Digital Multitrack Recorders

API Audio
Neve
Barefoot Sound
Shadow Hills Industries
Retro Instruments
Waves Audio
Coles Microphones
Endless Analog Clasp

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Designed for handling large I/O and track count requirements, the powerful Avid Pro Tools|HD 2 Accel
 system combines two dedicated DSP cards with the processing power of 
your Windows- or Mac-based computer*, giving you rock-solid performance,
 low latency, guaranteed track counts, and more dedicated DSP for 
greater plug-in processing. 
 
Pro Tools|HD 2 Accel also comes with industry-standard Pro Tools HD 
software. 
 
What’s Included 
<ul><li>1 HD Core card and 1 HD Accel card (PCI), or</li><li>1 Accel Core card and 1 HD Accel card (PCIe)</li><li>Pro Tools software</li><li>Free Bomb Factory Plug-ins</li><li>12-foot DigiLink cable for I/O connectivity†</li><li>TDM FlexCable for DSP card interconnection</li><li>iLok USB Smart Key for software authorization</li><li>Boxed set of printed manuals</li></ul>
In addition, you’ll need to choose at least one Pro Tools|HD audio 
interface (sold separately) to complete your basic system — add more 
interfaces to expand your I/O capabilities, and integrate other Pro 
Tools|HD options to meet your project and workflow needs.

Avid HD2 Accel Pro Tools - PCIe
1 HD Core and 1 HD Accel Process

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Avid Pro Tools|HD 3 Accel features the HD Core card and two HD Accel cards, supporting up to 96 channels of I/O* and guaranteed support for up to 192 simultaneous audio tracks with no stress on the computer. Of the three core systems, this configuration offers the most power and flexibility, enabling you to complete projects more quickly and efficiently than ever before. Expanding the system's dedicated processing power and I/O capacity is as easy as adding additional HD Accel cards**.

All Core Systems Feature <ul>

<li>Sample rate support up to 192 kHz 
</li><li>Next-generation, dedicated hardware performance combined with host-based processing capability for ultimate power and flexibility 
</li><li>World-class, high-resolution audio interfaces, each offering a wealth of analog and digital connections and unmatched price/performance 
</li><li>A complete professional audio solution, including audio interfaces, synchronization, MIDI and mic preamp peripherals, and more 
</li><li>Expandable DSP power and I/O capacity 
</li><li>Includes TDM II, Avid's new bus architecture design, providing support for extremely large mixing configurations 
</li><li>Proprietary DigiLink interface standard for connectivity of HD Core and HD Process cards at lengths of up to 100 feet† 
</li><li>A wide range of options available from Avid and Avid Development Partners 
</li><li>Full session compatibility with systems running Pro Tools 5.1 software or higher; supports all older Pro Tools sessions </li></ul>

* All Pro Tools|HD core systems require the presence of at least one Avid HD audio interface (purchased separately); additional HD audio interfaces are required for extended I/O capabilities.

