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A mainstay on both Vintage King’s new and used equipment rosters, Chandler Limited specializes in making and remaking classic equipment that is no longer available or, in some cases, never was. Chandler grew from a demand for the classic equipment from yesteryear, basing their designs on vintage Neve and EMI equipment. Chandler products are hand wired and remain true to original circuit board layouts, delivering authentic tone and texture to the end user. On some units, Chandler has taken an amalgam of features and incorporated them into one design, resulting in a classic tone coupled with features that facilitate modern techniques and requirements. Most recently, Chandler has created two new 500-series modules: the Little Devil Compressor and Little Devil EQ. In addition to fantastic outboard gear, Chandler also offers up classic sounds in plug-in form with their spot-on emulations of the legendary Abbey Road console.
Wade Goeke of Chandler Limited called this pedal a Colored Boost for a reason! It’s not a clean boost, but it’s not a fuzz either. The Chandler Little Devil Colored Boost can gently color your Fender or drive your old Marshall into oblivion. The soul of the Colored Boost is the Class A amplifier design and the selectable Feedback/Bias control. The six presets range from slightly fuzzy to an “in your face” Plexi sound. Each preset has its own style of harmonic distortion and clipping, with different effects on a sine wave signal. Soft clipping; hard clipping; clipping on the top, bottom or both sides of a sine wave; and significant changes in frequency happen with each click of the Feedback/Bias switch. Capable of 39db of boost, the Colored Boost can easily range from gentle sustain to screaming vintage.
The Chandler Germanium Drive is
really a germanium pedal like none you’ve used before. It has all the
tone and color you would expect from germanium but none of the mud and
none of the fat – only an intense colored germanium tone. This pedal was
inspired by Chandler’s Germanium preamps and their work with other
germanium amplifiers, but has even more to it. The five feedback
selections on the Germanium Drive modify the tone, harmonic distortion
and clipping of the pedal and offer a nice range of uses from tighter,
lightly driven to slightly fuzzy, to full on germanium hell!
IMPORTANT READ BEFORE USING PEDAL
The Germanium Drive pedal runs on any two separate +9V power supplies.
When two separate supplies are connected to the pedal, one of the
supplies is routed inside the pedal to -9 volts. That is why the Germ
Drive cannot be daisy-chained from one power supply.
Most germanium-based pedals run on a -9 volt supply which cannot run on
the same supply as other pedals. The Chandler Germanium Drive is similar
in this regard.
Note: Do NOT daisy-chain the two plugs from one supply.
Note: Do NOT use one power supply polarized to -9.
What makes the Chandler Little Devil Preamp
so special? Well, several things. The Class A gain stage sounds like no
other design Chandler’s done. It’s big, yet open and full of life. Just
about any parameter of the sound is changeable including the ability to
change both the Feedback and Bias of the amplifier. The Feedback
control increases harmonics thousands of times over the range of the
control. The nature of clipping and distortion also changes and ranges
from soft Class A clipping to super soft gushy tube type. The sounds
range from a very colored and “over biased” tone to a gently colored and
“in your face” tone. Other features of the Devil Pre include High and
Low input impedance; transformer balanced line in for using the Devil as
a color box on mixes or tracks; low cut; bright switch and more! This
unit has no power-up issues with lunchboxes and rack systems.
The Chandler Germanium 500 MKII is an updated version of Chandler’s original Germ 500. This unit has an improved faceplate layout and nicer look. It uses classic germanium transistors in all Class A, transformer balanced circuits. The Germ 500 MKII is the well-known Germanium Preamp adapted for 500 series racks, using the same transformers and amp blocks to assure the sound is consistent with the rack version. Chandler has updated the power on the MKII so there are no known power-up issues with current lunchboxes and rack systems.
Following in the rich tradition of English 60s and 70s console design, Chandler Limited enters the
500 race furiously with its new Little Devil Equalizers and Compressors .
With all discrete circuits, transformer balanced everything, and the American hand made quality
you expect from Chandler the Devils combine
Chandler’s best designs with the hottest designs from the past.
Chandler Little Devil Equalizer Features:
All controls are marked +/- 1 to 6
in the playful DEVIL spirit of the
concept.
Treble and bass shelf +/-18db. Treble is set to 12k while Bass
is selectable 50 and 110hz.
HI and LO Mid +/-18db with hi
and lo Q switching. Inductor based
english style with 7 selections per band.
