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Dynamic Microphones

AKG D 112
Large Diaphragm Dynamic Microphone

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AKG D 40
Rugged cardioid instrument microphone with Laminate Varimotion diaphragm. Comes with permanently-attached metal stand adapter, H440 drum clamp and nylon gig bag.

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The AKG Groove Pack is a start-up kit for drummers.

It contains 6 microphones from the new Perception live series:

<ul><li>1x P 2 bass microphone</li><li>2x P 17* for overheads </li><li>3x P 4 for toms and snare</li></ul>

This complete set comes in a protective aluminum carrying case.

AKG P 2

Rugged all metal microphone for bass instruments such as bass drum, 
trombone or bass amplifier. The P2 delivers powerful sound with a high 
energy low end.
<ul><li>Dynamic microphone designed for low-pitched instruments</li><li>Powerful sound with great bass range</li><li>Handles highest sound pressure levels</li><li>Integrated stand adapter</li><li>Rugged all-metal body withstands typical tough stage use</li><li>Humbucking coil rejects EMC noises</li><li>Complete with carrying case</li></ul>

AKG P 17

<ul><li>Condenser overhead microphone</li><li>Switchable 20 dB attenuation pad</li><li>True condenser cardioid capsule</li><li>All metal construction</li><li>1/2" small-diaphragm instrumental microphone</li></ul>

AKG P 4

The P 4 microphone with its solid metal case will stand up to typical 
stage use. An integrated stand adapter and a mounting bracket for tom 
tom etc.  make this microphone highly versatile for use on drums, 
percussion, wind instruments and guitar amps.

<ul><li>Dynamic microphone designed for drums and percussion, wind instruments and guitar amps</li><li>Response tailored for neutral reproduction of instrument sounds</li><li>Integrated stand adapter and external bracket</li><li>Rugged all-metal body withstands typical tough stage use</li><li>Humbucking coil rejects EMC noises</li><li>Complete with carrying case</li></ul>

*P 17 is technically identical to P 170 and not available as a single unit.

AKG Perception Drumset Groove Pack
Complete drum-kit microphone pack with six microphones in a rugged aluminum carrying case

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AKG Rhythm Pack Includes: D 112 <ul><li>Large-diaphragm dynamic microphone for bass instruments </li><li>Extremely high SPL capability </li><li>Classic microphone for stage and studio applications </li></ul>D 40 <ul><li>Dynamic microphone designed for drums and percussions, wind </li><li>instruments, and guitar amps </li><li>Patented AKG Varimotion diaphragm technology  </li><li>Custom built capsule mounting </li><li>Integrated stand adapter H440 </li><li>Spring steel wire-mesh cap </li><li>Rugged all-metal body withstands typical tough handling on stage </li></ul>C 430 Miniature condenser microphone for cymbal and overhead miking  Phantom or battery powering options Mounts securely on all commercial microphone stands Package Content:  <ul><li>2 x C 430, 2 x SA 60, 2 x W 32 </li><li>3 x D 40; 3 x H 440 </li><li>1 x D 112; 1 x SA 60</li><li>Aluminum Flight Case</li></ul>

AKG Rhythm Pack
Contains 1x D 112, 2x C 430 for overheads and 3x D 40 for toms and snare, all in a protective aluminum carrying case.

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A natural with high SPLs, the Audio-Technica ATM250 hypercardioid dynamic is tailored for kick drum, percussion, brass and other highly dynamic instruments. Its rich, warm low-frequency response gives the microphone excellent presence. The microphone is equipped with a rare earth neodymium magnet and a tight hypercardioid polar pattern. Includes a professional isolation clamp to provide secure mounting, versatile positioning and effective dampening of unwanted mechanical noise.

