweeter has a higher efficiency and higher maximum sound pressure levels. The perfect integration with the lower frequencies has been achieved with a newly designed 7” midwoofer. It has been redesigned with a much bigger voice coil (1.5”) and is driven by an amplifier with twice the power compared to its predecessor. This combination produces an amazing sound and pressure levels with an almost distortion-free musical reproduction.Amplifiers / controls Each driver has its own dedicated amplifier. A 50W A/B amp is responsible for the X-ART tweeter, while the midwoofer is being driven by a 100W PWM amp. The front panel includes a power switch and a control for the volume that retains the volume setting independently from the on/off switch. On the rear panel are several additional controls: a gain for the high frequencies (± 4dB) and two shelf filters for high and low frequencies. To ensure greater compatibility, there are both XLR (balanced) and RCA (unbalanced) connectors.
With its power and radiation characteristics, the brand new Adam A8X is suitable for both nearfield and midfield monitoring. With a price/performance ratio that could hardly be better, this monitor is a perfect entry into these monitoring fields. The A8X is equipped with the X-ART tweeter and a large (8.5”) midwoofer, a combination that adds both a very deep and yet very tight bass response to the unsurpassed reproduction qualities of the ADAM proprietary tweeter: a license to thrill.Cabinet- and bass reflex-construction Like the other AX-Series models, the upper corners of the A8X are slanted to minimize reflections. The very large, double bass reflex tubes on the front have been specifically designed to perfectly match the midwoofer with its large voice coil.Amplification and controls With a 50W A/B amplifier for the tweeter and a 150W PWM amplifier for the midwoofer, the A8X has power in abundance and is the brawny monitor of the AX-Series. On the rear panel are several controls: a gain for the high frequencies (± 4dB) and two shelf filters for the high and low frequencies. There are both XLR (balanced) and RCA (unbalanced) connectors on the rear panel of the speaker, which allow the A8X to be used in almost any application.
The ADAM S1X nearfield monitor delivers high quality sound in a very small cabinet. The S1X has all the critical features of the new SX-Series: the X-ART tweeter in combination with the ADAM designed class A/B amplifier and the HexaCone™-woofer with optimized magnet/voice-coil systems, driven by premium PWM amplifiers. The combined features of crystal clear resolution, tight and precise low-frequency reproduction and the effortless musical reproduction sets this speaker apart from all conventional designs.
The S1X is the first choice in all environments that require high quality within a small space, whether it is a smaller studio, an OB vehicle, or a 5.1 installation.
The ADAM S2X brings together the virtues of the ‘classical’ 7” woofer and tweeter combination by using ADAM innovative technologies and top-class materials.
The HexaCone™ 7”-woofer is driven by a sophisticated magnet system with a 2” voice coil creating a greater linear excursion. This produces more dynamics than one would assume in a monitor of such small proportions. As a result, in addition to the unsurpassed audio quality of the X-ART and A/B amplifier combination, this monitor surprises the listener with a very powerful, deep, but always tight and precise low end.
Optional digital input
All SX-models (except the S1X) can be optionally retrofitted with a 24 bit/192 kHz D/A Converter featuring an AES/EBU (XLR) and a SPDIF (RCA) inputs as well as a R/L/Mono switch.
The front panel
Six controls can be found on the new front panel. Input sensitivity is handled by two controls. One control allows for coarse settings (-20dB to +8dB), while the second is used for fine tuning in 0.5dB steps, ranging from -1.5dB to 2dB .
There are two controls for the lower frequencies. One is an equalizer at 80 Hz that boosts bass response sometimes desirable in popular music. The second is a shelf filter that allows the engineer to alter the frequencies below 150 Hz.
High frequencies can also be adjusted by two different controls. The first alters the high frequency volume (-2dB to +2dB), while the second is a shelf filter for frequencies above 6 kHz. Both the high and low shelf filters can raise or lower ±4 dB progressively within their frequency band.