Hi Mid - 8k2, 6k8, 5k6, 4k7, 3k3, 2k7, 1k2
Lo Mid - 820, 560, 470, 390, 330, 270, 220
Three position filter. 47, 82, and
150hz.
Hardwire bypass.
Note: This unit is not VPR compliant and may not work with every 500 Series rack
Following in the rich tradition of English 60s and 70s console design, Chandler Limited enters the
500 race furiously with its new Little Devil Equalizers and Compressors .
With all discrete circuits, transformer balanced everything, and the American hand made quality
you expect from Chandler the Devils combine
Chandler’s best designs with the hottest designs from the past.
Chandler Little Devil Compressor Features:
All controls are marked +/- 1 to 6 in the playful DEVIL spirit of the concept
FET Compressor using concepts from both the Chandler Germanium Compressor and the 2264 Comp
Input Control
Curve selection with zener and germanium diode knees
Gain Make Up
Ratio in three positions
Attack
Side chain filter -30, 60, 90, 150, 300hz
THD selection
Release
Hardwire bypass
Note: This unit is not VPR compliant and may not work with every 500 Series rack
The Chandler Limited Abbey Road Plug-In Bundle contains all three Abbey Road plug-in products: the Brilliance Pack, TG Mastering Pack and TG12413 Limiter – in native or TDM formats. The native bundle provides them in RTAS, AU and VST formats. The TDM Bundle provides them in TDM/RTAS formats. Brilliance Pack The Brilliance Pack provides authentic emulations of the EMI RS127 and RS135 EQ units, which were built in the early 1960s to supplement the EQ on the legendary REDD mixing consoles. These 'presence boxes' were used on countless seminal recordings at Abbey Road during the '60s, including almost every album by The Beatles. The plug-ins retain the operation and response curves from the original hardware and provide control of frequencies which can improve the presence and definition of recordings and help instruments stand out in a mix. The software is compatible with all popular DAW applications and can be used on mono, stereo and multichannel tracks. Three plug-in modules are included: the RS127 Rack is modelled on the original rackmount Brilliance Control and the RS135 recreates the 8kHz boost unit. The RS127 Box plug-in was created by modelling the standalone Brilliance Control with an EMI transformer used to connect it to modern consoles. The plug-in features an exaggerated response or 'transformer effect' at some settings, which is due to an interaction between the RS127 and the transformer. Key Features Three plug-in modules: RS127 Rack, RS127 Box and RS135 EQ curves from vintage Abbey Road hardware Exact replication of original design and controls Automation and control surface support Available in TDM, RTAS, Audio Unit and VST formats TG 12413 Limiter The TG12413 plug-in is an authentic emulation of the compressor / limiter from the legendary EMI TG12345 mixing console, which was used on many classic recordings such as The Beatles’ Abbey Road and Pink Floyd’s Dark Side of the Moon. The TG12345 consoles were custom-built for EMI's studios and were never sold commercially. The plug-in brings the sound of this rare and sought-after unit to computer-based DAWs and sets a new standard in vintage hardware modelling. It functions as a 2:1 compressor or as a limiter with up to 20dB of limiting and accurately reproduces the behaviour of the original. It can be used on mono, stereo and multi-channel tracks, supporting up to 7.1 surround operation. Two plug-in modules are included, providing variations on the TG sound: the ‘1969’ module is modelled on the original from the EMI console and the ‘2005’ module is based on Chandler Limited’s hardware reissue of the TG12413, the TG1.Key Features Classic and contemporary modules Compressor and limiter modes from the original hardware TG-style controls and gain reduction meter Mono, stereo and multi-channel operation Automation and control surface support Available in TDM, RTAS, VST and Audio Unit versions TG Mastering Pack The TG Mastering Pack provides authentic emulations of EQ and filter modules from the original EMI TG12410 transfer console. These consoles were custom-built for EMI's studios and have been the centrepiece of Abbey Road's mastering rooms for more than 30 years. The TG12410's Tone Control and Filter modules have become secret weapons of Abbey Road's mastering engineers and these were studied and modelled to create the TG Mastering Pack. The plug-ins bring the smooth, musical sound of the original TG hardware to users of computer-based audio workstations. The TG12412 is a four-band, semi-parametric EQ with selectable frequencies and curve shapes on each band. The Shape control provides the shelving and variable bell curves from the original module. The TG12414 provides a presence section and low- and high-pass filters. The presence section is the same as the presence EQ on the legendary TG12345 mixing console.Key Features Four band semi-parametric EQ Selectable curve shapes on each band Presence band and variable low- and high-pass filters Exact replication of original TG controls Automation and control surface support Available in TDM, RTAS, AU and VST versions System Requirements Pro Tools 6.9, 7.x or 8.x or any AU/VST host Mac OS X or Windows XP/Vista iLok Smart Key and ilok.com account
