Audio Recording Mixers | VintageKing.com

Results 1-20 of 30

1

Mixers

<span class="h4" style="font-family: Verdana,Arial,Helvetica,sans-serif;"></span>The <span style="font-weight: bold;">Alesis MultiMix 12R</span> has a 2-band, fixed frequency EQ on each channel, 1 pre-fader aux send and 1 post-fader aux send per channel, and 60mm linear potentiometers (faders) for master level of each channel. The master section features an external stereo aux return level, stereo LED bar graph meters, stereo master L/R buss 60mm fader, and a separate phones/monitor level. A 12-input, 2-buss analog rack mixer featuring 8 mic preamps with 2 stereo line channels, all in a compact, 3-U rack mount configuration.<br><br><br><b>Features</b><br>
<ul>
<li>12-channel analog mixer in compact 3-U rackmount design<br>
</li><li>8 XLR mic inputs with phantom power<br>
</li><li>2 Aux sends (pre- and post-fader) for monitor returns and effects<br>
</li><li>Insert points on 8 channels, plus 2 channels of stereo line inputs<br>
</li><li>2-band shelving EQ at 12kHz and 80Hz<br>
</li><li>60mm linear faders on each channel<br>
</li><li>Front-panel headphone jack</li></ul>

Alesis Multimix 12R
12-Channel Stereo Mixer with 8 Mic Preamps and Phantom Power

The <B>Hear Technologies Mix Back</B> is a flexible and affordable 16 x 12 x 2 x 2 monitor mixer that features two stereo outputs and twelve mono outputs. There are sixteen high quality
Mic/Line inputs with passive split. It also features two HearBus outputs and two ADAT optical outputs. A perfect companion to our Hear Back personal monitor system. A talkback mic preamp permits talking to any mono output, master outputs and the intercom output.
<BR><BR>
Included is a UV LED gooseneck lamp that makes the knob pointers and silkscreen on the front of Mix Back glow-in-the-dark!
<BR><BR>
<B>Input Channel Features:</B><UL>

<LI> 16 quality Mic/Line inputs with passive XLR split
    <LI>  Pin 1 lift and Mic phantom power switches
   <LI>  Channel inserts
    <LI>  Signal/Clip LED indicator
    <LI> 100 Hz high-pass filter
    <LI> Gain control
    <LI> 4 band EQ with separate controls for sweep and cut/boost on mid bands
    <LI> Two stereo level and pan controls (ST1 and ST2)
<LI> Twelve mono level controls (1-12)
    <LI> Switch selectable effects 1-2 sends
</UL>
<B>Master Features:</B><UL>

<LI>  2 stereo and 12 mono TRS outputs
    <LI>  Switch selectable meter/headphone monitoring
    <LI>  2 stereo TRS balanced effect returns
    <LI> Switch assignable FX1/FX2 returns to the 12 mono masters
    <LI>  Stereo Aux return with level controls to both stereo busses – great for FOH mix or the studio “two mix”
   <LI>  Buss inputs permit stacking of multiple mixers
    <LI>  Talk back mic preamp assignable to stereo masters 1 and 2, mono outputs 1-12, and the balanced Intercom/slate output
    <LI>  Relay contact when the talk back intercom switch is pressed
    <LI> 16 button talkback remote connects using standard CAT5e cable
    <LI> 16 channels of ADAT and HearBus output
</UL>
<B>Other Features:</B>
<UL>
    <LI>  Universal internationally approved internal power supply
    <LI>  11 RU chassis
    <LI>  All analog inputs and outputs are balanced

Hear Technologies Mix Back
16 x 12 x 2 x 2 Matrix Monitor Mixer

<span style="font-weight: bold;">When 12 Channels Aren't Enough</span><br><br>Just slightly larger than our 1202-VLZ3, the <span style="font-weight: bold;">Mackie 1402-VLZ3</span> offers everything its little brother has—plus two additional mic/line channels, faders instead of knobs, and a few extra Master Section features. Ideal for home and project studios, the 1402-VLZ3 is equally at home on the road, on the stage, or in the recording studio. With its new look, ergonomic carry handle, and upgraded electronics, the new 1402-VLZ3 just might redefine the term “perfection.”<br><br>While keeping all the features and functionality of its predecessor, the new Mackie 1402-VLZ3 offers even greater headroom. We could have stopped right then and there, but we’re obsessed with perfection. So we redesigned the Mix Bus, tweaked the EQs, and created a mixer with a highly intuitive, musical feel.<br><br><span style="font-weight: bold;">Vastly Superior XDR2™ Mic Peamps</span><br> Our new XDR2 (Extended Dynamic Range) second-generation mic preamps are better than ever. These new pres offer incredibly low noise, with individual mic pre THD below 0.0007%, and overall mixer THD less than 0.0025%. With 60dB of available gain per channel, the 1402-VLZ3 can handle inputs ranging from a whisper to a scream, and can even handle hot line-level signals up to +22db, without any added coloration. You simply won’t find preamps this good on any other mixer in this price range. <br><br><span style="font-weight: bold;">Equalization</span><br>We invested tremendous resources optimizing the center frequencies of our 3-band Active EQs. By selecting 80Hz, 2.5kHz and 12kHz, for the Lows, Mids and Highs, respectively, we created an even more musical EQ than on previous VLZs. With up to 15dB boost/cut capability per band, VLZ3’s Active EQ provides more tone-sculpting latitude than any other mixer in its class.<br><br><span style="font-weight: bold;">Professional Features</span><br>The Mackie 1402-VLZ3 is packed with premium features on every mic channel: 75Hz Low-Cut filters, two Aux Sends, inserts, phantom power, constant-loudness Pan controls and Pre Fader Solo. And since you can never have too many output options, we provided a Control Room/Phones source matrix, Master Aux section with EFX to Monitor, tape outputs, a high-volume headphone amplifier and balanced XLR and TRS outputs.<br><br><span style="font-weight: bold;">Need Even More Flexibility?</span><br>Greg Mackie's mind was working overtime when he originally came up with this—instead of sending muted signals into the vacuum of space, why not do something useful with them? So, when you press the mute button on the 1402-VLZ3, the signal is indeed muted—but it also appears at the ALT 3-4 output jacks and ALT 3-4 stereo bus. This is an ideal way to create additional Aux Sends and mixes for cry rooms, green rooms, or assistive listening, etc. And with a press of a button, the ALT 3-4 mix can be assigned to the Main output—which means ALT 3-4 can act very much like a "mixer within a mixer." For instance, you could assign the backup vocals to the ALT 3-4 bus and then use the CTL ROOM/SUBMIX fader to add them back into the main mix. Now one fader controls the level of those channels as a single unit.<br><br><span style="font-weight: bold;">1402-VLZ3 VERSUS 1202-VLZ3 </span><br>At 12.9" x 14" x 3.2", the 1402-VLZ3 is just slightly larger than the 1202. It features two more mic/line channels, and for those of you who prefer sliding to twisting, 60mm, long-wearing, log-taper faders versus the 1202's rotary pots. And that’s just the obvious stuff. Under the hood the 1402-VLZ3 has an assignable Solo AFL/PFL switch, independent Left and Right Main output faders, and a Level Set LED.<br><br><span style="font-weight: bold;">Built Mackie Tough</span><br>All VLZ3 mixers are built tough-as-a-tank. Our legendary solid-steel chassis can take the kind of abuse that would turn our competitors' flimsy boxes into twisted chunks of debris. Instead of cheap, unsealed potentiometers, we use co-molded pots, which offer substantial strain and impact relief. By design, our control knobs 'ride' just above the surface of the chassis, so if something falls onto the mixer, the impact is transferred from the knobs to the chassis—not to the potentiometers or circuit board. Finally, we use thick, horizontally mounted fiberglass PC boards to eliminate the potential for damage and brace them with a shock-absorbing support structure. They’ve survived earthquakes, hurricanes and typhoons, so Mackie mixers can certainly handle whatever you throw at them.<br><br><span style="font-weight: bold;">Versatility</span><br>You'll find Mackie mixers everywhere you go—from video post-production facilities, to major artist tour buses, to duty as field mixers for news departments of all the major networks. Drummers and keyboardists use them to send submixes to front of house and monitor consoles. VLZ3 compact mixers are the ideal choice for any situation requiring superior audio mixing, especially where space and/or budget constraints are an issue.<br><br><span style="font-weight: bold;">Features:</span><br><ul><li>New ultra-low noise VLZ3 design with highest possible headroom</li><li>6 studio-grade XDR2™ Extended Dynamic Range mic preamps with:<br>- o Ultra-wide 60dB gain range<br>- o 130dB dynamic range<br>- o +22dBu line input handling<br>- o Extended low frequency response<br>- o Distortion under 0.0007% (20Hz - 20kHz)<br>- o Phantom power for studio condenser mics<br></li><li>12 high-headroom line inputs    </li><li>Advanced DC pulse transformer RF rejection    </li><li>2 Aux sends, level, pan and PFL solo on each channel    </li><li>2 stereo Aux returns + EFX to Monitor    </li><li>3-Band Active EQ (80Hz, 2.5kHz, 12kHz)    </li><li>18dB/oct. 75Hz Lo-Cut filter on Mic input channels    </li><li>ALT 3/4 stereo bus for added versatility    </li><li>Control Room/Phones source matrix    </li><li>Rack-mountable design using optional rack ears</li><li>Sealed rotary controls to resist dust and grime    </li><li>New Multi-Voltage power supply for worldwide use</li><li>Rugged steel chassis </li></ul>

Mackie 1402-VLZ3
14 Channel Compact Recording/SR Mixer

<span style="font-weight: bold;">Live and Recording Multi-Tool</span><br><br>With its sleek new look, upgraded preamps and EQ circuitry, the new <span style="font-weight: bold;">Mackie 1642-VLZ3</span> redefines perfection. With the same features and functionality of its predecessor, the re-engineered Mackie 1642-VLZ3 has even greater headroom than the original. We could have stopped right then and there, but since we’re obsessed with perfection, we redesigned the Mix Bus and made significant enhancements to the EQs, giving the 1642-VLZ3 a more intuitive and musical feel.<br><br>The 1642-VLZ3’s three unique channel strip formats allow you to input and shape any kind of signal, including mic, line, and stereo instruments. Whether you need a live mixing board for club work, or a full-featured workhorse for home and studio recording, you owe it to yourself to check out the new Mackie 1642-VLZ3. You’ll think it’s perfect, too.<br><br><span style="font-weight: bold;">Vastly Superior XDR2™ Mic Peamps</span><br>Our new XDR2 (Extended Dynamic Range) second-generation mic preamps are better than ever. They offer incredibly low noise, with individual mic pre THD below 0.0007%, and overall mixer THD less than 0.0025%. With 60dB of available gain per channel, the 1642-VLZ3 can handle inputs ranging from a whisper to a scream, and can even handle hot line-level signals up to +22db, without any added coloration. You simply won’t find preamps this good on any other mixer in this price range.<br><br><span style="font-weight: bold;">Three Kinds of Channel Strips</span><br>1. Channels 1–8 are essentially the same as those on our 1604-VLZ3, with mono line-level input and our ultra-high-quality XDR2 mic preamps. These VLZ (Very Low Impedance) mic pres offer superior sound quality and the best RFI rejection of any compact mixer on the market.<br><br>2. Channels 9/10 and 11/12 (two physical channel strips) each provide a stereo pair of line-level inputs and a mono XDR2 mic preamp.<br><br>3. Channels 13/14 and 15/16 (also in two physical channel strips) each provide a stereo pair of line-level inputs only, with fixed 4-band equalization at points that are specifically designed for line-level inputs, such as keyboards, sound modules, etc.

