Mic Pre (Microphone Pre Amplifiers) | VintageKing.com

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Mic Pre

The <B>A Designs “EM Series</B>” is a twist on the P-1. Each color has its own sound. This was accomplished by using different custom wound output and input transformers is equipped with a “Nickel” custom wound output transformer. This translates into “Highs” which will produce a much more airy top-end-ish tone. Used with a “dark” sounding microphone or a alto vocalist it can produce a “heavenly” sound. You will also find this pre useful for recording a snare drum for a “crisp crack” sound. And if you use the DI Feature you just might want to hear what an electric guitar sounds like going thru the nickel transformers. As with all the A Designs Audio modules, there is a -20dB PAD Switch. So, to get down and dirty with an electric guitar you will want to pad your input and crank the gain for a slight growl.
<BR><BR>
<B>All of the A Designs Audio module pres have the following Features:</B><UL>

<LI> -20dB Pad
<LI>Phase
<LI>48v Phantom
<LI>Cast aluminum knob
<LI>Thumb Screws (for easy install and un-install)
<LI>Solid construction
<LI>Custom Wound Transformers (input and output)
<LI>Original Design (no CLONES)
<LI>Red LED indicator for Phantom power</UL>
<BR><BR>
When developing our product(s) A Designs Audio feels the need to place units into the hands of both the professional and the average end user. In doing so, we have learned from their experiences and they have passed valuable information on to us. This helps us to produce a product with pride of craftsmanship and knowing we helped, in some way, to continue to inspire the art of creating and recording. So, no matter what your needs are for recording the perfect sound, A Designs Audio can help you by providing a solid tool to contribute to the job.
<br><br>
<b>Check out these Quicktime Movies to SEE and HEAR A Designs in action!</b><br>
<I>Right click to save</I><br><BR>

<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/RCM_Sax.mov" target="blank">Recording Saxophone with A Designs Pacifica and EM-PEQ</a>
<br>

<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/RCM_Piano.mov" target="blank">Recording Piano with A Designs Pacifica and EM-PEQ</a>
<br>
<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/Dylan_AcousticGuitar.mov" target="blank">Recording Acoustic Guitar with A Designs Blue and Hammer</a>
<br>
<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/RCM_MaleVox.mov" target="blank">Recording Male Vocals with A Designs Pacifica</a>
<br>
<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/RCM_FemaleVox.mov" target="blank">Recording Female Vocals with A Designs Hammer</a>
<br>
<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/Dylan_JCM800.mov" target="blank">Recording Electric Guitar with A Designs Hammer</a>

A Designs Audio EM-Blue
Single Channel EM-Series MicPre/DI Card - Blue

The <B>A Designs EM-Gold</B> is the latest pre-amplifier of the EM Series.
<BR><BR>
A Designs took the custom wound output transformer of the EM-Silver and combined it with the custom wound input transformer of the EM-Red.
<BR><BR>
The results here made for the perfect sound on a floor tom!
<BR><BR>
It also produced great results with a number of microphones for vocals, Bass, and MP3/Drum Machines.
<BR><BR>
We can say that the EM-Gold produces the dark end of the EM-Silver with more “up front” mids.
 
<BR><BR>
<B>All of the A Designs Audio module pres have the following Features:</B><UL>

<LI> -20dB Pad
<LI>Phase
<LI>48v Phantom
<LI>Cast aluminum knob
<LI>Thumb Screws (for easy install and un-install)
<LI>Solid construction
<LI>Custom Wound Transformers (input and output)
<LI>Original Design (no CLONES)
<LI>Red LED indicator for Phantom power</UL>
<BR><BR>
When developing our product(s) A Designs Audio feels the need to place units into the hands of both the professional and the average end user. In doing so, we have learned from their experiences and they have passed valuable information on to us. This helps us to produce a product with pride of craftsmanship and knowing we helped, in some way, to continue to inspire the art of creating and recording. So, no matter what your needs are for recording the perfect sound, A Designs Audio can help you by providing a solid tool to contribute to the job.
<br><br>
<b>Check out these Quicktime Movies to SEE and HEAR A Designs in action!</b><br>
<I>Right click to save</I><br><BR>

<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/RCM_Sax.mov" target="blank">Recording Saxophone with A Designs Pacifica and EM-PEQ</a>
<br>

<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/RCM_Piano.mov" target="blank">Recording Piano with A Designs Pacifica and EM-PEQ</a>
<br>
<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/Dylan_AcousticGuitar.mov" target="blank">Recording Acoustic Guitar with A Designs Blue and Hammer</a>
<br>
<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/RCM_MaleVox.mov" target="blank">Recording Male Vocals with A Designs Pacifica</a>
<br>
<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/RCM_FemaleVox.mov" target="blank">Recording Female Vocals with A Designs Hammer</a>
<br>
<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/Dylan_JCM800.mov" target="blank">Recording Electric Guitar with A Designs Hammer</a>

A Designs Audio EM-Gold
Single Channel EM-Series MicPre/DI Card - Gold

The <B>A Designs “EM Series</B>” is a twist on the P-1. Each color has its own sound. This was accomplished by using different custom wound output and input transformers comes with a 50/50 output transformer. A Designs Audio added a little kick to this one by changing the “Input Transformer,” as well. The results translates into more “Up Front Mids”! You may find this very useful when recording acoustic guitar with a condenser microphone. <BR><BR>

