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Tonelux

Sterling Modular Console Conversion for Tonelux Fader Racks
This option installs the fader racks in to the arm rests of a sterling modular console.

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The Tonelux V8 Portable Rack can house up to EIGHT Mic Pres, Eqs and Compressors, in any combination, and can also house any of the MIXING modules, including the MX2, FX2, MX5.1, SM2, TR8, and the CR2 for monitoring. Includes many features not found on any other rack system available today: 
<UL>
<LI>8x Module Slots 
<LI>XLR inputs and outputs for the Input, Insert Return/Side Chain, and Output 
<LI>D-SUB inputs and outputs for the Input, Insert Return/Side Chain, and Output 
<LI>D-Sub BUS linking to the VRack System to expand bussing, etc. 
<LI>Large Power Supply, can power an additional VRack Aux power connector on rear. 
<LI>Folding Handle 
<LI>Rubber feet on side and bottom </LI></UL>Tonelux FX2 and FX2+ Dual Stereo Line Mixer Modules The Tonelux FX2 Mixer is a DUAL stereo line mixer with a simple pair of level controls and a pair of panners. The PAN control is a standard stereo pan circuit with a center detent. The FX2 has a unique MUTE circuit that when pressed, the LED turns RED, but when the module is ON, the LED serves as a level presence indicator, illuminating green to show signal presence. This is very useful in live recording when you need to know quickly if a channel has signal or which has the loudest signal on it. It is also perfect for identifying which channel has the Kick and which has the Snare. The FX2+ "AUX MSTR" is an OPTIONAL send master, which can be used in place of the SM1 or SM2 bus master when rack space is critical. It allows the rack to be filled with a full set of 16 modules, giving you 32 channels, including the masters, ALL IN ONE 3U RACK. The rear panel feature connector provides for an external fader for the send master option on the FX2+. The FX2 can be used by it self as a inexpensive dual stereo mixer for DAW or LIVE use when a simple stereo bus is all that is required. When used with the MX2 series, the addition of FOUR FX2 modules will give you 8 returns and the masters for the FOUR sends on the MX2, saving you the space of having FOUR SM1 master modules. The FX2 can also be used as an additional set of sends, fed from the direct output of the MX2, as the outputs of each panner can be internally set to feed any of the 16 available busses in the VRACK, allowing up to EIGHT sends from each MX2, including the onboard set of FOUR sends. This module, when used as a simple external summing module, will bring the cost of a DAW external mixing system down considerably. Tonelux EQ4P EQ The Tonelux EQ4P is a DISCRETE Parametric Equalizer with some very unique features. Notice that the panel has no Q control. The filter Q control is in relation to the Boost and Cut control, and uses a "Constant Energy Curve" that keeps the bandwidth wider at lower boost or cut levels and becomes narrow at higher boost or cut levels. This is musically pleasing. The curve is identical to many classic equalizers and is one of the reasons they are preferred over newer designs. When the PEAK button pressed, the 3 yellow "peak" buttons keep the width at a constant 1/3 octave for more precision control. The High Frequency has a Shelving button instead of a Peak button. Since the Constant Energy Curve is so broad in the lower frequencies, there is no need for a low frequency shelf button. With 4 bands of controls, each of the lower 2 have slightly different frequencies, allowing the lower band to go to 16 Hz, and the upper 2 bands are identical. The IN button is a silent IN/OUT button that does not bypass the unit, but it bypasses the filters.    