The Chandler Limited Abbey Road Plug-In Bundle contains all three Abbey Road plug-in products: the Brilliance Pack, TG Mastering Pack and TG12413 Limiter – in native or TDM formats. The native bundle provides them in RTAS, AU and VST formats. The TDM Bundle provides them in TDM/RTAS formats. Brilliance Pack The Brilliance Pack provides authentic emulations of the EMI RS127 and RS135 EQ units, which were built in the early 1960s to supplement the EQ on the legendary REDD mixing consoles. These 'presence boxes' were used on countless seminal recordings at Abbey Road during the '60s, including almost every album by The Beatles. The plug-ins retain the operation and response curves from the original hardware and provide control of frequencies which can improve the presence and definition of recordings and help instruments stand out in a mix. The software is compatible with all popular DAW applications and can be used on mono, stereo and multichannel tracks. Three plug-in modules are included: the RS127 Rack is modelled on the original rackmount Brilliance Control and the RS135 recreates the 8kHz boost unit. The RS127 Box plug-in was created by modelling the standalone Brilliance Control with an EMI transformer used to connect it to modern consoles. The plug-in features an exaggerated response or 'transformer effect' at some settings, which is due to an interaction between the RS127 and the transformer. Key Features Three plug-in modules: RS127 Rack, RS127 Box and RS135 EQ curves from vintage Abbey Road hardware Exact replication of original design and controls Automation and control surface support Available in TDM, RTAS, Audio Unit and VST formats TG 12413 Limiter The TG12413 plug-in is an authentic emulation of the compressor / limiter from the legendary EMI TG12345 mixing console, which was used on many classic recordings such as The Beatles’ Abbey Road and Pink Floyd’s Dark Side of the Moon. The TG12345 consoles were custom-built for EMI's studios and were never sold commercially. The plug-in brings the sound of this rare and sought-after unit to computer-based DAWs and sets a new standard in vintage hardware modelling. It functions as a 2:1 compressor or as a limiter with up to 20dB of limiting and accurately reproduces the behaviour of the original. It can be used on mono, stereo and multi-channel tracks, supporting up to 7.1 surround operation. Two plug-in modules are included, providing variations on the TG sound: the ‘1969’ module is modelled on the original from the EMI console and the ‘2005’ module is based on Chandler Limited’s hardware reissue of the TG12413, the TG1.Key Features Classic and contemporary modules Compressor and limiter modes from the original hardware TG-style controls and gain reduction meter Mono, stereo and multi-channel operation Automation and control surface support Available in TDM, RTAS, VST and Audio Unit versions TG Mastering Pack The TG Mastering Pack provides authentic emulations of EQ and filter modules from the original EMI TG12410 transfer console. These consoles were custom-built for EMI's studios and have been the centrepiece of Abbey Road's mastering rooms for more than 30 years. The TG12410's Tone Control and Filter modules have become secret weapons of Abbey Road's mastering engineers and these were studied and modelled to create the TG Mastering Pack. The plug-ins bring the smooth, musical sound of the original TG hardware to users of computer-based audio workstations. The TG12412 is a four-band, semi-parametric EQ with selectable frequencies and curve shapes on each band. The Shape control provides the shelving and variable bell curves from the original module. The TG12414 provides a presence section and low- and high-pass filters. The presence section is the same as the presence EQ on the legendary TG12345 mixing console.Key Features Four band semi-parametric EQ Selectable curve shapes on each band Presence band and variable low- and high-pass filters Exact replication of original TG controls Automation and control surface support Available in TDM, RTAS, AU and VST versions System Requirements Pro Tools 6.9, 7.x or 8.x or any AU/VST host Mac OS X or Windows XP/Vista iLok Smart Key and ilok.com account
The Chandler Curve Bender was conceived by Chandler Limited designer Wade Goeke and Abbey Road senior engineer Peter Cobbin and is based on the vintage EMI TG12345 desk used to record The Beatles and Pink Floyd. This newest EMI equalizer continues the tradition of EMI eqs started in 1951 with the RS56, affectionately entitled the Curve bender by EMI designers and continued with the TG12345 in 1968, and TG12412 in 1974. The newest version takes the simple but beautiful sounding TG12345 equalizer and realizes it in a fully featured and rethought package for today's use. During his mixing of numerous Beatles related projects including, Anthology, Yellow Submarine, and Imagine, Peter Cobbin thought of having a fully featured and ultimately flexible version of the original desk eq units. After Wade presented him with a working version of the famed console eq Pete realized his time had come and set Wade to making his unit. Peter asked for four bands and filters based on the slopes of the original desk but with overlapping and expanded choices. Wade turned the 9 selections on the vintage version into 51 eq points plus a multiply switch that increases the boost/cut to 15db (as well as sharpening the Q), filters, and bell/shelf selections on the high and low bands. A simple equalizer from the rich past of EMI and Abbey Road has now come full circle into a modern powerhouse suitable for recording, mixing, and mastering. The rest is NEW EMI/Abbey Road history...