As with all the A Designs Audio modules, there is a 48v Phantom Power Switch. With all the new condenser microphones on the market in a very wide price range, the engineer or musician now has limitless possibilities to choose from in their endless search for their “perfect sound.” You may also like to use the EM-Red for recording Toms, both rack and floor.
<BR><BR>
<B>All of the A Designs Audio module pres have the following Features:</B><UL>

<LI> -20dB Pad
<LI>Phase
<LI>48v Phantom
<LI>Cast aluminum knob
<LI>Thumb Screws (for easy install and un-install)
<LI>Solid construction
<LI>Custom Wound Transformers (input and output)
<LI>Original Design (no CLONES)
<LI>Red LED indicator for Phantom power</UL>
<BR><BR>
When developing our product(s) A Designs Audio feels the need to place units into the hands of both the professional and the average end user. In doing so, we have learned from their experiences and they have passed valuable information on to us. This helps us to produce a product with pride of craftsmanship and knowing we helped, in some way, to continue to inspire the art of creating and recording. So, no matter what your needs are for recording the perfect sound, A Designs Audio can help you by providing a solid tool to contribute to the job.
<br><br>
<b>Check out these Quicktime Movies to SEE and HEAR A Designs in action!</b><br>
<I>Right click to save</I><br><BR>

<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/RCM_Sax.mov" target="blank">Recording Saxophone with A Designs Pacifica and EM-PEQ</a>
<br>

<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/RCM_Piano.mov" target="blank">Recording Piano with A Designs Pacifica and EM-PEQ</a>
<br>
<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/Dylan_AcousticGuitar.mov" target="blank">Recording Acoustic Guitar with A Designs Blue and Hammer</a>
<br>
<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/RCM_MaleVox.mov" target="blank">Recording Male Vocals with A Designs Pacifica</a>
<br>
<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/RCM_FemaleVox.mov" target="blank">Recording Female Vocals with A Designs Hammer</a>
<br>
<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/Dylan_JCM800.mov" target="blank">Recording Electric Guitar with A Designs Hammer</a>

A Designs Audio EM-Red
Single Channel EM-Series MicPre/DI Card - Red

The <B>A Designs “EM Series</B>” is a twist on the P-1. Each color has its own sound. This was accomplished by using different custom wound output and input transformers. <BR>
 <BR>
The <I>EM-Silver</I></B> has a custom wound steel output transformer which will translate into a darker sound than the P-1, EM-Red, and EM-Blue. We find the EM-Silver to be a very good match with “Ribbon Microphones”. This is a good combination due to the fact that steel transformers were widely used in the early days of recording and broadcast along with ribbon microphones.<BR>
<BR>It depends on which ribbon you have or use which will determine the sound/color/flavor you will receive. With today’s influx of ribbon microphones there is a wide choice of character range available for you to determine which tone you are looking for or need. Another feature of the EM-Silver is a “DI” (direct inject) for use with electric instruments. We find that this is a great pre for Bass Guitar and Keyboards. Also, you may like to try the EM-Silver (depending on microphone) for your “kick” when recording drums! This is a very versatile tool for any recording situation.
<BR><BR>
<B>All of the A Designs Audio module pres have the following Features:</B><UL>

<LI> -20dB Pad
<LI>Phase
<LI>48v Phantom
<LI>Cast aluminum knob
<LI>Thumb Screws (for easy install and un-install)
<LI>Solid construction
<LI>Custom Wound Transformers (input and output)
<LI>Original Design (no CLONES)
<LI>Red LED indicator for Phantom power</UL>
<BR><BR>
When developing our product(s) A Designs Audio feels the need to place units into the hands of both the professional and the average end user. In doing so, we have learned from their experiences and they have passed valuable information on to us. This helps us to produce a product with pride of craftsmanship and knowing we helped, in some way, to continue to inspire the art of creating and recording. So, no matter what your needs are for recording the perfect sound, A Designs Audio can help you by providing a solid tool to contribute to the job.
<br><br>
<b>Check out these Quicktime Movies to SEE and HEAR A Designs in action!</b><br>
<I>Right click to save</I><br><BR>

<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/RCM_Sax.mov" target="blank">Recording Saxophone with A Designs Pacifica and EM-PEQ</a>
<br>

<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/RCM_Piano.mov" target="blank">Recording Piano with A Designs Pacifica and EM-PEQ</a>
<br>
<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/Dylan_AcousticGuitar.mov" target="blank">Recording Acoustic Guitar with A Designs Blue and Hammer</a>
<br>
<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/RCM_MaleVox.mov" target="blank">Recording Male Vocals with A Designs Pacifica</a>
<br>
<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/RCM_FemaleVox.mov" target="blank">Recording Female Vocals with A Designs Hammer</a>
<br>
<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/Dylan_JCM800.mov" target="blank">Recording Electric Guitar with A Designs Hammer</a>