Mackie 1642-VLZ3
16 Channel Compact Recording/SR Mixer

<span style="font-weight: bold;">Small mixer.</span><br style="font-weight: bold;">
<span style="font-weight: bold;">Big performance.</span><br>
<br>
Until now, mixers built for low-input, two-mic or one-mic-and-a-guitar
applications really skimped on quality. With their flimsy construction
and dismal sound, they resembled and performed like children’s toys. So
we created the 402-VLZ3, the perfect ultra-compact mixer for
applications that require few inputs, but demand full-on professional
sound.<br>
<br>
The 4-channel 402-VLZ3 delivers pure VLZ3 quality in our smallest form
factor ever, making it ideal when your input counts are low, or when
space is at a premium. In a sleek, small package, you get the signature
VLZ3 high headroom, low noise design, complete with 2 XDR2 preamps,
premium EQ, and modern mix bus architecture, for the best-sounding,
mini-est pro mixer on the planet. And the price is mini, too—in fact,
it’s our lowest price in recorded history for a VLZ3 mixer. At last,
you no longer need to buy more mixer than you need just to get the
quality you deserve.<br>
<br style="font-weight: bold;">
<span style="font-weight: bold;">XDR2 preamps</span><br style="font-weight: bold;">
<span style="font-weight: bold;">Extended Dynamic Range=Extended Sonic Possibilities</span><br>
XDR2Among the features that have earned the VLZ3 mixers their stellar
reputation are the XDR2 “Extended Dynamic Range” mic preamps. That’s
because serious amounts of time and energy went into their design, and
the result is phenomenal. You simply won’t find preamps this good on
any other mixer in this price range. The XDR2 preamps deliver pure,
clean, studio-grade sound—the kind of quality you’d expect to find in
pricey boutique mic pres. They have an incredibly wide frequency range,
especially in the low end, and even at extremely high gain settings.
They offer incredibly low noise, amazing RFI rejection, and with 60dB
of available gain per channel, the 402-VLZ3 can handle inputs ranging
from a whisper to a scream. With the superior sound of the 402-VLZ3’s
two XDR2 preamps, rest assured you will always get optimum performance
out of your professional ribbon, dynamic, and condenser mics. Read more<br>
<br>
<span style="font-weight: bold;">Musical EQ for Your Tweaking Pleasure</span><br>
EQ Knobs The 402-VLZ3’s ultra-musical 2-band Active EQ provides just
the right amount of sound shaping flexibility. We invested tremendous
resources into optimizing the center frequencies of our EQs, and
improved the interaction of the separate EQ bands, so your tracks can
be molded and tweaked for the perfect result. The 402-VLZ3’s low
shelving at 80Hz and high shelving at 12kHz mean you can quickly and
effectively sculpt your tone for the ultimate in punch and
brilliance—and with up to 15dB boost/cut capability per band, you get
loads of latitude. There’s also a 100Hz low cut/high pass switch for
each mic input, so you can keep the ultra-low frequency muddiness out
of your sound—and give your bass that extra punch if used in
conjunction with the Low EQ. Read more<br>
<br>
<span style="font-weight: bold;">Small Yet Powerfully Flexible</span><br>
Though small in stature, the 402-VLZ3 provides an incredible abundance
of professional features and mission-critical tools to enhance your
mixing experience—and your creativity. In addition to essential
features like phantom power for your condenser mics, you get a variety
of user options that make the 402-VLZ3 a surprisingly versatile mixing
machine. Two switchable Hi-Z instrument inputs allow you to plug
instruments like electric guitar or bass in direct—no external gear
required—or, disengage the switch to connect line level sources such as
keyboards, or CD or mp3 players. Use the high pass filters on channels
1 and 2 to cut the rumble with the touch of a button. Connect line
level stereo gear like DJ decks using the assignable stereo RCA input,
and either route to your phones for queuing up, or to your main mix for
overdubbing while monitoring back from your computer on phones.
Flexibly monitor and record mono and stereo sources using the stereo
pan function—when the switch is out, a mono source will be split
between the left and right of the main mix equally, and when the switch
is in, channels 1 and 2 are hard-panned left and right (perfect for
recording stereo mics). Keep an eye on your levels with the bright
8-segment stereo meters, as well as the responsive overload LEDs that
warn you when you’re overdoing it with the gain and/or EQ. No matter
how you use it, the 402-VLZ3 supplies everything you need to get the
job done.<br>
<br>
<span style="font-weight: bold;">Ultra-compact, sleek, rugged chassis</span><br>
ProfileNow you can have your pro mixer, and take it with you, too. The
402-VLZ3 features a tight, low-profile design that fits the most
modest—or congested—areas perfectly, including your backpack or laptop
case. Like all VLZ3 mixers, the 402-VLZ3 is built like a tank, too. Our
legendary solid-steel chassis can take the kind of abuse that would
turn our competitors’ flimsy boxes into twisted chunks of debris.
Instead of cheap, unsealed potentiometers, we use co-molded pots, which
offer substantial strain and impact relief. By design, our control
knobs ‘ride’ just above the surface of the chassis, so if something
falls onto the mixer, the impact is transferred from the knobs to the
chassis—not to the potentiometers or circuit board. Finally, we use
thick, horizontally mounted fiberglass PC boards to eliminate the
potential for damage and brace them with a shock-absorbing support
structure. And not only is the 402-VLZ3 tough, but it can be flexibly
positioned, thanks to a bottom panel that lets you easily mount an
optional mic stand adapter with just a few screws. Attach your 402-VLZ3
to a mic stand, and you can adjust its height and angle to suit your
unique—or weird—work style.<br>
<br>
<span style="font-weight: bold;">Applications A-Plenty</span><br>
With its professional features and ultra-compact footprint, the
402-VLZ3 is ideal for a variety of applications, including home studio
and on-the-go recording, multimedia projects, field mixing, broadcast
use, and post-production work. (Check out our hookup guide to see how
you can put it all together.) And the included Tracktion 3 Basic Bundle
music production software makes it that much easier to get right to
work, and get inspired. Boot up T3, connect the 402-VLZ3 to your
computer’s sound card, and start recording your masterpiece.<br>
<br>
<span style="font-weight: bold;">Less Really Is More</span><br>
The best-sounding, most professional ultra-compact in its class, the
402-VLZ3 gives new meaning to the old adage, less is more. While there
are other ultra-compact mixers out in the world these days, none
provide the performance or sound quality of the 402-VLZ3. Thanks to its
ultra-flexible, super-versatile, professional design, you get the low
input count you want, the extra space you need, and the quality you
deserve—all at an unbelievably low price. Put simply, the 402-VLZ3 is
the go-anywhere, fit-anywhere professional mixer, delivering superior
sound quality—and unbeatable value. <br>
<br>
<span style="font-weight: bold;">Features:</span><br>
<ul><li>Ultra-compact 4-channel mixer featuring Mackie VLZ3’s signature low noise, high-headroom design</li><li>2 studio-grade XDR2™ Extended Dynamic Range mic preamps with:<br>
- Ultra-wide 60dB gain range<br>
- 130dB dynamic range<br>
- +22dBu line input handling<br>
- Extended low frequency response<br>
- Distortion under 0.0007% (20Hz - 20kHz)<br>
- Phantom power for studio condenser mics<br>
  </li><li>4 high-headroom line inputs</li><li>2 selectable Instrument inputs – no DI box needed</li><li>2-Band Active EQ (80Hz, 12kHz) and Lo-Cut filter on mic channels</li><li>Phantom power for studio condenser mics</li><li>Dedicated Stereo Line Input and Tape Input channels</li><li>High-resolution 8-segment stereo meters</li><li>Sealed rotary controls to resist dust and grime</li><li>Sleek, rugged steel chassis</li><li>Includes Tracktion 3 Basic Bundle for Mac/PC (download required) </li></ul>

Mackie 402-VLZ3
4 Channel Compact Recording/SR Mixer

<span style="font-weight: bold;">Low input count?</span><br style="font-weight: bold;">
<span style="font-weight: bold;">High standards?</span><br>
<br>
We have the mixer for you—the 8-channel 802-VLZ3. A professional
compact mixer designed just to fit your needs, as well as your
workspace, the 802-VLZ3 packs renowned VLZ3 quality into a tight, sleek
package. Don’t let the small size fool you—the 802-VLZ3 is all pro, and
all VLZ3. It boasts the same signature VLZ3 high headroom / low noise
design that makes others in the series prized in studios and stages
worldwide, including premium XDR2 preamps, an ultra-musical EQ and
modern summing bus architecture. Ideal for home studio and on-the-go
applications, the 802-VLZ3 makes premium mixing capabilities available
for setups where space, and money, are tight. It’s all the mixer you
need, in a footprint that fits just about anywhere, at a price that
fits your budget.<br>
<br>
<span style="font-weight: bold;">XDR2 preamps</span><br style="font-weight: bold;">
<span style="font-weight: bold;">Extended Dynamic Range=Extended Sonic Possibilities</span><br>
XDR2 Among the features that have earned the VLZ3 mixers their stellar
reputation are the XDR2 “Extended Dynamic Range” mic preamps. That’s
because serious amounts of time and energy went into their design, and
the result is phenomenal. You simply won’t find preamps this good on
any other mixer in this price range. The XDR2 preamps deliver pure,
clean studio-grade sound—the kind of quality you’d expect to find in
pricey boutique mic pres. They have an incredibly wide frequency range,
especially in the low end, and even at extremely high gain settings.
They offer incredibly low noise, amazing RFI rejection, and with 60dB
of available gain per channel, the 802-VLZ3 can handle inputs ranging
from a whisper to a scream. With the superior sound of the 802-VLZ3’s
three XDR2 preamps, rest assured you will always get optimum
performance out of your professional ribbon, dynamic, and condenser
mics. Read more.<br>
<br>
<span style="font-weight: bold;">Super-Musical EQ for Super Tweaking Latitude</span><br>
EQ KnobsThe 802-VLZ3’s ultra-musical 3-band Active EQ provides precise
control over the full frequency spectrum, giving you ultimate sound
shaping latitude. We invested tremendous resources into optimizing the
center frequencies of our EQs, and improved the interaction of the
separate EQ bands, so your tracks can be molded and tweaked for just
the right result. Low shelving at 80Hz, mid peaking at 2.5kHz and high
shelving at 12kHz mean you can quickly and effectively sculpt your tone
for the ultimate in punch, fullness, and brilliance—and with up to 15dB
boost/cut capability per band, you get loads of room to move…and
experiment. There’s also a 100Hz low cut/high pass switch for each mic
input, so you can keep the muddiness out of your sound—and give lows
that extra punch if used in conjunction with the Low EQ. Read more<br>
<br style="font-weight: bold;">
<span style="font-weight: bold;">Fully pro, fully featured</span><br>
A completely pro mini-desk, the 802-VLZ3 delivers a comprehensive set
of mission-critical mixing tools. Five full channel strips let you
easily get your hands on your mix, while bright 12-segment stereo
meters allow for ultra-accurate metering. The dedicated Stereo Return
channel lets you connect external components, such as effects units or
mp3 players, so you can incorporate your favorite sounds or prerecorded
material into your tracks. You also get Hi Z inputs on channels 1 and 2
for recording instruments such as electric guitar and basses direct—no
external gear required—and phantom power is provided for your studio
condenser mics. The PFL solo function lets you easily set your gain to
perfect levels, and high pass filters allow you to cut low frequency
rumble—100Hz and below—on channels 1 to 3. The 802-VLZ3 also gives you
essential engineering features including separate control room volume
and phones knobs. And thanks to our clever engineers, the “mute” button
actually serves a dual purpose— signals from muted channels are
secretly routed to the Alt 3-4 outputs and also into the Control Room
section, ideal for creating submixes, previewing channels, or creating
a “mix minus” for broadcast applications.<br>
<br style="font-weight: bold;">
<span style="font-weight: bold;">Ultra-compact, sleek, rugged chassis</span><br>
802VLZ3 ProfileNow you can have your pro mixer, and fit it in your
workspace, too. The 802-VLZ3 features a tight, low-profile design that
fits the most modest—or congested—of areas perfectly. Like all VLZ3
mixers, the 802-VLZ3 is built like a tank, too. Our legendary
solid-steel chassis can take the kind of abuse that would turn our
competitors’ flimsy boxes into twisted chunks of debris. Instead of
cheap, unsealed potentiometers, we use co-molded pots, which offer
substantial strain and impact relief. By design, our control knobs
‘ride’ just above the surface of the chassis, so if something falls
onto the mixer, the impact is transferred from the knobs to the
chassis—not to the potentiometers or circuit board. Finally, we use
thick, horizontally mounted fiberglass PC boards to eliminate the
potential for damage and brace them with a shock-absorbing support
structure. And not only is the 802-VLZ3 tough, but it can be flexibly
positioned, thanks to a bottom panel that lets you easily mount an
optional mic stand adapter with just a few screws. Attach your 802-VLZ3
to a mic stand, and you can adjust its height and angle to suit your
unique—or weird—work style.<br>
<br>
<span style="font-weight: bold;">The “V” stands for Versatility</span><br>
Okay, not really, but the 802-VLZ3 is just that—versatile. With its pro
features and small footprint, it’s ideal for a variety of applications,
including home and project studio recording, sound reinforcement,
multimedia projects, field mixing, broadcast use, and post-production
work. (Wanna see how you can put it all together? Check out our hookup
guide.) And the included Tracktion 3 Basic Bundle music production
software makes it that much easier to get right to work, and get
inspired. Boot up T3, connect the VLZ3 to your computer’s sound card,
and start recording straight away with a host of creativity-inducing
loops, samples, and plug-ins.<br>
<br style="font-weight: bold;">
<span style="font-weight: bold;">Less Really Is More</span><br>
The 802-VLZ3 gives new meaning to the old adage, less is more. While
there are other under-12-channel mixers out in the world these days,
none provide the performance or sound quality of the 802-VLZ3. Thanks
to its ultra-compact, pro design, you get the low input count you want,
the extra space you need, and the quality you deserve—all at an
unbelievably low price. Put simply, the 802-VLZ3 is the go-anywhere,
fit-anywhere professional mixer, delivering superior sound quality—and
unbeatable value.<br>
<br style="font-weight: bold;">
<span style="font-weight: bold;">Features:</span><br>
<ul><li>Ultra-compact 8-channel mixer featuring Mackie VLZ3’s signature low noise, high-headroom design</li><li>3 studio-grade XDR2™ Extended Dynamic Range mic preamps with:<br>
- Ultra-wide 60dB gain range<br>
- 130dB dynamic range<br>
- +22dBu line input handling<br>
- Extended low frequency response<br>
- Distortion under 0.0007% (20Hz - 20kHz)<br>
- Phantom power for studio condenser mics<br>
  </li><li>8 high-headroom line inputs</li><li>Advanced DC pulse transformer RF rejection</li><li>Aux send, level, pan and PFL solo on each channel</li><li>Selectable Instrument inputs on first two channels – no DI box needed</li><li>Stereo Return for connecting effects processor or other stereo source</li><li>3-Band Active EQ (80Hz, 2.5kHz, 12kHz)</li><li>18dB/oct. 100Hz Lo-Cut filter on Mic input channels</li><li>ALT 3/4 stereo bus for added versatility</li><li>Control Room/Phones source matrix</li><li>High-resolution 12-segment stereo meters</li><li>Sealed rotary controls to resist dust and grime</li><li>Sleek, rugged steel chassis</li><li>Includes Tracktion 3 Basic Bundle, music production software for Mac/PC </li></ul>

Mackie 802-VLZ3
8 Channel Compact Recording/SR Mixer

<span style="font-weight: bold;">Seamless Intergration</span><br><br>The 12-channel Onyx 1220i delivers stunning performance in a size that is decidedly desk-friendly. Premium analog features like boutique-quality Onyx mic pres, smooth 60 mm channel faders and the proven tone-sculpting capability of Perkins EQ allows for performance that is unmatched in this category. The 16x2 built-in FireWire interface will simultaneously deliver all 12 channels, all auxes and the master L/R signal straight to your favorite DAW with zero routing. How easy is that? You can even return a couple of channels from the DAW right back into a channel strip for mix integration. It’s easy, it’s professional…it’s the Onyx 1220i.<br><br><span style="font-weight: bold;">DAW-Friendly Doesn't Even Begin To Cover It</span><br>Mackie-designed gear is more often than not, the result of customer interaction and suggestion. After all, we are making gear for you. For years, our customers have been asking for the freedom to work with any DAW they choose. So when we designed the Onyx-i series, we took this suggestion to heart. We are very proud that Onyx-i mixers are more DAW-friendly than any other interface ever. Onyx-i mixers are qualified by Mackie for use with all major DAWs, including Pro Tools® M-Powered™ 8*, Logic©, SONAR™, Cubase© and more. Now, dedicated Mackie customers can enjoy using their Mackie mixer with the world’s most popular DAW. And Pro Tools®  M-Powered™ 8 users now have a variety of new, and different, tools to use with their favorite DAW. It’s a win-win situation.<br><br><span style="font-weight: bold;">Deep Firewire Intergration</span><br>The Onyx-i Series features deeper FireWire integration than any other mixer out there and offers immensely powerful routing capabilities:<br><br><span style="font-style: italic; font-weight: bold;">Wet or Dry?</span> — Every channel on the mixer can be routed pre or post EQ to the computer, allowing you to choose whether to implement ‘EQ to tape’ or not. Studio Quality Effects—All aux sends are routable to the computer, allowing you to utilize your computer as a powerful FX engine by implementing your favorite plug-ins in a live scenario.<br><span style="font-style: italic; font-weight: bold;">Preserve Your Mix</span> — Master L/R is routable to the computer for recording your analog mix. Burn and sell CDs of the mix at the end of the gig!<br><span style="font-weight: bold; font-style: italic;">Mix Integration — </span>Stereo return from the computer can be routed to either the control room for instant monitoring or to a stereo channel for mix integration. <br><span style="font-style: italic; font-weight: bold;">Latency-Free Overdubs —</span> Having a “real” mixer has its benefits. Latency-free overdubs are simple since you are using an analog mixer. No more wasted time dealing with the complicated “DSP” mixers commonly used on standalone interfaces.<br><br>The 1220i delivers seamless, routing-free FireWire connection to your favorite DAW. All channels, auxes and (of course) the master L/R are simultaneously available to your DAW, with zero routing. The Onyx-i FireWire connection has amazing bandwidth, and the 1220i takes full advantage.<br><br><span style="font-weight: bold;">Premium Analog Mixer</span><br>When it comes to the high pressure environment of a recording session or live performance, you simply cannot beat the stability and reliability of an analog mixer. With features honed over 20 years of design by some of the legends in the industry, the Onyx-i Series mixers are simply the best sounding full-featured analog mixing boards available to the modern sound engineer.<br><br>The 1220i has a plethora of analog features that are sure to please. First off, there are four Onyx mic preamps which have been proven as some of the best boutique quality preamps available today. That is, without having to re-mortgage your house in order to pay for all the inputs you need. Then there’s the Perkins EQ, which offers highly musical Q filter without sacrificing the precise control that Mackie EQs are known for. Four mono mic/line channels feature 3-band Perkins EQ with a sweepable mid and the additional stereo line channels have 3-band EQ. So, regardless of the type of signal you need to input, there is sure to be a channel with the right EQ for the application. Other analog tools include two aux sends with pre/post fader assignment, allowing for monitor mixes, effects loops or additional headphone mixes. There are built-in DIs on the first two channels for direct connection of guitars or bass and a dedicated talkback section with a built-in mic that lets you easily communicate with band members while on stage or recording. With all these proven, great-sounding analog features, it is easier than ever to create a memorable mix.<br><br><span style="font-weight: bold;">Smacks Of Quality</span><br>The Onyx 1220i offers a tremendous collection of professional analog features and extremely deep DAW integration, but it is so much more than that. The sleek, modern design might even tempt you build a museum quality display for your engineer friends to admire. Plus, since it’s a Mackie, you can be sure that it is “Built-Like-A-Tank” and will survive years of abuse.<br><br>Any audio company can cram a bunch of inferior components into a chassis and, believe us, a lot of them do. This is never the case with a Mackie mixer. Everything about the Onyx-i Series smacks of quality, because only the most quality, high-end components are used throughout the entire signal path. At the front end, you have the pristine signal boost offered by the Onyx mic preamps, which will likely get routed through the legendary Perkins EQ. The signal then passes through a series of sealed rotary knobs, which keep dust and grime out of the potentiometer. Then your mix hits the summing bus, which has been custom-designed to offer the highest possible headroom while preserving the sonic quality offered by the aforementioned components. Maybe you assigned the signal to stream across the FireWire outputs. If so, they had the pleasure of passing through the high-quality Cirrus analog-to-digital converter on their way to your computer. Or maybe you were overdubbing and streamed your backing tracks from your DAW and integrated them into the mix. In that case, you can thank the ridiculously high-end AKM digital-to-analog converter for the immaculate quality of the playback. These converters are extremely high-quality and easily rival the most esoteric (and expensive) interfaces out there today. From start to finish, no matter how you use it, the 1220i offers the quality demanded by industry professionals.<br><br><span style="font-weight: bold;">Features:</span><br><ul><li>12-channel premium analog mixer with integrated 24-bit/96kHz FireWire I/O</li><li>Qualified by Mackie for use with all major DAWs, including:    <br>-Pro Tools® M-Powered™ 8<br>(Requires $49.99 USD driver upgrade at www.mackie.com)<br>- Logic®<br>- SONAR™<br>- Cubase®<br>- Ableton® Live<br>- Final Cut Pro®<br></li><li>4 Onyx boutique-quality mic preamps</li><li>3-band Perkins EQ with sweepable mids on mic/line channels</li><li>3-band Perkins EQ on stereo line channels</li><li>16x2 FireWire routing for simultaneous streaming of aux sends and pre/post EQ assignment for all channels</li><li>Stereo playback from DAW, returned to control room or into channel for integration into mix</li><li>Built-in DI on first two channels for direct connection of guitars, bass, etc.</li><li>Individual 48V phantom power switches on all mic inputs</li><li>Talkback section with built in mic and flexible routing</li><li>“Planet Earth” switching power supply for worldwide use</li><li>Optional rack kit available</li></ul>