The ADAM S3A is one of ADAM’s most famous models and is found in many of the most prestigious recording studios all over the world. The successor of this world famous model is the S3X-H, a monitor second to none within its size and price point.
Unlike the S3A, the new X-model incorporates a 4” HexaCone™-midrange as part of the redesigned construction to further improve the musically most important midrange. This new design provides more detail with improved radiation characteristics while presenting a musically coherent sound.
To produce deep, tight bass both woofers now work within the same frequency range and radiate symmetrically. This allows for a problem free installation in any multi-channel application.
Optional digital input
All SX-models (except the S1X) can be optionally retrofitted with a 24 bit/192 kHz D/A Converter featuring an AES/EBU (XLR) and a SPDIF (RCA) inputs as well as a R/L/Mono switch.
The front panel
Six controls can be found on the new front panel. Input sensitivity is handled by two controls. One control allows for coarse settings (-20dB to +8dB), while the second is used for fine tuning in 0.5dB steps, ranging from -1.5dB to 2dB.
There are two controls for the lower frequencies. One is an equalizer at 80 Hz that boosts bass response sometimes desirable in popular music. The second is a shelf filter that allows the engineer to alter the frequencies below 150 Hz.
High frequencies can also be adjusted by two different controls. The first alters the high frequency volume (-2dB to +2dB), while the second is a shelf filter for frequencies above 6 kHz. Both the high and low shelf filters can raise or lower ±4 dB progressively within their frequency band.
Using the newly developed 4” HexaCone™-midrange and 9” HexaCone™-woofer combined together with the X-ART tweeter creates the unique Adam S3X-V control monitor. A step up over the smaller models, the S3X-V is capable of producing more power and volume along with a more detailed and homogeneous sound that will impress even the most experienced sound engineer. Whether the complex sonic images of an orchestra or the smooth tone of a jazz trio, the S3X-V reveals even the finest nuances of any material. The driver assembly of the S3X-V allows long-time, non-fatiguing listening sessions.Optional digital input All SX-models (except the S1X) can be optionally retrofitted with a 24 bit/192 kHz D/A Converter featuring an AES/EBU (XLR) and a SPDIF (RCA) inputs as well as a R/L/Mono switch.The front panel Six controls can be found on the new front panel. Input sensitivity is handled by two controls. One control allows for coarse settings (-20dB to +8dB), while the second is used for fine tuning in 0.5dB steps, ranging from -1.5dB to 2dB. There are two controls for the lower frequencies. One is an equalizer at 80 Hz that boosts bass response sometimes desirable in popular music. The second is a shelf filter that allows the engineer to alter the frequencies below 150 Hz. High frequencies can also be adjusted by two different controls. The first alters the high frequency volume (-2dB to +2dB), while the second is a shelf filter for frequencies above 6 kHz. Both the high and low shelf filters can raise or lower ±4 dB progressively within their frequency band.
There are two versions of the S4X, a horizontal (The ADAM S4X-H ) and a vertical version. Both of them are equipped with ADAM's unique transducers, newly designed amplifiers, and a highly sophisticated control panel. The S4X monitors have been designed for medium size control rooms. Given their excessive power, the S4X are also capable of working in larger environments. Because both S4X models have identical tweeters and midrange drivers handling frequencies above 350 Hz, any combination of either model will integrate perfectly in a 5.1 or 7.1 installation.
The X-ART tweeter sets a new benchmark in tweeter technology. For this, ADAM Audio has specifically designed a new A/B power amplifier that has an ultra low distortion and an immense internal bandwidth of more than 1MHz. In combination with the X-ART tweeter, this guarantees an ultra fine resolution and perfect transparency.
New HexaCone™-midranges and woofers handle both the mid and low frequencies. With their larger voice coils and stronger magnets they have longer linear excursion for higher SPLs without sacrificing detail and musicality.
