Softube Plug-ins | VintageKing.com

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Softube

The <b>Softube Studio Collection </b>contains twelve award-winning plug-ins—eight emulations of highly-prized studio classics, and four exclusive Softube designs. Now you can equip your studio with virtually the same premier recording, mixing, and mastering tools found in traditional recording studios—and do it for thousands of dollars less.<br><br><b>Features:</b><br><ul><li>Four Different Reverbs and Delays—Create acoustic spaces ranging from classic spring reverb to lush and vibrant vintage verb to modern, sophisticated ambience.</li><li>Two Dynamics Processors—Enjoy classic compression with modern features courtesy of the FET Compressor, or turn to the Dyna-mite, the Swiss army knife of dynamics processors from the 80s.</li><li>Four Equalizers—Choose between an open and wide sound from the 60s, a typical 70s console equalizer, the famous Trident A-Range channel equalizer, or the exclusive hybrid Focusing EQ.</li><li>Two Specialized Equalizers—Tonelux Tilt and Tilt Live represent 30 years of audio engineering expertise boiled down to a single Tilt knob. And what a knob!</li></ul><b>Includes:</b><br><ul><li><b>TSAR-1 Reverb </b>True Stereo Algorithmic Reverb Model 1. Powerful, sophisticated, detailed, modern-style reverb.</li><li><b>TSAR-1R Reverb </b>The world-class TSAR reverb coupled with an easy, fast, intuitive interface.</li><li><b>Spring Reverb </b>An instant classic with tons of sonic character. (Watch that shake control!)</li><li><b>Tube Delay </b>Never before has a digital delay sounded so analog.</li><li><b>Trident A-Range </b>Equalizer Channel 15 from one of the most famous recording desks ever made, complete with original console saturation.</li><li><b>Tonelux Tilt </b>One knob tilt and loudness equalizer featuring extremely low CPU usage.</li><li><b>Tonelux Tilt Live </b>One knob equalizer optimized for live performance applications.</li><li><b>Active Equalizer </b>Classic 70s fully-parametric design.</li><li><b>Passive Equalizer </b>A wide, clear, and open sound courtesy of a famous design from the 60s.</li><li><b>Focusing Equalizer </b>Unique design that combines the Passive and Active equalizers along with a gentle saturation/compression control.</li><li><b>Valley People Dyna-mite </b>Limiter, expander, gate, and de-esser in one unit. The classic 80s drum gate, but an even more classic drum squasher!</li><li><b>FET Compressor </b>A fresh spin on one of the most famous compressors of all time, updated with parallel compression, detector filters, look-ahead function, and external side-chain.</li></ul>

Softube Studio Collection - Native
Twelve-plugin bundle
This product requires iLok authorization. For more information, give us a call at 248.591.9276

The Trident A-Range is a legendary piece of equipment. As only thirteen
A-Range consoles were ever made, it remains a holy grail for sound
engineers and producers around the world that hope to create works of
art equal to those that were originally recorded on the A-Range — David
Bowie's Ziggy Stardust, Queen, Elton John, the list goes on...<br>
<br>
The <span style="font-weight: bold;">Softube Trident A-Range</span>
plug-in is the first and only native and TDM plug-in that has been
fully endorsed by original designer Malcolm Toft and Trident Audio.<br>
<br>
The plug-in is a model of a channel on one of the original 13 Trident
A-Range consoles. We chose to model channel 15 from the console at
Sweet Silence Studio 'B' in Denmark, producer Flemming Rasmussen's
favorite channel for recording lead vocals. Flemming also used it for
the solo and rhythm guitars on Metallica's "Ride The Lightning" and
"Master of Puppets", and Ritchie Blackmore's guitar on the Rainbow
albums "Difficult to Cure" and "Bent out of Shape".<br>
<br>
The A-Range channel features four bands of equalization and high and
low pass filters. The sound of the bands is often referred to as
"colorful" and "musical". When running a hot enough signal through the
original unit and boosting the bands, it is possible to get it to
distort, the result is a hairy and effective saturation that is just
right in some situations, and just wrong in others!<br>
<br>
<span style="font-weight: bold;">In Short</span><br>
<ul><li>Created together with original designer Malcolm Toft</li><li>Each and every component carefully modeled</li><li>Same sweet sounding EQ filters that made the original legendary</li><li>Interaction between the different bands, making this equalizer one of its kind</li><li>Saturation control</li><li>Very CPU friendly</li></ul>
<span style="font-weight: bold;">Controls</span><br>
<br>
<span style="font-weight: bold;">Authentic User Interface</span><br>
An authentic aubergine color (well, as good as it gets on a computer
screen...) and the exact same controls as the real thing (okay, we
added the Saturation and the Output volume). And then we removed a
couple of controls that weren't relevant for computer recording. All
right, we changed a few things — but it still looks good!<br>
<br>
<span style="font-weight: bold;">Saturation</span><br>
The distortion of the original desks is of course captured by the
plug-in. Instead of using an input volume to drive the signal, we chose
to use a Saturation knob instead — so that you don't have to compensate
the Output volume all the time.<br>
<br>
Just set the Saturation to OFF if you don't need it, which will also make the native version more CPU efficient.<br>
<br>
<span style="font-weight: bold;">Low and High Pass filters</span><br>
The ultimate problem solver. Make sure to use these a lot. If you need even more filtering, just press multiple buttons.<br>
<br>
<span style="font-weight: bold;">Developed by Softube and Trident</span><br>
The Trident A-Range plug-in was developed by Softube in co-operation with Malcolm Toft and Trident.<br>
<br>
"I am pleased to say that this is an incredibly accurate software recreation of my original A-Range design."<br>
<span style="font-weight: bold;">Professor Malcolm Toft</span><br style="font-weight: bold;">
<span style="font-weight: bold;">Original designer of the A-Range console at Trident Audio Developments</span>

Softube Trident A-Range Equalizer - TDM
Plug-in version of the hit-making British EQ.
This product requires iLok authorization. For more information, give us a call at 248.591.9276

The Trident A-Range is a legendary piece of equipment. As only thirteen
A-Range consoles were ever made, it remains a holy grail for sound
engineers and producers around the world that hope to create works of
art equal to those that were originally recorded on the A-Range — David
Bowie's Ziggy Stardust, Queen, Elton John, the list goes on...<br>
<br>
The <span style="font-weight: bold;">Softube Trident A-Range</span>
plug-in is the first and only native and TDM plug-in that has been
fully endorsed by original designer Malcolm Toft and Trident Audio.<br>
<br>
The plug-in is a model of a channel on one of the original 13 Trident
A-Range consoles. We chose to model channel 15 from the console at
Sweet Silence Studio 'B' in Denmark, producer Flemming Rasmussen's
favorite channel for recording lead vocals. Flemming also used it for
the solo and rhythm guitars on Metallica's "Ride The Lightning" and
"Master of Puppets", and Ritchie Blackmore's guitar on the Rainbow
albums "Difficult to Cure" and "Bent out of Shape".<br>
<br>
The A-Range channel features four bands of equalization and high and
low pass filters. The sound of the bands is often referred to as
"colorful" and "musical". When running a hot enough signal through the
original unit and boosting the bands, it is possible to get it to
distort, the result is a hairy and effective saturation that is just
right in some situations, and just wrong in others!<br>
<br>
<span style="font-weight: bold;">In Short</span><br>
<ul><li>Created together with original designer Malcolm Toft</li><li>Each and every component carefully modeled</li><li>Same sweet sounding EQ filters that made the original legendary</li><li>Interaction between the different bands, making this equalizer one of its kind</li><li>Saturation control</li><li>Very CPU friendly</li></ul>
<span style="font-weight: bold;">Controls</span><br>
<br>
<span style="font-weight: bold;">Authentic User Interface</span><br>
An authentic aubergine color (well, as good as it gets on a computer
screen...) and the exact same controls as the real thing (okay, we
added the Saturation and the Output volume). And then we removed a
couple of controls that weren't relevant for computer recording. All
right, we changed a few things — but it still looks good!<br>
<br>
<span style="font-weight: bold;">Saturation</span><br>
The distortion of the original desks is of course captured by the
plug-in. Instead of using an input volume to drive the signal, we chose
to use a Saturation knob instead — so that you don't have to compensate
the Output volume all the time.<br>
<br>
Just set the Saturation to OFF if you don't need it, which will also make the native version more CPU efficient.<br>
<br>
<span style="font-weight: bold;">Low and High Pass filters</span><br>
The ultimate problem solver. Make sure to use these a lot. If you need even more filtering, just press multiple buttons.<br>
<br>
<span style="font-weight: bold;">Developed by Softube and Trident</span><br>
The Trident A-Range plug-in was developed by Softube in co-operation with Malcolm Toft and Trident.<br>
<br>
"I am pleased to say that this is an incredibly accurate software recreation of my original A-Range design."<br>
<span style="font-weight: bold;">Professor Malcolm Toft</span><br style="font-weight: bold;">
<span style="font-weight: bold;">Original designer of the A-Range console at Trident Audio Developments</span>

