The API 525 is perhaps the most successful solid state feedback compressor in history. It delivers dynamics control behavior unlike VCA "feed forward" compressors so common today. A remarkable multi-function "ceiling" control can increase gain reduction (lower threshold) while simultaneously raising output level to match, so the user can alter dynamics "on the fly" without level changes. This re-issue design has been taken from the original blue prints and spec control drawings from the API archives.
Release times vary with frequency, with high frequency/full bandwidth content released faster than just low frequency for natural envelope tracking. Attack time is fixed, chosen to catch the fastest peaks, without "pumping". Equally useful as a tracking, mixdown or program compressor/limiter, the benefits of the API 525 are most obvious to those who use compression on a regular basis. "Vintage" dynamics control, an easy to use multi-function control set, and a wide range of 500 Series mounting options assure that the 525 will surpass your most critical applications. With the addition of a hard-wire bypass switch, a balanced input, and a pinout that is the same as all the other 500 series modules, the 525 is still, after 25 years—"the sound". Two or more 525s can be linked for multi-channel compression.
The 525 Feedback Compressor/Limiter makes use of the 2510 and 2520 op-amps and therefore exhibits the reliability, long life, and uniformity which are characteristic of API products.Features
Originally released in the 70's, the API 525 is a "feedback" type compressor, such as the 1176 and 660, etc. An input (threshold) control and output (make-up gain) control are provided. An additional "Ceiling" fine tune function modifies threshold and make-up gain for precise changes in compression without changes in output. A compression/limit switch sets ratio at either 2:1 or 20:1. Attack time is as fast as 15u/s. Four auto release modes are offered via two switches, 0.1s, 0.5s, 1.5s, & 2.0s. A De-Ess function inserts an inverse vocal energy curve filter in the detector for effective sibilance/p-pop reduction. The 525 is an identical re-issue of one of the most popular API products ever.
2 Year Warranty (labor) 5 Year Warranty (parts) We double the standard API one year warranty (parts and labor) on this item.
"Anyone who has used the 225L compressor found in API consoles has expressed a longing for the same kind of flexibility and control in the 500 Series for some time" said Larry Droppa, President of API. "We're delighted to now offer the 527 to complement our vintage 525 compressor, which has been many engineers' favorite compressor over the years.
* API is a registered trademark of Automated Processes Inc
Love your 500 Series rack, but can't quite pull off that "high-end" vocal sound you hear in your head? Enter The Brute from Inward Connections. This 500 Series compressor/limiter is a gentle giant, adding substantial warmth and presence to your vocal. It helps bring out a breathy and airy quality while at the same time smoothing out peaks and bringing the vocal up to the front of the mix where it belongs. A monster on vocals but not to be overlooked on guitars, bass, and anywhere else an optical limiter can be of use.
Excels at giving you an up-front vocal soundNo frills here, just results. Send a vocal through The Brute and it'll sound like you've been working for days...or using gear many times more expensive. This optical limiter loves bringing vocals right up front in the mix, while retaining a smoothness and airiness, so you get just the right amount of squeeze. A VU meter is a nice addition for the 500 Series format, added to by a 250Hz highpass filter plus a link switch for when you can't get enough of The Brute.Inward Connections: boutique gear handmade in LAInitially one of LA's best-kept secrets, the word about Inward Connections has been sweeping the globe. After all, when you hear guys like Chris Lord-Alge and Eddie Kramer swearing by a brand, you know to pay attention. Dreamed up and designed by Steve Firlotte, a well-known LA tech, the Inward Connections line offers premium options for the discerning ear, all meticulously handmade in Firlotte's Los Angeles workshop.
Inward Connections The Brute features:
Specifications:
Sometimes a kick in the face is just what you need. That's precisely why the Inward Connections Vogad has been finding a home in drum-centric 500 Series setups. This extremely versatile, punchy VCA compressor/limiter takes advantage of a VF-600 amp block adding mojo and warmth to balance its energetic punch. The Vogad is an all-around excellent channel dynamic, featuring a link switch for use on the drum bus or across the entire mix.
Gives teeth to drum tracks or anything needing punchWhen you're wanting that extra bit of cut, punch, or kick, the Vogad is ready to deliver. It's a monstrous VCA compressor, managing to add oomph without becoming overbearing or wearing you out. The Vogad loves drums, individually or sent as a stereo bus made possible by the Stereo Link Switch. All in all, the Vogad pulls of "modern" while retaining a vintage warmth and vibe you'll love. Don't forget to try it on a synth hook.Inward Connections: boutique gear handmade in LAInitially one of LA's best-kept secrets, the word about Inward Connections has been sweeping the globe. After all, when you hear guys like Chris Lord-Alge and Eddie Kramer swearing by a brand, you know to pay attention. Dreamed up and designed by Steve Firlotte, a well-known LA tech, the Inward Connections line offers premium options for the discerning ear, all meticulously handmade in Firlotte's Los Angeles workshop.Inward Connections Vogad features: