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Shure

The <B>Shure SM57</B> unidirectional dynamic microphone is exceptional for musical instrument pickup or for vocals. With its bright, clean sound and carefully contoured presence rise, the SM57 is ideal for live sound reinforcement and recording. It has an extremely effective cardioid pickup pattern which isolates the main sound source while minimizing background noise. In the studio, it is excellent for recording drums, guitar, and woodwinds. For musical instruments or vocals, the SM57 is a consistent choice of professional performers. It is also the standard microphone used on the podium of the U.S. President for over 30 years. Its outstanding performance, legendary reliability, and diversity of application make this "workhorse" the choice of performers, producers, and sound engineers the world over. 
<UL>
<LI>Contoured frequency response for clean, instrumental reproduction and rich vocal pickup 
<LI>Professional-quality reproduction for drum, percussion, and instrument amplifier miking 
<LI>Uniform cardioid pickup pattern isolates the main sound source while reducing background noise 
<LI>Pneumatic shock-mount system cuts down handling noise 
<LI>Extremely durable under the heaviest use 
<LI>Frequency response: 40 to 15,000 Hz</LI></UL>

Shure SM57-LC
Dynamic microphone

The legendary <span style="font-weight: bold;">Shure SM58®</span> vocal 
microphone is designed for professional vocal use in live performance, 
sound reinforcement, and studio recording. Its tailored vocal response 
for sound is a world standard for singing or speech. A highly effective,
 built-in spherical filter minimizes wind and breath "pop" noise. A 
unidirectional (cardioid) pickup pattern isolates the main sound source 
while minimizing unwanted background noise.  <br><br>Rugged 
construction, a proven shock-mount system, and a steel mesh grille 
ensure that even with rough handling, the SM58 will perform 
consistently, outdoors or indoors.<br><br><span style="font-weight: bold;">Features</span><br><ul><li>Frequency response tailored for vocals, with brightened midrange and bass rolloff</li><li>Uniform cardioid pickup pattern isolates the main sound source and minimizes background noise</li><li>Pneumatic shock-mount system cuts down handling noise</li><li>Effective, built-in spherical wind and pop filter</li><li>Supplied with break-resistant stand adapter which rotates 180 degrees</li><li>Legendary Shure quality, ruggedness and reliability</li><li>Cardioid (unidirectional) dynamic</li><li>Frequency response: 50 to 15,000 Hz</li><li>Replacement cartridge: R59</li></ul>

Shure SM58-LC
Cardioid dynamic vocal microphone

The legendary <span style="font-weight: bold;">Shure SM58®</span> vocal 
microphone is designed for professional vocal use in live performance, 
sound reinforcement, and studio recording. Its tailored vocal response 
for sound is a world standard for singing or speech. A highly effective,
 built-in spherical filter minimizes wind and breath "pop" noise. A 
unidirectional (cardioid) pickup pattern isolates the main sound source 
while minimizing unwanted background noise.  <br><br>Rugged 
construction, a proven shock-mount system, and a steel mesh grille 
ensure that even with rough handling, the SM58 will perform 
consistently, outdoors or indoors.<br><br><span style="font-weight: bold;">Features</span><br><ul><li>Frequency response tailored for vocals, with brightened midrange and bass rolloff</li><li>Uniform cardioid pickup pattern isolates the main sound source and minimizes background noise</li><li>Pneumatic shock-mount system cuts down handling noise</li><li>Effective, built-in spherical wind and pop filter</li><li>Supplied with break-resistant stand adapter which rotates 180 degrees</li><li>Legendary Shure quality, ruggedness and reliability</li><li>Cardioid (unidirectional) dynamic</li><li>Frequency response: 50 to 15,000 Hz</li><li>Replacement cartridge: R59</li></ul>