A Designs Audio EM-Silver
Single Channel EM-Series MicPre/DI Card - Silver

The <B>A Designs MP2A </B>is a world class tube/transformer mic pre design using a design not seen on any other unit in the price range.  The addition of A Design’s unique 4 position tone switches enable this one preamp to sound like 4 different preamps.  Meters, pad and DI make the MP2A full featured. 
<br><BR><B>Applications:</B>  For tracking, this is the preamp to use when you want beautiful, neutral, very musical results.  Designed to be widest possible fidelity without a huge tonal footprint.   Tone switches enable this one mic pre to cover many tonal bases.   
<BR><BR><B>Color:</B> Rich and high fidelity without being dark. Beautiful is the word to describe this circuit design.  Very wide bandwidth with a natural top end.  Many think this is one of the best sounding tube mic pres available.  Suitable for classical but built for modern studios.<BR><BR>
<B>Features:</B><UL>
<LI>Input transformer: </B>A Designs proprietary input transformer with unique winding technique
<LI>Tube: EF86 input stage, 6N1P output stage; field replaceable.
<LI>Output Transformer: A massive A Designs proprietary transformer 
<LI>Gain: 60dB
<LI>Unique DI design sends signal straight to the input transformer for two transformers in the signal path. 
</UL>
<br><br>
<b>Check out these Quicktime Movies to SEE and HEAR A Designs in action!</b><br>
<I>Right click to save</I><br><BR>

<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/RCM_Sax.mov" target="blank">Recording Saxophone with A Designs Pacifica and EM-PEQ</a>
<br>

<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/RCM_Piano.mov" target="blank">Recording Piano with A Designs Pacifica and EM-PEQ</a>
<br>
<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/Dylan_AcousticGuitar.mov" target="blank">Recording Acoustic Guitar with A Designs Blue and Hammer</a>
<br>
<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/RCM_MaleVox.mov" target="blank">Recording Male Vocals with A Designs Pacifica</a>
<br>
<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/RCM_FemaleVox.mov" target="blank">Recording Female Vocals with A Designs Hammer</a>
<br>
<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/Dylan_JCM800.mov" target="blank">Recording Electric Guitar with A Designs Hammer</a>

A Designs Audio MP2A
Stereo tube microphone preamplifier

A Designs Audio is proud to introduce a new line of microphone pre-amplifiers. These Pre-amplifiers are original designs stemming from our inspiration of the “Quad Eight Sound”. Each has its own unique character. Depending on which microphone you use, you will be able to open a world of color and sound to inspire you and your recordings.
<br><br>
The P-1 is based on our highly successful Pacifica.
<br><br>
<b>All of the A Designs Audio module pres have the following Features:</b><ul>

<li> -20dB Pad
</li><li>Phase
</li><li>48v Phantom
</li><li>Cast aluminum knob
</li><li>Thumb Screws (for easy install and un-install)
</li><li>Solid construction
</li><li>Custom Wound Transformers (input and output)
</li><li>Original Design (no CLONES)
</li><li>Red LED indicator for Phantom power</li></ul>
<br><br>
When developing our product(s) A Designs Audio feels the need to place units into the hands of both the professional and the average end user. In doing so, we have learned from their experiences and they have passed valuable information on to us. This helps us to produce a product with pride of craftsmanship and knowing we helped, in some way, to continue to inspire the art of creating and recording. So, no matter what your needs are for recording the perfect sound, A Designs Audio can help you by providing a solid tool to contribute to the job.
<br><br>
<b>Check out these Quicktime Movies to SEE and HEAR A Designs in action!</b><br>
<I>Right click to save</I><br><BR>

<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/RCM_Sax.mov" target="blank">Recording Saxophone with A Designs Pacifica and EM-PEQ</a>
<br>

<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/RCM_Piano.mov" target="blank">Recording Piano with A Designs Pacifica and EM-PEQ</a>
<br>
<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/Dylan_AcousticGuitar.mov" target="blank">Recording Acoustic Guitar with A Designs Blue and Hammer</a>
<br>
<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/RCM_MaleVox.mov" target="blank">Recording Male Vocals with A Designs Pacifica</a>
<br>
<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/RCM_FemaleVox.mov" target="blank">Recording Female Vocals with A Designs Hammer</a>
<br>
<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/Dylan_JCM800.mov" target="blank">Recording Electric Guitar with A Designs Hammer</a>

A Designs Audio P-1
Single Channel 500 Series Compatible Mic Pre/DI Card

A Designs Audio is proud to introduce a new line of microphone pre-amplifiers. These Pre-amplifiers are original designs stemming from our inspiration of the “Quad Eight Sound”. Each has its own unique character. Depending on which microphone you use, you will be able to open a world of color and sound to inspire you and your recordings.
<br><br>
The P-1 is based on our highly successful Pacifica.
<br><br>
<b>All of the A Designs Audio module pres have the following Features:</b><ul>

