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The Tonelux V8 Portable Rack can house up to EIGHT Mic Pres, Eqs and Compressors, in any combination, and can also house any of the MIXING modules, including the MX2, FX2, MX5.1, SM2, TR8, and the CR2 for monitoring. Includes many features not found on any other rack system available today:
8x Module Slots
XLR inputs and outputs for the Input, Insert Return/Side Chain, and Output
D-SUB inputs and outputs for the Input, Insert Return/Side Chain, and Output
D-Sub BUS linking to the VRack System to expand bussing, etc.
Large Power Supply, can power an additional VRack Aux power connector on rear.
Folding Handle
Rubber feet on side and bottom Tonelux FX2 and FX2+ Dual Stereo Line Mixer Modules The Tonelux FX2 Mixer is a DUAL stereo line mixer with a simple pair of level controls and a pair of panners. The PAN control is a standard stereo pan circuit with a center detent. The FX2 has a unique MUTE circuit that when pressed, the LED turns RED, but when the module is ON, the LED serves as a level presence indicator, illuminating green to show signal presence. This is very useful in live recording when you need to know quickly if a channel has signal or which has the loudest signal on it. It is also perfect for identifying which channel has the Kick and which has the Snare. The FX2+ "AUX MSTR" is an OPTIONAL send master, which can be used in place of the SM1 or SM2 bus master when rack space is critical. It allows the rack to be filled with a full set of 16 modules, giving you 32 channels, including the masters, ALL IN ONE 3U RACK. The rear panel feature connector provides for an external fader for the send master option on the FX2+. The FX2 can be used by it self as a inexpensive dual stereo mixer for DAW or LIVE use when a simple stereo bus is all that is required. When used with the MX2 series, the addition of FOUR FX2 modules will give you 8 returns and the masters for the FOUR sends on the MX2, saving you the space of having FOUR SM1 master modules. The FX2 can also be used as an additional set of sends, fed from the direct output of the MX2, as the outputs of each panner can be internally set to feed any of the 16 available busses in the VRACK, allowing up to EIGHT sends from each MX2, including the onboard set of FOUR sends. This module, when used as a simple external summing module, will bring the cost of a DAW external mixing system down considerably. Tonelux EQ4P EQ The Tonelux EQ4P is a DISCRETE Parametric Equalizer with some very unique features. Notice that the panel has no Q control. The filter Q control is in relation to the Boost and Cut control, and uses a "Constant Energy Curve" that keeps the bandwidth wider at lower boost or cut levels and becomes narrow at higher boost or cut levels. This is musically pleasing. The curve is identical to many classic equalizers and is one of the reasons they are preferred over newer designs. When the PEAK button pressed, the 3 yellow "peak" buttons keep the width at a constant 1/3 octave for more precision control. The High Frequency has a Shelving button instead of a Peak button. Since the Constant Energy Curve is so broad in the lower frequencies, there is no need for a low frequency shelf button. With 4 bands of controls, each of the lower 2 have slightly different frequencies, allowing the lower band to go to 16 Hz, and the upper 2 bands are identical. The IN button is a silent IN/OUT button that does not bypass the unit, but it bypasses the filters. Tonelux TXC Compressor The Tonelux TXC is the new design from Paul Wolff that addresses the complex issues with compression. With the ability to do in-module parallel mixing of the dry signal and the compressed signal, the engineer can now enjoy the parallel or "side chaining" of an instrument with itself and come up with the perfect blend of the original and compressed signal without the problems associated with in-the-box latency. The TXC uses the proprietary all discrete TX-240 op-amp and the all discrete TX-260 output stage with the TX-280 transformer. In addition to the Input/Compressor MIX knob, the TXC has many other unique features not found on any compressor made today. The ability of being able to switch between Feed Back and Feed Forward compression is something that is not new to Paul Wolff. With the TXC, he decided to take it one step further by allowing the ability to fade between Feed Back compression and Feed Forward compression with the TYPE control. This feature gives the engineer the freedom to combine the smooth nature of the Feed Back type of compression with the agressive effect of Feed Forward compression. In addition to the FB-FF Type control, the TXC has the ability to over compress with the RATIO control, which allows compression ratios from 1.5:1 to 20:1, and then beyond, with the "OVER:" ratio settings that cause the compressor to reduce the gain at a higher ratio than the gain is going into it. This means that the ratio control allows the compressor to compress an increase in signal of 10dB with a gain reduction of up to -8dB. If the signal goes up 10dB, the output will go DOWN 8dB. This becomes useful when taking a pre compressed snare and by adjusting the Attack, and setting the Ratio in the OVER: area, you can actually recover the initial impact peak of the snare. This, with the MIX control, can then be blended back with the original "flat" snare and you now have a dynamic snare again, but with a very controlled peak. The TXC also inserted the now famous "TILT" control into the side chain of the RMS detector, so you can increase the highs and decrease the lows going into the RMS detector, virtually eliminating the effects of pumping because the Detector is seeing a more uniform distribution of energy across the spectrum instead of a bass heavy signal like most compressors. The Attack control has a X5 switch to allow for a range of extremely fast attack (in the micro second range) all the way through a very smooth slow attack, more suited for leveling. The Release control can be almost instantaneous to 3 seconds. The release circuit is a unique 3 stage circuit that auto releases the faster signals at a rate of 10 times the release of the lower frequency signals. All of this and an auto-makeup gain system that always keeps the gain at unity regardless of the amount of compression. With a 6 LED Gain Reduction meter and an adjustable link control, the TXC can be used in mono or stereo configurations with ease. Combine the V8 with a V-Rack! Having a V- Rack back at the studio filled with MX2s and a CR2 module can link to the V8 portable rack which allow both racks become one large system!