Shure SM58-CN
Cardioid dynamic vocal microphone, includes 25' XLR to XLR cable

The legendary <span style="font-weight: bold;">Shure SM58®</span> vocal microphone is designed for professional vocal use in live performance, sound reinforcement, and studio recording. Its tailored vocal response for sound is a world standard for singing or speech. A highly effective, built-in spherical filter minimizes wind and breath "pop" noise. A unidirectional (cardioid) pickup pattern isolates the main sound source while minimizing unwanted background noise.  <br><br>Rugged construction, a proven shock-mount system, and a steel mesh grille ensure that even with rough handling, the SM58 will perform consistently, outdoors or indoors.<br><br><span style="font-weight: bold;">Features</span><br><ul><li>Frequency response tailored for vocals, with brightened midrange and bass rolloff</li><li>Uniform cardioid pickup pattern isolates the main sound source and minimizes background noise</li><li>Pneumatic shock-mount system cuts down handling noise</li><li>Effective, built-in spherical wind and pop filter</li><li>Supplied with break-resistant stand adapter which rotates 180 degrees</li><li>Legendary Shure quality, ruggedness and reliability</li><li>Cardioid (unidirectional) dynamic</li><li>Frequency response: 50 to 15,000 Hz</li><li>Replacement cartridge: R59</li></ul>

Shure SM58S
Dynamic vocal microphone with on/off switch

The <span style="font-weight: bold;">Shure KSM353 ED</span>, a premium bi-directional ribbon microphone crafted for pristine audio in studio and concert hall applications, now comes with the <span style="font-weight: bold;">A300SM ShureLock Wire Rope Shock Mount</span>. Proprietary Roswellite™ technology provides revolutionary ribbon resilience and durability under extreme conditions. Hand assembled in the USA from state-of-the art transducers, transformers and metals as the pinnacle of Shure quality for prestigious vocal and acoustic performances.<br><br>The high-tensile strength, toughness and shape memory of Roswellite™ ribbon material replaces traditional foil ribbons for superior resilience at extreme SPLs.<br><br>With unique technology and application features, alongside superior materials and construction, Shure KSM Ribbon Microphones are the necessary choice for the world’s most accomplished studio and live performances.<br><br><span style="font-weight: bold;">Features</span><br><ul><li>Bi-directional polar pattern delivers premier, completely symmetrical audio with superior off-axis rejection</li><li>Revolutionary Roswellite™ proprietary ribbon material replaces traditional foil ribbons with high tensile strength, toughness and shape memory that provides superior resilience at extreme SPLs</li><li>Custom ribbon motor assembly tailors bass response without attenuating the overall output for full low and mid ranges, and superior upper range presence from a rising frequency response</li><li>Double-shielded matched full-sized transformer minimizes signal loss and maximizes output while reducing magnetic and RF interference from 90 degree placement, offset relative to the ribbon</li><li>146dB SPL across 30 – 15,000 Hz frequency response ideal for capturing fast transients in vocals, acoustic instruments and concert halls</li><li>Legendary Shure quality and superior construction from hand-assembly of machined steel, silver, gold and aluminum materials, and housed in a pure stainless steel casing</li><li>Upright protective wood case included for storage when not in use</li></ul>

Shure KSM353/ED
Premier bi-directional ribbon microphone with A300SM SureLock Shock Mount

The <span style="font-weight: bold;">Shure KSM313 NE</span>, a premium bi-directional ribbon microphone for world-class audio and performance, now comes with the <span style="font-weight: bold;">A300M ShureLock Mount</span>. The Dual-Voice design features discrete front-and-rear side sonic signatures for use with amplified instruments or in intimate vocal applications. Hand assembled in the USA with custom components and proprietary Roswellite™ technology for revolutionary ribbon resilience under extreme conditions.<br><br>The high-tensile strength, toughness and shape memory of Roswellite™ ribbon material replaces traditional foil ribbons for superior resilience at extreme SPLs.<br><br>With unique technology and application features, alongside superior materials and construction, Shure KSM Ribbon Microphones are the necessary choice for the world’s most accomplished studio and live performances.<br><br><span style="font-weight: bold;">Features</span><br><ul><li>Bi-directional polar pattern delivers premier audio with superior off-axis rejection</li><li>True Dual-Voice tuned specifically for user’s for choice of response - warm and full for amplifiers, or swivel for bright and flattering vocals</li><li>Revolutionary Roswellite™ proprietary ribbon material replaces traditional foil ribbons with high tensile strength, toughness and shape memory that provides superior resilience at extreme SPLs</li><li>Custom-sourced components for superior presence, minimized signal loss and maximized output.</li><li>146dB SPL across 30 – 15,000 Hz frequency response ideal for capturing fast transients in vocals, acoustic instruments and concert halls</li><li>Legendary Shure quality and superior construction from hand-assembly of machined steel, silver, gold and aluminum materials</li><li>Protective wood case included for storage when not in use</li></ul>

Shure KSM313/NE
Dual-Voice ribbon microphone with Roswellite Ribbon Technology with the A300M ShureLock Mount

Shure KSM44A/SL
Multi-Pattern, Large Diaphragm, Side-Address Condenser Studio Microphone (Cristal)

Shure KSM42/SG
Large Dual-Diaphragm, Side-Address Condenser Vocal Microphone (Sable Gray)

The <span style="font-weight: bold;">Shure SM7B</span> dynamic 
microphone has a smooth, flat, wide-range frequency response appropriate
 for music and speech in all professional audio applications. It 
features excellent shielding against electromagnetic hum generated by 
computer monitors, neon lights, and other electrical devices. The SM7B 
has been updated from earlier models with an improved bracket design 
that offers greater stability. In addition to its standard windscreen, 
it also includes the A7WS windscreen for close-talk applications.<br>
<br>
SM7B Includes foam windscreen, close-talk windscreen, locking yoke mount.<br>
<br style="font-weight: bold;">
<span style="font-weight: bold;">Features</span><br>
<ul><li>Flat, wide-range frequency response for exceptionally clean and natural reproduction of both music and speech</li><li>Bass rolloff and mid-range emphasis (presence boost) controls with graphic display of response setting</li><li>Improved rejection of electromagnetic hum, optimized for shielding against broadband interference emitted by computer monitors</li><li>Internal "air suspension" shock isolation virtually eliminates mechanical noise transmission</li><li>Highly effective pop filter eliminates need for any add-on 
protection against explosive breath sounds, even for close-up vocals or 
narration</li><li>Now shipping with the A7WS detachable windscreen, designed to 
reduce plosive sounds and gives a warmer tone for close-talk vocals</li><li>Yoke mounting with captive stand nut for easy mounting and dismounting provides precise control of microphone position</li><li>Classic cardioid polar pattern, uniform with frequency and 
symmetrical about axis, to provide maximum rejection and minimum 
coloration of off-axis sound</li><li>Rugged construction and excellent cartridge protection for outstanding reliability</li><li>Replacement cartridge: RPM106</li></ul>

Shure SM7B
Dynamic microphone

The Shure KSM32 is a side-address, cardioid condenser microphone for highly critical studio recording and live sound productions. It offers an extended frequency response for an open, natural sounding reproduction of the original sound source.
<P></P>
<P class=mainT><B><I>FEATURES</I></B></P>
<UL class=mainT>
<LI>Class A, transformerless preamplifier circuitry eliminates cross-over distortion for improved linearity across the full frequency range. 
<LI>Embossed, high-compliance diaphragm provides extended low-frequency response. 
<LI>Ultra-thin, gold-layered, low-mass, Mylar<SMALL>®</SMALL> diaphragm for excellent transient response 
<LI>15 dB attenuation switch for handling extremely high sound pressure levels (SPL) 
<LI>Switchable low-frequency filter provides greater flexibility to reduce background noise or to counteract proximity effect. 
<LI>Integrated three-stage pop protection grille reduces "pop" and other breath noise 
<LI>Internal shock mount reduces transmission of handling noise </LI></UL>
<P class=mainT>Performance Characteristics</P>
<UL class=mainT>
<LI>Extended frequency response 
<LI>Very low self-noise 
<LI>Exceptional low-frequency reproduction 
<LI>High output level 
<LI>High input SPL capability 
<LI>No cross-over distortion 
<LI>Extremely uniform polar response 
<LI>Superior common mode rejection and suppression of radio frequency interference </LI></UL>
<P class=mainT><B><I>MODEL VARIATIONS</I></B></P>
<P class=mainT>The <B>KSM32/SL</B> has a champagne-colored finish and comes with the following accessories:</P>
<UL class=mainT>
<LI>Locking aluminum carrying case 
<LI>ShureLock<SUP><SMALL>TM</SMALL></SUP> elastic-suspension shock mount 
<LI>ShureLock<SUP><SMALL>TM</SMALL></SUP> swivel mount 
<LI>Protective velveteen pouch </LI></UL>
<P class=mainT>The <B>KSM32/CG</B> has a non-reflective, charcoal-gray finish for situations where less microphone visibility is preferred, such as live sound and stage production. It comes with the following accessories:</P>
<UL class=mainT>
<LI>ShureLock<SUP><SMALL>TM</SMALL></SUP> swivel mount 
<LI>Padded, zippered carrying bag </LI></UL>
<P class=mainT><B><I>APPLICATIONS</I></B></P>
<P class=mainTFirst>Some typical applications for the KSM32 are listed below. Microphone use, however, is a matter of personal taste. The KSM32 may be used for a variety of applications other than those listed.</P>
<UL class=mainT>
<LI>Voice -- solo, background, voice-over, broadcasting 
<LI>Acoustic instruments -- such as piano, guitar, drums, percussion, strings 
<LI>Wind instruments -- brass and woodwind 
<LI>Low frequency instruments -- such as double bass, electric bass, kick drum 
<LI>Overhead miking -- drums or percussion 
<LI>Ensembles -- choral or orchestral 
<LI>Room ambiance pick-up -- guitar amplifier or drums </LI></UL>
<P class=mainT>Both the acoustic environment and microphone placement have significant effects on the sound obtained when miking a source. You may need to experiment with these variables to achieve the best overall sound for each application.</P>