<li> -20dB Pad
</li><li>Phase
</li><li>48v Phantom
</li><li>Cast aluminum knob
</li><li>Thumb Screws (for easy install and un-install)
</li><li>Solid construction
</li><li>Custom Wound Transformers (input and output)
</li><li>Original Design (no CLONES)
</li><li>Red LED indicator for Phantom power</li></ul>
<br><br>
When developing our product(s) A Designs Audio feels the need to place units into the hands of both the professional and the average end user. In doing so, we have learned from their experiences and they have passed valuable information on to us. This helps us to produce a product with pride of craftsmanship and knowing we helped, in some way, to continue to inspire the art of creating and recording. So, no matter what your needs are for recording the perfect sound, A Designs Audio can help you by providing a solid tool to contribute to the job.
<br><br>
<b>Check out these Quicktime Movies to SEE and HEAR A Designs in action!</b><br>
<I>Right click to save</I><br><BR>

<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/RCM_Sax.mov" target="blank">Recording Saxophone with A Designs Pacifica and EM-PEQ</a>
<br>

<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/RCM_Piano.mov" target="blank">Recording Piano with A Designs Pacifica and EM-PEQ</a>
<br>
<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/Dylan_AcousticGuitar.mov" target="blank">Recording Acoustic Guitar with A Designs Blue and Hammer</a>
<br>
<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/RCM_MaleVox.mov" target="blank">Recording Male Vocals with A Designs Pacifica</a>
<br>
<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/RCM_FemaleVox.mov" target="blank">Recording Female Vocals with A Designs Hammer</a>
<br>
<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/Dylan_JCM800.mov" target="blank">Recording Electric Guitar with A Designs Hammer</a>

A Designs Audio P-1 (Demo Deal)
Single Channel 500 Series Compatible Mic Pre/DI Card

<b>A Designs Audio PACIFICA</b><br>What we're going do is go back... WAY back...back into time... to the early 1970s, when the recording industry was starting to bloom with the new technology of solid state. (Dig?) Hit products were pumped out as fast as hit records—one after another. There was a creative industry within the audio world. It was, without question, a golden age. Some companies that emerged during that period were Neve, API, and Quad Eight. Although it’s been decades, the benchmarks they set are still held as industry standards today. Little is known about Quad Eight, though many feel that they were the best in their field. While debating is usually best left to the history books, A-Designs took up the challenge to take a closer look into the past and decide on its own. With much research, interviews, and listening, we came up with a product that we feel needs to see the light of day again. With Quad Eight Ventura, Coronado and Pacifica console preamplifiers for reference, we closely examined the design and composition of the heart and soul in the consoles of these great pieces. After much design, A/Bing, and beta testing, the result is a solid state, single space, rack mounted, microphone pre amplifier from the “glory days.” Cloning being what it is (same old same old), we decided to head outside the box and make the tribute something other than the legacy. We added our own touch to bring it to present day applications of the recording world. And so the new A-Designs PACIFICA was born.
<br><br>
<b>Check out these Quicktime Movies to SEE and HEAR A Designs in action!</b><br>
<i>Right click to save</i><br><br>

<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/RCM_Sax.mov" target="blank">Recording Saxophone with A Designs Pacifica and EM-PEQ</a>
<br>

<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/RCM_Piano.mov" target="blank">Recording Piano with A Designs Pacifica and EM-PEQ</a>
<br>
<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/Dylan_AcousticGuitar.mov" target="blank">Recording Acoustic Guitar with A Designs Blue and Hammer</a>
<br>
<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/RCM_MaleVox.mov" target="blank">Recording Male Vocals with A Designs Pacifica</a>
<br>
<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/RCM_FemaleVox.mov" target="blank">Recording Female Vocals with A Designs Hammer</a>
<br>
<a class="bluelinks" href="http://techbreakfast.com/SoundCity/ADesigns_finalwebs/Dylan_JCM800.mov" target="blank">Recording Electric Guitar with A Designs Hammer</a>

A Designs Audio Pacifica
Solid state stereo microphone preamplifier

<p>Designed and built by former career studio bassists, the <B>A Designs Audio REDDI</B> has been hailed by engineers and bassists alike as the best-sounding DI around. Inspired by the glorious sound of the Ampeg B-15 tube bass amp, its 6N1-P tube-driven amplifier feeds signal directly into a hefty custom output transformer, which is key to providing a harmonically rich tone. Its wide-bandwidth design from 20Hz to 60kHz reduces in-band phase shift, which results in greater detail and realism in the audible spectrum. Another big plus of its wide-bandwidth design is the prevention of LF phase shifts by maintaining a linear response extending below the audible bass range, which is the secret to achieving a big, full sound.<br><br>Complimenting its distinctive bright red steel chassis, the A-Designs Audio REDDI has a front-panel Neutrik XLR/1/4″ combo input jack, balanced XLR output, and a 1/4″ thru-put, for those who desire the reassurance of sending signal to a bass amp (before they wind up discarding the miked track and go with the REDDI track alone). There is also a 0-16dB-gain control on the front panel as well. Take note, the REDDI is not a high-gain device. Gain has been carefully designed and controlled in order to avoid the slightest compromise to sound quality. Finishing up the front panel is an extremely bright blue LED power indicator. The exceptional brightness of the LED was intentionally provided for easy visual confirmation that the REDDI is powered on, and also to temporarily blind annoying A&R reps lingering in the control room. On the back panel are toggle switches for power and ground lift, along with the REDDI’s IEC power connector.<br><br>Not just for bass, the REDDI’s all-tube circuitry can enhance the character of any instrument run through it; with an airy top end to go with the full, rich mids and bass it also imparts. That’s why Grammy-winning producer Ted Perlman (Chicago, Bob Dylan, Burt Bacharach, Elton John) runs all his guitars through the REDDI. And as long as we’re on the subject, the ever-increasing list of world-class bassists and engineers who rely on the REDDI includes notable bass players, such as Reggie Hamilton, Justin Meldal-Johnsen, Viktor Krauss, Jamiroquai’s Paul Turner, Steve Bailey, Don Boyette, Carlitos del Puerto, and Millard Powers of Counting Crows; along with producer-engineers such as Tony Sheppard, Dylan Dresdow, Ross Hogarth, Billy Bush, Ronan Chris Murphy, and Russ Long.</p><p><B>Features:</B><br></p><ul><li>All-tube direct box with custom output transformer</li><li>Ultra wide frequency range (20Hz-60kHz)</li><li>Neutrik input connector, balanced XLR out, and 1/4″ thru jack</li><li>Inspired by the Ampeg B-15</li><li>Clean and airy high end, warmth, transparency, and ultra high-quality sound</li><li>Level control</li><li>Ground lift</li><li>Ultra bright blue LED on/off lamp</li><li>Zero-feedback loop design</li><li>Massive, custom-wound transformers</li><li>6NI-P tube</li><li>Low-Z, transformer-balanced output</li></ul>