** Purchased separately 
†100-foot DigiLink cable supports up to 96 kHz sample rates

Avid HD3 Accel Pro Tools - PCIe
1 HD Core and 2 HD Accel Process

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The JoeCo BlackBox Recorder is the first dedicated large-scale multi-channel recorder for audio acquisition and capturing live performance. Unlike many other devices, it doesn’t double as a studio recorder or a cut-down workstation - there are no plug-ins or effects to modify the captured sound. Quite simply, what you hear is what you get! Available in both analogue and digital variants, the BlackBox Recorder family offers a choice of professional interfaces to any live mixing console. The recorder can capture up to 24 channels of 24Bit/96kHz audio in Broadcast WAV (BWAV) format. For large scale recordings, multiple units can be linked together. Audio is recorded directly onto a removable USB2 disk drive or USB Flash drive (FAT32 formatted). Files can then be instantly imported into any Mac- or PC-based Digital Audio Workstation for editing, remixing and re-purposing. Using standard universally accepted file and disk formats on external storage solutions eliminates the time normally required to load the recordings into a workstation for subsequent processing and mixing. In the modern creative environment, time is in short supply and being able to instantly load large amounts of audio data is crucial to fast turnaround productions. Simple to operate, the BlackBox Recorder's sleek front panel has an intuitive menu-driven user interface, touch sensitive transport controls, data wheel and function buttons. A foot switch input is also provided and can be set up to duplicate the record button function for hands-free operation. The main color screen displays the current recording time and the amount of time remaining on disk. The front panel LED meters have a sticky peak feature to help guard against overloading the inputs. Each meter element varies in brightness according to the level, to give a remarkably accurate representation. Ease of use is complemented by fully professional control and synchronization facilities, along with a wealth of time-saving features that include virtual sound-checking; disk drive formatting; the ability to create a headphone monitor mix with level and pan on every track; a keyboard interface and Name Manager for creating templates and modifying track or song names, plus a variety of shortcuts for speedily navigating menu options and transport controls. Within the menu structure all key variables can be modified: the sample rate, track arming, use of time code, digital audio clock setup, naming recordings, input and output levels, and setting up loop points. The recorder also offers a range of enhancements for film, TV and broadcast applications including support for 23.98fps time code, 9-pin support for edit controllers, and iXML support. A number of "fail safe" features ensure secure audio capture at all times, including playback lockout and a "Safe 'n' Sound" record recovery function that enables recorded audio files to be recovered after a sudden accidental loss of power, or forgetting to stop recording before powering off the system. BlackBox BBR1A with ADAT optical I/O: The BlackBox Recorder with ADAT optical I/O enables audio capture via a digital mixing console supporting ADAT (TOSlink) inputs and outputs. This BBR model can also interface directly with any of the high quality A-D converters that incorporate ADAT outputs. Three 8-channel ADAT inputs can be connected from the mixer and three ADAT outputs can return the signals back to the mixer. All other BlackBox Recorder features remain unchanged and the full analogue I/O capability of the standard BBR1 is still available for situations where the ADAT interface is not suitable. Note: Due to limitations in the ADAT format, use of this option restricts 24-track recording to single speed sample rates (44.1kHz and 48kHz). At double sample rates the unit employs the SMUX2 protocol reducing the I/O count to 12 channels. However, the full 24/24/96kHz facility is still available in the analogue domain

JoeCo BlackBox Recorder BBR1A - ADAT Optical I/O
Single rack space 24-track recorder with addition of ADAT optical and analog I/O modules

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The JoeCo BlackBox Recorder is the first dedicated large-scale multi-channel recorder for audio acquisition and capturing live performance. Unlike many other devices, it doesn’t double as a studio recorder or a cut-down workstation - there are no plug-ins or effects to modify the captured sound. Quite simply, what you hear is what you get! Available in both analogue and digital variants, the BlackBox Recorder family offers a choice of professional interfaces to any live mixing console. The recorder can capture up to 24 channels of 24Bit/96kHz audio in Broadcast WAV (BWAV) format. For large scale recordings, multiple units can be linked together. Audio is recorded directly onto a removable USB2 disk drive or USB Flash drive (FAT32 formatted). Files can then be instantly imported into any Mac- or PC-based Digital Audio Workstation for editing, remixing and re-purposing. Using standard universally accepted file and disk formats on external storage solutions eliminates the time normally required to load the recordings into a workstation for subsequent processing and mixing. In the modern creative environment, time is in short supply and being able to instantly load large amounts of audio data is crucial to fast turnaround productions. Simple to operate, the BlackBox Recorder's sleek front panel has an intuitive menu-driven user interface, touch sensitive transport controls, data wheel and function buttons. A foot switch input is also provided and can be set up to duplicate the record button function for hands-free operation. The main color screen displays the current recording time and the amount of time remaining on disk. The front panel LED meters have a sticky peak feature to help guard against overloading the inputs. Each meter element varies in brightness according to the level, to give a remarkably accurate representation. Ease of use is complemented by fully professional control and synchronization facilities, along with a wealth of time-saving features that include virtual sound-checking; disk drive formatting; the ability to create a headphone monitor mix with level and pan on every track; a keyboard interface and Name Manager for creating templates and modifying track or song names, plus a variety of shortcuts for speedily navigating menu options and transport controls. Within the menu structure all key variables can be modified: the sample rate, track arming, use of time code, digital audio clock setup, naming recordings, input and output levels, and setting up loop points. The recorder also offers a range of enhancements for film, TV and broadcast applications including support for 23.98fps time code, 9-pin support for edit controllers, and iXML support. A number of "fail safe" features ensure secure audio capture at all times, including playback lockout and a "Safe 'n' Sound" record recovery function that enables recorded audio files to be recovered after a sudden accidental loss of power, or forgetting to stop recording before powering off the system. BlackBox BBR1B with Balanced analogue I/O: The BlackBox Recorder with balanced I/O enables audio capture via a mixing console with balanced insert points or direct outputs. The three lower 25-way female D-type connectors are used as balanced inputs and the three upper 25-way female as balanced outputs. The unit can use the same high quality D-type cables as for the unbalanced BBR1, but these are not supplied as there are too many different types of termination (1/4" TRS, XLR male, XLR female, 25-way D-type, etc.). In the same manner as the unbalanced model, the BBR1B loops the inputs directly to the outputs via relays when in record or stop so that even a power failure on the BBR cannot affect the audio through the PA. Other BlackBox Recorder features remain unchanged. The balanced I/O interface uses high quality balancing receivers and transmitters and has been designed specifically for the BlackBox Recorder to be fully transparent.