Mackie Onyx 1220i
12 Channel Compact Recording Mixer

<span style="font-weight: bold;">Bring on the Band</span><br><br>Eight full channels of mic pres and four stereo channels means there are few sessions that the <span style="font-weight: bold;">Mackie Onyx 1620i</span> cannot handle. Each mic channel features 4-band Perkins EQ with dual sweepable mids, providing truly professional tone-shaping. Band-friendly features like the dedicated talkback section with built-in mic allow you to easily communicate with the talent, whether behind the glass or in front of stage monitors. Deep FireWire integration, along with complete platform support allows you to easily record in the studio, or at the gig. The matter is settled then…the 1620i is a true band workhorse.<br><br><span style="font-weight: bold;">DAW-Friendly Doesn't Even Begin To Cover It</span><br>Mackie-designed gear is more often than not, the result of customer interaction and suggestion. After all, we are making gear for you. For years, our customers have been asking for the freedom to work with any DAW they choose. So when we designed the Onyx-i series, we took this suggestion to heart. We are very proud that Onyx-i mixers are more DAW-friendly than any other interface ever. Onyx-i mixers are qualified by Mackie for use with all major DAWs, including Pro Tools® M-Powered™ 8*, Logic©, SONAR™, Cubase© and more. Now, dedicated Mackie customers can enjoy using their Mackie mixer with the world’s most popular DAW. And Pro Tools®  M-Powered™ 8 users now have a variety of new, and different, tools to use with their favorite DAW. It’s a win-win situation.<br><br><span style="font-weight: bold;">DEEP Firewire Intergration</span><br>The Onyx-i Series features deeper FireWire integration than any other mixer out there and offers immensely powerful routing capabilities:<br><br><span style="font-style: italic; font-weight: bold;">Wet or Dry? —</span> Every channel on the mixer can be routed pre or post EQ to the computer, allowing you to choose whether to implement ‘EQ to tape’ or not.<br><span style="font-weight: bold; font-style: italic;">Studio Quality Effects —</span> Aux sends are routable to the computer, allowing you to utilize your computer as a powerful FX engine by implementing your favorite plug-ins in a live scenario.<br><span style="font-weight: bold; font-style: italic;">Preserve Your Mix — </span>Master L/R is routable to the computer for recording your analog mix. Burn and sell CDs of the mix at the end of the gig!<br><span style="font-weight: bold; font-style: italic;">Mix Integration — </span>Stereo return from the computer can be routed to either the control room for instant monitoring or to a stereo channel for mix integration.<br><span style="font-weight: bold; font-style: italic;">Latency-Free Overdubs — </span>Having a “real” mixer has its benefits. Latency-free overdubs are simple since you are using an analog mixer. No more wasted time dealing with the complicated “DSP” mixers commonly used on standalone interfaces.<br><br>The 1620i delivers hassle-free FireWire connection to your favorite DAW. All channels, auxes and (of course) the master L/R are available to your DAW. And since you can return your DAW outputs straight into a channel strip, mix integration is easier than ever.<br><br><span style="font-weight: bold;">Premium Analog Mixer</span><br>When it comes to the high pressure environment of a recording session or live performance, you simply cannot beat the stability and reliability of an analog mixer. With features honed over 20 years of design by some of the legends in the industry, the Onyx-i Series mixers are simply the best sounding full-featured analog mixing boards available to the modern sound engineer.<br><br>The 1620i has a plethora of analog features that are sure to please. First off, there are eight Onyx mic preamps which have been proven as some of the best boutique quality preamps available today. That is, without having to re-mortgage your house in order to pay for all the inputs you need. Then there’s the Perkins EQ, which offers highly musical Q filter without sacrificing the precise control that Mackie EQs are known for. Eight mono mic/line channels feature 4-band Perkins EQ with dual sweepable mids, the additional four stereo line channels have 3-band Perkins EQ. So, regardless of the type of signal you need to input, there is sure to be a channel with the right EQ for the application. Other analog tools include four aux sends with pre/post fader assignment, allowing for monitor mixes, effects loops or additional headphone mixes. There are built-in DIs on the first two channels for direct connection of guitars or bass and a dedicated talkback section with a built-in mic that lets you easily communicate with band members while on stage or recording. With all these proven, great-sounding analog features, it is easier than ever to create a memorable mix.<br><br><span style="font-weight: bold;">Smacks of Quality</span><br>The Onyx 1620i offers a tremendous collection of professional analog features and extremely deep DAW integration, but it is so much more than that. The sleek, modern design might even tempt you build a museum quality display for your engineer friends to admire. Plus, since it’s a Mackie, you can be sure that it is “Built-Like-A-Tank” and will survive years of abuse.<br><br>Any audio company can cram a bunch of inferior components into a chassis and, believe us, a lot of them do. This is never the case with a Mackie mixer. Everything about the Onyx-i Series smacks of quality, because only the most quality, high-end components are used throughout the entire signal path. At the front end, you have the pristine signal boost offered by the Onyx mic preamps, which will likely get routed through the legendary Perkins EQ. The signal then passes through a series of sealed rotary knobs, which keep dust and grime out of the potentiometer. Then your mix hits the summing bus, which has been custom-designed to offer the highest possible headroom while preserving the sonic quality offered by the aforementioned components. Maybe you assigned the signal to stream across the FireWire outputs. If so, they had the pleasure of passing through the high-quality Cirrus analog-to-digital converter on their way to your computer. Or maybe you were overdubbing and streamed your backing tracks from your DAW and integrated them into the mix. In that case, you can thank the ridiculously high-end AKM digital-to-analog converter for the immaculate quality of the playback. These converters are extremely high-quality and easily rival the most esoteric (and expensive) interfaces out there today. From start to finish, no matter how you use it, the 1620i offers the quality demanded by industry professionals.<br><br><span style="font-weight: bold;">Features:</span><br><ul><li>16-channel premium analog mixer with integrated 24-bit/96kHz FireWire I/O</li><li>Qualified by Mackie for use with all major DAWs, including:<br>- Pro Tools® M-Powered™ 8<br>(Requires $49.99 USD driver upgrade at www.mackie.com)<br>- Logic®<br>- SONAR™<br>- Cubase®<br>- Ableton® Live<br>- Final Cut Pro®<br></li><li>8 Onyx boutique-quality mic preamps</li><li>4-band Perkins EQ with sweepable mids on mic/line channels</li><li>3-band Perkins EQ on stereo line channels</li><li>16x2 FireWire routing, including aux sends and pre/post EQ assignment for all channels</li><li>4 aux sends with pre/post assignment</li><li>Smooth 60mm channel and master faders</li><li>Built-in DI on first two channels for direct connection of guitars, bass, etc.</li><li>Individual 48V phantom power switches on all mic inputs</li><li>Talkback section with built in mic and flexible routing</li><li>“Planet Earth” switching power supply for worldwide use</li><li>Optional rack kit available</li></ul>

Mackie Onyx 1620i
16 Channel Compact Recording Mixer

<span style="font-weight: bold;">Better Mic Pres. More Headroom. Enhanced Routing. And Much More.</span><br><br>Building on the success of our legendary SR24•4 mixing console, Mackie is proud to introduce the new Onyx 24.4 24-channel / 4-bus live sound console. While retaining the same convenient footprint as its predecessor, the state-of-the-art Onyx 24.4 brings dozens of new features and enhancements to the table: 100mm Panasonic® faders, premium Onyx mic preamps, completely redesigned analog circuitry with more headroom, greater routing flexibility, new Perkins EQ, and a built-in assignable stereo compressor/limiter. And we're barely scratching the surface.<br><br><span style="font-weight: bold;">Better Sound By Design</span><br>The Mackie Onyx 24.4 leaves the competition in the dust when it comes to sound quality. The difference starts with premium Onyx mic preamps on every channel (click here for an interactive tour of the Channel strip), which offer greater dynamic range and transparency versus any other mixer mic preamp on the market. Newly designed 4-band Perkins EQ offers the sweet, musical sound of the legendary British consoles of yesteryear, yet with greater filter control. And while the 24.4 is not the first mid-format console to offer an onboard compressor/limiter, we specified a THAT® Corporation 4301 assignable stereo compressor/limiter, and then had it custom tailored specifically for the Onyx 4-bus Series. Finally, overall mixer sound quality and headroom has also been raised, thanks to the use of premium components, completely redesigned summing bus circuitry, and an electronically balanced design throughout the entire signal chain. Add it all up, and the Onyx 24.4 gives you big, full-range sound and even lower noise than esoteric mixing consoles costing much more.<br><br><span style="font-weight: bold;">ONYX Mic Preamps: Affordable "Boutique" Quality</span><br>Although our highly-acclaimed XDR mic preamps set high standards for quality and performance, Onyx mic preamps offer even greater fidelity, headroom and transparency—as well as better radio frequency (RFI) rejection and wider dynamic range than ever before. Numerous magazine and online reviews have confirmed Onyx preamps sound just as good as many “boutique” standalone mic pres—with specs like 123dB total dynamic range, -129.5 dBm Equivalent Input Noise, and 0.0007% Total Harmonic Distortion. Click here to learn more about Onyx mic pres. Read more.<br><br><span style="font-weight: bold;">Perkins EQ: Sweet "British" Console Sound, Only Better</span><br>We called on veteran audio engineer Cal Perkins to develop the EQ circuitry for the Onyx Series, and in turn Cal designed an extremely effective and musical 4-band EQ, with sweepable low- and high-mids—perfect for live sound mixing. Called the Perkins EQ, Cal's new circuitry builds on the classic Wein Bridge circuit used in the British mixing desks of the '60s and '70s, providing greater filter and phase shift control. Perkins EQ offers more control over harmonic content than any other EQ on the market, and it's only available on Mackie products. Read more.<br><br><span style="font-weight: bold;">Assignable Onboard Stereo Compressor/ Limiter Section</span><br>Compression is an indispensable tool in a sound engineer's arsenal. That's why we integrated a high-quality master compressor/limiter chip from THAT® Corporation into the Onyx 24.4. This assignable compressor/limiter is perfect for tightening up vocal harmony and balancing drum kits. Controls are provided for Threshold, Ratio and Fast/Slow Attack, and the compressor can be assigned post-fader to the L/R main mix (for system limiting and speaker protection) or pre-fader to Group 1/2 or 3/4 outputs (for grouped signal compression, like drums or background vocals).<br><br><span style="font-weight: bold;">Matrix Mixer and Master Section</span><br>If total control over signal routing, talkback/monitor mixing, and external effects processing is what you seek, then look no further—the Onyx 4-Bus Series Master section has everything you've come to expect from a Mackie mixing console, and more. The onboard 6 x 2 Matrix Mixer is the solution to the “not-enough monitor send” blues. Not only can you use the Aux Sends to generate up to six monitor mixes, but the Matrix Mixer can be used to generate two additional independent mixes—ideal for IEM (in-ear-monitor) systems, cry rooms, green rooms or other zoned outputs. Visual monitoring of Solo, Main output and compression/limiting is expertly handled via four, giant 12-segment LED ladders. And even the Sub Groups feature 4-segment LEDs, so you know what signal levels are at glance. Click here for a guided tour to the Master section.<br><br><span style="font-weight: bold;">Balanced Mic/Line Direct Outputs</span><br>If you plan to use the Onyx 24.4 for live recording, we've included another invaluable feature: convenient balanced Mic/Line direct outputs for every channel. No longer will you need to run a splitter, or take individual direct outs from the board to your tape or hard disk recorder. Thanks to three DB-25 female connectors (configured with standard Tascam® pin outs) on the rear of the console, you can quickly route all mic/line signals to an external device. All of these balanced direct outs are pre-fader and switchable via internal jumpers as either pre- or post-EQ. So there's only three cables between the Onyx 24.4 and your recorder—it just doesn't get any easier than this.<br><br><span style="font-weight: bold;">Built Mackie Tough</span><br>Because we at Mackie know how tough the road can be on equipment, we designed the Onyx 4-Bus Series to handle almost anything you can throw at it. Vertical aluminum supports are placed strategically to maximize the structural integrity of the solid-steel chassis. And because these boards get moved around a lot, we designed comfortable carry handles right into the sides—even though they are portable enough to just tuck them under your arm and go.<br><br>Designed with a practical and easy to understand layout, anyone from a Sunday morning volunteer operator to a seasoned professional engineer can quickly learn to operate the Onyx 24.4 console. This makes it perfect for a wide range of live applications including churches, small- to medium-sized clubs, touring bands, and rehearsal facilities, just to name a few. With stunning sound quality and renowned Mackie engineering—combined in a full-featured, portable, highly affordable, mid-format mixing console—the Onyx 24.4 is destined to set the new standard.<br><br><span style="font-weight: bold;">Features:</span><br><ul><li>24-channel / 4-bus premium analog mixer designed for live sound</li><li>Onyx microphone preamps with class-leading fidelity and dynamic range on every channel</li><li>4-band Perkins EQ on every channel for warm, musical sound</li><li>6 x 2 Matrix Mixer provides 2 additional mixes for cry rooms, monitors, etc.</li><li>Built-in assignable stereo compressor/limiter designed by THAT® corporation</li><li>Giant 12-segment LED ladders for Main output and compressor/limiter    </li><li>6 Aux sends with Pre/Post switches</li><li>Two dedicated stereo channels</li><li>100mm Panasonic™ faders on all channels, groups and mains</li><li>Same physical size as the popular SR24•4 mixing console </li></ul>

