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Summing / Line Mixers

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Summing / Line Mixers

<span style="font-weight: bold;">API 7800 Rack Mounted Master Control Module</span> is the final stage in the line of 7600 Input Modules linked together in a console configuration. The new API 7800 fits into one rack space unit. It includes summing amps for the echo sends, busses and stereo mix bus when linked up with the 7600 input module. The 7800 is available in either a vertical or horizontal configuration, depending on the custom needs of the user.

<p>Complete with external L100 power supply, the 7800 strip is the basis for building a 4 channel, 8 channel or even 16 channel professional sounding API console when used with the 7600.</p>
<p>This allows a studio to design a custom "side-car" console that can be used as extra inputs or as a portable "floating" console that can be moved from control room to control room. It can also be the basis for an extremely high quality 4 or 8+ channel console for remote recording applications, such as classical recordings or broadcast live remotes.</p>
<p>The 7800 includes the master controls for the solo system, including PFL, SIP and level control. There are six 2-track inputs, monitoring of the four sends, and monitoring of the stereo bus. There are XLR outputs for the stereo outputs as well as the speaker amp inputs. All other outputs are on a D-sub, with a DA-88 type pin-out. This is a professional master section that can be used in any application requiring a control room controller.</p>
<p>For engineers/artists that are using a Pro Tools type of product, the 7800M is perfect for use as a control room master without the summing amps and output controls for the sends or busses. It also provides eight 2-track inputs, speaker controls, dim and a stereo output.</p>
<p><b>Features</b></p>
<ul>
<li>Uses API 2520 Op-Amp 
</li><li>Complete API Master Control Room Module 
</li><li>Includes Solo Master, Talk Back, Send Masters, Bus Masters, Stereo Master, and Control Room Master 
</li><li>Links several 7600 Input Modules 
</li><li>Full Featured Control Room Section with 2-Track Monitoring and Large/Small Speaker Control 
</li><li>All Inputs and Outputs on Rear Panel 
</li><li>VU Meter Amplifiers for External Metering 
</li><li>Perfect for Pro-Tools type Work Station Monitoring 
</li><li>Output Clips at +30 dBm</li></ul>

<B>2 Year Warranty (labor) 5 Year Warranty (parts)</B><BR>
We double the standard API one year warranty (parts and labor) on this item.

API 7800 Master Console Control Module
Discrete 4 Buss Console Master Control Module with L100 PSU

API 8200
Discrete 8 Channel Summing Mixer

The popular <span style="font-weight: bold;">API DSM Rack</span> is a 
complete turnkey solution from API.<br>
<br>
NO complicated wiring, NO configuring, and NO guesswork - DSM racks show
 up ready to work, allowing you to produce world class mixing from your 
DAW an hour after you get the package. Unpack, mount and connect the 
harness and you're mixing! It couldn't be easier.<br>
<br>
All DSM systems are complete mixing packages, for summing multi-track 
signals. Available from 24 to 72 channels, all DSM systems include the 
following:<br>
<ul><li>Meter Panel - stereo and aux meters</li><li>7800 - control room master section</li><li>2500 - stereo buss compressor</li><li>8200 - 8 channel summing mixer</li><ul><li>DSM24 - 3 x 8200, 24 channels</li><li>DSM48 - 6 x 8200, 48 channels</li><li>DSM72 - 9 x 8200, 72 channels</li></ul><li>TT patchbay</li><li>424 buss interface box</li><li>Rear panel connections with all harnessing between modules</li><li>19" rack </li></ul>
<br style="font-weight: bold;">
<span style="font-weight: bold;">Introducing the DSM 24, DSM 48, and DSM
 72</span><br>
<ul><li>API's Discrete Technology Rack Format Mixdown and Monitor System</li><li>Get the famous API sound from your Digital Audio Workstation</li><li>Free up processing power while improving the performance and 
quality of mixes by mixing ANALOG</li><li>Available in 24, 48, 72 channel configurations, or to your custom 
requirements</li></ul>
The DSM Rack Systems are made from several channels of the <span style="font-weight: bold;">8200 Aux Mixer</span>, the <span style="font-weight: bold;">2500 Stereo Bus Compressor</span>, the <span style="font-weight: bold;">7800 Master Module</span>, and the <span style="font-weight: bold;">424 Bus Interface</span>. Full tt patch bay 
facilities with rear connector interface panel are provided to allow 
flexibility in processing with external equipment. Metering for all mix 
buses is provided as well as talkback functions.<br>
<br>
The <span style="font-weight: bold;">DSM Monitor Panel</span> lets you 
visually monitor the Stereo bus with the same analog meters used on API 
consoles and LED level indicators for the Aux and track buses.<br>
<br>
The <span style="font-weight: bold;">2500 Bus Compressor</span> is a 
versatile unit which allows adjustment of sonic qualities that can alter
 the punch and tone of the stereo mix. It features ATI's patented 
"Thrust" circuit for a chest hitting, punchy, bottom end. With its dual 
channel design, the 2500 is set up for stereo compression and is 
normalled across the 7800's stereo bus through the DSM patchbay, but can
 be used as two separate units via a single compression setting. It 
boasts a range of parameters that have made it an instant classic.<br>
<br>
The <span style="font-weight: bold;">7800 Master Module</span> includes 
summing amps for the Echo Sends, Track Busses and Stereo Mix Bus. It 
includes the master controls for the Solo system including PFL, SIP and 
level control. There are six 2-Track inputs, monitoring of the four 
Sends, and monitoring of the Stereo Bus. All interfacing of the 7800 has
 been wired through the DSM Rack's Custom Patch bay and Rear access 
Panel. This is a professional Master section that can be used in any 
application requiring a Control Room Controller.<br>
<br>
The <span style="font-weight: bold;">8200 8 Channel Mixer Module</span> 
is the latest rack mount module from API. It provides 8 Inputs in a one 
rack space unit and features a Level control, a Panner and 2 Aux sends 
per channel. Each channel has a Balanced Input and a Balanced Insert 
Point, conveniently switchable on the front panel. The addition of front
 panel Mute and Solo switches make this the perfect mixer for any line 
level application. Perfect with any DAW or "Pro Tools" type digital 
audio recording software system as a high fidelity discrete API mixing 
solution! Plug your DAW direct outputs into the DSM Rack Rear Interface 
panel, and then use the 8200 for panning and static level control. Use 
the recording software of your choice to do your mixing, and let the 
8200 give you the option of bypassing your DAW's digital mix bus.<br>
<br>
An included tt patch bay provides all connections to the external 
equipment and is manufactured by Audio Accessories, the same company we 
use for API Legacy and Vision consoles.<br>
<br>
The <span style="font-weight: bold;">424 Bus Interface</span> lets you 
add external audio sources for summing to the Stereo bus, the Aux send 
buses, or the multi track buses of the 7800 Master Module.

