The Primacoustic Recoil Stabilizer is a unique speaker mounting device that at once eliminates disruptive resonant coupling from the loudspeaker to the stand, while providing a stable base that reduces the recoil caused by the forward energy of the loudspeaker motion.
Improves transient response
Widens the sound field for better imaging
Tightens up the bass response for greater accuracy
Available in several sizes and firing angles
Made from three basic components, the Recoil Stabilizer is essentially a platform for the loudspeaker that features a high-density urethane base that isolates the speaker from the shelf, monitor-bridge or stand. This effectively decouples the loudspeaker to eliminate vibration-borne resonance to the substructure.
A heavy laser-cut steel plate is added and sandwiched between the isolation layer and a no-slip neoprene top. The steel plate introduces significant mass to the structure and serves to stabilize the speaker.
By reducing the backward 'recoil' energy as the speaker coil pushes energy forward, initial waveform transients no longer suffer lag and the sharpness of the resulting pulse is more defined. The result is significantly greater detail at all frequencies, with tighter bottom end and improved depth of field.
The Recoil Stabilizer is available in various sizes and weights to address different speaker designs.
Use this reference chart to find the right Recoil Stabilizer for your monitors.
Original Manufacturers Description
Technical Documents
Specifications
Brochure
Product Manual
Recall Sheet
User Testimonials
"The Recoils are remarkable! They seem to clear up the low mids, bring out the ultra lows and the transients come alive with greater detail. Very impressive!" Joe Chiccarelli
Joe Chiccarelli is aGrammy Award winning producer & engineer (White Stripes, Elton John, Beck, U2, Rufus Wainwright, Bon Jovi)
"Elegant in principle, brilliant in execution...that's the Recoil. What it does is so simple, and the improvement you hear is so immediate, you have to say to yourself, why wasn't this invented years ago?" Andy Hong, Gear editor TapeOp Magazine