The 4021 has its cable (3 m as standard) side-mounted, which mechanically is perfect for situations where the microphone needs to be mounted directly on the musical instrument or on a stand. The linear frequency response from 40 Hz to 20 kHz (±2 dB) together with the ultra-small design makes Type 4021 the perfect choice whenever high definition audio and insignificant size is paramount.
The linear frequency response from 40 Hz to 20 kHz (±2 dB) together with the ultra-small design makes Type 4022 the perfect choice for all kinds of spot miking situations in TV studios or concert halls where near invisibility has to go hand in hand with studio quality audio
The linear on-axis frequency response from 40 Hz to 20 kHz (±2 dB) together with the extremely smooth off-axis response makes the Type 4023 the optimal choice in live situations in front of both the non-professional and the professional performer. The Microphone is supplied with a 3 m cable Lemo to XLR.
The 4026 has its cable (3 m as standard) rear-mounted, for situations where the microphone needs to be suspended from its own cable or mounted on a stand.
The linear frequency response together with the nice and subtle high frequency lift give that brilliant sparkle of purity, which will bring your sound to a higher level. The ultra-small design makes Type 4026 the perfect choice whenever high definition audio and insignificant size is paramount. With unbelievable depth and precision, the DPA Compact wide cardioids will exceed your expectations on choirs, percussion, grand pianos, reed and brass instruments and much more.
The 4027 has its cable (3 m as standard) side-mounted, which mechanically is perfect for situations where the microphone needs to be mounted directly on the musical instrument or on a stand.
The linear frequency response together with the nice and subtle high frequency lift give that brilliant sparkle of purity, which will bring your sound to a higher level. The ultra-small design makes Type 4027 the perfect choice whenever high definition audio and insignificant size is paramount. With unbelievable depth and precision, the DPA Compact wide cardioids will exceed your expectations on choirs, percussion, grand pianos, reed and brass instruments and much more.
The 4028 has a standard LEMO-connector for simple and safe mounting and removal of the microphone and is designed for usage together with the elegant and flexible Compact Active Poles for Flamingo floor stands or table shock mounts. The 4028 in conjunction with our Flamingo Stand is an ideal low profile solution for the audio engineer as well as the set designer.
The linear on-axis frequency response together with the extremely smooth off-axis response makes the Type 4028 the optimal choice in live situations in front of both the non-professional and the professional performer. For a conference panel, a few 4028s will easily cover the participants.
The Microphone is supplied with a 3 m cable Lemo to XLR.
The linear on-axis frequency response from 20 Hz to 20 kHz (±2 dB) together with the ultra-small design makes Type 4051 the perfect choice for all kinds of on-camera or on-stage use where high definition audio is of high priority.
The linear on-axis frequency response from 20 Hz to 20 kHz (±2 dB) together with the ultra-small design makes Type 4052 the perfect choice for all kinds of on-camera or on-stage use where high definition audio is of high priority. These Compact Omnis are extremely popular as A-B Stereo pairs in concert halls where the beautiful architecture has to go hand in hand with quality recordings.
The linear on-axis frequency response from 20 Hz to 20 kHz (±2 dB) together with the ultra-small design makes the 4053 the perfect choice for all kinds of on-camera or on-stage use where high definition audio is paramount. The Type 4053 Compact Omnis are extremely popular as A-B Stereo pairs in concert halls where the beautiful architecture has to go hand in hand with quality recordings.