Softube Trident A-Range Equalizer - Native
Plug-in version of the hit-making British EQ.
This product requires iLok authorization. For more information, give us a call at 248.591.9276

Tube-Tech CL 1B is a true studio classic, heard on tons and tons of 
records for the past 20 years. Like its hardware counterpart, the <span style="font-weight: bold;">Softube Tube-Tech CL 1B</span> native plug-in
 sounds soft, smooth, groovy and can compress an insane amount of dB's 
without sounding bad.<br>
<br>
The CL 1B plug-ins by Softube are the only Tube-Tech plug-ins that are 
fully endorsed by Tube-Tech.<br>
<br>
This version requires no DSP hardware but uses the same outstanding 
modeling technology and algorithms as the famous Tube-Tech CL 1B plug-in
 for TDM and PowerCore (distributed by TC Electronic). The sound is of 
course just as fantastic as its predecessor. With this unprecedented 
accuracy, down to details such as the precise VU meter behaviour, the 
Tube-Tech CL 1B plug-in is definitely in a league of its own.<br>
<br>
<span style="font-weight: bold;">In Short</span><br>
<ul><li>Classic Tube-Tech sound in your computer</li><li>Created together with the designers at Lydkraft/Tube-Tech</li><li>Each and every component carefully modeled</li><li>Fix./man. mode for breaking traditional compression boundaries</li><li>External sidechain control</li><li>A seriously great looking GUI!</li><li>Very CPU friendly</li></ul>
<br>
<span style="font-weight: bold;">Compression controls</span><br>
<ul><li>Gain: Up to +30 dB of make-up gain</li><li>Ratio: Continuous ratio control from 2:1 to 10:1</li><li>Threshold: Continuous threshold control from +20 dB to -40 dB</li><li>Attack: From 0.5 to 300 milliseconds</li><li>Release: From 0.05 to 10 seconds</li></ul>
<br>
<span style="font-weight: bold;">Attack/release select</span><br>
The Tube-Tech CL 1B features a unique attack/release switch. The switch 
has three different positions:<br>
<ul><li>Fixed: In the fixed mode, the attack time is set to 1 millisecond 
and the release is set to 50 milliseconds</li><li>Manual: In the manual mode, the attack and release controls work 
as normal</li><li>Fix./man: In the fix./man. mode, the release control works as in 
manual mode. The attack, however, is fixed to a fast attack and the 
attack knob turns into a delay for the release time.</li></ul>
<br>
<span style="font-weight: bold;">Sidechain bus select</span><br>
Setting the Sidechain bus select to 'external' lets you - you guessed 
it! - use an external sidechain.<br>
<br>
<span style="font-weight: bold;">Meter options</span><br>
At your disposal is an old school VU meter capable of showing three 
different things.<br>
<ul><li>Input: The VU meter shows the input level</li><li>Compression: The VU meter shows the amount of gain reduction</li><li>Output: The VU meter shows the output level</li></ul>"A truly faithful and very exact replica of the hardware CL1B. Finally it's possible to experience natural musical compression in a plug-in"<br><span style="font-weight: bold;">John G. Petersen</span>

Softube Tube-Tech CL-1B Compressor - Native
The world famous Lydkraft/Tube-Tech CL 1B opto compressor - a $3,000 staple in major recording facilities - has finally arrived as a native plug-in! (VST/AU/RTAS)
This product requires iLok authorization. For more information, give us a call at 248.591.9276

The <b>Softube Passive-Active Pack</b> is a collection of three very different equalizers, each with its own character and quirks. The equalizers contain emulations of real workhorse equalizers, used on thousands of recordings from past to present.
<br><br>
<span style="font-weight: bold;">Passive Equalizer</span> is a three-band EQ with an unprecedented clear and open sound, a warm low end and sparkling top.
<br><br style="font-weight: bold;"><span style="font-weight: bold;">
Active Equalizer</span> is Passive's counterpart with three fully parametric bands and a tight and focused sound.
<br><br style="font-weight: bold;"><span style="font-weight: bold;">
Focusing Equalizer</span> is an un-traditional take on the EQ concept where the low, mid and high bands move automatically and musically in relation to the high and low cut filters. It also features filters from the Passive and Active EQ's as well as an outstanding one-knob Saturation control.
<br><br>
At first glance it may seem like you're sacrificing versatility by using an equalizer with a limited set of options - why use a three-band equalizer when you can use your digital equalizer with umpteen bands, continuous gain, selectable Q and different curves all built in? Well, equalization is all about sound design. Having an equalizer where the designer has already made some of the choices four you is like having an experienced sound engineer helping out and giving you directions.
<br><br>
All equalizers are modeled using the same state-of-the-art technology as we used to create our very popular FET Compressor and the Brilliance Pack plug-ins for Abbey Road.
<br><br>
<b>General Features:</b>
<ul>
    <li> Authentic component modeling
    </li><li> Fully automatable parameters
    </li><li> Output gain and output metering
    </li><li> 3-D rendered photo-realistic user interface
    </li><li> Available for VST, AU and RTAS compatible hosts
</li></ul>
<b>Features Passive Equalizer:</b>
<ul>
    <li> Three bands with an extremely wide and open sound
    </li><li> Excellent treble control without any "digital harshness"
    </li><li> Warm low end and a sparkling top
</li></ul>

<b>Features Active Equalizer:</b>
<ul>
    <li> Tight and focused sounding filters
    </li><li> Low- and High cut
    </li><li> Three parametric bands with:<ul>
          <li> Selectable gain in 2dB steps (-/+ 16 dB)
          </li><li> Selectable frequency with overlapping, but non-interfering, bands
            (50-500 Hz, 380Hz-3.8kHz, 1.8-18kHz)
          </li><li> Select between a sharp or blunt peak (Q) for each band
</li></ul></li>
	</ul>
<b>Features Focusing Equalizer:</b>
<ul>
    <li> Built-in one knob saturation with metering
    </li><li> Selectable saturation type
    </li><li> Choose between Passive or Active EQ character
    </li><li> Three-band EQ that automatically and musically changes with Low and High Cut
</li></ul>

Softube Passive-Active EQ Pack - Native
Three Modeled Equalizers, Passive, Active and Focusing. (VST/AU/RTAS)
This product requires iLok authorization. For more information, give us a call at 248.591.9276

The <b>Softube Bass Amp Room</b> was designed to handle all your bass amp needs, from dirty rock to modern clean, keeping two equally important goals in mind. The first was to give the user the best possible sound quality. The latter was to create an intuitive plug-in which allows for a really fast work flow. Time is money, but cutting down on time shouldn't mean you have to accept poor results.
<br><br>
Bass Amp Room consists of a model of a classic bass amplifier, three distinctive speaker cabinets with click-and-drag mics, and a blendable DI section with tone controls and a limiter. That's it. And it's all you need to create a unique signature sound - the strength lies in the ease of use of the individual blocks and the huge range of sounds these can produce when combined.
<br><br>
In short, Bass Amp Room is all about getting a sound you know you can trust, and getting it quickly, from a plug-in you don't need a degree in computer science to handle.
<br><br>
<b>Softube Bass Amp Room Features:</b>
<ul>
    * Authentic amp and cabinet modeling
    * Three versatile and good-sounding cabinets
    * Designed for excellent results and fast work flow
    * Built-in one-knob limiter in D.I. panel
    * Easy to use mix and D.I. panel
    * Flexible & continuous click-and-drag mic positioning
    * Fully automatable parameters
    * 3-D rendered photo-realistic user interface
    * Compatible with all effects that work with real amps
    * Amp/Cab Bypass possiblities let you use cabinets from other Amp Room products
</ul>