The Tonelux V8 Portable Rack can house up to EIGHT Mic Pres, Eqs and Compressors, in any combination, and can also house any of the MIXING modules, including the MX2, FX2, MX5.1, SM2, TR8, and the CR2 for monitoring. Includes many features not found on any other rack system available today:
8x Module Slots
XLR inputs and outputs for the Input, Insert Return/Side Chain, and Output
D-SUB inputs and outputs for the Input, Insert Return/Side Chain, and Output
D-Sub BUS linking to the VRack System to expand bussing, etc.
Large Power Supply, can power an additional VRack Aux power connector on rear.
Folding Handle
Rubber feet on side and bottom Tonelux FX2 and FX2+ Dual Stereo Line Mixer Modules The Tonelux FX2 Mixer is a DUAL stereo line mixer with a simple pair of level controls and a pair of panners. The PAN control is a standard stereo pan circuit with a center detent. The FX2 has a unique MUTE circuit that when pressed, the LED turns RED, but when the module is ON, the LED serves as a level presence indicator, illuminating green to show signal presence. This is very useful in live recording when you need to know quickly if a channel has signal or which has the loudest signal on it. It is also perfect for identifying which channel has the Kick and which has the Snare. The FX2+ "AUX MSTR" is an OPTIONAL send master, which can be used in place of the SM1 or SM2 bus master when rack space is critical. It allows the rack to be filled with a full set of 16 modules, giving you 32 channels, including the masters, ALL IN ONE 3U RACK. The rear panel feature connector provides for an external fader for the send master option on the FX2+. The FX2 can be used by it self as a inexpensive dual stereo mixer for DAW or LIVE use when a simple stereo bus is all that is required. When used with the MX2 series, the addition of FOUR FX2 modules will give you 8 returns and the masters for the FOUR sends on the MX2, saving you the space of having FOUR SM1 master modules. The FX2 can also be used as an additional set of sends, fed from the direct output of the MX2, as the outputs of each panner can be internally set to feed any of the 16 available busses in the VRACK, allowing up to EIGHT sends from each MX2, including the onboard set of FOUR sends. This module, when used as a simple external summing module, will bring the cost of a DAW external mixing system down considerably. Tonelux MP1A Mic Pre The Tonelux MP1a is a DISCRETE mic preamp with a DIRECT INPUT on the front panel. The MIC IN is transformer coupled in and out, and has a 20 dB PAD switch (effects both MIC and DIR), a 48V Phantom switch and a Phase or POLARITY switch. The PAD and POLARITY switches effect both inputs. Identical to the MP1, but with the addition of an OUTPUT FADER to control the record level of the Mic Pre Output. The inner, or larger (silver) knob sets the mic pre gain and the outer smaller (black) knob controls the output level. We chose the fader control for the outer knob so the gain knob, once set, won't be bumped when adjusting the output level. The 8 seg LED VU meter follows the balanced output of the preamp. The level of the VU meter is adjustable over the entire range from off to +28. The PEAK led is set at +14VU or +18 dBu and can grab a fast peak and display it. With the "a" version, an internal jumper selects the MIC PRE MAIN OUTPUT or the MIC PRE GAIN STAGE signal to feed the VU Meter. This allows the engineer to monitor the real mic pre gain or the output level of the MP1a. When monitoring the Mic Pre Gain, the meter shows the actual gain stage level, and is not effected by the output fader. The Combo XLR/Direct input is for use with a hi-z instrument, etc. The TILT tone control works with both the MIC in and DIR in and has it's own TILT EQ IN switch, which is a hard wire bypass switch when out. When turned up, the tilt control has a 0 to 6 dB boost on the high end while cutting the low end the same. If it is turned down, tilt will boost the low end up to 6 dB and cut the high end up to 6 dB. The Front panel XLR is multed to the rear panel XLR and that is also multed to the D-Sub "INPUT" on the rear of the V-Rack. The "INSERT RETURN" input of the V-Rack is a resistor isolated mic level input, that can be used when the MP1 is in a live recording situation and there is no splitter. It will bridge the mic line with 10X the impedance to minimize loading of the microphone. Included with the MP1a Mic Pre is the ability to PFL the output to an external amplifier or to the mixer/master section for previewing the signal directly off the mic pre output. Tonelux TXC Compressor
The Tonelux TXC is the new design from Paul Wolff that addresses the complex issues with compression.
