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Maselec

Maselec MDC-70
VMS-70 Controller

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Maselec MDC-80
VMS-80 Controller

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Maselec MDS-2
Two-channel high-frequency limiter

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With the Maselec MLA-3 the input signal is split into three frequency-bands. Each band is passed through a stereo
compressor where gain and compression can be altered.
 
The outputs of the compressors are then re-combined and fed to the outputs.
There are four different frequencies for each of the two crossovers that can be separately
selected for the low-to-mid and the mid-to-high bands.
 
The three frequency-band compressors have separate controls so that different parts of the
audio spectrum can be adjusted and tuned.
With separate gain controls for each frequency-band, the MLA-3 can be used as an equalizer.
 
You can always adjust the controls for the separate frequency bands to different settings.
There is no technical reason why they should be the same for all frequencies.
Overall Input and Output gain controls make it easy to set up for different operating levels.
 
Inputs 
The inputs are electronically balanced, virtually ground floating, making them perform as if they
are transformer coupled, but without the associated colouration, low frequency distortion and
restricted bandwidth.
The input impedance is 100kohm. Maximum input >+29dBu (balanced).
 
Outputs 
The outputs are electronically balanced and can deliver >+28dBu into 600ohm (balanced).
Output impedance is 33ohm (balanced and unbalanced).
Both inputs and outputs can be unbalanced by simply grounding either pin 2 or pin 3.

Maselec MLA-3
Two-channel multi-band compressor

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The Maselec MPL-2 is a brick-wall and high frequency limiter. It can be used to achieve high subjective levels and reduce unwanted high frequency levels (de-essing). The MPL-2 is also used to ‘smooth’ and give digital recordings a more ‘analogue’ character. The Maselec MPL-2 is housed in a 1U 19" rack mount alloy case. A minimum of controls is used due to automatic time constants and optimisation techniques for the gain reduction. The advantage is not only simple operation but also increased performance for highly dynamic and inconsistent materials without the need for continuous readjustments. The input gain does not reduce the wide dynamic range of the limiter. It can be used at its maximum setting with no increased risk of distortion. This eliminates the need for excessive levels, which could cause clipping in equipment feeding the input of the limiter. A further benefit is that the maximum peak output level (set with the threshold) is independent of different gain settings. High Frequency Limiting is primarily intended for use as a de-esser, reducing unattractive high frequencies. Part of the high frequency limiter circuit is also used to reduce distortion from the wideband limiter. Users of the MPL-2 will notice the removal of spurious peaks, and an increase of subjective levels, without the coloration and increased distortion so often associated with soft clippers and other ultra fast limiters.

Maselec MPL-2
Single-channel peak and high-frequency limiter

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The Maselec MTC-1 is the perfect tool for mastering studios as well as for high quality home recordings. With exceptional sonic properties, new functionalities and usual rock solid Maselec quality, the MTC-1 is an ideal alternative to the MTC-2 mastering console. The MTC-1 measures 3 U height with a depth ‘behind panel’ of 260mm and 8kg weight. The front control surface has 42 push-button controls with LED lights and 11 high quality rotary switches. Gold XLRs are used for all audio connections, assisting the use of highest quality cables. Connecting and rearranging external equipment is very easy. The Input section: <ul><li>Input source selection</li><li>Phase invert for left and right</li><li>Separate Left and Right gain controls</li><li>5dB additional gain selectable for low level sources</li><li>Low-cut and High-cut filters</li><li>Independent Cut controls for left and right</li></ul>The Output section: <ul><li>Separate Left and Right gain controls</li><li>Elliptical filter with 20 frequencies</li><li>Stereo Width control</li><li>Output Cut control</li><li>The stereo image circuits are identical to the famous controls of the MTC-2</li></ul>The Insert section has six insert points and offers additional powerful functions: <ul><li>M-S with gain control for the ‘difference’ signal</li><li>Inserts 1 & 2 equipment swap (FLIP)</li><li>Insert 4 or Inserts 2-4 cross-fade or additive mix with</li><li>the use of a rotary switch. This function could be</li><li>used for ‘parallel’ compression or adding reverb</li><li>Inserts 4 & 5 equipment swap (FLIP)</li><li>Insert 6 can be moved to Post Output. This is the preferred position for a brick-wall limiter.</li></ul>The Monitor section: <ul><li>Four external Monitor Sources</li><li>Monitor of the Input and Output sections</li><li>Two speaker feeds</li><li>Monitor of the Stereo-, Left-, Right-, Mono- or</li><li>Difference- signal</li><li>Individual Cut controls for Left and Right speakers</li><li>Progressive Dim function</li><li>Meter output, which follows the monitor source</li><li>–6dB, -8dB and –10dB Meter Offsets</li></ul>

Maselec MTC-1
Stereo mastering transfer console

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Maselec MTC-2
Master transfer and monitor system

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Maselec MTC-6 Surround
Surround extension for the MTC-2

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Maselec MXF-1
Cross Fader

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Maselec STM-822
Stem-Mixer

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