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Maselec
The
Maselec MDC-70
is a control unit for Neumann VMS70 disk cutters.
Its functions can be split into the following groups:
Adjusting the levels
Setting up preview levels for lateral and vertical spread and depth.
Monitoring of various disk functions.
Meter feed.
VMS70 remote control.
Maselec MDC-70
VMS-70 Controller
...
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The
Maselec MDC-80
is a control unit for Neumann VMS80 disk cutters.
Its functions can be split into the following groups:
Adjusting the levels
Setting up preview levels for lateral and vertical spread and depth.
Monitoring of various disk functions.
Meter feed.
VMS80 remote control.
Maselec MDC-80
VMS-80 Controller
...
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The
Maselec MDS-2
is a dual mono, linkable, high frequency limiter. It is housed in a 1U 19" rack mount alloy case. It is primarily intended for use as a de-esser, reducing unattractive high frequencies, with minimum coloration and loss of clarity.
Automatic time constants and optimisation techniques for the gain reduction minimises the number of controls. The advantage is not only simple operation but also increased performance for highly dynamic and inconsistent materials without the need for continuous readjustments.
With wide input range, up to +29dBu input and low noise, the MDS2 can be used in many different applications.
The side chain can be switched to M-S, which can be used to zoom in on high frequencies in the centre of the stereo image. With this function switched in the threshold is 6dB lower for the centre image compared to extreme left and right. The M-S function does not affect the actual audio path.
Maselec MDS-2
Two-channel high-frequency limiter
...
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With the
Maselec MLA-3
the input signal is split into three frequency-bands. Each band is passed through a stereo compressor where gain and compression can be altered.
The outputs of the compressors are then re-combined and fed to the outputs. There are four different frequencies for each of the two crossovers that can be separately selected for the low-to-mid and the mid-to-high bands.
The three frequency-band compressors have separate controls so that different parts of the audio spectrum can be adjusted and tuned. With separate gain controls for each frequency-band, the MLA-3 can be used as an equalizer.
You can always adjust the controls for the separate frequency bands to different settings. There is no technical reason why they should be the same for all frequencies. Overall Input and Output gain controls make it easy to set up for different operating levels.
Inputs
The inputs are electronically balanced, virtually ground floating, making them perform as if they are transformer coupled, but without the associated colouration, low frequency distortion and restricted bandwidth. The input impedance is 100kohm. Maximum input >+29dBu (balanced).
Outputs
The outputs are electronically balanced and can deliver >+28dBu into 600ohm (balanced). Output impedance is 33ohm (balanced and unbalanced). Both inputs and outputs can be unbalanced by simply grounding either pin 2 or pin 3.
Maselec MLA-3
Two-channel multi-band compressor
...
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The
Maselec MPL-2
is a brick-wall and high frequency limiter. It can be used to achieve high subjective levels and reduce unwanted high frequency levels (de-essing).
The MPL-2 is also used to ‘smooth’ and give digital recordings a more ‘analogue’ character.
The
Maselec MPL-2
is housed in a 1U 19" rack mount alloy case. A minimum of controls is used due to automatic time constants and optimisation techniques for the gain reduction. The advantage is not only simple operation but also increased performance for highly dynamic and inconsistent materials without the need for continuous readjustments.
The input gain does not reduce the wide dynamic range of the limiter. It can be used at its maximum setting with no increased risk of distortion. This eliminates the need for excessive levels, which could cause clipping in equipment feeding the input of the limiter. A further benefit is that the maximum peak output level (set with the threshold) is independent of different gain settings.
High Frequency Limiting is primarily intended for use as a de-esser, reducing unattractive high frequencies. Part of the high frequency limiter circuit is also used to reduce distortion from the wideband limiter.
Users of the MPL-2 will notice the removal of spurious peaks, and an increase of subjective levels, without the coloration and increased distortion so often associated with soft clippers and other ultra fast limiters.
Maselec MPL-2
Single-channel peak and high-frequency limiter
...
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The
Maselec MTC-1
is the perfect tool for mastering studios as well as for high quality home recordings. With exceptional sonic properties, new functionalities and usual rock solid Maselec quality, the MTC-1 is an ideal alternative to the MTC-2 mastering console.
The MTC-1 measures 3 U height with a depth ‘behind panel’ of 260mm and 8kg weight. The front control surface has 42 push-button controls with LED lights and 11 high quality rotary switches. Gold XLRs are used for all audio connections, assisting the use of highest quality cables. Connecting and rearranging external equipment is very easy.
The Input section:
Input source selection
Phase invert for left and right
Separate Left and Right gain controls
5dB additional gain selectable for low level sources
Low-cut and High-cut filters
Independent Cut controls for left and right
The Output section:
Separate Left and Right gain controls
Elliptical filter with 20 frequencies
Stereo Width control
Output Cut control
The stereo image circuits are identical to the famous controls of the MTC-2
The Insert section has six insert points and offers
additional powerful functions:
M-S with gain control for the ‘difference’ signal
Inserts 1 & 2 equipment swap (FLIP)
Insert 4 or Inserts 2-4 cross-fade or additive mix with
the use of a rotary switch. This function could be
used for ‘parallel’ compression or adding reverb
Inserts 4 & 5 equipment swap (FLIP)
Insert 6 can be moved to Post Output. This is the preferred position for a brick-wall limiter.
The Monitor section:
Four external Monitor Sources
Monitor of the Input and Output sections
Two speaker feeds
Monitor of the Stereo-, Left-, Right-, Mono- or
Difference- signal
Individual Cut controls for Left and Right speakers
Progressive Dim function
Meter output, which follows the monitor source
–6dB, -8dB and –10dB Meter Offsets
Maselec MTC-1
Stereo mastering transfer console
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The
Maselec MTC-2
is a full-featured analogue stereo/surround transfer system that offers precision, transparency and ergonomic design, with all processing functions by-passable.
The Maselec MTC2 system is comprised of three rack-mount enclosures: Master Controller, Monitor Controller and Master Router.
Maselec MTC-2
Master transfer and monitor system
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The
Maselec MTC-6
is a full featured surround extension for the MTC-2.
A surround system consists of a stereo MTC-2 with two additional Master Routers and an added four-channel MTC-6 Master Control unit.
Maselec MTC-6 Surround
Surround extension for the MTC-2
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The
Maselec MXF-1
is a precision A/B crossfade module used in conjunction with the MDC Series of disk controllers to allow creative source transitions in a disk cutting environment.
Maselec MXF-1
Cross Fader
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The Maselec STM-822 Features:
Eight stereo inputs.
Two stereo outputs with separate amplifiers; both can drive 600 ohms and be unbalanced.
The signal path is completely balanced from input to output.
Only three, very wide bandwidth, amplifiers in the signal path.
Cut and Solo, with one common gas filled relay, for each input.
Output noise lower than -88dBu with maximum gain and all inputs open (matches converters with 120dB dynamic range).
Output noise lower than -100dBu with all inputs open and gain set to -10dB (typical mix setting).
VU meters with switch for 0VU = +4dBu or +10dBu.
Signal present LED for each input.
Gain adjustable in 1/2dB steps between –15dB and +5dB.
Max level in/out: +29dBu
Distortion < 0.0003%
Maselec STM-822
Stem-Mixer
...
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