API DSM 24 Channel Rack System
24-Channel Discrete Summing Mixer

The popular <span style="font-weight: bold;">API DSM Rack</span> is a 
complete turnkey solution from API.<br>
<br>
NO complicated wiring, NO configuring, and NO guesswork - DSM racks show
 up ready to work, allowing you to produce world class mixing from your 
DAW an hour after you get the package. Unpack, mount and connect the 
harness and you're mixing! It couldn't be easier.<br>
<br>
All DSM systems are complete mixing packages, for summing multi-track 
signals. Available from 24 to 72 channels, all DSM systems include the 
following:<br>
<ul><li>Meter Panel - stereo and aux meters</li><li>7800 - control room master section</li><li>2500 - stereo buss compressor</li><li>8200 - 8 channel summing mixer</li><ul><li>DSM24 - 3 x 8200, 24 channels</li><li>DSM48 - 6 x 8200, 48 channels</li><li>DSM72 - 9 x 8200, 72 channels</li></ul><li>TT patchbay</li><li>424 buss interface box</li><li>Rear panel connections with all harnessing between modules</li><li>19" rack </li></ul>
<br style="font-weight: bold;">
<span style="font-weight: bold;">Introducing the DSM 24, DSM 48, and DSM
 72</span><br>
<ul><li>API's Discrete Technology Rack Format Mixdown and Monitor System</li><li>Get the famous API sound from your Digital Audio Workstation</li><li>Free up processing power while improving the performance and 
quality of mixes by mixing ANALOG</li><li>Available in 24, 48, 72 channel configurations, or to your custom 
requirements</li></ul>
The DSM Rack Systems are made from several channels of the <span style="font-weight: bold;">8200 Aux Mixer</span>, the <span style="font-weight: bold;">2500 Stereo Bus Compressor</span>, the <span style="font-weight: bold;">7800 Master Module</span>, and the <span style="font-weight: bold;">424 Bus Interface</span>. Full tt patch bay 
facilities with rear connector interface panel are provided to allow 
flexibility in processing with external equipment. Metering for all mix 
buses is provided as well as talkback functions.<br>
<br>
The <span style="font-weight: bold;">DSM Monitor Panel</span> lets you 
visually monitor the Stereo bus with the same analog meters used on API 
consoles and LED level indicators for the Aux and track buses.<br>
<br>
The <span style="font-weight: bold;">2500 Bus Compressor</span> is a 
versatile unit which allows adjustment of sonic qualities that can alter
 the punch and tone of the stereo mix. It features ATI's patented 
"Thrust" circuit for a chest hitting, punchy, bottom end. With its dual 
channel design, the 2500 is set up for stereo compression and is 
normalled across the 7800's stereo bus through the DSM patchbay, but can
 be used as two separate units via a single compression setting. It 
boasts a range of parameters that have made it an instant classic.<br>
<br>
The <span style="font-weight: bold;">7800 Master Module</span> includes 
summing amps for the Echo Sends, Track Busses and Stereo Mix Bus. It 
includes the master controls for the Solo system including PFL, SIP and 
level control. There are six 2-Track inputs, monitoring of the four 
Sends, and monitoring of the Stereo Bus. All interfacing of the 7800 has
 been wired through the DSM Rack's Custom Patch bay and Rear access 
Panel. This is a professional Master section that can be used in any 
application requiring a Control Room Controller.<br>
<br>
The <span style="font-weight: bold;">8200 8 Channel Mixer Module</span> 
is the latest rack mount module from API. It provides 8 Inputs in a one 
rack space unit and features a Level control, a Panner and 2 Aux sends 
per channel. Each channel has a Balanced Input and a Balanced Insert 
Point, conveniently switchable on the front panel. The addition of front
 panel Mute and Solo switches make this the perfect mixer for any line 
level application. Perfect with any DAW or "Pro Tools" type digital 
audio recording software system as a high fidelity discrete API mixing 
solution! Plug your DAW direct outputs into the DSM Rack Rear Interface 
panel, and then use the 8200 for panning and static level control. Use 
the recording software of your choice to do your mixing, and let the 
8200 give you the option of bypassing your DAW's digital mix bus.<br>
<br>
An included tt patch bay provides all connections to the external 
equipment and is manufactured by Audio Accessories, the same company we 
use for API Legacy and Vision consoles.<br>
<br>
The <span style="font-weight: bold;">424 Bus Interface</span> lets you 
add external audio sources for summing to the Stereo bus, the Aux send 
buses, or the multi track buses of the 7800 Master Module.