Tonelux TXC Compressor The Tonelux TXC is the new design from Paul Wolff that addresses the complex issues with compression. With the ability to do in-module parallel mixing of the dry signal and the compressed signal, the engineer can now enjoy the parallel or "side chaining" of an instrument with itself and come up with the perfect blend of the original and compressed signal without the problems associated with in-the-box latency. The TXC uses the proprietary all discrete TX-240 op-amp and the all discrete TX-260 output stage with the TX-280 transformer. In addition to the Input/Compressor MIX knob, the TXC has many other unique features not found on any compressor made today. The ability of being able to switch between Feed Back and Feed Forward compression is something that is not new to Paul Wolff. With the TXC, he decided to take it one step further by allowing the ability to fade between Feed Back compression and Feed Forward compression with the TYPE control. This feature gives the engineer the freedom to combine the smooth nature of the Feed Back type of compression with the agressive effect of Feed Forward compression. In addition to the FB-FF Type control, the TXC has the ability to over compress with the RATIO control, which allows compression ratios from 1.5:1 to 20:1, and then beyond, with the "OVER:" ratio settings that cause the compressor to reduce the gain at a higher ratio than the gain is going into it. This means that the ratio control allows the compressor to compress an increase in signal of 10dB with a gain reduction of up to -8dB. If the signal goes up 10dB, the output will go DOWN 8dB. This becomes useful when taking a pre compressed snare and by adjusting the Attack, and setting the Ratio in the OVER: area, you can actually recover the initial impact peak of the snare. This, with the MIX control, can then be blended back with the original "flat" snare and you now have a dynamic snare again, but with a very controlled peak. The TXC also inserted the now famous "TILT" control into the side chain of the RMS detector, so you can increase the highs and decrease the lows going into the RMS detector, virtually eliminating the effects of pumping because the Detector is seeing a more uniform distribution of energy across the spectrum instead of a bass heavy signal like most compressors. The Attack control has a X5 switch to allow for a range of extremely fast attack (in the micro second range) all the way through a very smooth slow attack, more suited for leveling. The Release control can be almost instantaneous to 3 seconds. The release circuit is a unique 3 stage circuit that auto releases the faster signals at a rate of 10 times the release of the lower frequency signals. All of this and an auto-makeup gain system that always keeps the gain at unity regardless of the amount of compression. With a 6 LED Gain Reduction meter and an adjustable link control, the TXC can be used in mono or stereo configurations with ease. Combine the V8 with a V-Rack! Having a <A class=bluelinks href="http://vintageking.com/New-Brands/Tonelux/Tonelux-TX-VRACK">V- Rack</A> back at the studio filled with MX2s and a CR2 module can link to the V8 portable rack which allow both racks become one large system!