Shure KSM32/SL, Champagne
Side-address, cardioid condenser microphone for highly critical studio recording and live sound productions

The <B>Shure KSM32 </B>is a side-address, cardioid condenser microphone for highly critical studio recording and live sound productions. It offers an extended frequency response for an open, natural sounding reproduction of the original sound source. 
<P><B>Features:</B> 
<UL>
<LI>Class A, transformerless preamplifier circuitry eliminates cross-over distortion for improved linearity across the full frequency range. 
<LI>Embossed, high-compliance diaphragm provides extended low-frequency response. 
<LI>Ultra-thin, gold-layered, low-mass, Mylar<SMALL>®</SMALL> diaphragm for excellent transient response 
<LI>15 dB attenuation switch for handling extremely high sound pressure levels (SPL) 
<LI>Switchable low-frequency filter provides greater flexibility to reduce background noise or to counteract proximity effect. 
<LI>Integrated three-stage pop protection grille reduces "pop" and other breath noise 
<LI>Internal shock mount reduces transmission of handling noise </LI></UL>
<P><B>Performance Characteristics</B> 
<UL>
<LI>Extended frequency response 
<LI>Very low self-noise 
<LI>Exceptional low-frequency reproduction 
<LI>High output level 
<LI>High input SPL capability 
<LI>No cross-over distortion 
<LI>Extremely uniform polar response 
<LI>Superior common mode rejection and suppression of radio frequency interference </LI></UL>
<P><B>Model Variations</B> 
<P c>The <B>KSM32/SL</B> has a champagne-colored finish and comes with the following accessories: 
<UL>
<LI>Locking aluminum carrying case 
<LI>ShureLock<SUP><SMALL>TM</SMALL></SUP> elastic-suspension shock mount 
<LI>ShureLock<SUP><SMALL>TM</SMALL></SUP> swivel mount 
<LI>Protective velveteen pouch </LI></UL>
<P>The <B>KSM32/CG</B> has a non-reflective, charcoal-gray finish for situations where less microphone visibility is preferred, such as live sound and stage production. It comes with the following accessories:</P>
<UL>
<LI>ShureLock<SUP><SMALL>TM</SMALL></SUP> swivel mount 
<LI>Padded, zippered carrying bag </LI></UL>
<P><B>APPLICATIONS</B> 
<P>Some typical applications for the KSM32 are listed below. Microphone use, however, is a matter of personal taste. The KSM32 may be used for a variety of applications other than those listed. 
<UL>
<LI>Voice -- solo, background, voice-over, broadcasting 
<LI>Acoustic instruments -- such as piano, guitar, drums, percussion, strings 
<LI>Wind instruments -- brass and woodwind 
<LI>Low frequency instruments -- such as double bass, electric bass, kick drum 
<LI>Overhead miking -- drums or percussion 
<LI>Ensembles -- choral or orchestral 
<LI>Room ambiance pick-up -- guitar amplifier or drums </LI></UL>
<P>Both the acoustic environment and microphone placement have significant effects on the sound obtained when miking a source. You may need to experiment with these variables to achieve the best overall sound for each application.</P>