EMI 12412 Mastering EQ
The EMI TG12412 was first introduced to the recording world around 1972 when Abbey Road installed the first TG12410 Transfer (or mastering) Desks. This equalizer is deeply rooted in the tradition of EMI eqs started in 1954 with the RS56, and continued with the TG12345 in 1969, and finally the TG12412 in 1972.
The eq has 20 selections on the four bands as well as five shapes per band. Shelf low, blunt, medium, and sharp bell curves, and shelf high. One of the interesting and highly prized uses of the TG12412 is the shelf high and shelf low settings. On each band you can choose to shelf up or down on any frequency and this is an often used trick of Abbey Road mastering engineers through the years. Another interesting feature is that all eq points are based on the note C and are spaced in half and third octaves based on that. It is thought that this is part of the totally musical sound of the equalizer.
The eq selection in detail-
Section 1- 32, 45, 65, 91, 128 Hz. +/10db boost or cut in 1db steps.
Section 2- 181, 256, 362, 512, 724 Hz. +/-10db boost or cut in 1db steps.
Section 3- 1.02, 1.45, 2.05, 2.6, 3.25 kHz. +/-10boost or cut in 1db steps.
Section 4- 4.1, 5.8, 8.1, 11, 16 kHz. +/-10 boost or cut in 1db steps.
EMI TG12414 Presence Filter
The EMI TG12414, was first introduced to the recording world around 1972 when Abbey Road installed the first TG12410 Transfer (or mastering) Desks. This special sounding equalizer and filter has been a highly prized secret of Abbey Road engineers for nearly 30 years.
Each unit includes high pass, low pass and presence controls as well as the MKIV TG Line Amplifier. The Presence control provide 10db of boost or cut on eight frequencies that are approximately the same shape as the medium setting on the TG12412 Mastering Eq. It should also be noted that these are the same eq points as the TG12345 console eq as used on many Beatles and Pink Floyd recordings. The high and low pass circuits are 18db per octave and provide four and five selections respectively.
The eq and filter selection in detail-
Presence- .5, .8, 1.2, 1.8, 2.8, 4.2, 6.5, and 10 kHz with +/-10 of boost and cut in 1db steps.
Low pass- 20, 15, 12, 10, and 8 kHz at 18db/octave.
High pass-40, 63, 80, and 110 Hz at 18db/octave.
The TG Mastering Equalizer Pack is now available Pro Tools HD, LE, and M-Powered formats. VST and AU versions are in progress.
EMI 12412 Mastering EQ
The EMI TG12412 was first introduced to the recording world around 1972 when Abbey Road installed the first TG12410 Transfer (or mastering) Desks. This equalizer is deeply rooted in the tradition of EMI eqs started in 1954 with the RS56, and continued with the TG12345 in 1969, and finally the TG12412 in 1972.
The eq has 20 selections on the four bands as well as five shapes per band. Shelf low, blunt, medium, and sharp bell curves, and shelf high. One of the interesting and highly prized uses of the TG12412 is the shelf high and shelf low settings. On each band you can choose to shelf up or down on any frequency and this is an often used trick of Abbey Road mastering engineers through the years. Another interesting feature is that all eq points are based on the note C and are spaced in half and third octaves based on that. It is thought that this is part of the totally musical sound of the equalizer.
The eq selection in detail-
Section 1- 32, 45, 65, 91, 128 Hz. +/10db boost or cut in 1db steps.