A Designs Audio REDDI All-Tube Direct Box
Thought you’d always need your amp for a great tone? Think again!

AEA TRP Ribbon Mic Pre
Two-channel mic pre with high gain and impedance, specially suited for ribbon mics

<b>Features</b> 
<ul>
<li>Wide range GAIN control 
</li><li>20 dB Pad 
</li><li>48v Phantom Power Switch 
</li><li>RE 115 K Mic input Transformer 
</li><li>LED VU Meter 
</li><li>Uses API 2520 Op-Amp 
</li><li>All Discrete Circuit 
</li><li>Transformer Coupled Inputs & Outputs to +28 dBu</li></ul>
<p>The tone of the <b>212L</b> mic preamp finds its roots in the classic <b>API</b> 2488 series all discrete recording consoles, best known for the famed "LA" sound. This same mic preamp design is packaged into a compact module with features like a continuously adjustable Gain control and a unique 5 segment LED VU meter on each panel.</p>
<p>An audio chain is only as strong as its weakest link. Often, emphasis is placed on obtaining the highest quality microphones, while neglecting the integrity of the mic preamp. The API 212L microphone pre-amplifier is an integral part of the famous Legacy Series Console and is now available for the L200 Rack System. This modular unit incorporates the same circuit as the legendary API 512b, thus preserving its sonic qualities. This mic-pre articulates high frequencies with great detail, while delivering the big sounding, warm bottom end that API is famous for. Whether it's a live performance or the private setting of a studio session, the 212L will capture every nuance of the moment.</p>
<p>The 212L mic-pre all discrete circuitry features the API 2520 op-amp, the RE 115 K input and the AP-2623 output transformer. A -20 dB pad is provided, allowing the level feeding the mic transformer to be reduced by 20 dB, while keeping the proper load on both the mic and transformer. 48V Phantom power can be locally switched on or off via the front panel switch. An LED VU meter provides a true VU indication of the mic pre output level. The low noise floor, together with a clip point over +28 dBm, makes this preamp suitable for the most extreme applications requiring the highest quality audio.</p>
<p>The 212L Microphone Preamplifier makes use of the 2520 op-amp and therefore exhibits the reliability, long life and uniformity which are characteristic of API products.</p><p><B>2 Year Warranty (labor) 5 Year Warranty (parts)</B><BR>
We double the standard API one year warranty (parts and labor) on this item.</p>

API 212L
Classic discrete mic pre in the compact API 200 Series format

The <b>API 512C</b> is a mic/line/instrument preamp designed to provide a low noise, unusually good sounding front end for all types of audio systems. Sonically, it is at the top of the "Mic Preamp List", regardless of price. Offering low noise (-129 EIN) and 65 dB of gain, the 512C includes phantom power, switchable polarity, -20 dB pad and Mic/Line or Instrument selector. Front panel XLR and 1/4 inch connectors combined with rear panel mic access allows for additional flexibility when installed in an API LunchBox, Six Pack, 10 position vertical rack, a 2 position horizontal rack, or an API console.<p></p>
<p>What makes the API 512C unique is its long evolution from the original 1967 era 512, the first modular mic pre, to the current full featured 512C, while preserving the original sound character that made it so much a part of the early days of recording. Offering high headroom and a wide variety of inputs and input access ponts, it is ideal for unusual and demanding applications.</p>
<p>Imagine a situation where only a few preamps are needed, yet the smallest available console has a proportonally "small" mic preamp, making it useless for the demanding application, or conversely, imagine where you need a large number of preamps, and a console of sufficient inputs and quality would be too large to transport or rack mount. The 512C hits the spot with its quality and famous tone. Expand, combine or downsize at any time without trade-ins or product obsolescence. In addition, the 512C's sound and performance exceeds most "console mic pres" in every respect.</p>
<p>The beauty of the entire API 500 Series is its long term flexibility and lasting value when needs change over time. With a range of mounting frame options, the 512C will be a valuable asset to your performance critical applications.</p>
<p>The 512C Mic/Line Preamp makes use of the 2510 and 2520 op-amps and therefore exhibits the reliability, long life, and uniformity which are characteristic of API products.<br><br>
<b>Features</b>
</p><ul>
    <li> Mic Preamp with 65 dB of gain
     </li><li>Front and Back Panel Mic Input Access
    </li><li>Line/Instrument Preamp with 50 dB of gain
     </li><li>Front and Back Panel Line/Instrument Input
     </li><li>LED VU meter for monitoring output level
     </li><li>20 dB pad switch, applies to mic/line/instrument
     </li><li>48v Phantom switchable power
     </li><li>Traditional API fully discrete circuit design
   </li><li>Uses the famous API 2520 Op-Amp</li></ul>
<B>2 Year Warranty (labor) 5 Year Warranty (parts)</B><BR>
We double the standard API one year warranty (parts and labor) on this item.