Shure KSM32/CG, Charcoal Gray
Large Diaphragm Condenser Microphone

The <span style="font-weight: bold;">Shure KSM141</span> is a 
dual-pattern end-addressed condenser microphone with a rotating collar, 
allowing easy switching between a consistent cardioid or true 
omnidirectional polar pattern for smooth and extremely focused sound 
reproduction. <br>
Designed for studio use, yet rugged enough for live applications, the 
KSM141 can withstand extremely high sound pressure levels (SPL). Its low
 self-noise and extended frequency response make it ideal for recording 
musical instruments.<br>
<br>
<span style="font-weight: bold;">Features</span>:<br>
<ul><li>A mechanical polar pattern switch for highly consistent cardioid 
and true omnidirectional polar patterns. Provides flexibility in a wide 
variety of recording applications</li><li>Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar® diaphragm for superior transient response</li><li>Class A, discrete, transformerless preamplifier for transparency, 
extremely fast transient response, no crossover distortion, and minimal 
harmonic and inter-modulation distortion</li><li>Premium electronic components, including gold-plated internal and external connectors</li><li>Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration</li><li>Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)</li><li>Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect</li></ul>
<span style="font-weight: bold;">Performance Characteristics </span><br>
<ul><li>Extended frequency response</li><li>Low self-noise</li><li>Exceptional reproduction of low-frequency sounds</li><li>Can withstand high sound pressure levels (SPL)</li><li>High output level</li><li>No crossover distortion</li><li>Uniform polar response</li><li>Superior common mode rejection and suppression of radio frequency interference</li></ul>
<span style="font-weight: bold;">Applications </span><br>
Some typical applications for the KSM141 are listed below. Microphone 
use, however, is a matter of personal taste. The KSM141 may be used for a
 variety of applications other than those listed.<br>
<ul><li>Acoustic instruments -- such as piano, guitar, drums, percussion, strings</li><li>Wind instruments -- brass and woodwind</li><li>Low frequency instruments -- such as double bass, electric bass, kick drum</li><li>Overhead miking -- drums or percussion</li><li>Ensembles -- choral or orchestral</li><li>Room ambiance pick-up -- guitar amplifier or drums</li></ul>
Both the acoustic environment and microphone placement strongly affect 
the sound obtained from miking a source. You may need to experiment with
 microphone placement and room treatments to achieve the best overall 
sound for each application.

Shure KSM141/SL
Small diaphragm condenser microphone

Shure DMK57-52 Drum Microphone Kit
Includes three SM57's, one BETA 52A, three A56D drum-mounts and a carrying case

The <span style="font-weight: bold;">Shure SLX4</span> receiver brings unprecedented ease of use to wireless with Automatic Frequency Selection and Automatic Transmitter Setup. With included rack hardware and detachable antennas, it is ready for immediate installation right out of the box.  Model SLX4L available with logic output for use with software echo cancellation and remote battery life monitoring.  Logic-enabled transmitters include MX690 and MX890.<br>SLX Wireless Systems feature the patented Audio Reference Companding for crystal-clear sound beyond the limits of conventional wireless technology.<br><ul class="mainT"><li>Automatic Frequency Selection</li><li>Automatic Transmitter Setup</li><li>960 Selectable frequencies across 24 MHz bandwidth</li><li>Detachable 1/4 wave antennas</li><li>Microprocessor-controlled diversity</li><li>RF presence LED</li><li>5-segment audio meter</li><li>Multi-function, backlit LCD</li><li>Low battery indicator</li><li>Frequency and power lockout</li><li>Rugged metal chassis</li><li>Volume control on rear of unit</li><li>1/2 rack design</li><li>Furnished rack hardware</li><li>Non-slip bumpers for use out of rack</li><li>XLR and 1/4" outputs</li><li>Optional logic functionality for software echo cancellation and remote battery life monitoring (SLX4L only)</li></ul><span style="font-weight: bold;">Consumer Alert</span><br><br>Most users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is subject to certain restrictions: the system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it has no protection from interference received from any other device. Purchasers should also be aware that the FCC is currently evaluating use of wireless microphone systems, and these rules are subject to change. For more information, call the FCC at 1-888-CALL-FCC (TTY: 1-888-TELL-FCC) or visit the FCC's wireless microphone website at www.fcc.gov/cgb/wirelessmicrophones

Shure SLX4 J3
Diversity Receiver with PS21US Power Supply, 1/4 Wave Antenna, and Rack Mounting Hardware, J3 Band (572 - 596 MHz)