Section 2- 181, 256, 362, 512, 724 Hz. +/-10db boost or cut in 1db steps.
Section 3- 1.02, 1.45, 2.05, 2.6, 3.25 kHz. +/-10boost or cut in 1db steps.
Section 4- 4.1, 5.8, 8.1, 11, 16 kHz. +/-10 boost or cut in 1db steps.
EMI TG12414 Presence Filter
The EMI TG12414, was first introduced to the recording world around 1972 when Abbey Road installed the first TG12410 Transfer (or mastering) Desks. This special sounding equalizer and filter has been a highly prized secret of Abbey Road engineers for nearly 30 years.
Each unit includes high pass, low pass and presence and presence controls as well as the MKIV TG Line Amplifier. The Presence control provide 10db of boost or cut on eight frequencies that are approximately the same shape as the medium setting on the TG12412 Mastering Eq. It should also be noted that these are the same eq points as the TG12345 console eq as used on many Beatles and Pink Floyd recordings. The high and low pass circuits are 18db per octave and provide four and five selections respectively.
The eq and filter selection in detail-
Presence- .5, .8, 1.2, 1.8, 2.8, 4.2, 6.5, and 10 kHz with +/-10 of boost and cut in 1db steps.
Low pass- 20, 15, 12, 10, and 8 kHz at 18db/octave.
High pass-40, 63, 80, and 110 Hz at 18db/octave.
The TG Mastering Equalizer Pack is now available Pro Tools HD, LE, and M-Powered formats. VST and AU versions are in progress.
Welcome to the EMI TG12413 Limiter Plug-In Chandler Limiter Plug in. TG equipment was used on many classic records and this Limiter was featured on every channel of TG consoles used to record The Beatles "Abbey Road", several Pink Floyd records including "Dark Side of the Moon", and Paul McCartney. Now, the EMI TG12413 Limiter plug-in brings the same unique and authentic sonic possibilities to the world of computers. The TG12413 Plug-In is actually two plug-ins in one, letting you choose between classic and contemporary versions of this legendary compressor/limiter: EMI TG12413 1969 - Model of the unmodified classic EMI TG12413 Limiter. This unit features the standard HOLD control as on the vintage units.
EMI TG12413 2005 - Model of the Chandler Limited TG1 Abbey Road Special Edition limiter. This has the Hold control modified to be INPUT gain and the overall input is boosted 10db so the Limiter really slams!
"This new TG 12413 Plug-In underlines Abbey Road's commitment to both the importance of our heritage and the highest standards of technical development. It also means that a small part of Abbey Road can be invested into any studio anywhere in the world." - Peter Cobbin, Senoir Recording Engineer, Abbey Road Studio
"These plug-ins are really gorgeous... I love them. Sounds like a great outboard compressor. Rare for a plug-in to speak like that." - Greg Wells (Producer for Rufus Wainwright, Pink, Natasha Bedingfield)
TDM and LE versions will be available in boxed form in January. ILOK is required. Download the demo from www.abbeyroad.com/ilok You can purchase a full version, ILOK authorization, NOW! Call Chandler Limited for details, (319)885-4200
Welcome to the EMI TG12413 Limiter Plug-In Chandler Limiter Plug in. TG equipment was used on many classic records and this Limiter was featured on every channel of TG consoles used to record The Beatles "Abbey Road", several Pink Floyd records including "Dark Side of the Moon", and Paul McCartney. Now, the EMI TG12413 Limiter plug-in brings the same unique and authentic sonic possibilities to the world of computers. The TG12413 Plug-In is actually two plug-ins in one, letting you choose between classic and contemporary versions of this legendary compressor/limiter: EMI TG12413 1969 - Model of the unmodified classic EMI TG12413 Limiter. This unit features the standard HOLD control as on the vintage units.
EMI TG12413 2005 - Model of the Chandler Limited TG1 Abbey Road Special Edition limiter. This has the Hold control modified to be INPUT gain and the overall input is boosted 10db so the Limiter really slams!