Mackie Onyx 24.4
24 Channel/4-Bus Premium SR Console

<span style="font-weight: bold;">Raising The Bar For 32-Channel Live Sound Consoles.</span><br><br>How do you improve upon a hugely successful mixer? With a heavy dose of R&D, that's how. Building on the success of the legendary SR32•4, Mackie is proud to introduce the new Onyx 32.4 32-channel / 4-bus live sound console. Retaining the same convenient footprint as its predecessor, the ultra state-of-the-art Onyx 32.4 brings dozens of new features and enhancements to the party: 100mm Panasonic® faders, premium Onyx mic preamps, completely redesigned analog circuitry with more headroom, greater routing flexibility, new Perkins EQ, and a built-in assignable stereo compressor/limiter. And we're barely scratching the surface.<br><br><span style="font-weight: bold;">Better Sound By Design</span><br>The Mackie Onyx 32.4 sounds noticeably better than any comparably-priced 32-channel mixer on the market today. And with good reason. The difference starts with premium Onyx mic preamps on every channel (click here for an interactive tour of the Channel strip), which offer greater dynamic range and transparency versus any other mixer mic preamp on the market. Newly designed 4-band Perkins EQ offers the sweet, musical sound of the legendary British consoles of yesteryear, yet with greater filter control. And while the 32.4 is not the first mid-format console to offer an onboard compressor/limiter, we specified a THAT® Corporation 4301 assignable stereo compressor/limiter, and then had it custom tailored specifically for the Onyx 4-bus Series. Finally, overall mixer sound quality and headroom has also been raised, thanks to the use of premium components, completely redesigned summing bus circuitry, and an electronically balanced design throughout the entire signal chain. Taken together, the Onyx 32.4 gives you big, full-range sound and even lower noise than esoteric mixing consoles costing much more.<br><br><span style="font-weight: bold;">ONYX Mic Preamps: Affordable "Boutique" Quality</span><br>Although our highly-acclaimed XDR mic preamps set high standards for quality and performance, Onyx mic preamps offer even greater fidelity, headroom and transparency—as well as better radio frequency (RFI) rejection and wider dynamic range than ever before. Numerous magazine and online reviews have confirmed Onyx preamps sound just as good as many "boutique" standalone mic pres—with specs like 123dB total dynamic range, -129.5 dBm Equivalent Input Noise, and 0.0007% Total Harmonic Distortion. Click here to learn more about Onyx mic pres. Read more.<br><br><span style="font-weight: bold;">Perkins EQ: Sweet "British" Console Sound, Only Better</span><br>We called on veteran audio engineer Cal Perkins to develop the EQ circuitry for the Onyx Series, and in turn Cal designed an extremely effective and musical 4-band EQ, with sweepable low- and high-mids—perfect for live sound mixing. Called the Perkins EQ, Cal's new circuitry builds on the classic Wein Bridge circuit used in the British mixing desks of the '60s and '70s, providing greater filter and phase shift control. Perkins EQ offers more control over harmonic content than any other EQ on the market, and it's only available on Mackie products. Read more.<br><br><span style="font-weight: bold;">Assignable Onboard Stereo Compressor/ Limiter Section</span><br>Compression is an indispensable tool in a sound engineer's arsenal. That's why we integrated a high-quality master compressor/limiter chip from THAT® Corporation into the Onyx 32.4. This assignable analog stereo compressor/limiter was designed and manufactured in the US by veteran analog engineers, offering true RMS Detection and Auto Make-up Gain for extremely accurate and musical results. Controls are provided for Threshold, Ratio and Fast/Slow Attack, and the compressor can be assigned post-fader to the L/R main mix (for system limiting and speaker protection) or pre-fader to Group 1/2 or 3/4 outputs (for grouped signal compression, like drums or background vocals). This reduces the need for separate outboard processing.<br><br><span style="font-weight: bold;">Master Section</span><br>If total control over signal routing, talkback/monitor mixing, and external effects processing is what you seek, then look no further—the Onyx 4-Bus Series Master section has everything you've come to expect from a Mackie mixing console, and more. The onboard 6 x 2 Matrix Mixer is the solution to the “not-enough monitor send” blues. Not only can you use the Aux Sends to generate up to six monitor mixes, but the Matrix Mixer can be used to generate two additional independent mixes—ideal for IEM (in-ear-monitor) systems, cry rooms, green rooms or other zoned outputs. Visual monitoring of Solo, Main output and compression/limiting is expertly handled via four, giant 12-segment LED ladders. And even the Sub Groups feature 4-segment LEDs, so you know what signal levels are at glance. Click here for a guided tour to the Master section.<br><br><span style="font-weight: bold;">Balanced Mic/Line Direct Outputs</span><br>If you plan to use the Onyx 32.4 for live recording, we've included another invaluable feature: convenient balanced Mic/Line direct outputs for every channel. No longer will you need to run a splitter, or take individual direct outs from the board to your tape or hard disk recorder. Thanks to four DB-25 female connectors on the rear of the console (configured with standard Tascam® pin outs), you can quickly route all mic/line signals to an external device. All of these balanced direct outs are pre-fader and switchable via internal jumpers as either pre- or post-EQ. So there are only four cables between the Onyx 32.4 and your recorder—it just doesn't get any easier than this.<br><br><span style="font-weight: bold;">Built Mackie Tough</span><br>Because we at Mackie know how tough the road can be on equipment, we designed the Onyx 4-Bus Series to handle almost anything you can throw at it. Vertical aluminum supports are placed strategically to maximize the structural integrity of the solid-steel chassis. And because these boards get moved around a lot, we designed comfortable carry handles right into the sides—even though they are portable enough to just tuck them under your arm and go.<br><br>Designed with a practical and easy to understand layout, anyone from a Sunday morning volunteer operator to a seasoned professional engineer can quickly learn to operate the Onyx 32.4 console. This makes it perfect for a wide range of live applications including churches, small- to medium-sized clubs, touring bands, and rehearsal facilities, just to name a few. With stunning sound quality and renowned Mackie engineering—combined in a full-featured, portable, highly affordable, mid-format mixing console—the Onyx 32.4 is destined to set the new standard.<br><br><span style="font-weight: bold;">Features:</span><br><ul><li>32-channel / 4-bus premium analog mixer designed for live sound</li><li>Onyx microphone preamps with class-leading fidelity and dynamic range on every channel</li><li>4-band Perkins EQ on every channel for warm, musical sound</li><li>6 x 2 Matrix Mixer provides 2 additional mixes for cry rooms, monitors, etc.</li><li>Built-in assignable stereo compressor/limiter designed by THAT® corporation</li><li>Giant 12-segment LED ladders for Main output and compressor/limiter</li><li>6 Aux sends with Pre/Post switches</li><li>2 dedicated stereo channels</li><li>100mm Panasonic™ faders on all channels, Groups and Mains</li><li>Same physical size as the popular SR32•4 mixing console</li></ul>

Mackie Onyx 32.4
32 Channel/4-Bus Premium SR Console

<span style="font-weight: bold;">Ultra-small. Ultra-powerful. Ultra-awesome.</span><br><br>The feature-packed and performance-optimizing <span style="font-weight: bold;">Mackie Onyx 820i</span> is the most compact and desk-friendly version of the Onyx-i Series. With eight channels, three Onyx mic preamps, two aux sends, talkback, flexible control room routing and a variety of Perkins EQ configurations, there is plenty of analog goodness to go around. Plus, FireWire I/O lets you route all channels, auxes and the master L/R to nearly any DAW for recording and return a stereo signal to the control room or into a channel for mix integration. The 820i packs a big punch in a very small package.<br><br><span style="font-weight: bold;">DAW-Friendly Doesn't Even Begin To Cover It</span><br>Mackie-designed gear is more often than not, the result of customer interaction and suggestion. After all, we are making gear for you. For years, our customers have been asking for the freedom to work with any DAW they choose. So when we designed the Onyx-i series, we took this suggestion to heart. We are very proud that Onyx-i mixers are more DAW-friendly than any other interface ever. Onyx-i mixers are qualified by Mackie for use with all major DAWs, including Pro Tools® M-Powered™ 8*, Logic©, SONAR™, Cubase© and more. Now, dedicated Mackie customers can enjoy using their Mackie mixer with the world’s most popular DAW. And Pro Tools®  M-Powered™ 8 users now have a variety of new, and different, tools to use with their favorite DAW. It’s a win-win situation.<br><br><span style="font-weight: bold;">Deep Firewire Integration</span><br>The Onyx-i Series features deeper FireWire integration than any other mixer out there and offers immensely powerful routing capabilities:<br><br><span style="font-style: italic; font-weight: bold;">Wet or Dry? — </span>Every channel on the mixer can be routed pre or post EQ to the computer, allowing you to choose whether to implement ‘EQ to tape’ or not.<br><span style="font-weight: bold; font-style: italic;">Studio Quality Effects — </span>All aux sends are routable to the computer, allowing you to utilize your computer as a powerful FX engine by implementing your favorite plug-ins in a live scenario.<br><span style="font-weight: bold; font-style: italic;">Preserve Your Mix —</span> Master L/R is routable to the computer for recording your analog mix. Burn and sell CDs of the mix at the end of the gig!<br><span style="font-weight: bold; font-style: italic;">Mix Integration — </span>Stereo return from the computer can be routed to either the control room for instant monitoring or to a stereo channel for mix integration.<br><span style="font-style: italic; font-weight: bold;">Latency-Free Overdubs —</span> Having a “real” mixer has its benefits. Latency-free overdubs are simple since you are using an analog mixer. No more wasted time dealing with the complicated “DSP” mixers commonly used on standalone interfaces.<br><br>The flexibility offered by the 820i allows you to work faster and more intuitively than ever before. Imagine a world where your recording sessions run smoothly, every single time. Dream of a live sound mix that is both archived for history and simultaneously recorded multi-track for later mixing.  No need to dream, the 820i is here.<br><br><span style="font-weight: bold;">PREMIUM Analog Mixer</span><br>When it comes to the high pressure environment of a recording session or live performance, you simply cannot beat the stability and reliability of an analog mixer. With features honed over 20 years of design by some of the legends in the industry, the Onyx-i Series mixers are simply the best sounding full-featured analog mixing boards available to the modern sound engineer. The 820i has a plethora of analog features that are sure to please. First off, there are three Onyx mic preamps which have been proven as some of the best boutique quality preamps available today. That is, without having to re-mortgage your house in order to pay for all the inputs you need. Then there’s the Perkins EQ, which offers highly musical Q filter without sacrificing the precise control that Mackie EQs are known for. Two mono mic/line channels feature 3-band Perkins EQ with a sweepable mid, the stereo line channels have 3-band EQ and (talk about flexibility) a unique hybrid channel features 4-band Perkins EQ. So, regardless of the type of signal you need to input, there is sure to be a channel with the right EQ for the application. Other analog tools include two aux sends with pre/post fader assignment, allowing for monitor mixes, effects loops or additional headphone mixes. There are built-in DIs on the first two channels for direct connection of guitars or bass and a dedicated talkback section with a built-in mic that lets you easily communicate with band members while on stage or recording. With all these proven, great-sounding analog features, it is easier than ever to create a memorable mix.<br><br><span style="font-weight: bold;">Smacks Of Quality</span><br>The Onyx 820i offers a tremendous collection of professional analog features and extremely deep DAW integration, but it is so much more than that. The sleek, modern design might even tempt you build a museum quality display for your engineer friends to admire. Plus, since it’s a Mackie, you can be sure that it is “Built-Like-A-Tank” and will survive years of abuse.<br><br>Any audio company can cram a bunch of inferior components into a chassis and, believe us, a lot of them do. This is never the case with a Mackie mixer. Everything about the Onyx-i Series smacks of quality, because only the most quality, high-end components are used throughout the entire signal path. At the front end, you have the pristine signal boost offered by the Onyx mic preamps, which will likely get routed through the legendary Perkins EQ. The signal then passes through a series of sealed rotary knobs, which keep dust and grime out of the potentiometer. Then your mix hits the summing bus, which has been custom-designed to offer the highest possible headroom while preserving the sonic quality offered by the aforementioned components. Maybe you assigned the signal to stream across the FireWire outputs. If so, they had the pleasure of passing through the high-quality Cirrus analog-to-digital converter on their way to your computer. Or maybe you were overdubbing and streamed your backing tracks from your DAW and integrated them into the mix. In that case, you can thank the ridiculously high-end AKM digital-to-analog converter for the immaculate quality of the playback. These converters are extremely high-quality and easily rival the most esoteric (and expensive) interfaces out there today. From start to finish, no matter how you use it, the 820i offers the quality demanded by industry professionals.<br><br><span style="font-weight: bold;">Features:</span><br><ul><li>8-channel premium analog mixer with integrated 24-bit/96kHz FireWire I/O</li><li>Qualified by Mackie for use with all major DAWs, including:</li><li>- Pro Tools® M-Powered™ 8</li><li>(Requires $49.99 USD driver upgrade at www.mackie.com)<br>- Logic®<br>- SONAR™<br>- Cubase®<br>- Ableton® Live<br>- Final Cut Pro®</li><li>3 Onyx boutique-quality mic preamps</li><li>3-band Perkins EQ with sweepable mids on mic/line channels</li><li>3-band Perkins EQ on stereo line channels</li><li>Hybrid mono/stereo channel with 4-band Perkins EQ</li><li>8x2 FireWire routing, including aux sends and pre/post EQ assignment for all channels</li><li>Stereo playback from DAW, returned to control room or into channel for integration into mix</li><li>Built-in DI on first two channels for direct connection of guitars, bass, etc.</li><li>Individual 48V phantom power switches on all mic inputs</li><li>Talkback section with built in mic and flexible routing</li><li>“Planet Earth” switching power supply for worldwide use</li><li>Optional rack kit available     </li></ul>