JoeCo BlackBox Recorder BBR1B - Balanced Analog I/O
Single rack space 24-track recorder with addition of balanced I/O module

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The JoeCo BlackBox Recorder is the first dedicated large-scale multi-channel recorder for audio acquisition and capturing live performance. Unlike many other devices, it doesn’t double as a studio recorder or a cut-down workstation - there are no plug-ins or effects to modify the captured sound. Quite simply, what you hear is what you get! Available in both analogue and digital variants, the BlackBox Recorder family offers a choice of professional interfaces to any live mixing console. The recorder can capture up to 24 channels of 24Bit/96kHz audio in Broadcast WAV (BWAV) format. For large scale recordings, multiple units can be linked together. Audio is recorded directly onto a removable USB2 disk drive or USB Flash drive (FAT32 formatted). Files can then be instantly imported into any Mac- or PC-based Digital Audio Workstation for editing, remixing and re-purposing. Using standard universally accepted file and disk formats on external storage solutions eliminates the time normally required to load the recordings into a workstation for subsequent processing and mixing. In the modern creative environment, time is in short supply and being able to instantly load large amounts of audio data is crucial to fast turnaround productions. Simple to operate, the BlackBox Recorder's sleek front panel has an intuitive menu-driven user interface, touch sensitive transport controls, data wheel and function buttons. A foot switch input is also provided and can be set up to duplicate the record button function for hands-free operation. The main color screen displays the current recording time and the amount of time remaining on disk. The front panel LED meters have a sticky peak feature to help guard against overloading the inputs. Each meter element varies in brightness according to the level, to give a remarkably accurate representation. Ease of use is complemented by fully professional control and synchronization facilities, along with a wealth of time-saving features that include virtual sound-checking; disk drive formatting; the ability to create a headphone monitor mix with level and pan on every track; a keyboard interface and Name Manager for creating templates and modifying track or song names, plus a variety of shortcuts for speedily navigating menu options and transport controls. Within the menu structure all key variables can be modified: the sample rate, track arming, use of time code, digital audio clock setup, naming recordings, input and output levels, and setting up loop points. The recorder also offers a range of enhancements for film, TV and broadcast applications including support for 23.98fps time code, 9-pin support for edit controllers, and iXML support. A number of "fail safe" features ensure secure audio capture at all times, including playback lockout and a "Safe 'n' Sound" record recovery function that enables recorded audio files to be recovered after a sudden accidental loss of power, or forgetting to stop recording before powering off the system. BlackBox BBR1D with AES/EBU Digital I/O: The BlackBox Recorder with digital AES/EBU I/O enables audio capture via a digital mixing console with AES/EBU inputs and outputs. Three 25-way female D-type connectors, each carrying 8 channels of inputs and outputs, can be connected directly into the digital mixer to capture and return the signals without any additional A-D conversion, giving 12 stereo channels of AES/EBU inputs and 12 stereo channels of AES/EBU outputs. Analogue inputs are also still available (switchable). All other BlackBox Recorder features remain unchanged. The AES/EBU interfaces can operate at up to 96kHz and conform to the AES standard (AES-3:2003). It is also still possible to chain multiple BBR1D units together to make larger multi-track recordings.

JoeCo BlackBox Recorder BBR1D - AES/EBU Digital I/O
Single rack space 24-track recorder with addition of AES/EBU digital and analog I/O modules