With the ability to do in-module parallel mixing of the dry signal and the compressed signal, the engineer can now enjoy the parallel or "side chaining" of an instrument with itself and come up with the perfect blend of the original and compressed signal without the problems associated with in-the-box latency.
The TXC uses the proprietary all discrete TX-240 op-amp and the all discrete TX-260 output stage with the TX-280 transformer.
In addition to the Input/Compressor MIX knob, the TXC has many other unique features not found on any compressor made today. The ability of being able to switch between Feed Back and Feed Forward compression is something that is not new to Paul Wolff. With the TXC, he decided to take it one step further by allowing the ability to fade between Feed Back compression and Feed Forward compression with the TYPE control. This feature gives the engineer the freedom to combine the smooth nature of the Feed Back type of compression with the agressive effect of Feed Forward compression.
In addition to the FB-FF Type control, the TXC has the ability to over compress with the RATIO control, which allows compression ratios from 1.5:1 to 20:1, and then beyond, with the "OVER:" ratio settings that cause the compressor to reduce the gain at a higher ratio than the gain is going into it. This means that the ratio control allows the compressor to compress an increase in signal of 10dB with a gain reduction of up to -8dB. If the signal goes up 10dB, the output will go DOWN 8dB.
This becomes useful when taking a pre compressed snare and by adjusting the Attack, and setting the Ratio in the OVER: area, you can actually recover the initial impact peak of the snare. This, with the MIX control, can then be blended back with the original "flat" snare and you now have a dynamic snare again, but with a very controlled peak.
The TXC also inserted the now famous "TILT" control into the side chain of the RMS detector, so you can increase the highs and decrease the lows going into the RMS detector, virtually eliminating the effects of pumping because the Detector is seeing a more uniform distribution of energy across the spectrum instead of a bass heavy signal like most compressors.
The Attack control has a X5 switch to allow for a range of extremely fast attack (in the micro second range) all the way through a very smooth slow attack, more suited for leveling.
The Release control can be almost instantaneous to 3 seconds. The release circuit is a unique 3 stage circuit that auto releases the faster signals at a rate of 10 times the release of the lower frequency signals. All of this and an auto-makeup gain system that always keeps the gain at unity regardless of the amount of compression.
With a 6 LED Gain Reduction meter and an adjustable link control, the TXC can be used in mono or stereo configurations with ease.
Combine the V8 with a V-Rack! Having a V- Rack back at the studio filled with MX2s and a CR2 module can link to the V8 portable rack which allow both racks become one large system!
The Tonelux V8 Portable Rack can house up to EIGHT Mic Pres, Eqs and Compressors, in any combination, and can also house any of the MIXING modules, including the MX2, FX2, MX5.1, SM2, TR8, and the CR2 for monitoring. Includes many features not found on any other rack system available today:
8x Module Slots
XLR inputs and outputs for the Input, Insert Return/Side Chain, and Output
D-SUB inputs and outputs for the Input, Insert Return/Side Chain, and Output
D-Sub BUS linking to the VRack System to expand bussing, etc.
Large Power Supply, can power an additional VRack Aux power connector on rear.
Folding Handle
Rubber feet on side and bottom Tonelux FX2 and FX2+ Dual Stereo Line Mixer Modules The Tonelux FX2 Mixer is a DUAL stereo line mixer with a simple pair of level controls and a pair of panners. The PAN control is a standard stereo pan circuit with a center detent. The FX2 has a unique MUTE circuit that when pressed, the LED turns RED, but when the module is ON, the LED serves as a level presence indicator, illuminating green to show signal presence. This is very useful in live recording when you need to know quickly if a channel has signal or which has the loudest signal on it. It is also perfect for identifying which channel has the Kick and which has the Snare. The FX2+ "AUX MSTR" is an OPTIONAL send master, which can be used in place of the SM1 or SM2 bus master when rack space is critical. It allows the rack to be filled with a full set of 16 modules, giving you 32 channels, including the masters, ALL IN ONE 3U RACK. The rear panel feature connector provides for an external fader for the send master option on the FX2+. The FX2 can be used by it self as a inexpensive dual stereo mixer for DAW or LIVE use when a simple stereo bus is all that is required. When used with the MX2 series, the addition of FOUR FX2 modules will give you 8 returns and the masters for the FOUR sends on the MX2, saving you the space of having FOUR SM1 master modules. The FX2 can also be used as an additional set of sends, fed from the direct output of the MX2, as the outputs of each panner can be internally set to feed any of the 16 available busses in the VRACK, allowing up to EIGHT sends from each MX2, including the onboard set of FOUR sends. This module, when used as a simple external summing module, will bring the cost of a DAW external mixing system down considerably. Tonelux MP1A Mic Pre The Tonelux MP1a is a DISCRETE mic preamp with a DIRECT INPUT on the front panel. The MIC IN is transformer coupled in and out, and has a 20 dB PAD switch (effects both MIC and DIR), a 48V Phantom switch and a Phase or POLARITY switch. The PAD and POLARITY switches effect both inputs. Identical to the MP1, but with the addition of an OUTPUT FADER to control the record level of the Mic Pre Output. The inner, or larger (silver) knob sets the mic pre gain and the outer smaller (black) knob controls the output level. We chose the fader control for the outer knob so the gain knob, once set, won't be bumped when adjusting the output level. The 8 seg LED VU meter follows the balanced output of the preamp. The level of the VU meter is adjustable over the entire range from off to +28. The PEAK led is set at +14VU or +18 dBu and can grab a fast peak and display it. With the "a" version, an internal jumper selects the MIC PRE MAIN OUTPUT or the MIC PRE GAIN STAGE signal to feed the VU Meter. This allows the engineer to monitor the real mic pre gain or the output level of the MP1a. When monitoring the Mic Pre Gain, the meter shows the actual gain stage level, and is not effected by the output fader. The Combo XLR/Direct input is for use with a hi-z instrument, etc. The TILT tone control works with both the MIC in and DIR in and has it's own TILT EQ IN switch, which is a hard wire bypass switch when out. When turned up, the tilt control has a 0 to 6 dB boost on the high end while cutting the low end the same. If it is turned down, tilt will boost the low end up to 6 dB and cut the high end up to 6 dB. The Front panel XLR is multed to the rear panel XLR and that is also multed to the D-Sub "INPUT" on the rear of the V-Rack. The "INSERT RETURN" input of the V-Rack is a resistor isolated mic level input, that can be used when the MP1 is in a live recording situation and there is no splitter. It will bridge the mic line with 10X the impedance to minimize loading of the microphone. Included with the MP1a Mic Pre is the ability to PFL the output to an external amplifier or to the mixer/master section for previewing the signal directly off the mic pre output. Tonelux EQ4P EQ The Tonelux EQ4P is a DISCRETE Parametric Equalizer with some very unique features. Notice that the panel has no Q control. The filter Q control is in relation to the Boost and Cut control, and uses a "Constant Energy Curve" that keeps the bandwidth wider at lower boost or cut levels and becomes narrow at higher boost or cut levels. This is musically pleasing. The curve is identical to many classic equalizers and is one of the reasons they are preferred over newer designs. When the PEAK button pressed, the 3 yellow "peak" buttons keep the width at a constant 1/3 octave for more precision control. The High Frequency has a Shelving button instead of a Peak button. Since the Constant Energy Curve is so broad in the lower frequencies, there is no need for a low frequency shelf button. With 4 bands of controls, each of the lower 2 have slightly different frequencies, allowing the lower band to go to 16 Hz, and the upper 2 bands are identical. The IN button is a silent IN/OUT button that does not bypass the unit, but it bypasses the filters. Combine the V8 with a V-Rack! Having a V- Rack back at the studio filled with MX2s and a CR2 module can link to the V8 portable rack which allow both racks become one large system!
The Tonelux V8 Portable Rack can house up to EIGHT Mic Pres, Eqs and Compressors, in any combination, and can also house any of the MIXING modules, including the MX2, FX2, MX5.1, SM2, TR8, and the CR2 for monitoring. The Tonelux V8 Rack includes many features not found on any other rack system available today:
8x Module Slots
XLR inputs and outputs for the Input, Insert Return/Side Chain, and Output
D-SUB inputs and outputs for the Input, Insert Return/Side Chain, and Output
D-Sub BUS linking to the VRack System to expand bussing, etc.
Large Power Supply, can power an additional VRack Aux power connector on rear.
Folding Handle
Rubber feet on side and bottom Tonelux FX2 and FX2+ Dual Stereo Line Mixer Modules The Tonelux FX2 Mixer is a DUAL stereo line mixer with a simple pair of level controls and a pair of panners. The PAN control is a standard stereo pan circuit with a center detent. The FX2 has a unique MUTE circuit that when pressed, the LED turns RED, but when the module is ON, the LED serves as a level presence indicator, illuminating green to show signal presence. This is very useful in live recording when you need to know quickly if a channel has signal or which has the loudest signal on it. It is also perfect for identifying which channel has the Kick and which has the Snare. The FX2+ "AUX MSTR" is an OPTIONAL send master, which can be used in place of the SM1 or SM2 bus master when rack space is critical. It allows the rack to be filled with a full set of 16 modules, giving you 32 channels, including the masters, ALL IN ONE 3U RACK. The rear panel feature connector provides for an external fader for the send master option on the FX2+. The FX2 can be used by it self as a inexpensive dual stereo mixer for DAW or LIVE use when a simple stereo bus is all that is required. When used with the MX2 series, the addition of FOUR FX2 modules will give you 8 returns and the masters for the FOUR sends on the MX2, saving you the space of having FOUR SM1 master modules. The FX2 can also be used as an additional set of sends, fed from the direct output of the MX2, as the outputs of each panner can be internally set to feed any of the 16 available busses in the VRACK, allowing up to EIGHT sends from each MX2, including the onboard set of FOUR sends. This module, when used as a simple external summing module, will bring the cost of a DAW external mixing system down considerably. Tonelux EQ4P EQ The Tonelux EQ4P is a DISCRETE Parametric Equalizer with some very unique features. Notice that the panel has no Q control. The filter Q control is in relation to the Boost and Cut control, and uses a "Constant Energy Curve" that keeps the bandwidth wider at lower boost or cut levels and becomes narrow at higher boost or cut levels. This is musically pleasing. The curve is identical to many classic equalizers and is one of the reasons they are preferred over newer designs. When the PEAK button pressed, the 3 yellow "peak" buttons keep the width at a constant 1/3 octave for more precision control. The High Frequency has a Shelving button instead of a Peak button. Since the Constant Energy Curve is so broad in the lower frequencies, there is no need for a low frequency shelf button. With 4 bands of controls, each of the lower 2 have slightly different frequencies, allowing the lower band to go to 16 Hz, and the upper 2 bands are identical. The IN button is a silent IN/OUT button that does not bypass the unit, but it bypasses the filters. Combine the V8 with a V-Rack! Having a V- Rack back at the studio filled with MX2s and a CR2 module can link to the V8 portable rack which allow both racks become one large system!
The Tonelux V8 Portable Rack can house up to EIGHT Mic Pres, Eqs and Compressors, in any combination, and can also house any of the MIXING modules, including the MX2, FX2, MX5.1, SM2, TR8, and the CR2 for monitoring. Includes many features not found on any other rack system available today:
8x Module Slots
XLR inputs and outputs for the Input, Insert Return/Side Chain, and Output
D-SUB inputs and outputs for the Input, Insert Return/Side Chain, and Output
D-Sub BUS linking to the VRack System to expand bussing, etc.
Large Power Supply, can power an additional VRack Aux power connector on rear.
Folding Handle
Rubber feet on side and bottom Tonelux FX2 and FX2+ Dual Stereo Line Mixer Modules The Tonelux FX2 Mixer is a DUAL stereo line mixer with a simple pair of level controls and a pair of panners. The PAN control is a standard stereo pan circuit with a center detent. The FX2 has a unique MUTE circuit that when pressed, the LED turns RED, but when the module is ON, the LED serves as a level presence indicator, illuminating green to show signal presence. This is very useful in live recording when you need to know quickly if a channel has signal or which has the loudest signal on it. It is also perfect for identifying which channel has the Kick and which has the Snare. The FX2+ "AUX MSTR" is an OPTIONAL send master, which can be used in place of the SM1 or SM2 bus master when rack space is critical. It allows the rack to be filled with a full set of 16 modules, giving you 32 channels, including the masters, ALL IN ONE 3U RACK. The rear panel feature connector provides for an external fader for the send master option on the FX2+. The FX2 can be used by it self as a inexpensive dual stereo mixer for DAW or LIVE use when a simple stereo bus is all that is required. When used with the MX2 series, the addition of FOUR FX2 modules will give you 8 returns and the masters for the FOUR sends on the MX2, saving you the space of having FOUR SM1 master modules. The FX2 can also be used as an additional set of sends, fed from the direct output of the MX2, as the outputs of each panner can be internally set to feed any of the 16 available busses in the VRACK, allowing up to EIGHT sends from each MX2, including the onboard set of FOUR sends. This module, when used as a simple external summing module, will bring the cost of a DAW external mixing system down considerably. Tonelux SM2 The Tonelux SM2 is a STEREO DISCRETE Summing module, with selectable inputs (on the PC board with jumpers) so you can grab any pair of bus and use the SM2 as the summing master for the Stereo bus, Surround Bus or the Solo Bus, etc. The two 8 seg LED VU meters follows the outputs of the both final stages. The Summing inputs use the Tonelux DISCRETE op-amp for summing, then feeds the Tonelux DISCRETE output op-amp into a transformer for the summing (or ACA) outputs. The return from the ACA out comes back into a DISCRETE booster amp, the master fader and transformer for the final output stages. This configuration allows you to insert a Stereo compressor after the summing amp and before the master fader (either the front panel pot or the external fader option), then returning it back into the fader and to the final Booster outputs. This modules works the same way any typical professional recording console would work. The INS (insert) button allows the engineer to compare or insert the device such as a compressor for IN/OUT comparison or when required for a special CUE point. One switch controls both channels. The rear panel connector allows the user to insert a Stereo fader, which will serve as the Master fader. Both the ACA outputs and the BOOSTER outputs are transformer coupled. Tonelux CR2 The Tonelux CR2 is a FULL featured Control Room Monitor Module that has Three External Stereo Inputs and the internal Stereo Mix Bus. The CR2 uses an ALL DISCRETE signal path for superb sonic quality. The features include AFL stereo level, which is switched on when ever a channel is soloed, TWO control room speaker outputs, a MONO compatibility switch, Left and Right Speaker CUT switches and a DIM control that dims the Control room level 15dB. The CONTROL ROOM LEVEL pot is a matched detented stereo control for perfect imaging. Of course, it uses a HUGE Tonelux knob! There is a talkback feature that when pressed, sends an external mic signal into the send busses via the COM button. This also automatically DIMs the Control Room Level. The two 8 seg VU meters follow the selection of the Control Room and are also accessible from the rear of the VRACK for an external set of VU meters. Combine the V8 with a V-Rack! Having a V- Rack back at the studio filled with MX2s and a CR2 module can link to the V8 portable rack which allow both racks become one large system!
The Tonelux V8 Portable Rack can house up to EIGHT Mic Pres, Eqs and Compressors, in any combination, and can also house any of the MIXING modules, including the MX2, FX2, MX5.1, SM2, TR8, and the CR2 for monitoring. The Tonelux V8 Rack includes many features not found on any other rack system available today:
8x Module Slots
XLR inputs and outputs for the Input, Insert Return/Side Chain, and Output
D-SUB inputs and outputs for the Input, Insert Return/Side Chain, and Output
D-Sub BUS linking to the VRack System to expand bussing, etc.
Large Power Supply, can power an additional VRack Aux power connector on rear.
Folding Handle
Rubber feet on side and bottom Tonelux FX2 and FX2+ Dual Stereo Line Mixer Modules The Tonelux FX2 Mixer is a DUAL stereo line mixer with a simple pair of level controls and a pair of panners. The PAN control is a standard stereo pan circuit with a center detent. The FX2 has a unique MUTE circuit that when pressed, the LED turns RED, but when the module is ON, the LED serves as a level presence indicator, illuminating green to show signal presence. This is very useful in live recording when you need to know quickly if a channel has signal or which has the loudest signal on it. It is also perfect for identifying which channel has the Kick and which has the Snare. The FX2+ "AUX MSTR" is an OPTIONAL send master, which can be used in place of the SM1 or SM2 bus master when rack space is critical. It allows the rack to be filled with a full set of 16 modules, giving you 32 channels, including the masters, ALL IN ONE 3U RACK. The rear panel feature connector provides for an external fader for the send master option on the FX2+. The FX2 can be used by it self as a inexpensive dual stereo mixer for DAW or LIVE use when a simple stereo bus is all that is required. When used with the MX2 series, the addition of FOUR FX2 modules will give you 8 returns and the masters for the FOUR sends on the MX2, saving you the space of having FOUR SM1 master modules. The FX2 can also be used as an additional set of sends, fed from the direct output of the MX2, as the outputs of each panner can be internally set to feed any of the 16 available busses in the VRACK, allowing up to EIGHT sends from each MX2, including the onboard set of FOUR sends. This module, when used as a simple external summing module, will bring the cost of a DAW external mixing system down considerably. Tonelux MP1A Mic Pre The Tonelux MP1a is a DISCRETE mic preamp with a DIRECT INPUT on the front panel. The MIC IN is transformer coupled in and out, and has a 20 dB PAD switch (effects both MIC and DIR), a 48V Phantom switch and a Phase or POLARITY switch. The PAD and POLARITY switches effect both inputs. Identical to the MP1, but with the addition of an OUTPUT FADER to control the record level of the Mic Pre Output. The inner, or larger (silver) knob sets the mic pre gain and the outer smaller (black) knob controls the output level. We chose the fader control for the outer knob so the gain knob, once set, won't be bumped when adjusting the output level. The 8 seg LED VU meter follows the balanced output of the preamp. The level of the VU meter is adjustable over the entire range from off to +28. The PEAK led is set at +14VU or +18 dBu and can grab a fast peak and display it. With the "a" version, an internal jumper selects the MIC PRE MAIN OUTPUT or the MIC PRE GAIN STAGE signal to feed the VU Meter. This allows the engineer to monitor the real mic pre gain or the output level of the MP1a. When monitoring the Mic Pre Gain, the meter shows the actual gain stage level, and is not effected by the output fader. The Combo XLR/Direct input is for use with a hi-z instrument, etc. The TILT tone control works with both the MIC in and DIR in and has it's own TILT EQ IN switch, which is a hard wire bypass switch when out. When turned up, the tilt control has a 0 to 6 dB boost on the high end while cutting the low end the same. If it is turned down, tilt will boost the low end up to 6 dB and cut the high end up to 6 dB. The Front panel XLR is multed to the rear panel XLR and that is also multed to the D-Sub "INPUT" on the rear of the V-Rack. The "INSERT RETURN" input of the V-Rack is a resistor isolated mic level input, that can be used when the MP1 is in a live recording situation and there is no splitter. It will bridge the mic line with 10X the impedance to minimize loading of the microphone. Included with the MP1a Mic Pre is the ability to PFL the output to an external amplifier or to the mixer/master section for previewing the signal directly off the mic pre output. Combine the V8 with a V-Rack! Having a V- Rack back at the studio filled with MX2s and a CR2 module can link to the V8 portable rack which allow both racks become one large system!