Mackie Onyx 820i
8 Channel Compact Recording Mixer

<span style="font-weight: bold;">Undeniable Power!</span><br><br>ZoomUltra-light and completely self-contained, the <span style="font-weight: bold;">Mackie PPM1008</span> professional powered mixer features two ridiculously robust power amps for mains and/or monitors (800W + 800W). With 1600 watts of system power, the PPM1008 is in a class of its ownfully capable of powering a  huge system (try a couple S215s AND a pair of C300s!) We custom designed the PPM1008 with Class-D amps, which are cool-running and boast maximum efficiency, keeping your sound pumping until they start kicking people out. We had to include Mackie’s proven Fast Recovery circuitry, eliminating the risk of pesky amp latching. The result is a distortion free mix even when pushing peak levels. The built-in limiter can go toe-to-toe with the most popular outboard stereo limiters used in live sound today, protecting your speakers from damage. The limiter’s attack and release times are specifically selected to address full-bandwidth music and will not muddy things up by adding any unwanted pumping. PPM mixers are surprisingly lightweight, but tremendously powerful. You can push the PPM1008 to its maximum output, distortion free!<br><br><span style="font-weight: bold;">The Right Tools for the Job</span><br>Most powered mixers out there have either a limited set of mixing tools—keeping your mix decidedly average—or they cram in a mind-boggling amount of lame effects that you would never use. Every professional carries the right tools for the job, so the PPM1008 comes with a great-sounding, highly useable toolkit:<br><ul><li>Premium Mackie preamplifiers ensure transparent, low-noise/high-headroom characteristics right at the front of the mixer. The PPM1008 offers 8 mic/line channels with trusted Mackie preamplifiers.</li><li>True 48V phantom power allows every condenser mic to perform at its full potential.</li><li>Legendary 3-band active EQ straight off the tremendously popular VLZ3 mixer series. Sweetening any channel is a breeze.</li><li>Individual channel inserts (ch. 1-6) allow compressors and other outboard processing on critical instrument or voice channels. Don’t leave the lead singer hanging! </li><li>Dedicated in-line compressors on channels 1-4 bring simple but sweet dynamics to our PPM mixers.</li><li>Dual graphic EQs are provided for use with mains and monitors. These EQs feature tight, constant-Q Filters that effect only the frequency range you’ve intended, unlike many inexpensive built-in graphic EQs that will remain nameless.</li><li>Simple stuff like useable main and monitor output metering make a huge difference in your mix.  Sorry, but 5 LED meters at the output doesn’t tell you that you’re about to clip.  Our high-resolution 12-segment meters enable more visibility of your signal, and the super quick response of the meters allows what you see to translate quickly and easily to what you hear.</li></ul><span style="font-weight: bold;">“Gig Ready” Effects</span><br>The all-new RMFX+ (Running Man FX) 32-bit effects processor brings “gig ready,” useable effects to your mixes.  Why scroll through hundreds of bizarre effects, like “ghost ambience?” Yeah, like anyone even knows what that means. Or how about winners like “delay+phaser2”, which you’ll never use in a million years. Those other mixers will leave your fingers raw from all the scrolling you have to do. The RMFX+ processor features 24 solid FX that are known for their utility and usability.  Small, medium and large room reverbs with the choice of a warm or bright characteristic put your mix in the right space. Simple, rich choruses and an array of practical delays enable you to create professional mixes without requiring a two-hour sound check. Also, the RMFX+ is the first onboard processor to feature a user tap function.  So if you want to use a delay, but our preset delay time doesn’t work, you can tap it in instantly!  Basically, we’ve delivered a full rack of gear at your fingertips that is easy to master, allowing you to look really and sound really good at your next gig. Really, really good.<br><br><span style="font-weight: bold;">Absolutely Armored</span><br>The PPM1008 is fully armored inside a solid steel chassis, helping to protect the electronics from any potential environmental hazard (Think beer.) Extremely durable polycarbonate ABS end caps will protect the PPM1008 from years of abuse caused by tossing it in and out of the truck or falling off the stool at rehearsal.  Each PPM1008 features rounded front with recessed controls, so if it rolls on its face in the van or gets kicked over at the show, you can be sure that it will emerge damage-free. Two metal side handles allow you to easily pick it up and get going.  It’s ultra-light so you won’t need both hands!<br><br><span style="font-weight: bold;">Matching Made Easy </span><br>Look, we want to make things as easy for you as possible. Matching speakers to amps can suck the fun out of an otherwise pleasant trip to the music store. Keeping that in mind, PPM mixers and Mackie passive speakers were made for each other. We even included the one-touch Precision Passive EQ button, which is designed to make our speakers sound better than ever. From our popular C series (C300/200) to our S series (S200/S400), we designed our mixer to match the power requirements of our passive speakers perfectly. Try driving a pair of S225 15” speakers off someone else’s mixer. You can almost smell the smoke now! Yet this is child’s play using a PPM and a pair of our S225’s.  We easily provide enough power for a complete system.  In fact, we’ve got the bollocks to drive two of our S215 15” 2-way speakers off the mains AND a pair of C300s as Monitors without needing outboard amps. Others may try but, ultimately, don’t provide the necessary power.<br><br>So if you want a truly professional set of tools for your next gig, including a Mackie mixer, onboard compressors, Fast Recovery amplification, twin graphic EQs, and “gig-ready” effects, pair up a PPM1008 and any Mackie Precision Passive loudspeakers for the ultimate, portable, professional P.A. system.<br><br><span style="font-weight: bold;">Features:</span><br><ul><li>Full-featured 8-channel, 1600W, ultra-light Professional Powered Mixer with onboard 32-bit digital RMFX+™ processor</li><li>800W + 800W Mackie designed Class-D, Fast Recovery™ power amplifiers</li><li>32-bit RMFX+™ processor featuring 24 “Gig Ready”, useable reverbs, choruses, and tap delay for live applications</li><li>8 premium Mackie mic preamps with 48V phantom power and TRS inserts (ch 1-6)</li><li>New Dedicated In-line Compression provides increased presence and punch for vocals and instruments</li><li>2 stereo inputs with dual RCA and dual 1/4-inch line inputs for flexible connectivity</li><li>Mackie's 3-Band Active channel EQ with a Mid sweep (100Hz-8kHz) on mono channels</li><li>2 built-in DI boxes for direct instrument connections</li><li>Separate Monitor and FX auxiliary sends</li><li>Dual 9-Band graphic EQ on the Mains and Monitor outputs for tuning rooms and monitor mixes</li><li>3-Mode Amplifier for ultra-flexible routing, switchable as Mains Stereo L/R, Mono Mains/Monitor 1, or Mon 1 & Mon 2</li><li>Precision Passive EQ for enhanced clarity and LF response with Mackie passive loudspeakers</li><li>Rugged metal handles built into the sides of the mixer case for easy transport from gig to gig</li><li>Built like a tank and armored in poly carbonate ABS, the PPM1008 features classic Mackie rounded front chassis design.  So if the PPM rolls on its face during transport the controls are recessed and protected.</li><li>Ultra-Lightweight and portable (20 lbs/ 9 kg) </li></ul>

Mackie PPM1008
8 Channel 1600W Ultra-Light Powered Mixer

<span style="font-weight: bold;">Power to the Desktop!</span><br>
<br>
Zoom Ultra-light and rack-mountable, the <span style="font-weight: bold;">Mackie PPM1012</span>
professional powered desktop mixer features two ridiculously robust
power amps for mains and/or monitors (800W + 800W). With 1600 watts of
system power, this mixer provides all the raw power that you need.
Things can get pretty intense out there, and your gear needs to be able
keep up the pace. We custom designed the PPM1012 with Class-D amps,
which are cool-running and boast maximum efficiency, keeping your sound
pumping until they start kicking people out. We had to include Mackie’s
proven Fast Recovery circuitry, eliminating the risk of pesky amp
latching. The result is a distortion free mix even when pushing peak
levels. The built-in limiter can go toe-to-toe with the most popular
outboard stereo limiters used in live sound today, protecting your
speakers from damage. The limiter’s attack and release times are
specifically selected to address full-bandwidth music and will not
muddy things up by adding any unwanted pumping. PPM mixers are
surprisingly lightweight, but tremendously powerful. You can push the
PPM1012 to its maximum output, distortion free!<br>
<br>
<span style="font-weight: bold;">The Right Tools for the Job</span><br>
Most powered mixers out there have either a limited set of mixing
tools—keeping your mix decidedly average—or they cram in a
mind-boggling amount of lame effects that you would never use. Every
professional carries the right tools for the job, so the PPM1012 comes
with a great-sounding, highly useable toolkit:<br>
<ul><li>Premium Mackie preamplifiers ensure transparent,
low-noise/high-headroom characteristics right at the front of the
mixer. The PPM1012 offers 8 mic/line channels with trusted Mackie
preamplifiers.</li><li>True 48V phantom power allows every condenser mic to perform at its full potential.</li><li>Legendary 3-band active EQ with mid-sweep straight off the
tremendously popular VLZ3 mixer series. Sweetening any channel is a
breeze.</li><li>Individual mono channel inserts allow you to use your favorite
compressor or other outboard processing on a critical instrument or
voice. Don’t leave the lead singer hanging! They are also great direct
outs for recording.</li><li>Dedicated in-line compressors (ch. 1-6) bring simple but sweet dynamics with the single twist of a knob.</li><li>Dual graphic EQs are provided for use with mains and monitors.
These EQs feature tight, constant-Q Filters that effect only the
frequency range you’ve intended, unlike many inexpensive built-in
graphic EQs that will remain nameless.</li><li>Simple stuff like useable main and monitor output metering make a
huge difference in your mix.  Sorry, but 5 LED meters at the output
doesn’t tell you that you’re about to clip.  Our high-resolution
12-segment meters enable more visibility of your signal, and the super
quick response of the meters allows what you see to translate quickly
and easily to what you hear.</li></ul>
<span style="font-weight: bold;">Zoom“Gig Ready” Effects</span><br>
Dual (as in 2) all-new RMFX+ (Running Man FX) effects processors bring
“gig-ready,” useable effects to your mixes.  Why scroll through
hundreds of bizarre effects, like “ghost ambience?” Yeah, like anyone
even knows what that means. Or how about winners like “delay+phaser2,”
which you’ll never use in a million years. Those other mixers will
leave your fingers raw from all the scrolling you have to do. The RMFX+
processor features 24 solid FX that are known for their utility and
usability.  Small, medium and large room reverbs with the choice of a
warm or bright characteristic put your mix in the right space. Simple,
rich choruses and an array of practical delays with common amounts of
repeats enable you to create professional mixes without requiring a
two-hour sound check. Also, the RMFX+ is the first onboard processor to
feature a user tap function.  So if you want to use a delay, but our
preset delay time doesn’t work, you can tap it in instantly! 
Basically, we’ve delivered a full rack of gear at your fingertips that
is easy to master, allowing you to look and sound really good at your
next gig. Really, really good.<br>
<br>
<span style="font-weight: bold;">Absolutely Armored</span><br>
Armored and ready for action, the PPM1012 is encased in solid metal,
protecting it from years of abuse and one too many spilled beers
(seriously, spilled beer makes us sad). The integrated front handle
allows you to easily pick it up and get going, and it is rack-mountable
for added rigidity and security.<br>
<br>
<span style="font-weight: bold;">Matching Made Easy </span><br>
Look, we want to make things as easy for you as possible. Matching
speakers to amps can suck the fun out of an otherwise pleasant trip to
the music store. Keeping that in mind, PPM mixers and Mackie passive
speakers were made for each other.  From our popular C series
(C300/200) to our S series (S200/S400), we designed our mixer to match
the power requirements of our passive speakers perfectly. Try driving a
pair of S225 15” speakers off someone else’s mixer. You can almost
smell the smoke now! Yet this is child’s play using a PPM and a pair of
our S225’s.  We easily provide enough power for a complete system. In
fact, we’ve got the bollocks to drive two of our S215 15” 2-way
speakers off the mains AND a pair of C300s as monitors without needing
outboard amps. Others may try but, ultimately, don’t provide the
necessary power.<br><br>
So if you want a truly professional set of tools for your next gig,
including a Mackie mixer, onboard compressors, Fast Recovery
amplification, twin graphic EQs, and “gig-ready” effects, pair up a
PPM1012 and any Mackie Precision Passive loudspeakers for the ultimate,
portable, professional P.A. system.<br>
<br>
<span style="font-weight: bold;">Features:</span><br>
<ul><li>Full-featured 12-Channel, 1600W Powered Desktop Mixer with 4-segment LEDs and solo PFL on every channel</li><li>800W + 800W Mackie designed Class-D, Fast Recovery™ power amplifiers</li><li>32-bit dual RMFX+™ processor featuring 24 “Gig Ready”, useable reverbs, choruses, and tap delay for live applications</li><li>8 mic/line mono inputs and 2 stereo line inputs for flexible connectivity</li><li>Mackie high-headroom, low-noise mic preamps with RF rejection for pristine signal</li><li>New Dedicated In-line Compression provides increased presence and punch for vocals and instruments</li><li>Mackie’s 3-Band Active channel EQ with a Mid sweep (100Hz-8kHz)
on mono channels & 4-band active EQ on stereo line channels 7 &
8</li><li>2 built-in DI boxes for direct instrument connections on channels 7 & 8</li><li>4 Aux sends—2 FX & 2 Mon</li><li>Dual 9-Band graphic EQ on the Mains and Monitor outputs for tuning rooms and monitor mixes</li><li>Mono output with level control & low pass filter selectable from 75Hz-100Hz</li><li>3-Mode Amplifier for ultra-flexible routing, switchable as Mains Stereo L/R, Mono Mains/Monitor 1, or Mon 1 & Mon 2</li><li>Precision Passive EQ for enhanced clarity and LF response with Mackie passive loudspeakers</li><li>48v Phantom power available for all mic inputs</li><li>Headphone output with level control</li><li>12v BNC lamp Jack</li><li>Built-like-a-tank metal chassis with a handle built into the front of the mixer for easy transport</li><li>Rack ears included</li><li>Lightweight and portable (29lbs/ 13kg)  </li></ul>