Shure PGX24/PG58-H6 Handheld Wireless System
Includes PGX4 receiver, PX2 handheld transmitter with PG58 microphone head (H6 band)

The <span style="font-weight: bold;">Shure Beta 87A</span> is a premium 
quality supercardioid hand-held electret condenser vocal microphone with
 exceptionally smooth frequency response and high sound pressure level 
capability. Used for professional sound reinforcement, broadcasting, and
 studio recording applications, the Beta 87A combines superb performance
 with the ruggedness needed for touring and field production. <br>
<br>
The Beta 87A features a controlled low-frequency roll-off that 
compensates for proximity effect and prevents the “boomy” sound often 
associated with close pick-up. The characteristic Shure presence rise 
brightens the upper midrange. The tight supercardioid pattern, with null
 points at approximately 125 degrees, provides maximum isolation from 
other vocalists or instruments while offering minimal off-axis 
coloration. The Beta 87A operates on phantom power.<br>
<p><b>SLX2 Handheld Transmitter</b></p><ul><li>Frequency response: 50 to 15,000 Hz</li><li>Automatic Transmitter Setup</li><li>Backlit LCD with timeout feature</li><li>470 - 782 MHz operating range</li></ul><span style="font-weight: bold;">Consumer Alert</span><br>
Most users do not need a license to operate this wireless microphone
system. Nevertheless, operating this microphone system without a
license is subject to certain restrictions: the system may not cause
harmful interference; it must operate at a low power level (not in
excess of 50 milliwatts); and it has no protection from interference
received from any other device. Purchasers should also be aware that
the FCC is currently evaluating use of wireless microphone systems, and
these rules are subject to change. For more information, call the FCC
at 1-888-CALL-FCC (TTY: 1-888-TELL-FCC) or visit the FCC's wireless
microphone website at www.fcc.gov/cgb/wirelessmicrophones

Shure SLX2/BETA87A J3
Handheld transmitter with BETA87A microphone, J3 Band (572 - 596 MHz)

<p>The <span style="font-weight: bold;">Shure KSM137/SL</span> is an end-address condenser microphone with a single
cardioid polar pattern. Designed for studio use, yet rugged enough for
live applications, the KSM137 can withstand extremely high sound
pressure levels (SPL). Its low self-noise and extended frequency
response make it ideal for recording musical instruments.</p>  <p>Versatile,
durable, and precise, the KSM137 is an outstanding microphone for
instruments ranging from percussion to wind, strings to brass, and
piano to guitar.</p> <ul><li><B>KSM137/SL</B> with foam windscreen and carrying case, champagne finish<BR></li><li><B>KSM137/SL ST PAIR</B> with two KSM137/SL Mics, two windscreens, one carrying case, champagne finish<BR></li></ul><span style="font-weight: bold;">The Shure KSM137/SL Features:</span><br><ul class="mainT"><li>A highly consistent cardioid polar pattern</li><li>Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar<small><sup><font size="2">®</font></sup></small> diaphragm for superior transient response</li><li>Class
A, discrete, transformerless preamplifier for transparency, extremely
fast transient response, no crossover distortion, and minimal harmonic
and intermodulation distortion</li><li>Premium electronic components, including gold-plated internal and external connectors</li><li>Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration</li><li>Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)</li><li>Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)</li><li>Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect</li></ul><p><span style="font-weight: bold;"> Performance Characteristics</span><br></p><ul><li>Extended frequency response</li><li>Low self noise</li><li>Exceptional reproduction of low-frequency sounds</li><li>Can withstand high sound pressure levels (SPL)</li><li>High output level</li><li>No crossover distortion</li><li>Uniform polar response</li><li>Superior common mode rejection and suppression of radio frequency interference</li></ul><p><span style="font-weight: bold;">Applications</span><br></p><p>Some
typical applications for the KSM137 are listed below. Microphone use is
a matter of personal taste and the KSM137 may be used for a variety of
applications other than those listed.</p><ul><li>Acoustic instruments -- such as piano, guitar, drums, percussion, strings</li><li>Wind instruments -- brass and woodwind</li><li>Low frequency instruments -- such as double bass, electric bass, kick drum</li><li>Overhead miking -- drums or percussion</li><li>Ensembles -- choral or orchestral</li><li>Room ambiance pick-up -- guitar amplifier or drums</li></ul>