The S4X-H midfield monitor combines the X-ART tweeter with ADAM Audios unique A/B amplifier. The speaker also features a 5“ HexaCone™-midrange and two redeveloped 9“ HexaCone™-woofers. Each of the woofers and midrange drivers are driven by a 250 W ICE module.
The front panel
Six controls can be found on the new front panel. Input sensitivity is handled by two controls. One control allows for coarse settings (-20dB to +8dB), while the second is used for fine tuning in 0.5dB steps, ranging from -1.5dB to 2dB.
There are two controls for the lower frequencies. One is an equalizer at 80 Hz that boosts bass response sometimes desirable in popular music. The second is a shelf filter that allows the engineer to alter the frequencies below 150 Hz.
High frequencies can also be adjusted by two different controls. The first alters the high frequency volume (-2dB to +2dB), while the second is a shelf filter for frequencies above 6 kHz. Both the high and low shelf filters can raise or lower ±4 dB progressively within their frequency band.
There are two versions of the S4X, a horizontal and a vertical (The ADAM S4X-V ) version. Both of them are equipped with ADAM's unique transducers, newly designed amplifiers, and a highly sophisticated control panel. The S4X monitors have been designed for medium size control rooms. Given their excessive power, the S4X are also capable of working in larger environments. Because both S4X models have identical tweeters and midrange drivers handling frequencies above 350 Hz, any combination of either model will integrate perfectly in a 5.1 or 7.1 installation.
The X-ART tweeter sets a new benchmark in tweeter technology. For this, ADAM Audio has specifically designed a new A/B power amplifier that has an ultra low distortion and an immense internal bandwidth of more than 1MHz. In combination with the X-ART tweeter, this guarantees an ultra fine resolution and perfect transparency.
New HexaCone™-midranges and woofers handle both the mid and low frequencies. With their larger voice coils and stronger magnets they have longer linear excursion for higher SPLs without sacrificing detail and musicality.
The S4X-V has been earmarked for a vertical installation. This
reference monitor features the same X-ART and 5“ HexaCone™- midrange as
the S4X-H allowing for almost identical tonal characteristics of both
speakers. This allows combinations of the different versions in bigger
multi-channel applications without tonal imbalance. Furthermore,
the S4X-V features a newly developed 12“ HexaCone™-woofer. From the
outset, this driver has been designed for optimal results in a
bass-reflex enclosure with electronic correction. An exceptionally long
3” voice coil coupled with a very strong and highly effective magnet
system provides for powerful, yet never overemphasized bass
reproduction.
The front panel
Six controls can be found on the new front panel. Input sensitivity is handled by two controls. One control allows for coarse settings (-20dB to +8dB), while the second is used for fine tuning in 0.5dB steps, ranging from -1.5dB to 2dB.
There are two controls for the lower frequencies. One is an equalizer at 80 Hz that boosts bass response sometimes desirable in popular music. The second is a shelf filter that allows the engineer to alter the frequencies below 150 Hz.
High frequencies can also be adjusted by two different controls. The first alters the high frequency volume (-2dB to +2dB), while the second is a shelf filter for frequencies above 6 kHz. Both the high and low shelf filters can raise or lower ±4 dB progressively within their frequency band.
Both Versions of the Adam S5X models have been designed for medium and large sized control rooms in which the precision and the power of the sound production are essential. The main task of these monitors is to bring the extraordinary sound quality all ADAM monitors are famous for into areas of higher dynamics and higher sound pressure levels.Drivers The Adam S5X-H features two 12” HexaCone woofers, a 7.5” HexaCone midwoofer unit, an X-ART midrange and an X-ART tweeter. This combination is capable of filling large control rooms with breathtaking realism and stunning dynamic performance.