Tonelux 8 Channel V8 Mixer - 2x EQ, 2x Compressor
8 channel mixer with (2x) FX2, (2x) FX2+, (2x) EQ4P and (2x) TXC modules in a Tonelux V8 portable rack

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The Tonelux V8 Portable Rack can house up to EIGHT Mic Pres, Eqs and Compressors, in any combination, and can also house any of the MIXING modules, including the MX2, FX2, MX5.1, SM2, TR8, and the CR2 for monitoring. Includes many features not found on any other rack system available today: 
<UL>
<LI>8x Module Slots 
<LI>XLR inputs and outputs for the Input, Insert Return/Side Chain, and Output 
<LI>D-SUB inputs and outputs for the Input, Insert Return/Side Chain, and Output 
<LI>D-Sub BUS linking to the VRack System to expand bussing, etc. 
<LI>Large Power Supply, can power an additional VRack Aux power connector on rear. 
<LI>Folding Handle 
<LI>Rubber feet on side and bottom </LI></UL>Tonelux FX2 and FX2+ Dual Stereo Line Mixer Modules The Tonelux FX2 Mixer is a DUAL stereo line mixer with a simple pair of level controls and a pair of panners. The PAN control is a standard stereo pan circuit with a center detent. The FX2 has a unique MUTE circuit that when pressed, the LED turns RED, but when the module is ON, the LED serves as a level presence indicator, illuminating green to show signal presence. This is very useful in live recording when you need to know quickly if a channel has signal or which has the loudest signal on it. It is also perfect for identifying which channel has the Kick and which has the Snare. The FX2+ "AUX MSTR" is an OPTIONAL send master, which can be used in place of the SM1 or SM2 bus master when rack space is critical. It allows the rack to be filled with a full set of 16 modules, giving you 32 channels, including the masters, ALL IN ONE 3U RACK. The rear panel feature connector provides for an external fader for the send master option on the FX2+. The FX2 can be used by it self as a inexpensive dual stereo mixer for DAW or LIVE use when a simple stereo bus is all that is required. When used with the MX2 series, the addition of FOUR FX2 modules will give you 8 returns and the masters for the FOUR sends on the MX2, saving you the space of having FOUR SM1 master modules. The FX2 can also be used as an additional set of sends, fed from the direct output of the MX2, as the outputs of each panner can be internally set to feed any of the 16 available busses in the VRACK, allowing up to EIGHT sends from each MX2, including the onboard set of FOUR sends. This module, when used as a simple external summing module, will bring the cost of a DAW external mixing system down considerably. Tonelux MP1A Mic Pre The Tonelux MP1a is a DISCRETE mic preamp with a DIRECT INPUT on the front panel. The MIC IN is transformer coupled in and out, and has a 20 dB PAD switch (effects both MIC and DIR), a 48V Phantom switch and a Phase or POLARITY switch. The PAD and POLARITY switches effect both inputs. Identical to the MP1, but with the addition of an OUTPUT FADER to control the record level of the Mic Pre Output. The inner, or larger (silver) knob sets the mic pre gain and the outer smaller (black) knob controls the output level. We chose the fader control for the outer knob so the gain knob, once set, won't be bumped when adjusting the output level. The 8 seg LED VU meter follows the balanced output of the preamp. The level of the VU meter is adjustable over the entire range from off to +28. The PEAK led is set at +14VU or +18 dBu and can grab a fast peak and display it. With the "a" version, an internal jumper selects the MIC PRE MAIN OUTPUT or the MIC PRE GAIN STAGE signal to feed the VU Meter. This allows the engineer to monitor the real mic pre gain or the output level of the MP1a. When monitoring the Mic Pre Gain, the meter shows the actual gain stage level, and is not effected by the output fader. The Combo XLR/Direct input is for use with a hi-z instrument, etc. The TILT tone control works with both the MIC in and DIR in and has it's own TILT EQ IN switch, which is a hard wire bypass switch when out. When turned up, the tilt control has a 0 to 6 dB boost on the high end while cutting the low end the same. If it is turned down, tilt will boost the low end up to 6 dB and cut the high end up to 6 dB. The Front panel XLR is multed to the rear panel XLR and that is also multed to the D-Sub "INPUT" on the rear of the V-Rack. The "INSERT RETURN" input of the V-Rack is a resistor isolated mic level input, that can be used when the MP1 is in a live recording situation and there is no splitter. It will bridge the mic line with 10X the impedance to minimize loading of the microphone. Included with the MP1a Mic Pre is the ability to PFL the output to an external amplifier or to the mixer/master section for previewing the signal directly off the mic pre output.   Tonelux TXC Compressor 
The Tonelux TXC is the new design from Paul Wolff that addresses the complex issues with compression.
 
With the ability to do in-module parallel mixing of the dry signal and the compressed signal, the engineer can now enjoy the parallel or "side chaining" of an instrument with itself and come up with the perfect blend of the original and compressed signal without the problems associated with in-the-box latency.
 
The TXC uses the proprietary all discrete TX-240 op-amp and the all discrete TX-260 output stage with the TX-280 transformer.
 
In addition to the Input/Compressor MIX knob, the TXC has many other unique features not found on any compressor made today. The ability of being able to switch between Feed Back and Feed Forward compression is something that is not new to Paul Wolff. With the TXC, he decided to take it one step further by allowing the ability to fade between Feed Back compression and Feed Forward compression with the TYPE control. This feature gives the engineer the freedom to combine the smooth nature of the Feed Back type of compression with the agressive effect of Feed Forward compression.
 