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The JoeCo BlackBox Recorder is the first dedicated large-scale multi-channel recorder for audio acquisition and capturing live performance. Unlike many other devices, it doesn’t double as a studio recorder or a cut-down workstation - there are no plug-ins or effects to modify the captured sound. Quite simply, what you hear is what you get! Available in both analogue and digital variants, the BlackBox Recorder family offers a choice of professional interfaces to any live mixing console. The recorder can capture up to 24 channels of 24Bit/96kHz audio in Broadcast WAV (BWAV) format. For large scale recordings, multiple units can be linked together. Audio is recorded directly onto a removable USB2 disk drive or USB Flash drive (FAT32 formatted). Files can then be instantly imported into any Mac- or PC-based Digital Audio Workstation for editing, remixing and re-purposing. Using standard universally accepted file and disk formats on external storage solutions eliminates the time normally required to load the recordings into a workstation for subsequent processing and mixing. In the modern creative environment, time is in short supply and being able to instantly load large amounts of audio data is crucial to fast turnaround productions. Simple to operate, the BlackBox Recorder's sleek front panel has an intuitive menu-driven user interface, touch sensitive transport controls, data wheel and function buttons. A foot switch input is also provided and can be set up to duplicate the record button function for hands-free operation. The main color screen displays the current recording time and the amount of time remaining on disk. The front panel LED meters have a sticky peak feature to help guard against overloading the inputs. Each meter element varies in brightness according to the level, to give a remarkably accurate representation. Ease of use is complemented by fully professional control and synchronization facilities, along with a wealth of time-saving features that include virtual sound-checking; disk drive formatting; the ability to create a headphone monitor mix with level and pan on every track; a keyboard interface and Name Manager for creating templates and modifying track or song names, plus a variety of shortcuts for speedily navigating menu options and transport controls. Within the menu structure all key variables can be modified: the sample rate, track arming, use of time code, digital audio clock setup, naming recordings, input and output levels, and setting up loop points. The recorder also offers a range of enhancements for film, TV and broadcast applications including support for 23.98fps time code, 9-pin support for edit controllers, and iXML support. A number of "fail safe" features ensure secure audio capture at all times, including playback lockout and a "Safe 'n' Sound" record recovery function that enables recorded audio files to be recovered after a sudden accidental loss of power, or forgetting to stop recording before powering off the system. BlackBox BBR1U with Unbalanced analogue I/O: The BlackBox Recorder with Unbalanced I/O is designed to plug across the insert points of a standard analogue mixing console via three 25-way female D-type connectors on the rear of the unit. Three 1/4-inch TRS terminated multi-core looms are supplied for connecting the BBR to the console (TASCAM analogue format). Inside the unit, relays route the audio signal from input to output in all modes except during playback. This provides an additional level of safety so that in the event of a power failure on the BBR, the audio through the PA will not be affected. In this model, eight insert returns are also brought out to TRS jacks on the rear of the unit, allowing additional outboard equipment to be plugged into insert points as required.

JoeCo BlackBox Recorder BBR1U - Unbalanced Analog I/O
Single rack space 24-track recorder includes unbalanced analog I/O

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The JoeCo BlackBox Recorder is the first dedicated large-scale multi-channel recorder for audio acquisition and capturing live performance. Unlike many other devices, it doesn’t double as a studio recorder or a cut-down workstation - there are no plug-ins or effects to modify the captured sound. Quite simply, what you hear is what you get! Available in both analogue and digital variants, the BlackBox Recorder family offers a choice of professional interfaces to any live mixing console. The recorder can capture up to 24 channels of 24Bit/96kHz audio in Broadcast WAV (BWAV) format. For large scale recordings, multiple units can be linked together. Audio is recorded directly onto a removable USB2 disk drive or USB Flash drive (FAT32 formatted). Files can then be instantly imported into any Mac- or PC-based Digital Audio Workstation for editing, remixing and re-purposing. Using standard universally accepted file and disk formats on external storage solutions eliminates the time normally required to load the recordings into a workstation for subsequent processing and mixing. In the modern creative environment, time is in short supply and being able to instantly load large amounts of audio data is crucial to fast turnaround productions. Simple to operate, the BlackBox Recorder's sleek front panel has an intuitive menu-driven user interface, touch sensitive transport controls, data wheel and function buttons. A foot switch input is also provided and can be set up to duplicate the record button function for hands-free operation. The main color screen displays the current recording time and the amount of time remaining on disk. The front panel LED meters have a sticky peak feature to help guard against overloading the inputs. Each meter element varies in brightness according to the level, to give a remarkably accurate representation. Ease of use is complemented by fully professional control and synchronization facilities, along with a wealth of time-saving features that include virtual sound-checking; disk drive formatting; the ability to create a headphone monitor mix with level and pan on every track; a keyboard interface and Name Manager for creating templates and modifying track or song names, plus a variety of shortcuts for speedily navigating menu options and transport controls. Within the menu structure all key variables can be modified: the sample rate, track arming, use of time code, digital audio clock setup, naming recordings, input and output levels, and setting up loop points. The recorder also offers a range of enhancements for film, TV and broadcast applications including support for 23.98fps time code, 9-pin support for edit controllers, and iXML support. A number of "fail safe" features ensure secure audio capture at all times, including playback lockout and a "Safe 'n' Sound" record recovery function that enables recorded audio files to be recovered after a sudden accidental loss of power, or forgetting to stop recording before powering off the system.. BlackBox BBR-DANTE: The new BlackBox BBR-DANTE Recorder is designed to record and replay up to 32 channels of audio data from a Dante network. It records at 44.1kHz and 48kHz directly to Broadcast WAV files on an external USB2 drive. The BBR-DANTE connects to any Dante-enabled network device from a range of console and converter manufacturers including Allen&Heath, Yamaha, MIDAS, DiGiCo and Focusrite to name but a few. Designed to support standard network components and switches, it can also record 8 channels of analogue (balanced line in) alongside 24 channels of Dante for capturing audience and ambience. The BBR-DANTE will lock to or generate word clock, as well as locking to the incoming Dante audio stream. In contrast with previous models, continuous channel metering on every channel is not provided and there is no internal mixer. Instead, individual channels, or pairs of channels can be monitored on a PFL bus providing both hi-resolution metering and headphone monitoring.