Softube Bass Amp Room - Native
Softube's famous "Direct-to-DAW" amp simulation now finally available for bass! Features a custom amplifier, three cabinets, world-class mic modeling, programmable DI and more! (VST/AU/RTAS)
This product requires iLok authorization. For more information, give us a call at 248.591.9276

The <b>Softube Amp Room Bundle</b> consists of our three state-of-the-art Amp Room plug-ins:
<br><br>	
<b>intage Amp Room</b>
<br><br>
Straightforward and simple, Vintage Amp Room emulates three great vintage guitar amps in a complete studio set-up with speaker cabinets and fully flexible microphone positioning. It’s easy to use for live performances and recordings, as well as for re-amping and last-minute tweaking.
<br><br>	
<b>Metal Amp Room</b>
<br><br>
Metal Amp Room was designed to bring you the most brutal, evil and aggressively distorted guitar sound that is possible to squeeze out of your DAW. Extremely accurate amp modeling and continuous mic placement with twin mics and adjustable stereo panning. Get a huge stereo sound with complex adjustable phasing effects, a plain old one-mic-right-against-the-cone, or anything in between.
<br><br>
<b>Bass Amp Room</b>
<br><br>
Bass Amp Room gives you both a dirty rock bass sound as well as a modern clean sound. Mix and match between the amp and cabinets, and blend that sound with the sound from the D.I. section.

Softube Amp Room Bundle - Native
Vintage Amp Room, Metal Amp Room, and Bass Amp Room together in a single, value-priced package. The most affordable way to get the best amp models on the planet! (VST/AU/RTAS)
This product requires iLok authorization. For more information, give us a call at 248.591.9276

Straightforward and simple, The <b>Softube Vintage Amp Room</b> emulates three great guitar amps in a complete studio set-up with speaker cabinets and fully flexible microphone positioning. It’s easy to use for live performances and recordings, as well as for re-amping and last-minute tweaking.
<br><br>
Amp Room has none of the added gadgets or weird-sounding presets sometimes found in simulation software. Focusing on quality and accuracy, it simulates three amps, with sounds that are timeless and authentically raw. The goal is not to give you a pre-produced, ultimate guitar sound, but to provide you with the ultimate tool to create your own. Because after all, only you know exactly what sound you want.
<br><br>	
<b>The Softube Vintage Amp Room Features:</b>
<ul>
    <li> Three great-sounding vintage amp models that handle like real amps
    <li> Raw & authentic sound
    <li> Flexible & continuous click-and-drag mic positioning
    <li> Fully automatable parameters
    <li> 3-D rendered photo-realistic user interface
    <li> Compatible with all effects that work with real amps
</ul>

Softube Vintage Amp Room - Native
High-end guitar amp simulator plug-ins: 3 classic amp models with multiple speaker cabs, mic position, and more. Guitar tone extraordinaire! (VST/AU/RTAS)
This product requires iLok authorization. For more information, give us a call at 248.591.9276

Straightforward and simple, The <b>Softube Vintage Amp Room</b> emulates three great guitar amps in a complete studio set-up with speaker cabinets and fully flexible microphone positioning. It’s easy to use for live performances and recordings, as well as for re-amping and last-minute tweaking.
<br><br>
Amp Room has none of the added gadgets or weird-sounding presets sometimes found in simulation software. Focusing on quality and accuracy, it simulates three amps, with sounds that are timeless and authentically raw. The goal is not to give you a pre-produced, ultimate guitar sound, but to provide you with the ultimate tool to create your own. Because after all, only you know exactly what sound you want.
<br><br>	
<b>The Softube Vintage Amp Room Features:</b>
<ul>
    <li> Three great-sounding vintage amp models that handle like real amps
    <li> Raw & authentic sound
    <li> Flexible & continuous click-and-drag mic positioning
    <li> Fully automatable parameters
    <li> 3-D rendered photo-realistic user interface
    <li> Compatible with all effects that work with real amps
</ul>