The Tonelux V8 Roadster can be custom-loaded with any one of 20 different Tonelux Custom Console Modules to create any portable rig you can envision. D-sub and XLR ins & outs make this a snap to quickly connect/disconnect in the studio. Expand later with a V-Rack and/or a Tonelux full blown frame console! The V8 includes many features not found on any other rack system available today.
The rack can house up to 8x Mic Pres, Eqs and Compressors, in any combination.
The rack can also house any of the MIXING modules, including the MX2, FX2, MX5.1, SM2, TR8, and the CR2 for monitoring.
The system pictured above is an 8) channel mixer with 2) MP1A Mic Pres and 2) EQ4P Equalizers.
Having a Vrack back at the studio filled with MX2s and a CR2 module can link to the portable rack which allow both racks become one large system!
These features include:
8x Module Slots
XLR inputs and outputs for the Input, Insert Return/Side Chain, and Output
D-SUB inputs and outputs for the Input, Insert Return/Side Chain, and Output
D-Sub BUS linking to the VRack System to expand bussing, etc.
Large Power Supply, can power an additional VRack Aux power connector on rear.
Folding Handle
Rubber feet on side and bottom
Tonelux 8 Channel V8 Roadster - Unloaded 50% off when you buy 4x Tonelux MP1A, EQ4P or TXC modules. Buy 6, it's FREE!
Holds 8 Tonelux modules, has XLR & D-sub I/O, 3 D-sub link connectors to link with a V-Rack and it will power an additional V-RACK! Vintage King Exclusive
... Learn more
The Tonelux AUX1 is a simple BUS access module that allows the user to insert an additional mixer, mic pre, etc. into the Tonelux MIX BUS.
Each input is BALANCED and is calibrated for a level of +4 dBu
The LED at the bottom of the module indicates the mode that the AUX1 is in. Internally, there are headers that allow you to switch the jacks from the MX2 Stereo Mixer's busses to the MX5.1 Surround Mixer's busses, since any combination of modules can be used at the same time in the rack.
This adapter goes on back of V rack for easier hookup of TL cabling. When using this card, you MUST place these modules on the left or right half of your Vrack in either order: FX2 (FX2+)x4, SM2, CR2 or CR2, SM2 and FX2 )FX2+)x4.
You need to have a minimum of these above modules to make use of this card. As per Paul/Tonelux, the use of this board saves approximately one day of labor, as opposed to hand wiring a system without the use of the board.
4x dsub to dsub ribbon jumpers are required connect this card to the V rack. A maximum of 3 feet in length is recommended. The card can be mounted to the NEW STYLE V racks that are now being shipped tie bars, or the card can be mounted remotely.
The card has optional surface mounted XLR outputs that can be added.
The Tonelux CR2 is a FULL featured CONTROL ROOM MONITOR module that has Three External Stereo Inputs and the internal Stereo Mix Bus. The CR2 uses an ALL DISCRETE signal path for superb sonic quality.
The features include AFL stereo level, which is switched on when ever a channel is soloed, TWO control room speaker outputs, a MONO compatibility switch, Left and Right Speaker CUT switches and a DIM control that dims the Control room level 15dB.
The CONTROL ROOM LEVEL pot is a matched detented stereo control for perfect imaging. Of course, it uses a HUGE Tonelux knob!
There is a talkback feature that when pressed, sends an external mic signal into the send busses via the COM button. This also automatically DIMs the Control Room Level.
The two 8 seg VU meters follow the selection of the Control Room and are also accessible from the rear of the VRACK for an external set of VU meters.
Hear for yourself what makes Tonelux so great. Give us a call or email to arrange to have this demo rig sent to you for a personal demonstration.
Tonelux Modules Included:
2 - MX2 Input Modules w/Stereo Pan & 4 sends
2 - MP1 Manual Controlled Discrete Mic Pre's
2 - TXC Compressor Modules
2 - EQ4P Discrete Parametric EQ's
2 - FX2+ Dual Stereo Line Mixer Module & Summing Amps
2 - FX2 Dual Stereo Line Mixer Modules
1 - SM2 Stereo Discrete Summing module
1 - CR2 Control Room Monitor Module
The Tonelux EQ4P is a DISCRETE Parametric Equalizer with some very unique features. Notice that the panel has no Q control. The filter Q control is in relation to the Boost and Cut control, and uses a "Constant Energy Curve" that keeps the bandwidth wider at lower boost or cut levels and becomes narrow at higher boost or cut levels. This is musically pleasing. The curve is identical to many classic equalizers and is one of the reasons they are preferred over newer designs. When the PEAK button pressed, the 3 yellow "peak" buttons keep the width at a constant 1/3 octave for more precision control.