In addition to the FB-FF Type control, the TXC has the ability to over compress with the RATIO control, which allows compression ratios from 1.5:1 to 20:1, and then beyond, with the "OVER:" ratio settings that cause the compressor to reduce the gain at a higher ratio than the gain is going into it. This means that the ratio control allows the compressor to compress an increase in signal of 10dB with a gain reduction of up to -8dB. If the signal goes up 10dB, the output will go DOWN 8dB.
 
This becomes useful when taking a pre compressed snare and by adjusting the Attack, and setting the Ratio in the OVER: area, you can actually recover the initial impact peak of the snare. This, with the MIX control, can then be blended back with the original "flat" snare and you now have a dynamic snare again, but with a very controlled peak.
 
The TXC also inserted the now famous "TILT" control into the side chain of the RMS detector, so you can increase the highs and decrease the lows going into the RMS detector, virtually eliminating the effects of pumping because the Detector is seeing a more uniform distribution of energy across the spectrum instead of a bass heavy signal like most compressors.
 
The Attack control has a X5 switch to allow for a range of extremely fast attack (in the micro second range) all the way through a very smooth slow attack, more suited for leveling.
 
The Release control can be almost instantaneous to 3 seconds. The release circuit is a unique 3 stage circuit that auto releases the faster signals at a rate of 10 times the release of the lower frequency signals. All of this and an auto-makeup gain system that always keeps the gain at unity regardless of the amount of compression.
 
With a 6 LED Gain Reduction meter and an adjustable link control, the TXC can be used in mono or stereo configurations with ease.

Combine the V8 with a V-Rack! Having a <A class=bluelinks href="http://vintageking.com/New-Brands/Tonelux/Tonelux-TX-VRACK">V- Rack</A> back at the studio filled with MX2s and a CR2 module can link to the V8 portable rack which allow both racks become one large system!

Tonelux 8 Channel V8 Mixer - 2x Mic Pre, 2x Compressor
8 channel mixer with (2x) FX2, (2x) FX2+, (2x) MP1A and (2x) TXC modules in a Tonelux V8 portable rack