API DSM 24 Channel Rack System - Unloaded
Unloaded (No 2500, 7800 or 8200's)

The popular <span style="font-weight: bold;">API DSM Rack</span> is a 
complete turnkey solution from API.<br>
<br>
NO complicated wiring, NO configuring, and NO guesswork - DSM racks show
 up ready to work, allowing you to produce world class mixing from your 
DAW an hour after you get the package. Unpack, mount and connect the 
harness and you're mixing! It couldn't be easier.<br>
<br>
All DSM systems are complete mixing packages, for summing multi-track 
signals. Available from 24 to 72 channels, all DSM systems include the 
following:<br>
<ul><li>Meter Panel - stereo and aux meters</li><li>7800 - control room master section</li><li>2500 - stereo buss compressor</li><li>8200 - 8 channel summing mixer</li><ul><li>DSM24 - 3 x 8200, 24 channels</li><li>DSM48 - 6 x 8200, 48 channels</li><li>DSM72 - 9 x 8200, 72 channels</li></ul><li>TT patchbay</li><li>424 buss interface box</li><li>Rear panel connections with all harnessing between modules</li><li>19" rack </li></ul>
<br style="font-weight: bold;">
<span style="font-weight: bold;">Introducing the DSM 24, DSM 48, and DSM
 72</span><br>
<ul><li>API's Discrete Technology Rack Format Mixdown and Monitor System</li><li>Get the famous API sound from your Digital Audio Workstation</li><li>Free up processing power while improving the performance and 
quality of mixes by mixing ANALOG</li><li>Available in 24, 48, 72 channel configurations, or to your custom 
requirements</li></ul>
The DSM Rack Systems are made from several channels of the <span style="font-weight: bold;">8200 Aux Mixer</span>, the <span style="font-weight: bold;">2500 Stereo Bus Compressor</span>, the <span style="font-weight: bold;">7800 Master Module</span>, and the <span style="font-weight: bold;">424 Bus Interface</span>. Full tt patch bay 
facilities with rear connector interface panel are provided to allow 
flexibility in processing with external equipment. Metering for all mix 
buses is provided as well as talkback functions.<br>
<br>
The <span style="font-weight: bold;">DSM Monitor Panel</span> lets you 
visually monitor the Stereo bus with the same analog meters used on API 
consoles and LED level indicators for the Aux and track buses.<br>
<br>
The <span style="font-weight: bold;">2500 Bus Compressor</span> is a 
versatile unit which allows adjustment of sonic qualities that can alter
 the punch and tone of the stereo mix. It features ATI's patented 
"Thrust" circuit for a chest hitting, punchy, bottom end. With its dual 
channel design, the 2500 is set up for stereo compression and is 
normalled across the 7800's stereo bus through the DSM patchbay, but can
 be used as two separate units via a single compression setting. It 
boasts a range of parameters that have made it an instant classic.<br>
<br>
The <span style="font-weight: bold;">7800 Master Module</span> includes 
summing amps for the Echo Sends, Track Busses and Stereo Mix Bus. It 
includes the master controls for the Solo system including PFL, SIP and 
level control. There are six 2-Track inputs, monitoring of the four 
Sends, and monitoring of the Stereo Bus. All interfacing of the 7800 has
 been wired through the DSM Rack's Custom Patch bay and Rear access 
Panel. This is a professional Master section that can be used in any 
application requiring a Control Room Controller.<br>
<br>
The <span style="font-weight: bold;">8200 8 Channel Mixer Module</span> 
is the latest rack mount module from API. It provides 8 Inputs in a one 
rack space unit and features a Level control, a Panner and 2 Aux sends 
per channel. Each channel has a Balanced Input and a Balanced Insert 
Point, conveniently switchable on the front panel. The addition of front
 panel Mute and Solo switches make this the perfect mixer for any line 
level application. Perfect with any DAW or "Pro Tools" type digital 
audio recording software system as a high fidelity discrete API mixing 
solution! Plug your DAW direct outputs into the DSM Rack Rear Interface 
panel, and then use the 8200 for panning and static level control. Use 
the recording software of your choice to do your mixing, and let the 
8200 give you the option of bypassing your DAW's digital mix bus.<br>
<br>
An included tt patch bay provides all connections to the external 
equipment and is manufactured by Audio Accessories, the same company we 
use for API Legacy and Vision consoles.<br>
<br>
The <span style="font-weight: bold;">424 Bus Interface</span> lets you 
add external audio sources for summing to the Stereo bus, the Aux send 
buses, or the multi track buses of the 7800 Master Module.