"This new TG 12413 Plug-In underlines Abbey Road's commitment to both the importance of our heritage and the highest standards of technical development. It also means that a small part of Abbey Road can be invested into any studio anywhere in the world." - Peter Cobbin, Senoir Recording Engineer, Abbey Road Studio
"These plug-ins are really gorgeous... I love them. Sounds like a great outboard compressor. Rare for a plug-in to speak like that." - Greg Wells (Producer for Rufus Wainwright, Pink, Natasha Bedingfield)
TDM and LE versions will be available in boxed form in January. ILOK is required. Download the demo from www.abbeyroad.com/ilok You can purchase a full version, ILOK authorization, NOW! Call Chandler Limited for details, (319)885-4200
The Chandler Limited EMI TG12413 Zener Limiter is the ultimate TG Limiter issued in celebration of the 75th birthday of Abbey Road Studios. The Zener Limiter was conceived by Chandler Limited designer Wade Goeke and is based on the vintage EMI circuits used to record The Beatles and Pink Floyd. This newest EMI Limiter continues the tradition of EMI Limiters started in 1956 with the RS114 tube limiter, and continued with the RS168 Zener Limiter in 1966, part of the TG12345 console channel in 1968 and TG12413 in 1974. The newest version borrows from the RS168 Zener Limiter and TG12345 console strip to make a new fully featured and flexible unit for modern use. It is interesting to note that the TG Limiter was originally designed to replace both the Fairchild 660 (Limit Mode) and the Altec 436/RS124 (Comp 1 Mode) The main reason for Zener Limiter reissue was to add features and flexibility to the powerful and vintage sounding TG limiter circuits. To that end Wade has added many new controls including switch able input impedance for hard of soft driving of the unit, 11 position attack, 21 position release, side chain filtering, and Comp1, Comp2, and Limit settings. A simple Limiter from the rich past of EMI and Abbey Road has now come full circle into a modern powerhouse suitable for recording, mixing, and mastering. The rest is NEW Chandler Limited/EMI/Abbey Road history....
The Germanium series continues with the Chandler Germanium Compressor . The GERM Comp starts with the same all class A amp found in the GERM Pre and Tone Control and is transformer balanced in and out. The Compression circuit uses a FET gain reduction element but with the tricks and flexibilty of all the GERM units. Some of the most notable additions include a wet/dry mix, for “submixing” tracks within the comp, Comp Curve, which selects the knee using various diode combinations, clean/dirty comp, Sidechain filter. Many of the GERM Comp parameters have been purposely set by studio use and listening not by over analysing them with test gear. The result is a musical powerhouse ready for tracking, mixing, and mastering.
Stereo link cable for Germanium Compressors
Chandler's newest series of units starts off with the GERMANIUM pre amp. A completely new design by Chandler Limited designer Wade Goeke that uses classic germanium transistors in all class A, transformer balanced, circuits. The use of germanium devices opens a whole new sound palate not found in any pro audio equipment currently manufactured.
These incredibly smooth sounding transistors were the basis of the earliest transistor designs by Neve (1053, 1055, 1057), EMI ( TG12345 MKI), Telefunken, and Fairchild. Those familiar with these units can attest to the special sound of the germanium tranasistor. The GERMANIUM series runs on +40 volt power, high current, and has a huge +34 output before clipping. The sound is warm and smooth as with many vintage style circuits, but you'll find a whole new world of smooth here as well as a sound that settles in perfectly to your tracks without fighting. Add these new circuits to Chandler's new transformer line that combines the best parts of our favorite trannies, St Ives and Gardners, into new great sounding input and output transformers.
Chandler GERMANIUM Tone Control . The Tone Control uses active AND passive EQ circuits in combination with the GERMANIUM amplifier developed for the GERMANIUM Pre and incorporates the versatile Feedback and Drive controls as well. All bands use inductors for the fattest smoothest tone possible. The passive low frequency section is selectable between "Pultec/Lang" interactive curves and more standard low frequency with pass filter for maximum flexibility while the Treble and Presence bands are active and designed to sound like your favorite British eq’s from yesteryear. The Tone Control continues the GERMANIUM tradition of undeniable sound with maximum flexibility at a reasonable price. Fans of the Pre are sure to love it!
Chandler PSU-1 is needed to power unit.
The Chandler Limited LTD-1 is a hand wired 10-series equalizer and pre amp that has been handmade using parts and build techniques from the original manufacture of the modules. Grounding, wiring techniques, original transformers, transistors, inductors, and much more attribute to the special sound of these units and have been painstakingly recreated in each LTD-1. In addition to the classic 10-series sound we add all the modern functions you expect and expand the EQ section giving you much larger palate to choose from. Features include high impedance direct in, 48v switching, output fader, eq in/out, phase reverse, balanced mic in, balanced line in, over built power supply to ensure maximum headroom, and nine additional eq points.
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