Mackie PPM1012
12 Channel 1600W Ultra-Light Powered Mixer

<span style="font-weight: bold;">Undeniable Power!</span><br><br>Zoom Ultra-light and completely self-contained, the <span style="font-weight: bold;">Mackie PPM608</span> Professional Powered Mixer features two ridiculously robust power amps for mains and/or monitors (500W + 500W). With 1000 watts of system power, this mixer provides more raw power than the competition. Things can get pretty intense out there and your gear needs to be able keep up the pace. We custom designed the PPM608 with Class-D amps, which run cool and boast maximum efficiency to keep your sound pumping until they start kicking people out. We had to include Mackie’s proven Fast Recovery circuitry, eliminating the risk of pesky amp latching. The result is a distortion free mix even when pushing peak levels. The built-in limiter can go toe-to-toe with the most popular outboard stereo limiters used in live sound today, protecting your speakers from damage. The limiter’s attack and release times are specifically selected to address full-bandwidth music and will not muddy things up by adding any unwanted pumping. PPM mixers are surprisingly lightweight, but tremendously powerful. You can push the PPM608 to its maximum output, distortion free!<br><br><span style="font-weight: bold;">The Right Tools For The Job</span><br>Most powered mixers out there have either a limited set of mixing tools—keeping your mix decidedly average—or they cram in a mind-boggling amount of lame effects that you would never use. Every professional carries the right tools for the job, so the PPM608 comes with a great-sounding, highly useable toolkit:<br><ul><li>Premium Mackie preamplifiers ensure transparent, low-noise/high-headroom characteristics right at the front of the mixer. The PPM608 offers 8 mic/line channels with trusted Mackie preamplifiers.</li><li>True 48V phantom power allows every condenser mic to perform at its full potential.</li><li>Legendary 3-band active EQ straight off the tremendously popular VLZ3 mixer series. Sweetening any channel is a breeze.</li><li>Individual channel inserts (ch. 1-6) allow compressors and other outboard processing on critical instrument or voice channels. Don’t leave the lead singer Dedicated in-line compressors on channels 1-4 bring simple but sweet dynamics to our PPM mixers.</li><li>Dual graphic EQs are provided for use with mains and monitors. These EQs feature tight, constant-Q Filters that effect only the frequency range you’ve intended, unlike many inexpensive built-in graphic EQs that will remain nameless.</li><li>Simple stuff like useable main and monitor output metering make a huge difference in your mix.  Sorry, but 5 LED meters at the output doesn’t tell you that you’re about to clip. Our high-resolution 12-segment meters enable more visibility of your signal, and the super quick response of the meters allows what you see to translate quickly and easily to what you hear.</li></ul><span style="font-weight: bold;">“Gig Ready” Effects</span><br>The all-new RMFX+ (Running Man FX) 32-bit effects processor brings “gig ready,” useable effects to your mixes.  Why scroll through hundreds of bizarre effects, like “ghost ambience?” Yeah, like anyone even knows what that means. Or how about winners like “delay+phaser2”, which you’ll never use in a million years. Those other mixers will leave your fingers raw from all the scrolling you have to do. The RMFX+ processor features 24 solid FX that are known for their utility and usability.  Small, medium and large room reverbs with the choice of a warm or bright characteristic put your mix in the right space. Simple, rich choruses and an array of practical delays enable you to create professional mixes without requiring a two-hour sound check. Also, the RMFX+ is the first onboard processor to feature a user tap function.  So if you want to use a delay, but our preset delay time doesn’t work, you can tap it in instantly!  Basically, we’ve delivered a full rack of gear at your fingertips that is easy to master, allowing you to look and sound really good at your next gig. Really, really good.<br><br><span style="font-weight: bold;">Absolutely Armored</span><br>The PPM608 is fully armored inside a solid steel chassis, helping to protect the electronics from any potential environmental hazard (Think beer.) Extremely durable polycarbonate ABS end caps will protect the PPM608 from years of abuse caused by tossing it in and out of the truck or falling off the stool at rehearsal.  Each PPM608 features rounded front with recessed controls, so if it rolls on its face in the van or gets kicked over at the show, you can be sure that it will emerge damage-free. Two metal side handles allow you to easily pick it up and get going.  It’s ultra-light so you won’t need both hands!<br><br><span style="font-weight: bold;">Matching Made Easy </span><br>Look, we want to make things as easy for you as possible. Matching speakers to amps can suck the fun out of an otherwise pleasant trip to the music store. Keeping that in mind, PPM mixers and Mackie passive speakers were made for each other. From our popular C series (C300/200) to our S series (S200), we designed our mixer to match the power requirements of our passive speakers perfectly. So if you want a truly professional set of tools for your next gig, including a Mackie mixer, onboard compressors, Fast Recovery amplification, twin graphic EQs, and “gig-ready” effects, pair up a PPM608 and any Mackie Precision Passive loudspeakers for the ultimate, portable, professional P.A. system.<br><br><span style="font-weight: bold;">Features:</span><br><ul><li>Full-featured 8-channel, 1000W, ultra-light Professional Powered Mixer with onboard 32-bit digital RMFX+™ processor</li><li>500W + 500W Mackie designed Class-D, Fast Recovery™ power amplifiers</li><li>32-bit RMFX+™ processor featuring 24 “Gig Ready” reverbs, choruses, and tap delay for live applications</li><li>8 premium Mackie mic preamps with 48V phantom power and TRS inserts (ch 1-6)</li><li>New Dedicated In-line Compression provides increased presence and punch for vocals and instruments</li><li>2 stereo inputs with dual RCA and dual 1/4-inch line inputs for flexible connectivity</li><li>Mackie's 3-band active channel EQ (80hz, 2.5kHz, 12kHz)</li><li>2 built-in DI boxes for direct instrument connections</li><li>Separate Monitor and FX auxiliary sends</li><li>Dual 7-Band graphic EQ on the Mains and Monitor outputs for tuning rooms and monitor mixes</li><li>3-Mode Amplifier for ultra-flexible routing, switchable as Mains Stereo L/R, Mono Mains/Monitor 1, or Mon 1 & Mon 2    </li><li>Precision Passive EQ for enhanced clarity and LF response with Mackie passive loudspeakers</li><li>Rugged metal handles built into the sides of the mixer case for easy transport from gig to gig.</li><li>Built like a tank and armored in poly carbonate ABS, the PPM608 features classic Mackie rounded front chassis design.  So if the PPM rolls on its face during transport the controls are recessed and protected</li><li>Ultra-Lightweight and portable (20lbs/ 9kg) </li></ul>

Mackie PPM608
8 Channel 1000W Ultra-Light Powered Mixer

<span style="font-weight: bold;">Simply Professional</span><br><br>The <span style="font-weight: bold;">Mackie ProFX12</span> is the perfect choice for smaller performing acts, solo performers or for small venues that don’t have the budget or space for a ton of outboard gear. The ProFX12 has everything needed to make your gig sound great and is really easy to operate. Plus, USB I/O lets you record the show or stream music straight from a laptop. The “Pro” in ProFX stands for Pro. Professional tools, rugged build quality, small footprint…everything you need.<br><br>The ProFX12 is loaded with six Mackie high-headroom, low-noise mic preamps, 3-band EQ, a built-in DI for direct connection of a guitar or bass, integrated “Gig-Ready” effects, precision 7-band GEQ and more. The ProFX12 has all the right tools, each and every one designed to sound great. Plus, everything is housed in an ultra-tough enclosure with additional impact-resistant sidecheeks, protecting your investment from the rigors of the road.<br><br><span style="font-weight: bold;">Live Sound Toolbox</span><br>Click for larger view of the EqualizerSmaller performing acts typically play in places that may not have an engineer on hand. In fact, someone from the band might have double-duty as “The Sound Guy” for the group. If you are reading this, chances are that’s you. Let us pander to your obviously higher intellect… you are a professional and you need the tools to get the job done perfectly each and every show. High-headroom mic preamps with great-sounding effects, channel EQ, a built-in DI, plus precision GEQ to tune-up the room or monitor mix. Sounds good, right? The ProFX12 comes with all these features—it is truly the perfect live sound toolbox.<br><br><span style="font-weight: bold;">“Gig-Ready” RMFX™ Effects</span><br>Click for larger view of RMFXThe all-new RMFX™ (Running Man FX) 32-bit effects processor brings “Gig Ready,” useable effects to your mixes.  Why scroll through hundreds of bizarre effects, like “ghost ambience?” Yeah, like anyone even knows what that means. Or how about winners like “delay+phaser2”, which you’ll never use in a million years. Those other mixers will leave your fingers raw from all the scrolling you have to do. The RMFX™ processor features 16 solid FX that are known for their utility and usability.  Small, medium and large room reverbs with a mix of warm and bright characteristics puts your mix in the right space. Simple, rich choruses and an array of practical delays enable you to create professional mixes without requiring a two-hour sound check.  Basically, we’ve delivered the choicest parts of a full rack of gear, right at your fingertips, that is easy to master, allowing you to look and sound really good at your next gig. Really, really good.<br><br><span style="font-weight: bold;">Record and Stream via USB</span><br>With all the right tools for the job, the ProFX12 allows you to create memorable mixes, but even with all those features, portability is paramount and you can’t be burdened with lugging around additional equipment. No worries, integrated USB I/O takes the pain out of recording. Just connect the ProFX12 to a laptop, start up your included copy of Tracktion 3 Music Production Software (or almost any DAW software out there) and you can record the whole mix. You can even stream music from your laptop during breaks. Once you get home, record more tracks or use the ProFX12 to playback some tunes during your next party. Unless you’re anti-social, don’t have the right kind of place for a party or are just sick of buying food and beverages for everyone. In that case, you can play back whatever talk-radio show you listen to when alone.<br><br>Not only that, the innovative “USB Thru” switch allows for an impressive live/recording setup when using performance software like Ableton Live or Reason. When gigging, stream the output of your performance software (or iTunes, for that matter) into the ProFX12. Combine that signal with anything plugged into the mixer, and send the whole thing back to the computer for recording. Archiving your integrated live performances has never been easier!<br><br><span style="font-weight: bold;">Legendary Mackie Durability</span><br>Mackie is known for building mixers that are “Built-Like-A-Tank”, and the ProFX12 is no exception. All of its tender bits are securely encased in a solid steel chassis. No only that, the impact-resistant sidecheeks are made of ultra-tough ABS, adding extra protection where it is most likely to fall…not that you drop things.<br><br><span style="font-weight: bold;">PA Made Painless</span><br>Mackie Active and Mackie Precision Passive LogosSimple is better. A utility mixer like the ProFX12 is an integral part of a ludicrously simple Mackie PA system that sounds great. The only choice is whether to go “active” or “passive” with your loudspeaker setup.<br><br><span style="font-weight: bold;">Active -</span> Just add Mackie SR, SA, SRMv2 Series Active Loudspeakers or SWA Series Active Subwoofers<br><br><span style="font-weight: bold;">Passive -</span> Add a Mackie FR or FRS Series Stereo Power Amplifier and S200 or C Series Precision Passive Loudspeakers<br><br>The legendary quality of Mackie loudspeakers combined with the utility of the ProFX12 is a lethal combination that will suit just about any size venue. Just add enough speakers, and you’re golden.<br><br><span style="font-weight: bold;">Budget Friendly</span><br>Piggy BankThe ProFX Series Compact Effects Mixers strike the perfect balance. They offer all the right tools to get the job done well, sport the popular compact footprint that Mackie is known for, and are also the most budget-friendly of all the Mackie sound reinforcement mixers. Our competition either doesn’t have the expansive feature set of the ProFX Series, or they simply will not survive the test of time. You are investing in your mixer and the ProFX will be there for you at every gig, ready to roll.<br><br><span style="font-weight: bold;">Features:</span><br><ul><li>Professional 12-channel Compact Mixer with onboard effects and USB I/O</li><li>6 low-noise, high-headroom Mackie mic preamps with easy LED metering</li><li>32-bit RMFX™ processor with 16 “Gig-Ready” reverbs, choruses and delays   <br></li><li>Precision 7-band graphic EQ for tuning Mains or Monitors</li><li>USB I/O for recording shows and music playback via Mac or PC</li><li>4 full stereo channels plus extra stereo return for keyboards, external effects or stereo playback devices</li><li>60mm faders for input channels, returns and Main/Monitor masters</li><li>3-band active EQ (80Hz, 2.5kHz and 12kHz) on all channels</li><li>Hi-Z input for direct connection of guitar, bass and other instruments</li><li>Insert, 100Hz low cut filter, and 48V phantom power on all mic channels</li><li>Stereo RCA tape I/O with input level control</li><li>Headphone output with separate rotary level control</li><li>Balanced XLR and balanced/unbalanced ¼-inch Main outputs</li><li>FX mute with remote control via footswitch</li><li>Break switch mutes all channels for music playback between sets</li><li>Built-like-a-tank steel chassis with rugged, yet stylish ABS sidecheeks</li><li>"Planet Earth" switching power supply for worldwide use</li><li>Includes Tracktion 3 Music Production Software for Mac or PC </li></ul>

Mackie PROFX12
12 Channel Compact Effects Mixer

The <span style="font-weight: bold;">Mackie ProFX16</span> is the clear 
solution for any mid-sized venue or band that needs great sound, but 
doesn’t have the budget or space for tons of outboard gear. To lose the 
rack, built-in tools like compression and graphic EQ are crucial. The 
ProFX16 has everything needed to make your gig sound great and is really
 easy to operate. Plus, USB I/O lets you record the show or stream music
 straight from a laptop. The “Pro” in ProFX stands for Pro. Professional
 tools, rugged build quality, space-saving footprint…everything you 
need.<br>
<br>
The ProFX16 is loaded with 10 Mackie low-noise mic preamps, 3-band EQ 
with sweepable mid, integrated “Gig-Ready” effects, precision 7-band GEQ
 and more. It has all the right tools, each and everyone designed to 
sound great. Perfect for portable applications, the ProFX16 is housed in
 an ultra-tough enclosure with impact-resistant side-cheeks. Plus, road 
warriors can simply rack-mount the ProFX16 for additional protection.<br>
<br>
<span style="font-weight: bold;">Live Sound Toolbox</span><br>
Let’s face it. Audio gear is heavy. Getting a fully-loaded rack in and 
out of a van is not only arduous, it downright hurts. And it’s likely 
that you drag around a ton of gear that rarely, if ever, gets used. For 
most gigs, you just want it to sound good, but get done as easily as 
possible. Enter Mackie’s ProFX Series, delivering a live sound toolbox 
that does just that. High-headroom mic preamps, great-sounding effects, 
smooth compression, flexible channel EQ plus precision GEQ to tune-up 
the room or monitor mix. Sounds good, right? Leave that extraneous gear 
at home. The ProFX16 comes with all these features – it is truly the 
perfect live sound toolbox.<br>
<br>
<span style="font-weight: bold;">“Gig-Ready” RMFX™ Effects</span><br>
The all-new RMFX™ (Running Man FX) 32-bit effects processor brings “Gig 
Ready,” useable effects to your mixes.  Why scroll through hundreds of 
bizarre effects, like “ghost ambience?” Yeah, like anyone even knows 
what that means. Or how about winners like “delay+phaser2,” — which 
you’ll never use in a million years. Those other mixers will leave your 
fingers raw from all the scrolling you have to do. The RMFX™ processor 
features 16 solid FX that are known for their utility and usability.  
Small, medium and large room reverbs with a mix of warm and bright 
characteristics puts your mix in the right space. Simple, rich choruses 
and an array of practical delays enable you to create professional mixes
 without requiring a two-hour sound check.  Basically, we’ve delivered 
the choicest parts of a full rack of gear, right at your fingertips, 
that is easy to master, allowing you to look and sound really good at 
your next gig. Really, really good.<br>
<br>
<span style="font-weight: bold;">Smooth, Simple Compression</span><br>
Compressors are a critical tool for both live sound and recording. The 
ProFX16 features four dedicated in-line compressors, delivering simple, 
sweet dynamic control with the single twist of a knob. Use the 
compressors on channels 5-8 for vocals, bass or anything that’s dynamic 
and needs to sit a little better in the mix. Finally, you can stop 
obsessing about the vocal level and riding the fader like it’s going out
 of style.<br>
<br>
<span style="font-weight: bold;">Record and Stream via USB</span><br>
With all the right tools for the job, the ProFX16 allows you to create 
memorable mixes, but even with all those features, portability is 
paramount and you can’t be burdened with lugging around additional 
equipment. No worries, integrated USB I/O takes the pain out of 
recording. Just connect the ProFX16 to a laptop, start up your included 
copy of Tracktion™ 3 Music Production Software (or almost any DAW 
software out there) and you can record the whole mix. You can even 
stream music from your laptop during breaks. Once you get home, record 
more tracks or use the ProFX16 to playback some tunes during your next 
party. Unless you’re anti-social, don’t have the right kind of place for
 a party or are just sick of buying food and beverages for everyone. In 
that case, you can play back whatever talk-radio show you listen to when
 alone.<br>
<br>
And with a push of a button, you can route your USB return through 
channels 15/16, allowing you to apply some EQ or easily integrate 
performance software into the set. Just stream the output of your 
performance software into the ProFX16. Combine that signal with anything
 plugged into the mixer, and send the whole thing back to the computer 
for recording. Archiving your integrated live performances has never 
been easier!<br>
<br>
<span style="font-weight: bold;">Legendary Mackie Durability</span><br>
Built Like a TankMackie is known for building mixers that are 
“Built-Like-A-Tank” and the ProFX16 is no exception. All of its tender 
bits are securely encased in a solid steel chassis. Not only that, the 
impact-resistant side-cheeks are made of ultra-tough ABS, adding extra 
protection where it is most likely to fall…not that you drop things.<br>
<br>
<span style="font-weight: bold;">Budget Friendly</span><br>
The ProFX Series Compact Effects Mixers strike the perfect balance. They
 offer all the right tools to get the job done well, sport the popular 
compact footprint that Mackie is known for, and are also the most 
budget-friendly of all the Mackie sound reinforcement mixers. Our 
competition either doesn’t have the expansive feature set of the ProFX 
Series, or they simply will not survive the test of time. You are 
investing in your mixer and the ProFX will be there for you at every 
gig, ready to roll.