JoeCo BlackBox Recorder BBR32 - DANTE Digital I/O
Single rack space 32 track recording system with DANTE digital I/O and 8 analog line inputs

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The JoeCo BlackBox Recorder is the first dedicated large-scale multi-channel recorder for audio acquisition and capturing live performance. Unlike many other devices, it doesn’t double as a studio recorder or a cut-down workstation - there are no plug-ins or effects to modify the captured sound. Quite simply, what you hear is what you get! Available in both analogue and digital variants, the BlackBox Recorder family offers a choice of professional interfaces to any live mixing console. The recorder can capture up to 24 channels of 24Bit/96kHz audio in Broadcast WAV (BWAV) format. For large scale recordings, multiple units can be linked together. Audio is recorded directly onto a removable USB2 disk drive or USB Flash drive (FAT32 formatted). Files can then be instantly imported into any Mac- or PC-based Digital Audio Workstation for editing, remixing and re-purposing. Using standard universally accepted file and disk formats on external storage solutions eliminates the time normally required to load the recordings into a workstation for subsequent processing and mixing. In the modern creative environment, time is in short supply and being able to instantly load large amounts of audio data is crucial to fast turnaround productions. Simple to operate, the BlackBox Recorder's sleek front panel has an intuitive menu-driven user interface, touch sensitive transport controls, data wheel and function buttons. A foot switch input is also provided and can be set up to duplicate the record button function for hands-free operation. The main color screen displays the current recording time and the amount of time remaining on disk. The front panel LED meters have a sticky peak feature to help guard against overloading the inputs. Each meter element varies in brightness according to the level, to give a remarkably accurate representation. Ease of use is complemented by fully professional control and synchronization facilities, along with a wealth of time-saving features that include virtual sound-checking; disk drive formatting; the ability to create a headphone monitor mix with level and pan on every track; a keyboard interface and Name Manager for creating templates and modifying track or song names, plus a variety of shortcuts for speedily navigating menu options and transport controls. Within the menu structure all key variables can be modified: the sample rate, track arming, use of time code, digital audio clock setup, naming recordings, input and output levels, and setting up loop points. The recorder also offers a range of enhancements for film, TV and broadcast applications including support for 23.98fps time code, 9-pin support for edit controllers, and iXML support. A number of "fail safe" features ensure secure audio capture at all times, including playback lockout and a "Safe 'n' Sound" record recovery function that enables recorded audio files to be recovered after a sudden accidental loss of power, or forgetting to stop recording before powering off the system.. BlackBox BBR64-MADI: Based on the award-winning, tried and tested BlackBox Recorder design, the new BlackBox BBR64-MADI Recorder is designed to record and replay up to 64 channels of MADI data and yet still only occupies one unit of rack space! The recorder can capture the full 64 channels at standard sample rates directly to Broadcast WAV files on an external USB2 drive. Double sample rate MADI recording (up to 96kHz) is also accommodated. The recorder sports both coaxial and optical MADI connections for interfacing with any MADI equipped console or other equipment. Additionally, the BBR64-MADI caters for 56-channel legacy MADI and can record a further 8 channels of analogue (balanced line in) for capturing the audience reaction or general ambience. The BBR64-MADI will lock to or generate word clock, as well as locking to the received MADI data stream. The MADI input is echoed direct to the output to ease system integration. In contrast with previous models, continuous channel metering on every channel is not provided and there is no internal mixer. Instead, individual channels, or pairs of channels can be monitored on a PFL bus providing both hi-resolution metering and headphone monitoring.