API 512C
Best-selling 500 Series preamp drenched in classic API sound

The <b>API 512C</b> is a mic/line/instrument preamp designed to provide a low noise, unusually good sounding front end for all types of audio systems. Sonically, it is at the top of the "Mic Preamp List", regardless of price. Offering low noise (-129 EIN) and 65 dB of gain, the 512C includes phantom power, switchable polarity, -20 dB pad and Mic/Line or Instrument selector. Front panel XLR and 1/4 inch connectors combined with rear panel mic access allows for additional flexibility when installed in an API LunchBox, Six Pack, 10 position vertical rack, a 2 position horizontal rack, or an API console.<p></p>
<p>What makes the API 512C unique is its long evolution from the original 1967 era 512, the first modular mic pre, to the current full featured 512C, while preserving the original sound character that made it so much a part of the early days of recording. Offering high headroom and a wide variety of inputs and input access ponts, it is ideal for unusual and demanding applications.</p>
<p>Imagine a situation where only a few preamps are needed, yet the smallest available console has a proportonally "small" mic preamp, making it useless for the demanding application, or conversely, imagine where you need a large number of preamps, and a console of sufficient inputs and quality would be too large to transport or rack mount. The 512C hits the spot with its quality and famous tone. Expand, combine or downsize at any time without trade-ins or product obsolescence. In addition, the 512C's sound and performance exceeds most "console mic pres" in every respect.</p>
<p>The beauty of the entire API 500 Series is its long term flexibility and lasting value when needs change over time. With a range of mounting frame options, the 512C will be a valuable asset to your performance critical applications.</p>
<p>The 512C Mic/Line Preamp makes use of the 2510 and 2520 op-amps and therefore exhibits the reliability, long life, and uniformity which are characteristic of API products.<br><br>
<b>Features</b>
</p><ul>
    <li> Mic Preamp with 65 dB of gain
     </li><li>Front and Back Panel Mic Input Access
    </li><li>Line/Instrument Preamp with 50 dB of gain
     </li><li>Front and Back Panel Line/Instrument Input
     </li><li>LED VU meter for monitoring output level
     </li><li>20 dB pad switch, applies to mic/line/instrument
     </li><li>48v Phantom switchable power
     </li><li>Traditional API fully discrete circuit design
   </li><li>Uses the famous API 2520 Op-Amp</li></ul>
<B>2 Year Warranty (labor) 5 Year Warranty (parts)</B><BR>
We double the standard API one year warranty (parts and labor) on this item.

API 512C (Demo Deal)
Best-selling 500 Series preamp drenched in classic API sound

The <b>API A<sup>2</sup>D</b> represents a landmark achievement for API; it is the first product ever produced by the company with an integrated digital output. Recognizing the desire for a high quality solution to raise microphone signals to a workable line level, we engineered one of our most popular mic preamp designs into an enclosure with our new proprietary analog to digital conversion. The result is a complete package - a pair of superb mic preamps feeding an A/D section with a set of standard digital interface outputs, multiple sample-rate choices, and internal or external clock options. Precise control of both the analog gain as well as the level feeding the digital section means that the mic signal can be maintained super-clean if desired, or driven harder on the analog side for that whallop and impact that can only be achieved by driving the transformer into saturation for that historic API sound! 
<p>The A<sup>2</sup>D analog section consists of the circuitry contained in two API 312 mic preamps, or one half of the popular 3124 quad mic preamp rack product. A level control pot with an expanded 20-segment metering system shows precise mic gain levels. Control switches include polarity, 48v phantom power, input pad, 2:1 transformer routing, and Mic/Line select. Each analog input contains a balanced low-level XLR connector and a high-level line input on a 1/4 inch jack.</p>
<p>The Digital section of the A<sup>2</sup>D includes two level pots to adjust the feed to the A/D converters, each with a corresponding 20-segment calibrated meter. A multi-position switch selects the desired sample frequency. The External Sync LED will light when an external clock signal is used.</p>
<p>Rear panel Analog connectors include an XLR input and output for each channel, as well as a balanced 1/4" TRS insert to the A/D converter. This allows the A<sup>2</sup>D to have external analog processing devices inserted in the audio chain (EQ, compression, etc.)</p>
<p>Digital interface connectors provided are SPDIF single ended RCA connector and AES digital out on XLR. A coaxial BNC accepts external "Super Clock" which will illuminate the front panel EXT SYNC LED when locked.</p>
<p>In addition, there are a pair of 9-pin D-sub connectors which allow the linking of multiple A<sup>2</sup>D units, all operating off the <b>first</b> sample-rate clock in the chain.</p><p><B>2 Year Warranty (labor) 5 Year Warranty (parts)</B><BR>
We double the standard API one year warranty (parts and labor) on this item.</p>