Softube Vintage Amp Room - TDM
High-end guitar amp simulator plug-ins: 3 classic amp models with multiple speaker cabs, mic position, and more. Guitar tone extraordinaire! (TDM/VENUE/VST/AU/RTAS)
This product requires iLok authorization. For more information, give us a call at 248.591.9276

The <b>Softube Metal Amp Room</b> was designed to bring you the most brutal, evil and aggressive sound that is possible to squeeze out of your DAW. It was co-developed with Patrik Jensen (The Haunted) and tailored to his needs. The continuous mic placement from Vintage Amp Room is back, but this time with twin mics with adjustable stereo panning. Get a huge stereo sound with complex adjustable phasing effects, a plain old one-mic-right-against-the-cone, or anything in between. The cabinets were measured in the In Flames studio (previously known as Studio Fredman) by Tue Madsen and Patrik Jensen.
<br><br>	
Focusing on usability and sound quality, this is a plug-in that is proud not to include a gazillion amps, effects racks, patch cords, or a blow- dryer. Just two channels, two cabinets, two mics per cabinet, and a wickedly fast noise gate for palm mute galore. Every setting is a setting that will sound good, so it's almost impossible to get a useless sound. Metal Amp Room is a real workhorse, a plug-in that will handle all your metal needs without ever getting in your way.
<br><br>
<b>The Softube Metal Amp Room Features:</b>
<ul>
    <li> A brutal metal amp...
    <li> ... with a raw & authentic sound
    <li> And a program-dependent guitar noise gate
    <li> Two cabs with two mics per cabinet
    <li> Easy to use balancing stereo mic preamp for balancing the two mics
    <li> Flexible & continuous click-and-drag mic positioning
    <li> Fully automatable parameters
    <li> 3-D rendered photo-realistic user interface
    <li> Compatible with all effects that work with real amps
    <li> NEW in v.1.1! Amp/Cab Bypass possiblities
</ul>

Softube Metal Amp Room - Native
High-end guitar amp simulator plug-in. Totally brutal shred amp with dual mic modeling for stereo effects. Tone that kills, maims, and destroys! (VST/AU/RTAS)
This product requires iLok authorization. For more information, give us a call at 248.591.9276

Many "modeled" compressors are nothing more than futile attempts to get an off-the-shelf algorithm to match its hardware counterpart by tweaking a few parameters like the knee and attack/release times. But anyone who has worked with hardware compressors knows that there must be more to it. And there is.
<br><br>
The heritage of analog compressors very much showcases the history of electronics in the previous century. It's the deficiencies of the different designs and components that give each unit its unique character, and what started out as technical limitations have now become sought-after sounds. Simply approximating the most apparent features is not enough to capture this uniqueness. It takes a model of great complexity and accuracy to make a digital replica sound like the original with all settings and inputs.
<br><br>
When creating <b>Softube FET Compressor</b>, Softube set out to make the most accurate emulation of the most famous solid state compressor. Instead of modeling individual features and putting them together digitally we have modeled the unit in its entirety: input and output stages, gain reduction feedback loops, bias differences of different transistors, etc. It's been by far the hardest project we have taken on, but we feel that the result speaks for itself. And hopefully it will be easier to do it the next time (yeah right).
<br><br>
Not convinced yet? Download the demo, set the Input knob on max, and Ratio on All. Listen.
<br><br>
<b>The Softube FET Compressor Features:</b>
<ul>
    <li> Modeled analog compressor, input and output stages. Modeled everything.
    <li> Modeled "All buttons in" mode
    <li> Continuous ratio (even between 20:1 and ALL.)
    <li> Super fast attack time (just like the original)
    <li> Sweet input and output stage distortion.
    <li> Parallel compression.
    <li> Detector low and high cut filters
    <li> External side chain
    <li> Lookahead
    <li> Stereo with synchronized gain reduction
    <li> Very CPU friendly
</ul>