The Adam S5X-V is a four-way vertically oriented studio monitor incorporating ADAM’s proprietary X-ART folded ribbon tweeter and midrange unit, which provide amazingly life-like, detailed imaging. It houses a 12” HexaCone subwoofer drive unit that has a large 3” voice coil and a heavy magnet system. The combination of this big motor with the outstanding stiffness of the cone enable the reproduction of signals down to 25Hz while remaining stable and tight. The 7.5” midwoofer uses the same honey-comb core coated with Kevlar on both sides, allowing for an extremely precise and uncolored response. The upper three drivers are each powered by a 250W discrete PWM amplifier, and a 500W digital amp powers the 12” subwoofer. The S5X-V is designed to be used as either a midfield or main monitor in the most demanding professional recording, mixing, and surround studio applications.Highly sophisticated control panel Both versions of the S5X incorporate the new, very refined control panel that captivates the user with the variety and precision of its controls. Apart from the standby-button, there are two controls for the input sensitivity, two for the bass section and two more for the high frequencies.
The main monitors Adam S6X and
S7A Mk2 are designed for large control rooms and film studios. They
present a completely new, impressive
concept: to transport the unique realism of the ADAM monitors at a very
high SPL level. In accordance with ADAM’s main goal to achieve the best
possible authenticity in music reproduction, any overemphasis of the
bass frequencies should be avoided. Furthermore, it is essential for
neutral sound characteristics at high volumes to achieve a wide
dispersion in the horizontal plane and a somewhat narrower dispersion in
the vertical plane, thus reducing reflections from the ceiling, the
floor or a mixing console. Less reflection means superior imaging and
better localization, facilitating the best possible transportability of
mixes across the widest range of playback systems.
Advanced D‘Appolito-array
The arrangement of the seven discrete drivers facilitates a gradual
transition of the chassis dimensions. One of the most important aspects
of these monitor’s new approach is the horizontal symmetry of the
drivers, which could be referred to as advanced D´Appolito array. If the
drivers are filtered properly there are – besides the dispersion
characteristics mentioned previously – two more advantageous results:
There is an absence of any sudden change in directivity with
frequency, leading to harmonic dispersion behavior throughout the audio
band. The absence of sudden changes in directivity is not visible in a
frequency plot, but clearly audible - especially with a full range of
materials, from single complex sources such as the human voice to the
wide sonic palette of large orchestras. The dynamic capabilities of the monitor are distributed over the
audio band more equally, and louder recording or mixdown sessions with
SPL´s of 120dB are handled without offending the ear.
Impulse Coupling
In order to get a precise and undistorted reproduction, all drive units
are mounted on an ultra stiff Aluminum honeycomb plate (=IC).
Amplifiers
Both the S6X and the S7A Mk2 ADAM use the new generation of switching
amps and power supplies (=PWM).
These are combined in an extremely powerful (1000 and 1500W rms
respectively) yet cool amplifier assembly. Together with the built in
overload protection circuits these amplifiers will run reliably and at
constant safe operating temperatures not possible with conventional
designs.
The amplifiers are of extremely low output impedance, leading to a
damping factor >4.000, enabling them to strictly control the motion
of the drive units.
The S6X: accuracy and power
The S6X is one of the most ambitious studio monitors available today.
They can be found in some of the highest profile studios in the
industry, from elite private studios to world class jazz, from rock and
orchestral tracking and mixing facilities to high powered hip hop
production rooms. The concept of the horizontal symmetry of the drivers
is greatly affected by the generous proportions of the larger
diaphragms, resulting in both exceptionally flat frequency response and
extremely realistic dynamic reproduction across the entire audio
spectrum. Numerous controls at the front panel allow detailed
adaptations to different acoustic environments.
This main monitor offers very high accuracy and power in sheer
abundance. SPL peaks beyond 120 dB are produced without any compression
or harshness. The S6X is a top shelf choice for larger control rooms and
film or sound studios.
Control panel (S6X & S7A Mk2)
Numerous controls on the front panel introduce a new degree of control
for main monitors. Along with the input gain, there are level controls
for each of the four drivers, shelving filters on both ends of the
frequency spectrum, and three full parametric EQs (20-200Hz) that can be
used to combat standing waves in the control room. The EQ can be
bypassed individually or as a group so that their overall effect can be
analyzed in direct comparison to the unaffected signal.