<ul>
<li>Handles very high SPL at close range

</li><li>Big, warm low-frequency response with excellent presence

</li><li>Hypercardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source

</li><li>Durable, proven performance for professional applications
</li><li>Hi-ENERGY® neodymium magnet for improved output and transient response

</li><li>Superior off-axis rejection for maximum gain before feedback

</li><li>Corrosion-resistant contacts from gold-plated XLRM-type connector
</li><li>Rugged, all-metal design and construction for years of trouble-free use
</li></ul>

Audio-Technica ATM250
Hypercardioid dynamic microphone

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Ideal for rack toms, floor tom, congas and horns. Slight mid-bass boost. Designed, machined, assembled and tested by Audix D2 in the USA, the D2 is a dynamic instrument microphone used for stage, studio and broadcast applications. The D2 is characterized with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a VLM™ (Very Low Mass) diaphragm for natural, accurate sound reproduction. The D2 is lightweight, compact and easy to position. With a wide frequency response of 80 Hz - 18 kHz and the ability to handle sound pressure levels in excess of 144 dB, the D2 is an excellent choice for miking instruments with a percussive nature such as rack toms, congas, saxophone, guitar cabinets and brass. Roadworthy construction includes a precision machined aluminum body, black anodized finish, laser etched model and serial number, steel mesh grill, Switchcraft® XLR connector and includes a tension-fit heavy duty nylon mic clip. Transformerless design, low impedance, and balanced output allow for interference-free performance even with long cable runs. Applications <ul><li>Rack toms, congas, floor toms</li><li>Guitar and bass cabinets</li><li>Saxophone, brass</li></ul>

Audix D2
Dynamic Hypercardioid Microphone. Ideal for rack toms, floor tom, congas, horns

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Hyper-Cardioid Dynamic Drum and Instrument Microphone Designed, machined, assembled and tested by Audix in the USA, the Audix D4 is a dynamic instrument microphone used for stage, studio and broadcast applications. The D4, which is characterized with a hypercardioid pickup pattern for isolation and feedback control, is equipped with a VLM™ (Very Low Mass) diaphragm for natural, accurate sound reproduction. The D4 is lightweight, compact and easy to position. With a wide frequency response of 40 Hz - 18 kHz and the ability to handle sound pressure levels in excess of 144 dB, the D4 is an excellent choice for miking instruments requiring precise low frequency reproduction such as large rack toms, floor toms, cajon, djembe, tympani, leslie bottom, bass flute, sax and baritone sax, trombone, acoustic bass, bass cabs and small kick drums. Roadworthy construction includes a precision machined aluminum body, black anodized finish, laser etched model and serial number, steel mesh grill, Switchcraft® XLR connector and includes a tension-fit heavy duty nylon mic clip. Transformerless design, low impedance, and balanced output allow for interference-free performance even with long cable runs. Applications <ul><li>Live Stage-Coffee House to Stadium</li><li>Large rack tom, floor tom, small kick drum</li><li>Cajon, djembe, tympani, leslie bottom</li><li>Bass flute, sax and baritone sax, trombone</li><li>Acoustic bass, bass cabs</li></ul>

Audix D4
Instrument mic for smaller kick drum, floor tom, djembe, brass, woodwinds. Natural, accurate frequency response with extended low end.

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Audix D6
Dynamic Cardioid Microphone. For kick drum, floor tom, bass cabs, leslie low. Provides huge kick drum sound with ground shaking low end while delivering exceptional clarity and attack.

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The Audix DP Series Quad Pack is
 the simplest and most effective combination of microphones that will 
allow you to capture the depth and imaging of a full drum kit. With 
kick, snare and two overheads, the QUAD incorporates the best of two 
miking techniques: close miking and overhead (ambient) miking. 
 
Close Miking 
The D6 for kick drum and the i5 for snare are considered the two 
microphones every drummer must have. The kick and snare are considered 
the core of any drum kit and the foundation for every groove. Close 
miking insures that they will be captured in the mix. If either the kick
 or the snare is unable to be heard, there is simply no groove. Being 
high SPL dynamic microphones, the D6 and i5 excel at “close miking”. 
This miking technique is required in order to capture the attack and 
percussive sound of the drum. Also, by having the mic close to the 
source of the sound, it helps to isolate the sound of each drum and 
separate it from the rest of the kit. 
 
Overhead (ambient) Miking 
Supporting the idea that “less is more”, there are many engineers who 
will use just two overhead mics to capture the natural sound of the 
complete drum kit. With two overhead mics, positioned correctly, it is 
absolutely true that you can capture the transients, tonality and 
balance of the kit in a completely phase-coherent manner. The ADX51, 
which is a pre-polarized condenser microphone with a 14mm gold sputtered
 diaphragm, is designed specifically with overhead applications in mind.
 Due to its cardioid pickup pattern, high sensitivity and slim pencil 
design, the two ADX51 mics can be easily positioned overhead to provide a
 nice stereo image of the entire drum kit. 
 