API DSM 48 Channel Rack System
48-Channel Discrete Summing Mixer

The popular <span style="font-weight: bold;">API DSM Rack</span> is a 
complete turnkey solution from API.<br>
<br>
NO complicated wiring, NO configuring, and NO guesswork - DSM racks show
 up ready to work, allowing you to produce world class mixing from your 
DAW an hour after you get the package. Unpack, mount and connect the 
harness and you're mixing! It couldn't be easier.<br>
<br>
All DSM systems are complete mixing packages, for summing multi-track 
signals. Available from 24 to 72 channels, all DSM systems include the 
following:<br>
<ul><li>Meter Panel - stereo and aux meters</li><li>7800 - control room master section</li><li>2500 - stereo buss compressor</li><li>8200 - 8 channel summing mixer</li><ul><li>DSM24 - 3 x 8200, 24 channels</li><li>DSM48 - 6 x 8200, 48 channels</li><li>DSM72 - 9 x 8200, 72 channels</li></ul><li>TT patchbay</li><li>424 buss interface box</li><li>Rear panel connections with all harnessing between modules</li><li>19" rack </li></ul>
<br style="font-weight: bold;">
<span style="font-weight: bold;">Introducing the DSM 24, DSM 48, and DSM
 72</span><br>
<ul><li>API's Discrete Technology Rack Format Mixdown and Monitor System</li><li>Get the famous API sound from your Digital Audio Workstation</li><li>Free up processing power while improving the performance and 
quality of mixes by mixing ANALOG</li><li>Available in 24, 48, 72 channel configurations, or to your custom 
requirements</li></ul>
The DSM Rack Systems are made from several channels of the <span style="font-weight: bold;">8200 Aux Mixer</span>, the <span style="font-weight: bold;">2500 Stereo Bus Compressor</span>, the <span style="font-weight: bold;">7800 Master Module</span>, and the <span style="font-weight: bold;">424 Bus Interface</span>. Full tt patch bay 
facilities with rear connector interface panel are provided to allow 
flexibility in processing with external equipment. Metering for all mix 
buses is provided as well as talkback functions.<br>
<br>
The <span style="font-weight: bold;">DSM Monitor Panel</span> lets you 
visually monitor the Stereo bus with the same analog meters used on API 
consoles and LED level indicators for the Aux and track buses.<br>
<br>
The <span style="font-weight: bold;">2500 Bus Compressor</span> is a 
versatile unit which allows adjustment of sonic qualities that can alter
 the punch and tone of the stereo mix. It features ATI's patented 
"Thrust" circuit for a chest hitting, punchy, bottom end. With its dual 
channel design, the 2500 is set up for stereo compression and is 
normalled across the 7800's stereo bus through the DSM patchbay, but can
 be used as two separate units via a single compression setting. It 
boasts a range of parameters that have made it an instant classic.<br>
<br>
The <span style="font-weight: bold;">7800 Master Module</span> includes 
summing amps for the Echo Sends, Track Busses and Stereo Mix Bus. It 
includes the master controls for the Solo system including PFL, SIP and 
level control. There are six 2-Track inputs, monitoring of the four 
Sends, and monitoring of the Stereo Bus. All interfacing of the 7800 has
 been wired through the DSM Rack's Custom Patch bay and Rear access 
Panel. This is a professional Master section that can be used in any 
application requiring a Control Room Controller.<br>
<br>
The <span style="font-weight: bold;">8200 8 Channel Mixer Module</span> 
is the latest rack mount module from API. It provides 8 Inputs in a one 
rack space unit and features a Level control, a Panner and 2 Aux sends 
per channel. Each channel has a Balanced Input and a Balanced Insert 
Point, conveniently switchable on the front panel. The addition of front
 panel Mute and Solo switches make this the perfect mixer for any line 
level application. Perfect with any DAW or "Pro Tools" type digital 
audio recording software system as a high fidelity discrete API mixing 
solution! Plug your DAW direct outputs into the DSM Rack Rear Interface 
panel, and then use the 8200 for panning and static level control. Use 
the recording software of your choice to do your mixing, and let the 
8200 give you the option of bypassing your DAW's digital mix bus.<br>
<br>
An included tt patch bay provides all connections to the external 
equipment and is manufactured by Audio Accessories, the same company we 
use for API Legacy and Vision consoles.<br>
<br>
The <span style="font-weight: bold;">424 Bus Interface</span> lets you 
add external audio sources for summing to the Stereo bus, the Aux send 
buses, or the multi track buses of the 7800 Master Module.