In large film score mixing rooms, it may be desirable to have a
representation of the sound in the theatres. To meet the ISO 2969
Standard, the Dolby™ X-curve has to be applied.
Using pink noise, the X-curve engages a 3 dB per octave roll-off above 2
kHz. Both the S6X and S7A Mk2 have a switch that activates this filter,
eliminating the need for external processing during the film mix.
A second switchable input on the front allows servicing without moving
the unit.
All LED indicators can be dimmed if necessary.
The main monitors Adam S7A Mk2
and S6X are designed for large control rooms and film studios. They
present a completely new, impressive concept: to transport the unique
realism of the ADAM monitors at a very high SPL level. In accordance
with ADAM’s main goal to achieve the best possible authenticity in music
reproduction, any overemphasis of the bass frequencies should be
avoided. Furthermore, it is essential for neutral sound characteristics
at high volumes to achieve a wide dispersion in the horizontal plane and
a somewhat narrower dispersion in the vertical plane, thus reducing
reflections from the ceiling, the floor or a mixing console. Less
reflection means superior imaging and better localization, facilitating
the best possible transportability of mixes across the widest range of
playback systems.
Advanced D‘Appolito-array
The arrangement of the seven discrete loudspeakers facilitates a gradual
transition of the chassis dimensions. One of the most important aspects
of these monitor’s new approach is the horizontal symmetry of the
drivers, which could be referred to as advanced D´Appolito array. If the
drivers are filtered properly there are – besides the dispersion
characteristics mentioned previously – two more advantageous results:
There is an absence of any sudden change in directivity with
frequency, leading to harmonic dispersion behavior throughout the audio
band. The absence of sudden changes in directivity is not visible in a
frequency plot, but clearly audible - especially with a full range of
materials, from single complex sources such as the human voice to the
wide sonic palette of large orchestras. The dynamic capabilities of the monitor are distributed over the
audio band more equally, and louder recording or mixdown sessions with
SPL´s of 120 dB are handled without offending the ear.
Impulse Coupling
In order to get a precise and undistorted reproduction, all drive units
are mounted on an ultra stiff 25 mm thick aluminum honeycomb plate,
which is acoustically dead - thereby providing an extremely mechanically
stable bridge to the cabinet (IC). As the drivers are much better fixed
this way their time behavior (and consequently their clarity) is
audibly and measurably improved.
Amplifiers
Both the S6X and the S7A Mk2 ADAM use the new generation of switching
amps and power supplies. These are combined in an extremely powerful
(1000 and 1500 W rms respectively) yet cool amplifier assembly. Together
with the built in overload protection circuits these amplifiers will
run reliably and at constant safe operating temperatures not possible
with conventional designs. The amplifiers are of extremely low output
impedance, leading to a damping factor >4.000, enabling them to
strictly control the motion of the drive units.
The Front Panel
Numerous controls on the front panel introduce a new degree of control
for main monitors.
Along with the input gain, there are level controls for each of the four
drivers, shelving filters on both ends of the frequency spectrum, and
three full parametric EQs (20-200HZ) that can be used to combat standing
waves in the control room. The EQ can be bypassed individually or as a
group so that their overall effect can be analyzed in direct comparison
to the unaffected signal.
In large film score mixing rooms, it may be desirable to have a
representation of the sound in the theatres. To meet the ISO 2969
Standard, the Dolby™ X-curve has to be applied.
Using pink noise, the X-curve engages a 3 dB per octave roll-off above 2
kHz. Both the S6X and S7A Mk2 have a switch that activates this filter,
eliminating the need for external processing during the film mix.
S7A Mk2
The S7A Mk2 is the ‘big brother’ of the S6X and ADAM’s most spectacular
studio monitor to date. With a whopping combined 1500 W of onboard power
(rms), this monitor reaches SPL peaks of 128 dB at a distance of 1
meter. The big bass diaphragms produce even more volume even at lowest
pitches down to 20 Hz.