JoeCo BlackBox Recorder BBR64 - MADI Digital I/O
Single rack space 64 track recording system with MADI digital I/O and 8 analog line inputs

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This cost-effective Pyramix configuration is ideal for Broadcast radio 
and television applications requiring minimal tracks and effects with a 
need to capture synchronized audio material from external VT or AT 
machines. CD-R mastering is also included with real-time editing, 
processing and mixing. 
 
Pyramix Broadcast Pack - Key Features: 
<ul><li>Native or MassCore Version</li><li>MassCore Technology - (options for 48, 128 or 256+ channel I/O 
capability at 1fs)</li><li>Up to 96kHz sample rate as standard</li><li>CD Import and CD mastering to full Red Book standard</li><li>CD Disk Write to full Red Book CD standard</li><li>VST multi-channel support</li><li>Full delay compensation</li><li>External inserts</li><li>Video TC Synchronization</li></ul>
 
Included Software Options and Plug-ins: 
<ul><li>Bus Tools and Strip Tools Dyn/EQ package</li><li>Dual Compressor, 10 Band EQ, Generator (Sinus, Pulse, DC), Flanger</li><li>Wordlength Meter, Angudion.</li><li>Phase Correlator and Audio Vectorscope</li><li>VU, Peak Metering</li><li>Nagra Modulometer</li></ul>
 
Hardware Options: 
<ul><li>Requires one Mykerinos Processing card per I/O daughter card</li><li>I/O daughter card options include MADI, AES-EBU, ADAT, SDIF, TDIF 
and DUAL AES-EBU+Analog.</li><li>Supplied as a software and card-set, or full turnkey system housed
 in a dedicated Pyramix Chassis.</li><li>Isis Edit Controller</li><li>Full integration with Ramses MSC console control system</li></ul>

Merging Technologies Pyramix Native Broadcast Pack
Digital Audio Workstation (DAW) and Software Bundle

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Designed for the professional CD, DVD and SACD recording and mastering 
engineer. The Pyramix Mastering Pack
 configuration now supports all samples rates as standard from 32kHz to 
384kHz plus DXD and DSD (1-bit 2.8MHz) for SACD production in stereo and
 surround sound. 
 
Pyramix Mastering Pack - Key Features: 
<ul><li>Native or MassCore Version</li><li>MassCore Technology - (options for 48, 128 or 256+ channel I/O 
capability)</li><li>Real-time (instantaneous) editing</li><li>Surround Sound Mixing</li><li>Up to 384kHz sample rate plus DXD and DSD for Super Audio CD 
productions</li><li>CD Import and CD mastering to full Red Book standard</li><li>CD Disk Write to full Red Book CD standard</li><li>VST Multi-channel support</li><li>Full delay compensation</li></ul>
 
Included Software Options and Plug-ins: 
<ul><li>DDP Mastering</li><li>POW-r Redithering</li><li>EDL comparison tool</li><li>EQ-X: High Definition Parametric EQ.</li><li>Bus Tools and Strip Tools Dyn/EQ package</li><li>Dual Compressor, 10 Band EQ, Generator (Sinus, Pulse, DC), 
Flanger, Wordlength Meter, Angudion, Phase Correlator and Audio 
Vectorscope</li><li>VU, Peak Metering</li><li>Nagra Modulometer</li><li>iXML support</li><li>Sonic Import</li></ul>

Merging Technologies Pyramix Native Mastering Pack
Digital Audio Workstation (DAW) and Software Bundle

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Pyramix has long been established as one of the leading DAW systems for 
high quality high track count live multi-channel recording. On location 
recording of live concerts, or in the studio as a multi-track 
record/player. This cost-effective solution retains the same operational
 performance of the highest spec Pyramix at sample rates up to 192kHz as
 standard with the option for DXD/DSD multi-channel recording. 
 
For touring concerts Pyramix is often used to record the sound check a 
with discrete channel feeds from/to the desk giving the engineer as much
 time as he needs to ensure the perfect mix for the audience. Usually 
connected to the live desk through a single or multiple MADI streams, 
each capable of 56/64 channels to a maximum of 256 channels at 48kHz, 
Pyramix is also used to record the entire concert for later editing and 
mastering of live albums. The rugged Pyramix chassis is a robust touring
 case with the option of removable drive bays for rapid storage 
exchange. 
 