API DSM 72 Channel Rack System
72-Channel Discrete Summing Mixer

<span style="font-weight: bold;">Alesis MultiMix 8 Line</span> is an ideal mixer for the stage, studio, boardrooms, conference rooms, health clubs, restaurants, houses of worship, and more. MultiMix 8 Line is also a great fit for any band's live rig, especially for keyboard players and multi-instrumentalists who need to mix or sub-mix multiple sources.<br><br>MultiMix 8 Line features eight stereo channels with a mic/line input on channel one and stereo effects send and return. When a mono signal is present on any input or stereo send, the Left signal is automatically summed to mono for mono or stereo compatibility. Connect two MultiMix 8 Line mixers with inexpensive, common TRS cables, and they share the same mix bus for 16 stereo input channels. There is also an effects bus so you can even share the same reverb, compressor, or other effects chain between two linked mixers.<br><br>Keep an eye your mix with simple, intuitive signal clip and overload LEDs for each input and a five-stage LED level indicator at the main output.<br><br>This generously featured 1RU line mixer is at home or on stage as it is in a machine room, and it's half the price of the competition. Whether you're a professional musician, an audio contractor, or an A/V consultant, MultiMix 8 Line is the tool to get the job done.<br><br><span style="font-weight: bold;">Features</span><br><ul><li>Eight-channel stereo line mixer</li><li>Microphone/line input on channel one</li><li>Stereo effects bus which can be shared between two linked units</li><li>Channel expansion feature for expansion to 16 stereo input channels</li><li>Individual Pan and Effects Send controls on each channel</li><li>Signal clip and overload LEDs on each input channel</li><li>Stereo five-stage LED ladder for output level indication</li><li>Stereo monitor out</li><li>Mono input source compatibility for stereo output</li><li>1RU 19-inch standard equipment rack size</li></ul>

Alesis MultiMix 8 Line
Stereo, 8-channel rack-mountable line mixer with stereo FX buss, linkable for 16-channels with shared FX, 1RU

The <span style="font-weight: bold;">Alesis iMultiMix 9R</span> is a one-of-a-kind, rack-mounted tool for mixing and playback directly from an iPod.  Video output equips the iMultMix 9R for use in nearly any venue as the ideal audio and video playback device.<br><br>This sturdy, compact, all-in-one rack-mounted mixer with integrated iPod player features 5 mic / line inputs with inserts to allow for easy external processing of incoming signals. In addition, two stereo line inputs are included, one of which can be switched between line and iPod playback.<br><br>The iMultiMix 9R also features 2-band per channel EQ, Mic/Line inputs and iPod playback in a single, intuitive package. The iMultiMix 9R can playback music from the iPod and mix your live performances instantly with iPod (Classic and 5th generation) or iPod nano (2nd and 3rd generation). This makes the iMultiMix 9R perfect for using the iPod as a backing track for solo or band performances, while mixing sound sources all in one compact, convenient place.<br><br>The easy-to-read 60mm faders ensure clear indication of audio level every time. For ultra–clean mixing of any performance, including home studios, musicians, small or large venues, and houses of worship, the iMultiMix 9R is an ideal solution.<br><br>iPod, iTunes, and Mac are trademarks of Apple Inc., registered in the U.S. and other countries.

Alesis iMultiMix 9R
9-channel rack-mount mixer for iPod, 3RU

BAE 8CM Eight-Channel Summing Mixer/1073-Style Rack
Eight-channel mixer to house 10-Series mic/line preamp modules such as the famous 1073, 1084, 1023 and 1004 - modules not included

Summing in the analog domain is widely regarded as superior to mixing "in the box." The DSP required to sum individual channels into a stereo pair is prone to clock-based errors and mathematically unrelated signal artifacts, something avoided entirely by mixing down in the analog domain. While issues of channel cross-talk, thermal noise and distortion are problems faced in the analog world, these artifacts are considered more euphonic than those created in the digital domain.<br><br>Introducing the <span style="font-weight: bold;">Black Lion Audio PM8</span> summing mixer. It features 8 channels of transformer-coupled inputs and three separate master outputs: a passive output, a transformerless output, and a transformer coupled output. It has mute, volume and pan capability on each channel, plus a DB25 connection to link a second summing box. Huge 3/4 watt bus resistors provide isolation between channels while minimizing the thermal noise typically found in a small format console bus. Grain oriented silicon steel input and output transformers lend a rich coloration to the sound by adding just a touch of low-order distortion below 250hz. It's like having a vintage console in your studio, but at a fraction of the price. It's exactly what you need to give your mixes that fat body you've been looking for.

Black Lion Audio PM8 Summing Mixer
Eight-channel summing mixer with three separate master outs

Summing in the analog domain is widely regarded as superior to mixing "in the box." The DSP required to sum individual channels into a stereo pair is prone to clock-based errors and mathematically unrelated signal artifacts, something avoided entirely by mixing down in the analog domain. While issues of channel cross-talk, thermal noise and distortion are problems faced in the analog world, these artifacts are considered more euphonic than those created in the digital domain.<br><br>Introducing the <span style="font-weight: bold;">Black Lion Audio PM8</span> summing mixer. It features 8 channels of transformer-coupled inputs and three separate master outputs: a passive output, a transformerless output, and a transformer coupled output. It has mute, volume and pan capability on each channel, plus a DB25 connection to link a second summing box. Huge 3/4 watt bus resistors provide isolation between channels while minimizing the thermal noise typically found in a small format console bus. Grain oriented silicon steel input and output transformers lend a rich coloration to the sound by adding just a touch of low-order distortion below 250hz. It's like having a vintage console in your studio, but at a fraction of the price. It's exactly what you need to give your mixes that fat body you've been looking for.