Both 15” subwoofers are driven by 500 W rms each, while 250 W rms units
are powering all the other frequency bands.
The Benchmark
Quite simply, we feel that the S7A Mk2 is the benchmark of what is
possible in the state of the art full range active professional
monitoring. It incorporates all of the ADAM inventions and designs, as
well as the best materials available. This fusion of power and capacity
with precision and accuracy results in unparalleled performance in
professional monitoring.
The S7A Mk2 is ADAM’s contribution to the best possible studio monitor
available. The proof is in the listening – we encourage you to hear for
yourself.
For the special requirements of large control rooms and studios, ADAM has developed a unique subwoofer. The ADAM Sub2100 combines an enormous 21” woofer and an amplifier capable of 1000 W continuous power housed in a bass-reflex enclosure tuned for reproducing frequencies down to 20 Hz. The massive power and the extremely high efficiency (99 dB/W/m) enable this system to produce linear SPL peaks of ³128 dB without any significant compression. Essential to the volume of this woofer is the gigantic voice coil, with its 152 mm (the largest worldwide). So, the Sub2100 reaches highest SPL in the lowest frequencies perceivable by the human ear. This means nothing less but a new subwoofer benchmark.
The ADAM Sub8 is a compact yet powerful subwoofer designed to extend the low end of any near field monitoring system. It houses an 8” woofer with a large 50mm voice coil and is driven by a 160W ICE power amp. The front baffle features two motorized knobs that allow the end user to tailor input level and crossover frequency settings. These knobs can be controlled with an included wireless remote control, enabling the user to optimize its settings without leaving the ideal listening position. The unit also provides an onboard 2.1 bass management system.
To fill out the low end of a stereo or 5.1 surround system, the ADAM Sub10 MKII delivers stunning bass performance. The unit comes with both balanced (XLR) and unbalanced (RCA) connectors. It is possible to adjust the bandwidth of the woofer and the connected full-range speakers separately in order to allow the Sub10 MKII to be used with many different satellites. Variable fourth-order Linkwitz-Riley filters are used to make the crossovers as musical as possible. The phase of the incoming signal can be varied between 0° and 180° to allow for maximum flexibility in woofer placement.
For larger
control rooms or auditoriums the Adam Sub12 is an even better choice.
This larger unit houses a 12” woofer capable of producing
a 3dB higher SPL max output.
The wide bass reflex tube fires downwards; due to its size
and construction ventilation noise is successfully avoided.
The ADAM Sub20 is meant to reproduce LFE or other low frequency signals above 25Hz in medium sized or larger control rooms.
It is equipped with 2 long throw 10“ drivers that are mounted at the opposite sides of the cabinet. Due to this alignment the forces applied to the cabinet are opposite to each other and consequently compensate themselves, so that the cabinet stays much quieter than with conventional arrays. Distortion is drastically reduced that way, the clarity of the signal is improved especially at higher levels.
There are 2 downfiring bass reflex tubes that because of their size and construction successfully avoid ventilation noise.
The Adam Audio Sub 24 is designed to reproduce LFE or other low frequency signals down to 19Hz in medium sized or larger control rooms. It is equipped with two long throw 12" drivers that are mounted at the opposite sides of the cabinet. The opposite and symmetrical alignment of forces applied to the cabinet provides much quieter performance than conventional arrays. Distortion is drastically reduced and the clarity of the signal is improved, especially at higher gain levels. There are two down-firing bass reflex tubes that successfully avoid ventilation noise due to their size and construction. Each woofer has its own amplifier, each capable of delivering 200 Watts continuous/300 Watts peak power to their corresponding drivers. The amplifier's Pulse Width Modulation (PWM) technology provides extremely high efficiency and cool operation in even the most critical levels of performance. Controls include a phase ± 180° switch, level control from -60 dB to +6 dB and a switchable 85 Hz high pass filter for the satellite output
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