The Blend 
With contemporary music and with the volumes typically generated on 
stage, it is more practical and effective to create a blended effect of 
close miking and overhead miking – the exact intent of the DP-QUAD. The 
D6 will help provide the earthshaking lows and the attack of the kick; 
the i5 will reinforce the depth and crack of the snare; the overheads 
will pick up the high-hat, tom fills, cymbals and the ambiance of the 
entire kit. With the DP-QUAD, drums will maintain their sound integrity 
and critical presence, regardless of the size of the room and PA system. 
 
Features 
<ul><li>All-in-one solution for miking drums</li><li>Instrument-specific mics for optimal results</li><li>Rugged Audix quality</li><li>Great for stage and studio</li><li>Road case</li></ul>
What's In The Box 
<ul><li>One i5 snare mic</li><li>One D6 kick mic</li><li>Two ADX51 overhead mics</li><li>Three DCLIP mic clips</li><li>Two WS81C windscreens</li></ul>

Audix DP-Quad
Four-piece drum mic kit with D6 for kick, i5 for snare and two ADX51’s for overhead

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The Audix DP5a, which is identical to the DP7 except for the condenser mics, 
is a perfect compliment of microphones for a 5 piece kit. All mics 
perform equally well whether it be on a live stage or in the studio. Included
 in the DP5a drum mic package is the D6, Audix's flagship kick drum mic,
 two- D2's for rack toms, one D4 for floor tom, and the i5 for snare. Also
 included are four D-Vice rim mount clips for every mic except the D6 
kick drum mic, which comes with a heavy duty tension fit mic clip. 
Everything is conveniently packaged in a foam-lined aluminum carrying 
case road case for safe keeping when the mics are not in use. The
 Mics: D6 for kick drum The D6 has a frequency response of 
30Hz-15kHz and is characterized with a cardioid pick-up pattern. The D6 
is designed to sound good in any position and it is not dependent on 
finding the "sweet spot" of the drum. The D6 capsule features the same 
legendary VLM technology that has made the D series percussion and 
instrument microphones very popular for today's live stages and 
recording studios. i5 for snare The i5's cardioid polar 
pattern allows it to focus on the specific instrument that is being 
miked while rejecting other instruments or ambient noise on stage. With a
 smooth and uniform frequency response of 50 Hz-16 kHz and an ability to
 handle sound pressure levels in excess of 140 dB, the i5 can be used 
for a wide variety of applications and for all genres of music. 2
 D2s for toms For bringing out the real, dynamic sound of your drum 
toms and congas, nothing beats the D2! The D2 accurately reproduces the 
warmth and punch you listen for from percussion, leaving out the muddy, 
indistinct "boom" that can mar recording. The D2's natural warmth also 
makes it a great mic for saxophones and other woodwinds requiring a 
true, sensitive, yet big, reproduction. D4 for floor tom Make 
sure your sound's low-end has that propulsive kick! The D4 really puts 
that extra "oomph" in your kick drum, bass amp, and other low 
instruments thanks to its flat, linear response. Since this kit comes 
with the D6, Audix's premier kick drum mic, a good application for the 
D4 with this kit would be the floor tom. Features:
									<ul><li>All-in-one solution for miking drums</li><li>Instrument-specific
 mics for optimal results</li><li>Rugged Audix quality</li><li>Great
 for stage and studio</li><li>Dflex clips for easy positioning</li><li>Road case</li></ul>
									
									<h4>What's In The Box:</h4>
<ul><li>1 D6 for kick drum</li><li>1 i5 for snare</li><li>2 D2s for toms</li><li>1 D4 for floor tom </li><li>4 DVICE gooseneck clips</li></ul>