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The Tonelux V8 Portable Rack can house up to EIGHT Mic Pres, Eqs and Compressors, in any combination, and can also house any of the MIXING modules, including the MX2, FX2, MX5.1, SM2, TR8, and the CR2 for monitoring. Includes many features not found on any other rack system available today: 
<UL>
<LI>8x Module Slots 
<LI>XLR inputs and outputs for the Input, Insert Return/Side Chain, and Output 
<LI>D-SUB inputs and outputs for the Input, Insert Return/Side Chain, and Output 
<LI>D-Sub BUS linking to the VRack System to expand bussing, etc. 
<LI>Large Power Supply, can power an additional VRack Aux power connector on rear. 
<LI>Folding Handle 
<LI>Rubber feet on side and bottom </LI></UL>Tonelux FX2 and FX2+ Dual Stereo Line Mixer Modules The Tonelux FX2 Mixer is a DUAL stereo line mixer with a simple pair of level controls and a pair of panners. The PAN control is a standard stereo pan circuit with a center detent. The FX2 has a unique MUTE circuit that when pressed, the LED turns RED, but when the module is ON, the LED serves as a level presence indicator, illuminating green to show signal presence. This is very useful in live recording when you need to know quickly if a channel has signal or which has the loudest signal on it. It is also perfect for identifying which channel has the Kick and which has the Snare. The FX2+ "AUX MSTR" is an OPTIONAL send master, which can be used in place of the SM1 or SM2 bus master when rack space is critical. It allows the rack to be filled with a full set of 16 modules, giving you 32 channels, including the masters, ALL IN ONE 3U RACK. The rear panel feature connector provides for an external fader for the send master option on the FX2+. The FX2 can be used by it self as a inexpensive dual stereo mixer for DAW or LIVE use when a simple stereo bus is all that is required. When used with the MX2 series, the addition of FOUR FX2 modules will give you 8 returns and the masters for the FOUR sends on the MX2, saving you the space of having FOUR SM1 master modules. The FX2 can also be used as an additional set of sends, fed from the direct output of the MX2, as the outputs of each panner can be internally set to feed any of the 16 available busses in the VRACK, allowing up to EIGHT sends from each MX2, including the onboard set of FOUR sends. This module, when used as a simple external summing module, will bring the cost of a DAW external mixing system down considerably. Tonelux MP1A Mic Pre The Tonelux MP1a is a DISCRETE mic preamp with a DIRECT INPUT on the front panel. The MIC IN is transformer coupled in and out, and has a 20 dB PAD switch (effects both MIC and DIR), a 48V Phantom switch and a Phase or POLARITY switch. The PAD and POLARITY switches effect both inputs. Identical to the MP1, but with the addition of an OUTPUT FADER to control the record level of the Mic Pre Output. The inner, or larger (silver) knob sets the mic pre gain and the outer smaller (black) knob controls the output level. We chose the fader control for the outer knob so the gain knob, once set, won't be bumped when adjusting the output level. The 8 seg LED VU meter follows the balanced output of the preamp. The level of the VU meter is adjustable over the entire range from off to +28. The PEAK led is set at +14VU or +18 dBu and can grab a fast peak and display it. With the "a" version, an internal jumper selects the MIC PRE MAIN OUTPUT or the MIC PRE GAIN STAGE signal to feed the VU Meter. This allows the engineer to monitor the real mic pre gain or the output level of the MP1a. When monitoring the Mic Pre Gain, the meter shows the actual gain stage level, and is not effected by the output fader. The Combo XLR/Direct input is for use with a hi-z instrument, etc. The TILT tone control works with both the MIC in and DIR in and has it's own TILT EQ IN switch, which is a hard wire bypass switch when out. When turned up, the tilt control has a 0 to 6 dB boost on the high end while cutting the low end the same. If it is turned down, tilt will boost the low end up to 6 dB and cut the high end up to 6 dB. The Front panel XLR is multed to the rear panel XLR and that is also multed to the D-Sub "INPUT" on the rear of the V-Rack. The "INSERT RETURN" input of the V-Rack is a resistor isolated mic level input, that can be used when the MP1 is in a live recording situation and there is no splitter. It will bridge the mic line with 10X the impedance to minimize loading of the microphone. Included with the MP1a Mic Pre is the ability to PFL the output to an external amplifier or to the mixer/master section for previewing the signal directly off the mic pre output.   Tonelux EQ4P EQ The Tonelux EQ4P is a DISCRETE Parametric Equalizer with some very unique features. Notice that the panel has no Q control. The filter Q control is in relation to the Boost and Cut control, and uses a "Constant Energy Curve" that keeps the bandwidth wider at lower boost or cut levels and becomes narrow at higher boost or cut levels. This is musically pleasing. The curve is identical to many classic equalizers and is one of the reasons they are preferred over newer designs. When the PEAK button pressed, the 3 yellow "peak" buttons keep the width at a constant 1/3 octave for more precision control. The High Frequency has a Shelving button instead of a Peak button. Since the Constant Energy Curve is so broad in the lower frequencies, there is no need for a low frequency shelf button. With 4 bands of controls, each of the lower 2 have slightly different frequencies, allowing the lower band to go to 16 Hz, and the upper 2 bands are identical. The IN button is a silent IN/OUT button that does not bypass the unit, but it bypasses the filters. Combine the V8 with a V-Rack! Having a <A class=bluelinks href="http://vintageking.com/New-Brands/Tonelux/Tonelux-TX-VRACK">V- Rack</A> back at the studio filled with MX2s and a CR2 module can link to the V8 portable rack which allow both racks become one large system!