API A2D Mic Pre/Converter
Dual 312 mic preamps with digital output - now with word clock feature

The <B>ASP008</B> is a compact, 1U rack mount unit featuring eight ultra high quality mic preamplifiers developed from the renowned mic-pre design used in the acclaimed ASP8024 recording console. </FONT>
<P>The design uses an 8 transistor discrete Class A front end with extended band-width and a noise floor close to the theoretical Johnson limit. Carefully chosen close tolerance components are used to achieve high CMRR at all gain settings and distortion is minimised to less than 0.001% at 20dB gain and +10dBu output. This outstanding technical performance delivers a mic amp with incredible transparency and detail without colouration or other unwanted artefacts. </FONT></P>
<P>Each Mic amp also features switchable input impedance, allowing the user to explore the subtle variations in microphone character that are determined by output termination. </FONT></P>
<P>All channels include an XLR input, ?soft start? 48V phantom power, switchable input impedance, 25-250Hz hi-pass filter as well as line input selection. Channels 1 and 2 also feature a -20dB attenuator and a high-impedance Instrument/DI input on a front panel mounted jack. LEDs provide indication of signal present and overload. </FONT></P>
<P>Two digital output option cards are available - one with ADAT optical interface, the other with AES/EBU and ADAT.</FONT></P>

Audient ASP008 - AES
Eight-channel mic pre with AES/SPDIF option - now SMUX compatible!

The <b>Audient ASP008 </b>offers 8 channels of Audient’s premium mic pres packaged in a convenient 1U rack with digital output option for AES/ADAT. This provides the perfect upgrade for any user looking to step up to a world class quality of recording. Audient’s mic pres and A/D converters will bypass the mic pres and converters in your multi channel interface and bring warmth, clarity and punch to everything you record. Don’t take our word for it, get down to your local dealer and ask for a demo.<br><br>For a quick test, plug a bass guitar into the DI input and check out the solid bottom end, then plug in a decent mic, try out some quick vocals and listen to the dynamic subtleties you can capture with the ASP008 plus the amazing crispness of the top end. There is a fantastic smoothness to s and f sounds recorded through ASP008 and they are distinctly different from each other. Many traditional designs suffer from a blurring between s and f sounds making vocals much less present and distinct. <br><br><b>Controls:</b><br><ul><li>48V: Phantom Power ON/OFF with 'soft start' feature to avoid thumps</li><li>INST/DI: CH 1&2 only. Selects jack instrument input with input impedance 1 MΩ</li><li>-20dB: 20dB Pad (CH1&2 ONLY)</li><li>LINE: Selects Line level input with input impedance of 10 kΩ</li><li>Polarity: Polarity invert</li><li>Filter: Selects 12 dB/octave Hi-Pass filter - range 25 Hz to 250 Hz</li><li>PK: Indicates signal levels within 4 dB of clipping</li><li>SIG: Indicates signal levels above -25 dBu</li><li>I/P Z: Input impedance select 200/1200/5000 Ω</li><li>GAIN: MIC/DI 0 to 60 dB. LINE -20 to 40 dB</li><li>Sample Rate: Selectable 44.1/48/88.2/96 kHz</li><li>Dither: Selectable 16/20/24 bit</li></ul><b>Interfaces:</b><br><ul><li>MIC Input: Electronically balanced XLR with variable input impedance</li><li>LINE Input: Electronically balanced 25 pin D wired to DA88 standard</li><li>INST/DI Input: Unbalanced front panel mounted jack</li><li>LINE Output: Electronically balanced 25 pin D wired to DA88 standard</li><li>Digital output: Optional 48/96 kHz AES, S/PDIF and 48kHz ADAT light-pipe</li><li>Ext Word Clock: BNC</li></ul><b>Performance:</b><br><ul><li>Maximum input/output level: +21.5 dBu</li><li>THD: Typically better than 0.007% at 1 kHz any gain setting</li><li>EIN: Better than -127.5 dB @ 60d B gain/ref 150 Ω</li><li>Frequency Response: -0.3 dB @10 Hz to -3 dB @300 kHz at unity gain</li><li>CMRR: Better than 75 dB at 1 kHz and 60 dB gain</li></ul>Power consumption: 40 watts