The High Frequency has a Shelving button instead of a Peak button. Since the Constant Energy Curve is so broad in the lower frequencies, there is no need for a low frequency shelf button.
With 4 bands of controls, each of the lower 2 have slightly different frequencies, allowing the lower band to go to 16 Hz, and the upper 2 bands are identical. The IN button is a silent IN/OUT button that does not bypass the unit, but it bypasses the filters.
The Tonelux EQ4P is a DISCRETE Parametric Equalizer with some very unique features. Notice that the panel has no Q control. The filter Q control is in relation to the Boost and Cut control, and uses a "Constant Energy Curve" that keeps the bandwidth wider at lower boost or cut levels and becomes narrow at higher boost or cut levels. This is musically pleasing. The curve is identical to many classic equalizers and is one of the reasons they are preferred over newer designs. When the PEAK button pressed, the 3 yellow "peak" buttons keep the width at a constant 1/3 octave for more precision control.
The High Frequency has a Shelving button instead of a Peak button. Since the Constant Energy Curve is so broad in the lower frequencies, there is no need for a low frequency shelf button.
With 4 bands of controls, each of the lower 2 have slightly different frequencies, allowing the lower band to go to 16 Hz, and the upper 2 bands are identical. The IN button is a silent IN/OUT button that does not bypass the unit, but it bypasses the filters.
LAS VEGAS, NEVADA - SEPTEMBER 2008: Tonelux Designs Limited, distributed by TransAudio Group, is introducing their first product in an all new line of rack-mounted gear at the 125th AES Convention, in San Francisco, The single-rack space EQUALUX EQ is the equivalent of the highly sought after Tonelux EQ4P which fits into the Tonelux V-8 Roadster and Tonelux V-Rack.
Noted Paul Wolff, president of Tonelux: "I have always felt that when creating a new product line in a different format than your standard line, the design must maintain the same quality as your existing products or even surpass them. If not, you are placing your entire brand in jeopardy. With the new Tonelux rack-mount modules, I have added features that didn't quite fit on the V-Rack module panel and, in addition, have incorporated valuable
end user suggestions."
The Tonelux EQUALUX has all of the features of the EQ4P, plus proportional Q and fixed 1/3 octave switches on ALL four bands, shelving on BOTH the high-frequency band and the low-frequency band, a silent IN/OUT switch, and the addition of a hard wire bypass switch that also bypasses the unit in the unlikely event of a power failure. The front panel and chassis is a very sexy extrusion that will accent any rack of equipment. The EQUALUX EQs will be available after AES. In addition to the EQUALUX, Tonelux will be introducing the DYNALUX Compressor, a two-channel version of the TXC
compressor, with many added linking and control features. A dual mic pre is also in the works.
The Tonelux TX-FRACK accommodates 16 Modules in any combination.
The Tonelux FD1 Fader is a mono 100mm fader. The price includes a 2 foot TRS cable that plugs into the rear of the MX2, MX5.2 or the SM1, SM2 as well as the FX2 external fader jack on the rear of the VRACK.
The Tonelux FX2 Mixer is a DUAL stereo line mixer with a simple pair of level controls and a pair of panners.
The PAN control is a standard stereo pan circuit with a center detent. The FX2 has a unique MUTE circuit that when pressed, the LED turns RED, but when the module is ON, the LED serves as a level presence indicator, illuminating green to show signal presence. This is very useful in live recording when you need to know quickly if a channel has signal or which has the loudest signal on it. It is also perfect for identifying which channel has the Kick and which has the Snare.
The FX2+ "AUX MSTR" is an OPTIONAL send master, which can be used in place of the SM1 or SM2 bus master when rack space is critical. It allows the rack to be filled with a full set of 16 modules, giving you 32 channels, including the masters, ALL IN ONE 3U RACK.
The rear panel feature connector provides for an external fader for the send master option on the FX2+.
The FX2 can be used by it self as a inexpensive dual stereo mixer for DAW or LIVE use when a simple stereo bus is all that is required.
When used with the MX2 series, the addition of FOUR FX2 modules will give you 8 returns and the masters for the FOUR sends on the MX2, saving you the space of having FOUR SM1 master modules.
The FX2 can also be used as an additional set of sends, fed from the direct output of the MX2, as the outputs of each panner can be internally set to feed any of the 16 available busses in the VRACK, allowing up to EIGHT sends from each MX2, including the onboard set of FOUR sends.
This module, when used as a simple external summing module, will bring the cost of a DAW external mixing system down considerably.
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