Shure KSM137/SL
Small diaphragm condenser microphone

The <span style="font-weight: bold;">Shure SM27-SC</span> is a rugged and versatile large-diaphragm, side-address
cardioid microphone, with low self-noise and extended frequency
response that picks up vocal and instrument nuances with clarity.
Durable Shure construction features three separate mesh layers that
reduce wind and breath noise. Equally comfortable on stage or in the
studio.</p>
<p><span style="font-weight: bold;">The Shure SM27-LC Features:</span></p>
<ul class="mainT"><li>Uniform cardioid pattern for superior off axis rejection</li><li>Superior transient response from a low-mass large Mylar® diaphragm</li><li>Flat, neutral frequency response for natural reproduction on stage or in the studio</li><li>3-position
switchable low-frequency filter helps reduce unwanted background noise
or counteract proximity effect for consistent, extended low-end</li><li>Durable metal construction.</li><li>Three separate mesh layers reduces wind and breath noise.</li><li>15dB pad for performance consistency across a wider range of high SPL sources</li></ul>
<span style="font-weight: bold;"></span>

Shure SM27-SC
Cardioid Side-Address Condenser Microphone. Includes a rubber suspension shock mount and a velveteen storage pouch.

<p><b>Beta 58A Vocal Microphone</b></p><p>The Beta
58A microphone accentuates the warmth and clarity of lead and backup
vocals. Its supercardioid design provides maximum isolation from other
onstage sounds.</p><div style="margin-left: 2em;"><ul><li>Supercardioid, Dynamic</li><li>Frequency response: 50 to 16,000 Hz</li><li>Neodymium magnet for high signal–to–noise output<br></li></ul></div><p><b>SLX2 Handheld Transmitter</b></p><ul><li>Frequency response: 50 to 15,000 Hz</li><li>Automatic Transmitter Setup</li><li>Backlit LCD with timeout feature</li><li>470 - 782 MHz operating range</li></ul><span style="font-weight: bold;">Consumer Alert</span><br>
<br>
Most users do not need a license to operate this wireless microphone
system. Nevertheless, operating this microphone system without a
license is subject to certain restrictions: the system may not cause
harmful interference; it must operate at a low power level (not in
excess of 50 milliwatts); and it has no protection from interference
received from any other device. Purchasers should also be aware that
the FCC is currently evaluating use of wireless microphone systems, and
these rules are subject to change. For more information, call the FCC
at 1-888-CALL-FCC (TTY: 1-888-TELL-FCC) or visit the FCC's wireless
microphone website at www.fcc.gov/cgb/wirelessmicrophones

Shure SLX2/BETA58 J3
Handheld transmitter with BETA58 microphone, J3 Band (572 - 596 MHz)

The <span style="font-weight: bold;">Shure Beta 87A</span> microphone has consistently been a top choice of performers and audio technicians around the world due to its superb accuracy and detail, and rich vocal production. This long-standing favorite now features a new design and has been renamed the Beta 87A TM.<p>In response to user requests, Shure has redesigned this microphone by just slightly thickening the handle for a more comfortable feel when hand-held. In addition, the Beta 87A now includes the A25D break-resistant swivel adapter.</p><p>The Shure Model Beta 87A is a premium quality supercardioid hand-held electret condenser vocal microphone with exceptionally smooth frequency response and high sound pressure level (SPL) capability. Used for professional sound reinforcement, broadcasting, and studio recording applications, the Beta 87A combines superb performance with the ruggedness needed for touring and field production.</p><p>The Beta 87A features a controlled low-frequency roll-off that compensates for proximity effect and prevents the "boomy" sound often associated with close pick-up. The characteristic Shure presence rise brightens the upper midrange. The tight supercardioid pattern, with null points at approximately 125 degrees, provides maximum isolation from other vocalists or instruments while offering minimal off-axis coloration. The Beta 87A operates on phantom power.</p><p><span style="font-weight: bold;">The Shure Beta 87A Features:</span><br></p><li>Smooth, tailored frequency response provides detail, accuracy, and warmth for vocals </li><li>Extremely accurate supercardioid pattern at all frequencies provides the highest gain-before-feedback </li><li>Three-stage pop filter minimizes breath pop and noise </li><li>Break-resistant stand adapter </li><li>Frequency response: 50 to 20,000 Hz</li>

Shure Beta 87A
Supercardioid condenser vocal microphone

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