Softube FET Compressor - Native
World-class software model of a "must-have" vintage hardware classic compressor enhanced with exclusive modern-day features. Destined to become a classic on it's own! (VST/AU/RTAS)
This product requires iLok authorization. For more information, give us a call at 248.591.9276

Many "modeled" compressors are nothing more than futile attempts to get an off-the-shelf algorithm to match its hardware counterpart by tweaking a few parameters like the knee and attack/release times. But anyone who has worked with hardware compressors knows that there must be more to it. And there is.
<br><br>
The heritage of analog compressors very much showcases the history of electronics in the previous century. It's the deficiencies of the different designs and components that give each unit its unique character, and what started out as technical limitations have now become sought-after sounds. Simply approximating the most apparent features is not enough to capture this uniqueness. It takes a model of great complexity and accuracy to make a digital replica sound like the original with all settings and inputs.
<br><br>
When creating <b>Softube FET Compressor</b>, Softube set out to make the most accurate emulation of the most famous solid state compressor. Instead of modeling individual features and putting them together digitally we have modeled the unit in its entirety: input and output stages, gain reduction feedback loops, bias differences of different transistors, etc. It's been by far the hardest project we have taken on, but we feel that the result speaks for itself. And hopefully it will be easier to do it the next time (yeah right).
<br><br>
Not convinced yet? Download the demo, set the Input knob on max, and Ratio on All. Listen.
<br><br>
<b>The Softube FET Compressor Features:</b>
<ul>
    <li> Modeled analog compressor, input and output stages. Modeled everything.
    <li> Modeled "All buttons in" mode
    <li> Continuous ratio (even between 20:1 and ALL.)
    <li> Super fast attack time (just like the original)
    <li> Sweet input and output stage distortion.
    <li> Parallel compression.
    <li> Detector low and high cut filters
    <li> External side chain
    <li> Lookahead
    <li> Stereo with synchronized gain reduction
    <li> Very CPU friendly
</ul>

Softube FET Compressor - TDM
World-class software model of a "must-have" vintage hardware classic compressor enhanced with exclusive modern-day features. Destined to become a classic on it's own! (TDM/VENUE/VST/AU/RTAS)
This product requires iLok authorization. For more information, give us a call at 248.591.9276

Screaming guitar feedback made easy
<br><br>
Release your inner beast with the first realistic guitar feedback simulator on the market. Go from moderate and subtle to rampant and wild by the twist of a knob (or two). To break new musical ground, try inputting a synthesizer, a violin, or even your mother’s grand piano.
<br><br>
The <b>Softube Acoustic Feedback</b> comes bundled with a limited version of the White amp from Vintage Amp Room.
<br><br>
<b>The Softube Acoustic Feedback Features:</b>
<ul>
    <li> Realistic simulation (physical modeling) of guitar feedback.
    <li> Fully responsive to vibratos, bends, slides, tremolos etc.
    <li> Simple user interface: Control amount of feedback with the Feedback knob, and the sensitivity with a Tolerance knob.
    <li> Compatible with foot controls via MIDI
    <li> Includes a stripped<li>, but extremely useful, version of the White amp from Vintage Amp Room.
    <li> Available in native VST, AU and RTAS format for both Mac and PC.

<li>) Due to some careless handling, only the Master Volume and Mic position controls remain intact. All other pots have been broken off. Or something like that...
</ul>

Softube Acoustic Feedback - Native
Feedback simulator plug-in. Tremendous effect with amazing realism! (VST/AU/RTAS)
This product requires iLok authorization. For more information, give us a call at 248.591.9276

Screaming guitar feedback for Pro Tools HD and VENUE
<br><br>
Release your inner beast with the first realistic guitar feedback simulator on the market. Go from moderate and subtle to rampant and wild by the twist of a knob (or two). To break new musical ground, try inputting a synthesizer, a violin, or even your mother’s grand piano.
<br><br>
The <b>Softube Acoustic Feedback Deluxe</b> also features a Harmonic Selector, that allows you to select which harmonic you would like to feedback on. It also features a sub-harmonic with which you can get a really dirty sound.
<br><br>
<b>The Softube Acoustic Feedback Deluxe Features:</b>
<ul>
    <li> Added functionality: Choose harmonics with the Harmonic Selector
    <li> Added functionality: Sub-harmonic modeling
    <li> Realistic simulation (physical modeling) of guitar feedback.
    <li> Fully responsive to vibratos, bends, slides, tremolos etc.
    <li> Simple user interface: Control amount of feedback with the Feedback knob, and the sensitivity with a Tolerance knob.
    <li> Available for Pro Tools HD and VENUE
</ul>