Black Lion Audio PM8 Summing Mixer (Demo Deal)
Eight-channel summing mixer with three separate master outs

Chandler Mini Module Frame
Mini Module Frame

The <span style="font-weight: bold;">Chandler Limited Mini Mixer</span> is the culmination of Chandlers experience working with many types of vintage, discrete circuits. The Mini Rack Mixer traces its lineage back to several types of these amplifiers developed in the 60's and 70's that have been Chandlerized for modern usage. Each Channel of the 16x2 Mixer is transformer balanced and driven by the New Chandler Line Amp, which borrows from Chandlers other products but has been redesigned for use in this mixer. The Mini Mixer is jam packed with discrete amps and classic sound, 20 discrete amplifiers and 22 custom wound transformers in the unit, and delivering all the punch and tone you need for todays digital environment. In addition to the mixer section, the unit has a full featured Control Room section including Talkback, Speaker switching, Mute, Mono, Dim, External input (also used as an insert point), and separate Control Room and Stereo Buss outs.<b> </b><br>
<p><b>Read what others are saying:</b></p>
<p>"My first impression was that the difference that the Mini Rack Mixer makes is bigger than the difference mastering makes... The Chandler Mini Rack Mixer will inevitably get compared to all the new summing boxes, but because of its 100% discrete design, Class-A line amps, transformer balanced I/O-and resulting sound quality-it has no real competition short of a vintage Neve console."<br><b>Mike Caffrey, Tape Op #49 Sept/Oct 2005<br><br><br></b>"We weren't necessarily in the market for another mixer, but we've learned that it's definitely worthwhile to check out anything Chandler is coming out with! It's such a well thought out and designed unit and like everything Chandler makes, it sounds awesome. It seems everything sounds better when run through the Chandler line amps! It's incredibly versatile and useful as a sidecar, line mixer or summing device plus it's great to have as the control section for a Pro Tools room."<br><b>- Billy Bush, engineer for Garbage and Butch Vig<br><br></b>"...gotta say it does sound amazing. It is a beautiful piece of gear........and made a huge difference as soon as I was able to split out multiple tracks and recombine thru a proper stereo buss....it sounded warm and really fat...it made my speakers come alive! my mix sounded clearer and the vocal had especially nice detail...........Also, it's very easy to use...."<br><b>- Joe Barresi<br><br></b>I am absolutely stunned by your mixer. It may be sacrilegious to say, but the Chandler has become my preferred choice in virtually every instance that I have would normally desired a vintage Neve console (in fact, I ditched the one I previously had). This makes absolutely no sense to me, hence I would suggest that you have made some sort of pact with Satan to fabricate such a thing. Heaven help you, but thanks all the same for creating such a remarkable recording device.<br><b>- Michael Beinhorn<br></b></p>

Chandler Mini Rack Mixer
Chandler Mini Mixer

Chandler Mini Rack Mixer (16 Channel expander)
Mini Rack Mixer w/o master section

Digital Audio Workstations have taken over the world of recording and there is no going back. While we all embrace the wonderful benefits of the computer-based workflow, we also have to deal with the issues and limitations of digital recording and mixing. <BR><BR>The <B>Dangerous 2-Bus</B> analog summing mixer was created to bring back the analog sound quality you’ve been craving in your digital audio environment, while maintaining the fast workflow and recall capabilities we all depend on. 16 channels in, 2 channels out, one great sounding mix. <BR>
<UL>
<LI>The Choice of Top Mix Engineers Worldwide 
<LI>Incredible Imaging 
<LI>More Punch and Detail 
<LI>Unbelievable Headroom 
<LI>Integrate Your Analog Gear into the modern DAW studio </LI></UL>
The Dangerous 2-Bus is a 16X2 summing device designed to help DAW users achieve better mix performance through the use of cutting-edge analog audio circuit design. As engineers and musicians, the Dangerous Music team has noted that the resulting mix from DAW systems doesn’t equal those of high-end analog recording consoles. The solution is the 2-Bus’s pristine audio path - delivering nuance, depth and clarity to your mix without any added coloration or distortion. <BR><BR>The Dangerous Music 2-Busallows the full potential of your digital audio workstation to be realized - audibly, in terms of sound quality, spatial detail and headroom as well as ergonomically in terms of outboard analog equipment integration. The transparent sound allows you to enjoy the true colors of your chosen outboard gear without clouding the issue. <BR><BR>Assembled by hand using the highest quality components and a no-compromise attitude, the Dangerous 2-Bus sums 16 channels of audio to a stereo pair in a tried and true analog environment, delivering sound quality you would expect from a full-scale large format analog console, but from a compact 2RU device that was specifically designed for the modern studio. <BR>
<UL>
<LI>Superb Sonic Performance 
<LI>Mastering Quality Signal Path 
<LI>Stepped Attenuator output control 
<LI>Fully Linkable with 2-BUS, 2-BUS LT and MIXERDAW studio</LI></UL>
<B>Specifications</B> <BR>
<UL>
<LI><B>Frequency Response:</B> 1 Hz-100 kHz within 0.1 dB  
<LI><B>Total Harmonic Distortion:</B><UL> <LI>0.0045% +4 dBu input level<LI>0.0008% +22 dBu input level </UL>