Tonelux 8 Channel V8 Mixer - 2x Mic Pre, 2x EQ
8 channel mixer with (2x) FX2, (2x) FX2+, (2x) MP1A and (2x) EQ4P modules in a Tonelux V8 portable rack

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Tonelux 8 Channel V8 Mixer - 4x EQ
8 channel mixer with (2x) FX2, (2x) FX2+ and (4x) EQ4P modules in a Tonelux V8 portable rack

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Tonelux 8 Channel V8 Mixer - 4x FX2, 1x SM2, 1x CR2
8 channel mixer with (4x) FX2, (1x) SM2 and (1x) CR2 modules in a Tonelux V8 portable rack

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Tonelux 8 Channel V8 Mixer - 4x Mic Pre
8 channel mixer with (2x) FX2, (2x) FX2+ and (4x) MP1A modules in a Tonelux V8 portable rack

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The Tonelux V8 Roadster can be custom-loaded with any one of 20 different Tonelux Custom Console Modules to create any portable rig you can envision. D-sub and XLR ins & outs make this a snap to quickly connect/disconnect in the studio. Expand later with a V-Rack and/or a Tonelux full blown frame console! The V8 includes many features not found on any other rack system available today.
 
The rack can house up to 8x Mic Pres, Eqs and Compressors, in any combination.
 
The rack can also house any of the MIXING modules, including the MX2, FX2, MX5.1, SM2, TR8, and the CR2 for monitoring.
 
The system pictured above is an 8) channel mixer with 2) MP1A Mic Pres and 2) EQ4P Equalizers.
 
Having a Vrack back at the studio filled with MX2s and a CR2 module can link to the portable rack which allow both racks become one large system!
 
These features include:<ul>

<li>8x Module Slots

</li><li>XLR inputs and outputs for the Input, Insert Return/Side Chain, and Output

</li><li>D-SUB inputs and outputs for the Input, Insert Return/Side Chain, and Output

</li><li>D-Sub BUS linking to the VRack System to expand bussing, etc.

</li><li>Large Power Supply, can power an additional VRack Aux power connector on rear.

</li><li>Folding Handle

</li><li>Rubber feet on side and bottom </li></ul>

Tonelux 8 Channel V8 Roadster - Unloaded 50% off when you buy 4x Tonelux MP1A, EQ4P or TXC modules. Buy 6, it's FREE!
Holds 8 Tonelux modules, has XLR & D-sub I/O, 3 D-sub link connectors to link with a V-Rack and it will power an additional V-RACK!
Vintage King Exclusive

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Tonelux AUX1 Buss Access Module
Fits in a V-Rack, F-Rack or V8 Roadster

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Tonelux Blank Panel
Blank Tonelux Panel

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Tonelux CR Adapter Kit
Adapter card and 12 connectors for V-Rack.

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Tonelux CR2 Module
Control Room Monitor Module

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Tonelux Demo Rig
Try before you buy!

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The Tonelux EQ4P is a DISCRETE Parametric Equalizer with some very unique features. Notice that the panel has no Q control. The filter Q control is in relation to the Boost and Cut control, and uses a "Constant Energy Curve" that keeps the bandwidth wider at lower boost or cut levels and becomes narrow at higher boost or cut levels. This is musically pleasing. The curve is identical to many classic equalizers and is one of the reasons they are preferred over newer designs. When the PEAK button pressed, the 3 yellow "peak" buttons keep the width at a constant 1/3 octave for more precision control. 
The High Frequency has a Shelving button instead of a Peak button. Since the Constant Energy Curve is so broad in the lower frequencies, there is no need for a low frequency shelf button. 
With 4 bands of controls, each of the lower 2 have slightly different frequencies, allowing the lower band to go to 16 Hz, and the upper 2 bands are identical. The IN button is a silent IN/OUT button that does not bypass the unit, but it bypasses the filters.