Audient ASP008-AES/ADAT96
Eight-channel mic pre with digital option

Audient Mico Twin Mic Pre
Twin mic pre with front-panel DI

<B>Sonic Excellence</B><BR>
The Avalon M5 Pure Class A microphone preamplifier is the most musical, low noise full function preamplifier available today. Designed to optimize absolute signal integrity and musical performance, the M5 combines an advanced transformer input stage with twin high performance Class A cascode FET and bipolar discrete amplifiers for sonic excellence unequaled by lesser designs. The M5 is ideal for vocal and acoustic instruments,  active DI input for the direct recording of bass, guitars and keyboards. 
<BR><BR>
Features include state-of-the-art, balanced 100% discrete, Pure Class A signal amplifiers, practical user features and rugged hardware designed to deliver true high performance audio for many years.
<BR><BR>
<B>Designed for Ultimate Music Recording</B><BR>
Avalon preamplifiers have been in use since 1986.  They have found their way into the world's most famous lead vocalists recording sessions and studios and been featured on thousands of the best selling (and sounding) albums and live performances.
<BR><BR>
<B>Minimum Signal Path Design</B><BR>
Avalon's advanced true symmetry design offers high-voltage, large headroom, extended bandwidth and very low noise. The use of 100% discrete, Pure Class A signal amplifiers give the serious music professional unlimited sonic character and a natural harmonic detail that enhances the program material and becomes one with the music itself.<BR><BR>

<B>Vocalist's Dream Machine</B><BR>
The M5 microphone preamplifier is the first choice when you are looking to capture a full bodied, dynamic, musical performance from the intimate depths within the artist.  The M5 will make your recordings musical masterpieces!<BR><BR>
<B>Features:</B>
<UL>
   <LI>

Pure Class A, 100% discrete design
    <LI>

Smooth musical detail and sonic excellence
    <LI>

Minimum audio signal path
   <LI>

High performance input transformer
   <LI>

Microphone and Hi-Z  inputs to +36dB
  <LI>

Very low noise -126dB
    <LI>

High headroom +30dB
   <LI>

Gain switched in 2dB steps to +64dB
    <LI>

DC coupled Pure Class A output
  <LI>

Large illuminated professional VU meter
  <LI>

Twin LED peak signal indicators
   <LI>

Regulated +48v phantom power supply
    <LI>

Low distortion less than 0.5% THD and IMD
    <LI>

Variable passive high pass (bass cut) filter
<LI>

All signal routing with sealed silver relays

Avalon M5
Pure Class A single-channel mic preamp with 2dB stepped gain control

After some requests from audio engineers, the <b>Avedis Audio MA5</b> 
was created for the need of a high quality microphone preamplifier in 
the characteristic sound of early 70's British consoles. The 
re-engineering in the creation of the MA5 stemmed from years of 
experience restoring both American and British modules, deeply rooted in
 classic transformer-balanced, discrete electronics. Only the best and 
most suitable components are used throughout, regardless of cost, to 
attain the best sound. 
<br><br>
Much time was spent on the MA5, not only on the engineering side of the 
design, but also to extensive sound evaluations in observation of 
specific settings, gain structures, and key components spanning a time 
frame of a little over a year. 
<br><br>
We have always believed that even with some of the best audio test 
analyzers we own and use, our ears' sensitivity, coupled with good 
judgement of sound through experience, is still unparalleled. In the 
end, it is our ears we are trying to satisfy.

<br><br>
<b>Features</b><ul><li>Standard 500 series modular size 1.5" x 5.25"
</li><li>Single-ended Class A amplifier
</li><li>UK made input transformer
</li><li>Custom designed Jensen output transformer
</li><li>Stepped gain rotary switch in 5dB steps 
</li><li>Output level pot for trim and mute
</li><li>LED lit pushbuttons
</li><li>Special 28kHz button
</li><li>Custom made Marconi style knobs
</li><li>High headroom & CMR, Low noise design
</li><li>140ma current draw total, 70ma per rail
</li></ul>

Avedis Audio Electronics MA5 Microphone Pre
Class A transformer-balanced mic preamp for 500 Series racks

<p>The <span style="font-weight: bold;">BAE </span>(formerly Brent Averill  Enterprises)<strong> 312A </strong>mic preamps, made using the new Avedis 1122™ opamps, are punchy, have great bass and have a clear, extended top end.  The sound is in your face and they don't compress transients.  The low end is tight with good attack.  They are excellent for drums and percussion. These pres are very cost effective.  Many people buy racks of 6 or 11 to cover the entire drum kit. <br><br><strong>Features:</strong></p>
<ul>
<li>Two mic preamps with direct inputs in a single rack space with a power supply </li>
<li>Same as single modules except no lunchbox or rack is needed </li>
<li>Made using Avedis™ 1122 opamps </li>
<li>Supplied with Jensen input and output transformers at no additional cost </li>
<li>Remote power supply with four-foot cable capable of four times the current needed by the preamps for optimum sound quality </li>
<li>Switches have gold contacts for long life </li>
<li>Has XLR connectors on the back for mic input and output and phone jack in front for direct input </li>
<li>High impedance direct input for guitar and synthesizer </li>
<li>Separate front panel switches for phantom power </li>
<li>One-year warranty </li>
<li>10 day satisfaction guarantee </li>
</ul>

BAE 312A Dual-Channel Rackmount - with PSU
Two-channel mic pre with PSU

Results 1-20 of 157

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