<LI><B>Intermodulation Distortion:</B><UL><LI>0.0055% +4 dBu input level<LI>0.0015% +22 dBu input level </UL>
<LI><B>Crosstalk:</B> > 101 dBu 
<LI><B>Noise floor:</B> <-83 dBu total energy in audio band 
<LI><B>Max level:</B> +28 dBu 
<LI><B>Nominal operating level:</B> +4 dBu (1.228 volts) 
<LI><B>Input impedance:</B> 25kohm balanced 
<LI><B>Output impedance:</B> 50 ohms balanced (600 ohm drive capable) 
<LI><B>Gain accuracy:</B> >0.02 dB @ 1 kHz for any gain setting 
<LI><B>Power consumption:</B> 30 watts 
<LI><B>Warranty:</B> 2 years parts and labor, subject to inspection. Does not include damage incurred through abusive operation or modifications/attempted repair by unauthorized technicians. </LI></UL>

Dangerous Music 2-Bus
16x2 Analog Summing Mixer

We all know what incredible tools Digital Audio Workstations are. But 
have you ever noticed that some of the finer points of your music get 
lost in the final step? So have we. When you mix digitally in your PC, 
you can lose information and sound quality. <br><br>That's why we created the <b>Dangerous 2-BUS LT</b>:
 the analog summing mixer designed specifically for the digital audio 
environment. 16 channels in, 2 channels out -- one great sounding mix. 
<ul><li>Analog summing for under $1500 
</li><li>Fully linkable with 2-BUS and 2-BUS LT 
</li><li>Cost-effective alternative to the Dangerous 2-BUS </li></ul>The
 2-BUS LT is a 16x2 summing amplifier designed to help users of digital 
audio workstations (DAW's) better mix performance through the use of the
 existing equipment in their studios. As engineers and musicians, the 
Dangerous team and their colleagues have noted that while digital audio 
workstations offer unprecedented flexibility in multitrack recording and
 editing, the resulting mix from these systems generally doesn't equal 
those of high-end analog recording consoles in terms of sound quality 
and preservation of spatial detail. <br><br>The Essential Tool for Serious Digital Audio Mixing 
<ul><li>It Will Change the Way you Mix 
</li><li>Incredible Imaging 
</li><li>More Punch and Detail 
</li><li>For Pro and Project Studios 
</li><li>Integrate your analog gear into the studio of the future </li></ul>Dangerous
 Music's 2-BUS LT allows the full potential of your digital audio 
workstation to be realized -- audibly. It sums 16 channels of audio to a
 stereo pair in a high quality analog environment while occupying only 
one rack space. Available in our standard finish, or flying the 
DigiDesign(r) colors, shown here. <br><br>The 2-BUS LT delivers quality 
you would expect from a full-scale analog console, but from a compact 
unit that was specifically designed for the home, project, and 
professional digital studio. <br><br style="font-weight: bold;"><span style="font-weight: bold;">Specifications 
</span><ul><li>Frequency Response: 1 Hz-100 kHz within 0.3 dB 
</li><li>Total Harmonic Distortion: 0.006% in audio band 
</li><li>Intermodulation Distortion: 0.007% IMD60 4:1 
</li><li>Crosstalk @ 1 kHz: -97 dB 
</li><li>Noise floor: -81 dBu total energy in audio band 
</li><li>Max level: +27 dBu 
</li><li>Nominal operating level: +4 dBu 
</li><li>Input impedance: 25 kohm balanced 
</li><li>Output impedance: 50 ohms balanced (600 ohm drive capable) 
</li><li>Gain accuracy: +/- .25 dB 
</li><li>Power consumption: 25 watts 
</li><li>Warranty: 2 years parts and labor, subject to inspection. Does 
not include damage incurred through abusive operation or 
modifications/attempted repair by unauthorized technicians. </li></ul>

Dangerous Music 2-Bus LT
16x2 Analog Summing Mixer

The <B>Dangerous D-Box</B> is perfect for the modern workflow and compact environment of the mobile and small-footprint DAW studio setup 
<UL>
<LI>Analog Summing 
<LI>Monitor Control 
<LI>On-board D/A conversion 
<LI>Talkback 
<LI>Headphone Cue 
<LI>Simultaneous Input Monitoring </LI></UL>More and more records are being tracked and mixed in remote or temporary locations with mobile DAW rigs. Control room setups can be tight. A reliable and flexible audio environment is a must. No need to sacrifice mix quality or struggle with monitor control! For integrated monitoring, mixing, and input selection for the computer musician on the go, the Dangerous D-Box is the uncompromising and affordable solution for all DAW-based musicians and engineers who need to trust what they hear. 
<UL>
<LI>Unmatched Analog Summing Section 
<LI>Superb Onboard D/A Converter 
<LI>2 Speaker Outputs 
<LI>Affordable for all DAW studio owners </LI></UL><B>Summing Section:</B> 
<UL>
<LI>8 input dedicated fixed-gain analog summing buss 
<LI>Master output trim with 10 dB range 
<LI>Inputs 7-8 with pan control 
<LI>Signal present indicators for all inputs </LI></UL><B>Monitor Section:</B> 
<UL>
<LI>Analog and digital capable input selector designed specifically to facilitate the analog summing workflow 
<LI>Programmable exclusive/additive function- listen to selected inputs individually or combined 
<LI>High-quality onboard D/A conversion 2 digital inputs - AES or PDIF 32kHZ - 100kHz sample rate 
<LI>Auxiliary stereo analog input- +4 dBU or - 10 dBV programmable 
<LI>2 sets of speaker outputs 
<LI>Mono function </LI></UL><B>Cue/Talkback Section:</B> 
<UL>
<LI>Built-in talkback microphone with "momentoggle" switching 
<LI>2 headphone outputs with independent level controls 
<LI>Auxiliary talkback switch input</LI></UL>