Softube Acoustic Feedback Deluxe - TDM
Feedback simulator plug-in. Tremendous effect with amazing realism! (TDM/VENUE)
This product requires iLok authorization. For more information, give us a call at 248.591.9276

Softube Tube Delay - Native
Combination analog tube delay/digital delay plug-in. Adds polish to virtually any source material! (VST/AU/RTAS)
This product requires iLok authorization. For more information, give us a call at 248.591.9276

Softube Spring Reverb - Native
Authentic plug-in recreation of classic spring reverb with tension control, selectable springs, and tube driver circuit. (VST/AU/RTAS)
This product requires iLok authorization. For more information, give us a call at 248.591.9276

The <b>Softube Effect Bundle</b> Consists of three state-of-the art plug-ins:
<br><br>
<b>Tube Delay</b>
<br><br>
Tube Delay is a marriage between analog and digital, combining the warmth and natural compression from tubes with the features and versatility of a digital delay. The effect is perfect for fattening vocal tracks, adding slapback echo to drums or getting a gritty delay for guitars!
<br><br>
<b>The Softube Tube Delay Features:</b>
<ul>
    <li> 1000 ms delay
    </li><li> Sync tempo to host
    </li><li> Vintage style passive EQ
    </li><li> Gritty feedback feature
    </li><li> Tube preamp simulaton
</li></ul>
<b>Acoustic Feedback</b>
<br><br>
Release your inner beast with the first realistic guitar feedback simulator on the market. Go from moderate and subtle to rampant and wild by the twist of a knob (or two). To break new musical ground, try inputting a synthesizer, a violin, or even your mother’s grand piano.
<br><br>
<b>The Softube Acoustic Feedback Features:</b>
<ul>
    <li> Realistic simulation (physical modeling) of guitar feedback.
    </li><li> Fully responsive to vibratos, bends, slides, tremolos etc.
    </li><li> Simple user interface: Control amount of feedback with the Feedback knob, and the sensitivity with a Tolerance knob.
    </li><li> Includes a stripped</li><li>, but extremely useful, version of the White amp from Vintage Amp Room.
</li></ul>
<b>Spring Reverb</b>
<br><br>
Spring Reverb is an authentic spring reverb recreation that will add vintage character and grit to any audio track. It also includes novel features such as a fully automatable Shake control that will shake the virtual strings around for those thunderous spring effects, and a Tension control that tightens or loosens the springs to cover a wide range of spring reverb sounds. 
<br><br><b>The Softube Spring Reverb Features:</b>
<ul>
    <li> Shake control that shakes the springs around
    </li><li> Tension control to shape the spring character and reverb length
    </li><li> Number of spring pairs continuously adjustable from 1 to 3
    </li><li> Tube driver simulation in the reverb section, with Bass and Treble
</li></ul>

Softube Effect Bundle - Native
Value-priced package featuring full versions of Acoustic Feedback, Tube Delay, and Spring Reverb plug-ins. The perfect guitar amp add-on! (VST/AU/RTAS)
This product requires iLok authorization. For more information, give us a call at 248.591.9276

Softube Tube-Tech PE 1C Equalizer - Native
The world famous Lydkraft/Tube-Tech PE 1C Eq has finally arrived as a native plug-in! (VST/AU/RTAS)
This product requires iLok authorization. For more information, give us a call at 248.591.9276

Softube Tube-Tech PE 1C Equalizer - TDM
The world famous Lydkraft/Tube-Tech PE 1C Eq has finally arrived as a plug-in! (TDM/Venue)
This product requires iLok authorization. For more information, give us a call at 248.591.9276

Softube TSAR1/1R Reverb
True Stereo Algorithmic Reverb Plug-in
This product requires iLok authorization. For more information, give us a call at 248.591.9276

Results 1-20 of 22

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