Mackie PROFX16
16 Channel Compact Effects Mixer

<span style="font-weight: bold;">Simply Professional</span><br><br>The <span style="font-weight: bold;">Mackie ProFX8</span> offers a complete and truly professional feature set, perfect for solo performers, small performing acts or any small venue that needs it all, without the hefty price tag. There’s even USB I/O for recording the set. The “Pro” in ProFX stands for Pro. Professional tools, rugged build quality, small footprint…everything you need.<br><br>The ProFX8 is fully stocked, featuring four Mackie high-headroom, low-noise mic preamps, 3-band EQ, a built-in DI for direct connection of a guitar or bass, integrated effects, precision 7-band GEQ and more. All of these great features are housed in a rugged enclosure, in true Mackie “Built-Like-A-Tank” tradition. The ProFX8 has the right set of great-sounding tools to make your gig sound better and run smoother.<br><br><span style="font-weight: bold;">Live Sound Toolbox</span><br>Your job is to make things sound good. Maybe you’re a solo performer playing covers at a Vegas hotel bar. Perhaps you have the honor of being the “engineer” of your band and not only do you play bass, you’re also in control of the mix. No matter what the situation is, you need the tools to get the job done perfectly each and every show. High-headroom mic preamps with great-sounding effects, channel EQ, a built-in DI, plus precision GEQ to tune-up the room or monitor mix. The ProFX8 comes with all these features—it is truly the perfect live sound toolbox.<br><br><span style="font-weight: bold;">“Gig-Ready” RMFX™ Effects</span><br>The all-new RMFX™ (Running Man FX) 32-bit effects processor brings “Gig Ready,” useable effects to your mixes.  Why scroll through hundreds of bizarre effects, like “ghost ambience?” Yeah, like anyone even knows what that means. Or how about winners like “delay+phaser2”, which you’ll never use in a million years. Those other mixers will leave your fingers raw from all the scrolling you have to do. The RMFX™ processor features 16 solid FX that are known for their utility and usability.  Small, medium and large room reverbs with a mix of a warm and bright characteristics puts your mix in the right space. Simple, rich choruses and an array of practical delays enable you to create professional mixes without requiring a two-hour sound check.  Basically, we’ve delivered the choicest parts of a full rack of gear, right at your fingertips, that is easy to master, allowing you to look and sound really good at your next gig. Really, really good.<br><br><span style="font-weight: bold;">Record and Stream via USB</span><br>With all the right tools for the job, the ProFX8 allows you to create memorable mixes, but even with all those features, portability is paramount and you can’t be burdened with lugging around additional equipment. No worries, integrated USB I/O takes the pain out of recording. Just connect the ProFX8 to a laptop, start up your included copy of Tracktion 3 Music Production Software (or almost any DAW software out there) and you can record the whole mix. You can even stream music from your laptop during breaks. Once you get home, record more tracks or use the ProFX8 to playback some tunes during the next BBQ. Unless you’re a vegetarian…not that there’s anything wrong with that.<br><br>The innovative “USB Thru” switch allows for an impressive live/recording setup when using performance software like Ableton Live or Reason. When gigging, stream the output of your performance software (or iTunes, for that matter) into the ProFX8. Combine that signal with anything plugged into the mixer, and send the whole thing back to the computer for recording. Archiving your integrated live performances has never been easier!<br><br><span style="font-weight: bold;">Legendary Mackie Durability</span><br>Mackie is known for building mixers that are “Built-Like-A-Tank” and the ProFX8 is no exception. All of its tender bits are securely encased in a solid steel chassis. No only that, the impact-resistant side pieces are made of ultra-tough ABS, adding extra protection where it is most likely to fall…not that you drop things.<br><br><span style="font-weight: bold;">PA Made Painless</span><br>Mackie Precision Passive and Mackie Active LogosSimple is better. A utility mixer like the ProFX8 is an integral part of a ludicrously simple Mackie PA system that sounds great. The only choice is whether to go “active” or “passive” with your loudspeaker setup.<br><br><span style="font-weight: bold;">Active — </span>Just add Mackie SR, SA, SRM Series Active Loudspeakers or SWA Series Active Subwoofers<br><br><span style="font-weight: bold;">Passive — </span>Add a Mackie FR or FRS Series Stereo Power Amplifier and S200 or C Series Precision Passive Loudspeakers<br><br>The legendary quality of Mackie loudspeakers combined with the utility of the ProFX8 is a lethal combination that will suit just about any size venue. Just add enough speakers, and you’re golden.<br><br><span style="font-weight: bold;">Budget Friendly</span><br>The ProFX Series Compact Effects Mixers strike the perfect balance. They offer all the right tools to get the job done well, sport the popular compact footprint that Mackie is known for and are also the most budget-friendly of all the Mackie sound reinforcement mixers. Our competition either doesn’t have the expansive feature set of the ProFX Series, or they simply will not survive the test of time. You are investing in your mixer and the ProFX will be there for you at every gig, ready to roll.<br><br><span style="font-weight: bold;">Features:</span><br><ul><li>Professional 8-channel Compact Mixer with onboard effects and USB I/O</li><li>4 low-noise, high-headroom Mackie mic preamps with easy LED metering</li><li>32-bit RMFX™ processor with 16 “Gig-Ready” reverbs, choruses and delays</li><li>Precision 7-band graphic EQ for tuning Mains or Monitors</li><li>USB I/O for recording shows and music playback via Mac or PC</li><li>3 full stereo channels plus extra stereo return for keyboards, external effects or stereo playback devices</li><li>60mm faders for input channels, returns and Main/Monitor masters</li><li>3-band active EQ (80Hz, 2.5kHz and 12kHz) on all channels</li><li>Hi-Z input for direct connection of guitar, bass and other instruments    </li><li>Insert, 100Hz low cut filter, and 48V phantom power on all mic channels</li><li>Stereo RCA tape I/O with input level control</li><li>Headphone output with separate rotary level control</li><li>Balanced XLR and balanced/unbalanced ¼-inch Main outputs</li><li>FX mute with remote control via footswitch</li><li>Break switch mutes all channels for music playback between sets</li><li>Built-like-a-tank steel chassis with rugged, yet stylish ABS sidecheeks</li><li>"Planet Earth" switching power supply for worldwide use</li><li>Includes Tracktion 3 Music Production Software for Mac or PC </li></ul>

Mackie PROFX8
8 Channel Compact Effects Mixer

In a “footprint” of less than 2 square feet, the compact, 16-channel <span style="font-weight: bold;">PreSonus StudioLive 16.0.2</span>
 offers 8 mono input channels and 4 stereo channels and provides 12 
XMAX™ Class A solid-state mic preamps. (Well, okay, it actually has 13 
XMAX preamps; the Talkback input has one, too.)<br>
<br>
But don't let its size fool you; the 16.0.2 is jam-packed with features 
and processing power, employs the same workflow and easy-to-use 
mixing-surface design as the bigger StudioLive boards, and sounds every 
bit as good, with the same high-definition, wide-dynamic-range, digital 
converters.<br>
<br>
<span style="font-weight: bold;">Features</span><br>
<ul><li>8 mono mic/line channel inputs, each with:</li><ul><li>High-headroom Class A XMAX™ mic preamplifier</li><li>XLR mic and balanced ¼" line inputs</li><li>60 mm precision fader</li></ul><li>4 stereo line channel inputs, with:</li><ul><li>High-headroom Class A XMAX™ mic preamplifier (Ch. 9, 11, 13, and 15)</li><li>XLR mic inputs (Ch. 9, 11, 13, and 15)</li><li>Balanced ¼" line inputs (Ch. 9-16)</li><li>Unbalanced RCA line inputs (Ch. 13-16)</li><li>60 mm precision fader (4 stereo)</li></ul><li>4 Auxiliary buses (pre/post-fader send)</li><li>2 Internal FX buses</li><li>2 stereo 32-bit digital effects processors with customizable reverb and delay presets</li><li>Fat Channel signal processing on all channels and buses, with:</li><ul><li>3-band semi-parametric EQ (individual band on/off)</li><li>Full-featured compressor</li><li>Standard downward expander</li><li>Limiter</li><li>Phase reverse (12 mic preamplifiers only)</li><li>Pan with dedicated 15-LED display</li><li>Stereo link for input channels and aux buses</li><li>High-pass filter</li></ul><li>One 31-band stereo graphic EQ (on main outputs only)</li><li>16-in/16-out FireWire recording interface (24-bit/44.1 kHz and 48 kHz)</li><ul><li>Compatible with most audio software via ASIO, Windows Audio, Core Audio</li></ul><li>Scene store and recall</li><li>Settings can be copied among channels and buses and saved as user presets.</li><li>Software bundle for Mac® and Windows® includes:</li><ul><li>PreSonus Studio One Artist™ digital audio workstation</li><li>PreSonus Capture™ live-recording software</li><li>PreSonus Universal Control with Virtual StudioLive™ bidirectional mixer-control software</li></ul><li>Lockout mode protects your settings from meddlers and accidents</li><li>MIDI Control Mode provides control over:</li><ul><li>Scene and FX Preset recall</li><li>Main Volume, FXA, and FXB output levels</li><li>FXA and FXB assign/unassign to Mains</li></ul><li>Free StudioLive Remote iPad® wireless-control software available at the Apple App Store</li></ul>
<br>
<span style="font-weight: bold;">PreSonus' first compact mixer with MIDI control from a footpedal.</span><br>
Moreover, a glance at the rear panel reveals that "Junior" offers 
something the two bigger boards don't: MIDI In and Out. You can recall 
Scenes from a DAW using MIDI Program Changes, control the main output 
volume and effects level, and even mute effects between songs—all thanks
 to the magic of MIDI control.<br>
<br style="font-weight: bold;">
<span style="font-weight: bold;">What was then is now: complete store and recall.</span><br>
Two factors work against getting that Perfect Mix with an analog mixer. 
First, the Perfect Mix can be hard to reproduce a week, day, or hour 
after you perfect it. And second, a good mix should be dynamic: levels, 
effects, and EQ should be tailored to each song or segment of the show, 
service, or presentation.<br>
<br>
StudioLive solves this problem by letting you save all of your digital settings for quick setup and recall.

PreSonus StudioLive 16.0.2 On sale through May 31st!
16 Channel Live Performance and Recording Digital Mixer