Pyramix Music Pack - Key Features: 
<ul><li>Native or MassCore Version</li><li>MassCore Technology - (options for 48, 128 or 256+ channel I/O 
capability at 1fs)</li><li>Multiple MADI coaxial and optical interface options.</li><li>Multiple single wire AES-EBU interface options.</li><li>Live punch-in punch-out recording</li><li>MassCore Technology - (options for 48, 128 or 256+ channel I/O 
capability)</li><li>Surround Sound Mixing</li><li>Up to 192kHz sample rate as standard</li><li>CD Import and CD mastering to full Red Book standard</li><li>CD Disk Write to full Red Book CD standard</li><li>VST multi-channel support</li></ul>
 
Included Software Options and Plug-ins: 
<ul><li>Bus Tools and Strip Tools Dyn/EQ package</li><li>Dual Compressor, 10 Band EQ, Generator (Sinus, Pulse, DC), Flanger</li><li>Wordlength Meter, Angudion.</li><li>Phase Correlator and Audio Vectorscope</li><li>VU, Peak Metering</li><li>Nagra Modulometer</li></ul>
 
Hardware Options: 
<ul><li>Requires one Mykerinos Processing card per I/O daughter card</li><li>I/O daughter card options include MADI, AES-EBU, ADAT, SDIF, TDIF 
and DUAL AES-EBU+Analog.</li><li>Supplied as a software and card-set, or full turnkey system housed
 in a dedicated Pyramix Chassis.</li><li>Isis Edit Controller</li><li>Full integration with Ramses MSC console control system.</li></ul>

Merging Technologies Pyramix Native Music Pack
Digital Audio Workstation (DAW) and Software Bundle

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The Tascam DP-004 Digital Pocketstudio is based on 30 years of easy-to-use cassette Portastudios, updated with four tracks of CD-quality digital recording. Like those groundbreaking Portastudios, a row of knobs set levels and pan instead of a list of menus.
 
The DP-004 can record two sources at once to the included 1GB SD Card. A built-in stereo condenser microphone makes it simple to record anywhere you go, perfect for concerts, rehearsals and songwriting inspirations. A pair of 1/4" jacks on the rear panel allow you to connect your own microphones or sources. You can even switch the inputs to guitar level for recording.
 
The DP-004 allows you to build up your arrangement until you've filled up all four tracks. The Bounce feature allows you to consolidate tracks and make room for more overdub layers. Also available is an autopunch feature for fixing problems, track editing and an undo function.
 
Mixing is also built into the Digital Pocketstudio. Once you set levels and pan, record your mix onto a dedicated stereo master track. You're able to transfer your tracks and mixes to a computer over USB 2 for CD burning and sharing online.
 
Despite its go-anywhere compact design - smaller than a paperback book - the DP-004 is simple enough for students, songwriters and musicians who want to keep their recording process simple and creative. 
 
Specifications:
 
Connections:
<ul>
 <li> Two 1/4" unbalanced mic/line inputs
 <li> Switchable guitar input
 <li> Headphone/Line output
 <li> USB 2.0 connector
</ul>
Recording:
<ul>
 <li> Four-track digital multitrack recording
 <li> CD-quality 44.1kHz/16-bit WAV recording
 <li> Records to SD Card media (1GB card included)
 <li> Autopunch, repeat and record undo
 <li> Dedicated stereo mixdown track
</ul>

Physical:
<ul>
 <li> Powered through AA Batteries or optional PS-P520 power adapter
 <li> Battery life: About 8 hours recording, about 8.5 hours playback (alkaline batteries)
 <li> Dimensions: 6.1" W x 1.3" H x 4.2" D (155mm W x 33.5mm H x 107mm D)
 <li> Weight: 2.8 oz (360 g, w/o batteries)
</ul>

Tascam DP-004
Digital 4 Track Recorder

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Tascam culminates 30 years of Portastudio Recording with the Tascam DP-008,
a portable 8-track recorder for all musicians. TASCAM's DP-008 is an
eight-track recorder that captures CD-quality audio, two tracks at a
time. You can use built-in microphones to grab ideas, plug condenser
mics into the XLR inputs or plug a guitar directly in to lay tracks.
There's even a metronome and chromatic tuner built-in for
tight-sounding tracks. The DP-008 also allows you to digitally bounce
tracks to make room for more, and touches like editing and undo make
recording stress-free. Each track on the DP-008 has its own row of knobs for level, pan and
effects, just like our classic cassette Portastudios of the past. The
effects knob sends to a built-in stereo reverb processor with hall,
room, stage and other effects. Each track also has EQ to tailor the
sound for your mix. When your song is complete, mix it to a dedicated
stereo track while riding levels and flipping pan as much as you want.
You can export your mix, or even individual tracks, as a WAV file. 
Tascam invented the home recording studio with the original cassette
Portastudio. The DP-008 takes the ease-of-use of those classic
songwriting tools and adds portability, digital sound quality, effects
and mixdown to bring home recording into the 21st century. Simplify
your recording workflow with TASCAM's DP-008. Specifications: <ul><li>8-track Digital Portastudio</li><li>2-track simultaneous recording</li><li>(2) XLR microphone inputs with phantom power</li><li>(2) 1/4" line inputs, one switchable to guitar level for direct recording</li><li>1/4" footswitch input and Autopunch features for punch-in recording</li><li>RCA line outputs</li><li>1/8" stereo headphone output</li><li>Powered by four AA batteries (included) or PS-P520 power supply (optional)</li><li>Chromatic tuner and metronome features</li><li>Stereo reverb effect on send/return path</li><li>Level, Pan and 2-band EQ controls per channel</li><li>44.1kHz/16-bit recording resolution</li><li>Records to SD or SDHC Card media, up to 32GB supported</li><li>USB 2.0 connection to computer for backup and track/mixdown export</li><li>2GB SD Card, USB cable, AA batteries included</li><li>Built-in stereo electret condenser microphones</li><li>Backlit LCD display</li></ul>

Tascam DP-008
Digital 8 Track Recorder

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The Tascam DR-680 brings 
multi-channel portable recording within reach of any musician for 
polished live, location and surround recordings. Up to eight tracks can 
be recorded to solid-state SD card media at 96kHz/24-bit Broadcast WAV 
quality. Six mic inputs provide phantom power and 60dB of gain for 
great-sounding recordings with your condenser microphones. Record the 
six microphones along with a digital S/PDIF source for 8 track 
recording. Each mic input has a selectable low cut filter and analog 
limiter for optimal sound. 
 
Inputs can be monitored using a built-in mixer with level and pan 
controls for each input. The stereo mixdown can even be recorded along 
with the six mics for quick stereo playback of the event. There's even a
 built-in speaker to check recordings without headphones. 
 
In addition to WAV recording up to 96kHz, the DR-680 captures stereo 
audio at 192kHz/24-bit for audiophile-quality masters. The DR-680 
records up to four channels of MP3 audio for web-ready recordings. Two 
of the recorders can be connected with a cascade cable for up to 
16-track recording on battery power. 
 
Multi-channel portable recording has never been as simple or affordable 
as the TASCAM DR-680. 
 
Features 
<ul><li>8-track portable recording</li><li>Record eight individual inputs or six inputs plus a stereo mixdown</li><li>Up to 96kHz/24-bit Broadcast WAV file resolution for 8 channels</li><li>Stereo 192kHz/24-bit recording mode</li><li>4-channel MP3 recording</li><li>Digital monitor mixing (level and pan) with recordable stereo 
mixdown</li><li>Ideal for surround music and effects recording</li><li>Cascade function for running two units together</li><li>Pre-recording feature</li><li>Auto-recording mode begins recording when the input reaches a 
certain level</li><li>Mark function during recording/playback</li><li>Edit functions such as divide and delete</li><li>128x64 backlit LCD display</li><li>Powered through (8x) AA batteries or (included) PS-1225L adapter</li><li>Records to SD/SDHC card media (not included)</li></ul>
Physical specifications 
<ul><li>(6) mic pres with 60dB of gain and phantom power</li><li>(4) XLR/1/4" (combi) mic/line inputs and (2) TRS 1/4" mic/line 
inputs</li><li>Low cut filter and limiter on each input</li><li>(6) RCA unbalanced line outputs</li><li>S/PDIF digital in and out</li><li>USB 2.0 (mini B) connection for computer</li><li>Built-in speaker</li><li>1/4" stereo headphone output</li><li>Included accessories: PS-1225L power supply, shoulder strap</li><li>Dimensions: 7.95" W x 2.12" H x 6.93" D (202mm x 54mm x 176mm)</li><li>Weight 2.65 lbs (1.2kg) without batteries</li></ul>

Tascam DR-680 Recorder
8-Track Portable Field Audio Recorder

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