Audix DP5A
Audix DP5A - 5 Mic Drum Package

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Ultra-small high performance, dynamic harmonica microphone. Designed, machined, assembled and tested by Audix in the USA, the Audix FireBall™ is a professional dynamic instrument microphone intended for harmonica (both diatonic and chromatic) and beatbox. Clear, accurate and capable of handling sound pressure levels in excess of 140 dB without distortion, the FireBall™ is ideally suited for both live stage and studio recording applications. The FireBall™ is characterized with a cardioid pickup pattern for isolation and feedback control and is equipped with a VLM™ (Very Low Mass) diaphragm for natural sound reproduction with exceptional transient response. With a smooth, uniform frequency response of 50 Hz - 16 kHz, the FireBall™ is lightweight, compact, and comfortable to hold. Roadworthy construction includes a precision machined aluminum body, steel mesh grill, unique three stage marbled anodized finish, laser etched model and serial number, Switchcraft® XLR connector, and heavy duty nylon clip. The FireBall™ is a low impedance microphone; when using the FireBall™ with a guitar amplifier, a high quality low-high impedance transformer (such as T50K) is required. Applications <ul><li>Live Stage, studio</li><li>Harmonica</li><li>Vocals</li><li>Beatbox</li><li>Percussion</li><li>Saxophone, trumpet, trombone</li><li>Flute</li><li>Accordian</li></ul>

Audix Fireball
Ultra-small high performance harmonica microphone

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Dynamic harmonica microphone with conveniently placed volume control knob. Designed, assembled and tested by Audix in the USA, the Audix FireBall V is a professional dynamic instrument microphone intended for harmonica (both diatonic and chromatic) and beatbox. Clear, accurate, and capable of handling sound pressure levels in excess of 140 dB without distortion, the FireBall V is ideally suited for both live stage and recording applications, and has the added convenience of a volume control. The FireBall V is characterized with a cardioid pickup pattern for isolation and feedback control, and is equipped with a VLM™ (Very Low Mass) diaphragm for natural sound reproduction with exceptional transient response. With a wide frequency response of 50 Hz - 16 kHz, the FireBall V is lightweight, compact, and comfortable to hold. Roadworthy construction includes a precision cast zinc alloy body, steel mesh grill, black e-coat finish, laser etched model and serial number, Switchcraft® XLR connector and includes a tension-fit heavy duty nylon mic clip. The FireBall V is a low impedance microphone; when using the FireBall V with a guitar amplifier, a high quality low-high impedance transformer (such as T50K) is required. Applications <ul><li>Live Stage, studio</li><li>Harmonica</li><li>Vocals</li><li>Beatbox</li><li>Percussion</li><li>Saxophone, trumpet, trombone</li><li>Flute</li><li>Accordian</li></ul>

Audix Fireball-V
Durable die cast body with conveniently placed volume control knob

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Fusion Series - Dynamic Instrument Mic Designed, assembled and tested by Audix in the USA, the Audix i5 is a dynamic instrument microphone used for stage, studio and broadcast applications. The i5 is able to handle sound pressure levels in excess of 140 dB without distortion and can be used to mic a wide variety of musical instruments, guitar and bass cabinets, vocals and speech. The i5 is characterized with a cardioid pickup pattern for isolation and feedback control and is equipped with a VLM™ (Very Low Mass) diaphragm for natural, accurate sound reproduction. The i5 is sturdy, compact and easy to position. With a wide frequency response of 50 Hz - 16 kHz, the i5 provides clear, accurate, natural sound reproduction without having to rely on EQ. Roadworthy construction includes a precision cast zinc alloy body, steel grill, black e-coat finish, laser etched model and serial number, Switchcraft® XLR connector and includes a heavy duty nylon mic clip. Applications <ul><li>Live Stage, studio</li><li>Snare, toms, percussion</li><li>Guitar cabinets, electric instruments</li><li>Brass, flute,woodwinds</li><li>Acoustic instruments</li><li>Vocals, speech</li></ul>

Audix i5
Multi-purpose mic with clear accurate sound. Excellent for snare, percussion, horns, leslie high, and guitar amps.

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The Avantone CDMK-5
 
These rugged, elegantly designed drum microphones EXCEL in live sound as well as in the recording studio.<ul>

<li> Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability

</li><li> The AMK “ MONDO ” kick mic is aggressively voiced to provide a HUGE low end while accentuating the upper percussive attack frequencies. Most engineers will find that very little (if any) EQ is required to achieve satisfying results.

</li><li> The ATOM tom mic is custom voiced to yield a fat, big sound that often requires no EQ at all! Because of the special voicing on the ATOM it also is fantastic on djembe, large congas, and bass amp cabinets.