Dangerous Music D-Box
Combination Summing and Monitoring System

The <span style="font-weight: bold;">Great River MixMaster 20</span> is a comprehensive analog centerpiece for your DAW based recording system. Tracking, editing, and mixing are all facilitated with this unit.<br><br>The MixMaster 20 includes four transformer coupled high gain low noise microphone preamplifiers that work with any type of microphone, ribbon, dynamic or condenser. Polarity and phantom power switching is provided on the front panel.<br> <br>Line and instrument duties are handled by transformer coupled input bridging amplifiers with wide gain ranges, suitable for anything from keyboards to tape machines.<br> <br>Each of the four input channels has a balanced insert point as well as four auxiliary output mix sends. Each channel may also be fed to the main stereo mix bus.<br> <br>Mixing duties are handled by the four input channels plus the 16 transformer-less line input channels. Each of these channels has fully controllable level and pan settings to the stereo mix bus. Mix settings can be stored and recalled via the USB port and a GUI compatible with most digital recording programs is in development to make the MixMaster 20 an automated analog mixer.<br> <br>The mixing is done passively, with the summing gain provided by transformer coupled mixing amplifiers. The balanced output of this stage is available as a patch point for the insertion of compressors, equalizers or other signal processing equipment. The return is also transformer balanced and feeds the Penny & Giles stereo fader and output line amplifier, also transformer coupled.<br> <br>Control room monitoring functions are also provided. These include a versatile solo system, multiple speaker system selector and level control, mix replay monitoring and talkback. Talkback feeds the cut outputs and dims the main monitoring system to aid communications and minimize feedback.

Great River MixMaster 20
Rackmount mixer

The <span style="font-weight: bold;">Great River MixMaster 20</span> is a comprehensive analog centerpiece for your DAW based recording system. Tracking, editing, and mixing are all facilitated with this unit.<br><br>The MixMaster 20 includes four transformer coupled high gain low noise microphone preamplifiers that work with any type of microphone, ribbon, dynamic or condenser. Polarity and phantom power switching is provided on the front panel.<br> <br>Line and instrument duties are handled by transformer coupled input bridging amplifiers with wide gain ranges, suitable for anything from keyboards to tape machines.<br> <br>Each of the four input channels has a balanced insert point as well as four auxiliary output mix sends. Each channel may also be fed to the main stereo mix bus.<br> <br>Mixing duties are handled by the four input channels plus the 16 transformer-less line input channels. Each of these channels has fully controllable level and pan settings to the stereo mix bus. Mix settings can be stored and recalled via the USB port and a GUI compatible with most digital recording programs is in development to make the MixMaster 20 an automated analog mixer.<br> <br>The mixing is done passively, with the summing gain provided by transformer coupled mixing amplifiers. The balanced output of this stage is available as a patch point for the insertion of compressors, equalizers or other signal processing equipment. The return is also transformer balanced and feeds the Penny & Giles stereo fader and output line amplifier, also transformer coupled.<br> <br>Control room monitoring functions are also provided. These include a versatile solo system, multiple speaker system selector and level control, mix replay monitoring and talkback. Talkback feeds the cut outputs and dims the main monitoring system to aid communications and minimize feedback.

Great River MixMaster 20 (Demo Deal)
Rackmount mixer

Old-school analog crustaceans that we are, we at InnerTube recognize the productivity that digital audio workstations (like Digidesign Pro Tools and others) has made possible. Running the outputs through a high-quality mixing console has become a favorite best-of-both worlds solution for those who want digital flexibility and analog sound quality. But what if you don't have a large-format console, or prefer to mix "inside the box"? Well, we thought up the Sumthang just for you. 
<P>It sums eight line-level (+4) inputs into two outputs, using a top-secret vacuum tube circuit for sound quality that we think mops the floor with any other "analog" summing box on the market today. Ins and outs are transformer-balanced. Units can be cascaded together to bring as many analog outs as your DAW has into the stereo outs of your main Sumthang unit, and we've been kicking around plans for a 16-channel dedicated expander. An oversized output volume knob and super-accurate VU meters let you tweak the signal to the liking of your two-track recording or monitoring system, and even better, they look important. 
<P>More features and tech specs are coming soon. Keep checking this space or contact us, but be warned: this thing sounds so armed and dangerous that the Department of Homeland Security may notice if you click here too often!

InnerTUBE Audio Sumthang Includes Slate Digital Virtual Console Collection - Free!
8 into 2 Stereo Combining Amplifier
Offer valid from 4/23/12 through 6/30/12

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