The <span style="font-weight: bold;">Presonus StudioLive</span> is the most powerful and flexible sixteen-channel digital mixer the world has seen. Loaded with sixteen high headroom XMAX microphone preamplifiers, built-in 22x18 FireWire recording and playback engine, Fat Channel processing with 4-band EQ’s, compressors, limiters and gates, DSP effects, six aux buses, four sub-groups, extensive LED metering, mixer save and recall, channel-strip save/recall/copy/paste, talkback and more, breaking new boundaries for music performance and production.<br><br><span style="font-weight: bold;">Loaded with Racks of Effects</span><br>StudioLive is loaded with everything needed for professional live sound production totaling 22 compressors, 22 limiters, 22 gates, 22 high pass filters, 2 stereo reverb/delay’s, 2 31-band equalizers, 2 master stereo limiters and more, saving you loads of money and trips from the trailer during load in/out. All StudioLive digital effects are created and processed with 32-bit floating point precision for maximum sonic performance and enhanced musicality.<br><br><span style="font-weight: bold;">Best in Both Worlds</span><br>StudioLive seamlessly integrates a professional digital mixer with a complete multi-channel recording system delivering the most creative environment available for both live performance and studio music production. Take your recording studio to the gig, and have your soundman record and even enhance your shows with the power of StudioLive.<br><br>Get creative in the studio. Record with or without Fat Channel or DSP effects processing. Create mixes, loops, sound effects and more, then bring them out to your show and mix them with the live performance. Process channels using your favorite plug-ins, and completely automate your entire show using your favorite music recording and production software. StudioLive completely revolutionizes music production opening endless creative possibilities.<br><br><span style="font-weight: bold;">Powerful and Easy Digital Mixing</span><br>StudioLive features an innovative and intuitive QuickTouch design allowing fast access to every parameter, mix, effect, and aux, allowing quick and creative control during music production. Load and save functions are also included to create snapshots of channel settings, save effect settings, totally recalling a mix, and more. All digital mixing and effects processing is done with 32-bit floating point precision for unmatched musicality.<br><br><span style="font-weight: bold;">Fat Channel (EQ, Compressor, Limiter, Gate, on every channel)</span><br>The heart of StudioLive is the Fat Channel engaged by pressing any Select button, and features extensive equalization and dynamics available to every input channel, every aux output, every subgroup output, and main output. High pass filter, and four-band semi-parametric <br>equalization algorithms are based on PreSonus’ custom-designed digital EyeQ™ equalizer, delivering extremely musical results. Also included in the Fat Channel are compressors, limiters and gates modeled after PreSonus’ award-winning ACP88 for complete dynamics control.<br><br><span style="font-weight: bold;">DSP Effects</span><br>Two programmable 32-bit stereo DSP effects engines are loaded in StudioLive with a wide range of reverbs, delays, and time-based effects with easy to use parameter adjustment, tap tempo, store, recall, and scene selection for ultimate creative flexibility.<br><br><span style="font-weight: bold;">Load and Save Your Settings</span><br>StudioLive allows you to save all of your digital settings for quick setup and recall. Save “scenes” (all settings), channel strips (Fat Channel), and individual DSP effects for ultimate ease, quickness and control.<br><br><span style="font-weight: bold;">Professional Sound Quality</span><br>StudioLive spares no expense when it comes to sound quality. All digital mixing is done with ultra high headroom 32-bit floating point processing for optimal sonic performance. Analog input and output is converted to digital audio with the highest-quality digital converters available delivering dynamic range of +118dB for spectacular sonic results and unmatched musicality.<br><br><span style="font-weight: bold;">Built-in 22X18 FireWire Recording</span><br>StudioLive includes PreSonus’ award-winning FireWire technology with JetPLL™ synchronization delivering 22 channels of recording and 18 channels of simultaneous playback. Each FireWire recording channel can be set to record either pre or post Fat-Channel signal processing giving total flexibility and power. StudioLive can also return 18 FireWire playback channels from your recording and production software for remixing and live performance with pre-recorded tracks, as well as studio mixing using the mixer’s internal signal processing and summing algorithms. StudioLive is compatible with Mac and Windows audio recording and production software including Logic, Nuendo, Cubase, Sonar, Digital Performer, Audition and more.<br><br><span style="font-weight: bold;">Integrated Multi-Track Recording Software—Capture</span><br>StudioLive 16.4.2 also ships complete with Capture multi-track recording software so you can effortlessly record your shows right out of the box. Capture software was designed to interface with StudioLive 16.4.2 perfectly to allow instant setup and recording of performances. With the look and feel of industry standard digital multi-track hard disk recorders, Capture software is instantly familiar to every musician and engineer. StudioLive HDR software gives you full editing capability as well as export to wav file formats for compatibility with ProTools, Cubase, Nuendo, Logic, Sonar and all other recording and music production software. Or you can play back your recorded tracks into StudioLive 16.4.2 via FireWire and mix your tracks with the mixing power and capabilities of StudioLive 16.4.2, then record the final mix back to Capture! Now that’s power!<br><br><span style="font-weight: bold;">Studio One Artist—Plus Gigabytes of Creative Resources</span><br>Now that you have captured your tracks, you probably want to bring them back to your studio for editing and sweetening before doing your final mix. No worries! StudioLive 16.4.2 also comes bundled with Studio One Artist, the amazing new DAW software for Mac OS X and Windows XP and Vista that makes producing high-quality projects easier than ever before. As part of the Studio One Artist package, you get 20 new PreSonus Native Effects plug-ins and virtual instruments and a generous bundle of third-party loops, software, and instrument sounds.<br><br><span style="font-weight: bold;">Compare Studio One Artist and bundled extras to what comes with competing mobile interfaces:</span><br><ul><li>All-meat, no-bloat, music-creation software with an intuitive, practical, single-window interface</li><li>Unlimited tracks, insert effects, sends, virtual instruments, buses, and effects channels</li><li>Powerful drag-and-drop functionality</li><li>Content browser with convenient sort options and preview player</li><li>Full-featured, flexible automation</li><li>Powerful real-time auto/manual time-stretching and resampling engine</li><li>Control Link™ (advanced MIDI mapping made easy)</li><li>Twenty 32-bit Native Sound™ plug-ins, including reverbs, amp modeling, and EQ</li><li>Four new virtual instruments, including a sampler and an analog-type subtractive synth</li><li>Gigabytes of third-party resources, including Native Instruments™ Kore™ Player with custom SoundPack (150 instruments), Native Instruments™ Guitar Rig LE, Toontrack™ EZDrummer Lite, and over 1.4 GB of loops!</li></ul><br><span style="font-weight: bold;">Link Multiple StudioLive's</span><br>Sometimes 16 input channels are not enough. No problem! You can use the StudioLive 16.4.2’s second FireWire port to link two StudioLive 16.4.2 mixers for 32 channels of recording or to combine up to 4 StudioLive mixers for 64 channels in live performance, with sample-accurate synchronization between units. Now, you will never have to worry that your needs will outgrow your StudioLive’s mixing capacity; when you need more channels, just plug in a second StudioLive 16.4.2, turn on its link ID, and your master StudioLive will detect it and merge the buses to the master unit. You don’t even need a computer to cascade multiple units—simply connect them with a FireWire cable—done! You also can daisy-chain one or more FireStudio-series interfaces (such as the FireStudio Tube and FireStudio Project) with a StudioLive to provide additional inputs for recording.<br><br><span style="font-weight: bold;">The Presonus StudioLive Features</span><br><ul><li>6 inputs, 6 auxiliary mixes, 4 subgroups</li><li>16 class A XMAX microphone preamplifiers</li><li>Hi-Definition analog to digital converters (118dB dynamic range)</li><li>Unlimited headroom 32-bit floating point digital mixing and effects processing</li><li>Internal sample frequency 44.1kHz and 48kHz</li><li>22x18 FireWire digital recording interface (24-bit / 44.1kHz and 48kHz)</li><li>Compact 19” rack-mountable rugged steel chassis</li><li>Fat Channel Select</li>
<UL>
<li>High Pass Filter</li>
<li>Compressor</li>
<li>Limiter</li>
<li>Gate</li>
<li>4-band semi parametric EQ</li>
<li>Pan</li>
<li>Load/Save/Copy/Paste</li>
</UL>
<li>2 Master DSP Effects (reverbs, delays, time-based effect, with load/save)</li><li>Load/Save Mixer “Scenes” – all settings including fader levels with LED position matching</li><li>100mm long throw faders</li><li>Military grade quick touch push buttons</li><li>Fast-acting LED meters</li><li>Talkback communication system</li><li>PreSonus Capture integrated live-recording software</li><li>PreSonus Studio One Artist recording and production software</li><li>Mac and Windows compatible</li><li>Direct recording interface compatible with Logic, Nuendo, Cubase, Sonar, Digital Performer and more</li></ul>

PreSonus StudioLive 16.4.2 On sale through May 31st!
16 Channel Live Performance and Recording Digital Mixer

You'll never go back to an old-school analog mixer once you've used 
StudioLive™. With its incredible signal-processing power on every 
channel, easy store and recall of every setting, and the ability to 
record it all with just two mouse clicks, you'll get spoiled fast! 
Easier to use, better sounding, and flawlessly integrated with 
state-of-the-art software, it delivers the most creative environment 
possible for both live performance and studio music production.<br>
<br>
But StudioLive is not simply a mixer, it's a rapidly growing family of 
state-of-the-art, integrated hardware-software mixing and recording 
systems that deliver the features you need for live sound, live 
recording, and studio recording.<br>
<br>
The <span style="font-weight: bold;">PreSonus StudioLive 24.4.2</span> 
is a fine choice for those who want to mix small to medium-sized shows 
and worship services, and it's a great choice for club systems, 
corporate applications, and educational institutions. And it's the 
perfect hardware core for a project studio.<br>
<br>
Here, in one device, are high-headroom XMAX™ microphone preamplifiers, a
 built-in FireWire recording and playback interface, more than 90 signal
 processors, a big library of DSP effects, 10 aux buses, 4 subgroups, 
extensive LED metering, mixer save and recall, channel-strip 
save/recall/copy/paste, talkback, and more. Yet despite its many 
controls and features, it's compact and easy to transport.<br>
<br>
Build live mixes that glisten with clarity and detail—then record and 
enhance the performance with the power of StudioLive 24.4.2. Get 
creative in the studio. Build mixes, loops, sound effects, and more, 
then bring them out to your show and mix them with the live performance.
 Process channels using your favorite plug-ins and completely automate 
your entire performance. StudioLive 24.4.2 revolutionizes music 
production, opening endless creative possibilities.<br>
<br>
<span style="font-weight: bold;">See it. Touch it. Change it: the ease of analog meets the power of digital.</span><br>
When we designed StudioLive, one of our primary goals was to provide a 
familiar interface that would keep all critical controls visible and 
accessible—not buried inside multiple menus.<br>
<br>
Sit down at a StudioLive 24.4.2, and you see real hardware Mute and Solo
 buttons, trim controls, and clearly labeled, individual knobs for the 
parametric EQ and dynamics processing. The master section—complete with 
Talkback, Monitor, Cue, and a choice of headphone sources—looks just 
like the master section on an analog board but with far more power and 
flexibility. Aux sends have their own controls. Every channel has a big,
 bright meter display.<br>
<br>
Bottom line: if you've ever used an analog mixer, you'll be right at 
home with a StudioLive 24.4.2. And even if you've never used a mixer 
before, you'll quickly be able to create quality mixes and recordings.<br>
<br>
<span style="font-weight: bold;">Which StudioLive is Best for You?</span><br>
Your mixing and recording needs aren't necessarily exactly the same as 
everyone else's. That's why we created a StudioLive family of digital 
mixers, starting with the StudioLive 16.4.2 and the StudioLive 24.4.2.<br>
<br>
Why choose the StudioLive 24.4.2 rather than the StudioLive 16.4.2? 
Let's say you want more than 16 channels but want to keep your system 
compact. Perhaps the acts and events you mix require lots of monitor 
mixes, so you need more than the six auxiliary buses in the 16.4.2, and 
you want fully parametric EQ, rather than semi-parametric. You could use
 an enhanced gate with Key Listen and Key Filter features, and a 
Threshold control on the limiter would be handy. A stereo graphic EQ on 
the mains is mandatory but you also want graphic EQ on the subgroups and
 auxes at times—four dual-mono, 31-band graphic EQs would do the job 
nicely. No problem! You get all of these enhancements and more with the 
24-channel, 10-aux, StudioLive 24.4.2.<br>
<br>
<span style="font-weight: bold;">A gigantic console in a small package thanks to the Fat Channel.</span><br>
If StudioLive were an analog console, it would have 4-foot-long channel 
strips packed with knobs and buttons or it would require a massive 
outboard rack of expensive signal processors! That's because each 
channel has its own studio-grade compressor, limiter, gate, 4-band 
parametric equalizer, and high-pass filter. In all, we've packed 43 
compressors, 43 limiters, 43 gates, 24 high-pass filters, and more, into
 one remarkable Fat Channel.<br>
<br>
Engaged by pressing any Select button, the StudioLive 24.4.2's Fat 
Channel features extensive EQ and dynamics for every input channel, 
every aux output (including the two internal FX buses), every subgroup 
output, and the main outputs.<br>
<br>
To let you get the most from all of this processing power without 
descending into menu purgatory, we designed the Fat Channel with clearly
 labeled physical knobs; an ingenious, multi-function, 16-ladder LED 
display; an in-your-face Selected Channel display; and even a separate 
horizontal pan display. It's easy to instantly access any function and 
get clear, visible feedback.<br>
<br>
<span style="font-weight: bold;">Not just effects. Effects you'd expect from a $600 stand-alone processor.</span><br>
You get two programmable, 32-bit, stereo DSP effects engines, loaded 
with 50 reverbs, delays, and time-based effects that you can really use.
 The reverbs are so rich and detailed that you feel like you're there. 
Delays are precise. Slap echo sounds like old-school tape effects. All 
50 effects have easy-to-use parameter adjustment, tap tempo, store, 
recall, and Scene selection for ultimate creative flexibility.<br>
<br>
The StudioLive 24.4.2's 4 dual, 31-band graphic equalizers can be 
applied to the main, subgroup, and aux outputs so you can compensate for
 room acoustics, speaker response, and much more.<br>
<br>
All of these features add up to a lot of settings to remember and reset 
at every performance. That's where the power of digital comes in: 
StudioLive lets you save all of your digital settings for quick setup 
and recall. Save Scenes that include every setting on the mixer or save 
just the Fat Channel settings. Copy-and-paste settings across multiple 
channels. Save individual DSP effects for ultimate ease, speed, and 
control.<br>
<br>
This means that for fixed applications like clubs, churches, and 
auditoriums, you can always count on the same sound and can fine-tune 
Scenes for different songs and call them up instantly. And it lets rank 
amateur volunteers successfully operate the StudioLive 24.4.2.<br>
<br>
We've included a whole library of individual channel settings as 
starting points for optimizing the sound of instruments, vocals, and 
spoken word. An AutoStore feature regularly saves your current settings 
in case the power fails.<br>
<br>
<span style="font-weight: bold;">Recording made easy.</span><br>
If you have a computer with 6-pin FireWire, you have a 26-track digital 
recorder instantly ready to capture your gig, church service, or 
presentation. Just two mouse clicks engages Capture™ recording software.
 Studio One Artist™ digital audio workstation lets you edit and enhance 
to your heart's content.<br>
<br>
StudioLive 24.4.2 features a tightly integrated FireWire interface that 
delivers up to 32 channels of recording and up to 26 channels of 
simultaneous playback. Each FireWire recording channel can be set to 
record either pre- or post-Fat Channel signal processing, delivering 
total flexibility and power.<br>
<br>
Because StudioLive 24.4.2 can so easily return FireWire playback 
channels from your computer, you can pull off nifty tricks. You can 
soundcheck your band and fine-tune the P.A. in a new venue, even when 
the band's not there yet. Or create backing tracks at your studio and 
seamlessly blend them with live performances.<br>
<br>
<span style="font-weight: bold;">Inside, it's pure PreSonus.</span><br>
Ease of use and powerful features only count if the sound quality is 
equally impressive. After all, it really comes down to how good those 
microphone preamps are, how clean the signal path is, and how well the 
algorithms perform.<br>
That's why you should choose a digital mixer made by PreSonus, a company
 already famous for its analog mic preamps, pristine digital interfaces,
 and well-regarded signal processors.<br>
<br>
XMAX™ Class A preamplifiers deliver more headroom, deeper lows, smoother
 highs, and a richer overall sound than the preamps found in competing 
mixers. Ultra-high-headroom, 32-bit floating-point processing is used 
for all digital mixing. All analog inputs and outputs use the highest 
quality digital converters available. Synchronization to your computer 
is stable and robust, thanks to JetPLL™ synchronization technology, 
resulting in great stereo separation and clear, transparent audio.<br>
<br>
<span style="font-weight: bold;">StudioLive expands with your input needs.</span><br>
Need more than 24 channels for mixing live shows and don't need to 
record? Daisy-chain two StudioLive 24.4.2s via their FireWire ports to 
get up to 48 input channels and 8 submix buses. If you need more than 24
 channels for recording, and you don't need a full channel strip for the
 additional inputs, you can daisy-chain a StudioLive 24.4.2 with a 
PreSonus FireStudio Project, FireStudio Tube, or FireStudio Mobile 
interface. It could not be simpler.

PreSonus StudioLive 24.4.2 On sale through May 31st!
24 Channel Live Performance and Recording Digital Mixer

Results 1-20 of 30

1




API Audio Neve Barefoot Sound Shadow Hills Industries Retro Instruments Waves Audio Coles Microphones Endless Analog Clasp		Read what people are saying about Vintage King Audio Sales & Service from around the world. Read them here!		How about recycling your used gear for something different or just a change? When speaking to a sales representative, make sure to indicate that you are interested in trading your gear for a new purchase or please send an email to info@vintageking.com.

SALES		CUSTOMER SERVICE
888.653.1184 ext 3 +1.248.591.9276 ext 3 Sales Hours: M-F 10 to 8 (ET) Sat 12 to 4 (ET) Sun Closed More Information		888.653.1184 ext 2 +1.248.591.9276 ext 2 Customer Service Hours M-F 10 to 6 (ET) Sat Closed Sun Closed More Information

WHY SHOP KING?

Privacy and Security

Satisfaction Guaranteed

Warranty Information

Shipping and Delivery

Lifetime Customer Support

RESOURCES

Frequently Asked Questions

Terms and Conditions

Infrasonic Sound

Article Archives

Tax Exempt Forms

NEWS ROOM

ENTER EMAIL FOR
SPECIAL OFFERS

OUR NETWORKS

CATEGORIES

QUICK LINKS

Producers Corner

Trade Your Gear

Pensado's Place

Facebook Giveaways

OUR NETWORKS