</li><li> The ADM snare mic is voiced to follow the familiar sound of industry standard snare mics BUT… We engineered a better low end and smoother top end…. plus as in all our mics… NO PLASTIC to break!

</li><li> The included PRO-KLAMP drum rim mic mounts are superb in allowing a confidant positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for professional results without the need for tripod/boom stands. While it was designed to withstand the rigors of live stage gigging, it is the first drum rim mic mount that will reliably work in a pro-studio situation. This makes the engineers’ job easier and insures that the mics will stay in place where he positions them.</li></ul>

Avantone CDMK-5 Drum Mic Kit
5 Mic drum mics kit w/ 4 PRO KLAMPS in aluminum case

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BeyerDynamic AMS TG I52D
Dynamic clip-on hypercardioid microphone for wind instruments

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BeyerDynamic M 201 TG
Dynamic directional microphone (hypercardioid) for instruments

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BeyerDynamic M 69 TG
Dynamic directional microphone (hypercardioid) for vocals and instruments

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The BeyerDynamic M 88 is
 a dynamic moving coil microphone with a hypercardioid polar pattern 
which is more tightly directional than that of any other mic in its 
class. Its frequency independent pickup pattern reduces feedback and 
off-axis coloration to an absolute minimum. The M 88s efficient moving 
coil design delivers high output over a wide range of working distances.
 Its wide frequency response and fast transient response enhance the 
'presence' and articulation of voices or instruments, while accurately 
reproducing bass frequencies. The M 88s natural, well-balanced sound can
 only be described as "elegant", yet its rugged design virtually 
eliminates non-linear distortion at extreme SPLs. The integral 
humbucking coil reduces interference from stray magnetic fields by as 
much as 20 dB. 
Applications The M 88 offers both wide frequency response 
and rugged construction, an ideal combination for sound effects (Foley 
studio) and other EFP applications. In addition it is an excellent 
broadcast announcer's mic. Recording studio applications of the M 88 
include vocals, bass drum, bass guitar, woodwinds and upright bass. It 
gives outstanding results in live vocal reinforcement, as a paging mic 
and for teleconferencing applications. The TourGroup version (M 88 TG) 
has a reinforced basket to withstand rough handling when being used for 
more demanding applications and a black mesh screen. 
Furnished Accessories 
<ul><li>Carrying case: Black leatherette foam lined 
</li><li>Mic clip: MKV 8</li></ul>
Optional Accessories 
<ul><li>Cable: MVK C-C/20 black 20 ft. two-conductor spiral shield synthetic
 rubber jacketed with black Neutrik 3 pin female XLR connector on mic 
end and black Neutrik 3 pin male XLR connector on equipment end. MVK C-C
 also available in 25 and 50 ft. lengths and with 1/4" two-conductor 
plug at equipment end. 
</li><li>Mic clip: MKV 6 quick release 
</li><li>Popscreen: PS 88 dark grey polyurethane foam 
</li><li>Windscreen: WS 69, available in black, red, blue, yellow and green</li></ul>

BeyerDynamic M 88 TG
Dynamic directional microphone (hypercardioid) for vocals and instruments (kick drum)

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The Electro Voice 635A is a handheld interview microphone designed for exacting professional applications such as film production, recording, broadcasting, and the more demanding PA applications. The EV 635A mic has high output level, low sensitivity to mechanical shock, and features a diaphragm which permits very smooth response over a wide frequency range. The diaphragm withstands humidity and temperature extremes, corrosive effects of salt air, and severe mechanical shocks. It is practically indestructible with normal use. A four-stage pop and dust filter ensures a completely pop-free performance and virtually eliminates the need for an external windscreen during outdoor use. An internal shock absorber effectively reduces the pickup of cable and other noise generated by external contact.Features: <ul><li>Practically indestructible in normal use</li><li>Steel housing provides magnetic shielding and strength</li><li>Withstands humidity, salt air, and severe</li><li>Mechanical shocks</li><li>Self generating, no powering required</li><li>Uniform 80-13,000 Hz response</li></ul>

Electro Voice 635A
"Classic" dynamic omnidirectional interview microphone, fawn beige

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Electro Voice 635A/B
"Classic" dynamic omnidirectional interview microphone, black

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