Tonelux EQ4P Module
Discrete Parametric EQ Module

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Tonelux EQ4P Module (Demo Deal)
Discrete Parametric EQ Module

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LAS VEGAS, NEVADA - SEPTEMBER 2008: Tonelux Designs Limited, distributed by TransAudio Group, is introducing their first product in an all new line of rack-mounted gear at the 125th AES Convention, in San Francisco, The single-rack space EQUALUX EQ is the equivalent of the highly sought after Tonelux EQ4P which fits into the Tonelux V-8 Roadster and Tonelux V-Rack.
 
Noted Paul Wolff, president of Tonelux: "I have always felt that when creating a new product line in a different format than your standard line, the design must maintain the same quality as your existing products or even surpass them. If not, you are placing your entire brand in jeopardy. With the new Tonelux rack-mount modules, I have added features that didn't quite fit on the V-Rack module panel and, in addition, have incorporated valuable
end user suggestions."
 
The Tonelux EQUALUX has all of the features of the EQ4P, plus proportional Q and fixed 1/3 octave switches on ALL four bands, shelving on BOTH the high-frequency band and the low-frequency band, a silent IN/OUT switch, and the addition of a hard wire bypass switch that also bypasses the unit in the unlikely event of a power failure. The front panel and chassis is a very sexy extrusion that will accent any rack of equipment. The EQUALUX EQs will be available after AES. In addition to the EQUALUX, Tonelux will be introducing the DYNALUX Compressor, a two-channel version of the TXC
compressor, with many added linking and control features. A dual mic pre is also in the works.

Tonelux Equalux EQ
Proportional Q Dual Parametric EQ

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Tonelux F-Rack
16 Channel 4U 100mm fader Rack

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Tonelux FD1 Fader Module
Mono fader and panel, w/ 18" cable and jack

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Tonelux FD2 Stereo Fader Module
FD2 Stereo 100mm Fader w/Hookup Cable

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The Tonelux FX2 Mixer is a DUAL stereo line mixer with a simple pair of level controls and a pair of panners. 
The PAN control is a standard stereo pan circuit with a center detent. The FX2 has a unique MUTE circuit that when pressed, the LED turns RED, but when the module is ON, the LED serves as a level presence indicator, illuminating green to show signal presence. This is very useful in live recording when you need to know quickly if a channel has signal or which has the loudest signal on it. It is also perfect for identifying which channel has the Kick and which has the Snare. 
The FX2+ "AUX MSTR" is an OPTIONAL send master, which can be used in place of the SM1 or SM2 bus master when rack space is critical. It allows the rack to be filled with a full set of 16 modules, giving you 32 channels, including the masters, ALL IN ONE 3U RACK. 
The rear panel feature connector provides for an external fader for the send master option on the FX2+. 
The FX2 can be used by it self as a inexpensive dual stereo mixer for DAW or LIVE use when a simple stereo bus is all that is required. 
When used with the MX2 series, the addition of FOUR FX2 modules will give you 8 returns and the masters for the FOUR sends on the MX2, saving you the space of having FOUR SM1 master modules. 
The FX2 can also be used as an additional set of sends, fed from the direct output of the MX2, as the outputs of each panner can be internally set to feed any of the 16 available busses in the VRACK, allowing up to EIGHT sends from each MX2, including the onboard set of FOUR sends. 
This module, when used as a simple external summing module, will bring the cost of a DAW external mixing system down considerably.

Tonelux FX2 Module
Dual Stereo Line Mixer Module

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Neve 1073 API Audio 527 Barefoot MicroMain 35 Radial Workhorse 5000 Telefunken AR-51 Rupert Neve Portico II Focal Monitors	What's New? Hear the Gear Recycle Your Gear Client Gallery Producers Corner Buyer's Guide	How about recycling your used gear for something different or just a change? When speaking to a sales representative, make sure to indicate that you are interested in trading your gear for a new purchase or please send an email to info@vintageking.com.	Barefoot Sound Shadow Hills Industries Neve Classic Series Evol Fucifier Slate Pro Audio	Inward Connections Tonelux ProAc Helios