Find out why the MicroMain27 is the most sought after speaker in pro audio. Call Vintage King and demo today! The Barefoot Sound MicroMain27 is a groundbreaking new monitor that is in a class all its own. It is quickly becoming the premier choice for top mixing and mastering engineers. The speaker is designed to address the demands of modern recording. It breaks down the barriers between nearfield, mastering and main monitors. No need to have multiple pairs of speakers crowding your studio; no need to guess what the mastering engineer is going to hear. The MM27 is compact and powerful, truly a "nearfield on steroids." While exceptionally neutral and designed for critical listening, the MM27 is still very capable of rocking the house. It redefines the definition of a main monitor -- a "Micro Mainª" monitor. The only monitor you may ever need. 1" soft dome tweeter, dual 5" midbass drivers and dual 10" subs housed in compact sealed enclosures yield high linearity and outstanding impulse response. With 500 Watts of power in the subwoofer channel alone, the dual 10" drivers cross over seamlessly from the midbass, reaching down to 33Hz and rolling off at 1/4 the rate of ported designs to reveal much more deep bass information. Since the sub motor structures are locked together the opposing forces cancel out and the cabinet remains rock steady even at very high output levels. There is no need for bass management in 5.1 systems because the MicroMain27 is truly a full-range monitor. The speaker can be placed either vertically or horizontally using the included pedestal (9" L x 13/8" W x 21/4 H). Hand Crafted in San Francisco, California
*Note* The MM27 will have no problem operating at 100VAC in the 115VAC setting.
The Focal CMS 65 is the reference of the CMS line. On its introduction at AES in San Francisco 2008, it immediately received the Excellence Award from the magazine Pro Audio Review due to its amazing size/price/performance ratio. Its extended response at 45Hz (-3dB) allows an installation without a subwoofer. Treble definition, midrange transparency and control of the midbass and bass registers are all key points of the CMS 65. The outstanding stability of the tonal balance, even at very high sound level, ensures very high quality when mastering. Exclusive Acoustical Technologies
Two-way bi-amplified near field professional monitoring systems Neutral, dynamic and detailed sound for optimum reproduction Deep, large and precise soundstage Numerous settings and fixing accessories for acoustic and aesthetic integration without compromise Acoustically treated aluminum box offering perfect sound transparency Compact systems combining easy installation and irreproachable sound quality Made in France Focal CMS Series Features Focal aluminum/magnesium inverted dome tweeter: deep, detailed and large soundstage Focal woofer with Polyglass cone: neutral and dynamic sound Rubber decoupling table stand supplied for vertical and horizontal use Two adjustable, front spikes supplied for soundstage height control Front large laminar port permitting on-wall installation without acoustic deterioration Compatible with numerous K&M® and Omnimount fixing kits Removable grilles on woofers and tweeters Specifications Frequency response (+/-3dB) - 45Hz - 28kHz Maximum SPL - 112dB SPL (peak @ 1m) Input: Balanced 20kOhms / Unbalanced 47 kOhms Connector XLR / RCA HF amplifier stage - 60W RMS, class AB LF amplifier stage - 100W RMS, class AB Electric supply: Mains voltage: 220-230V (1.6A fuse rating) 120V (3.15A fuse rating) 100V (4A fuse rating) IEC inlet and detachable power cord Adjustment: Adjustable sensitivity, +4dBu / 0 / -10dBV Adjustable volume, -66dB / 0dB Adjustable high-pass filter, idle / 45 / 60 / 90Hz (12dB/oct.) Adjustable LF Shelving, 0 / -4 / -2 / +2dB Adjustable HF Shelving, 0 / -4 / -2 / +2dB Parametric filter (160Hz), adjustable, 0 / -2 / -4 / -6dB Power ON/OFF switch, mains voltage selector STANDBY/ON switch Indicators: Power ON / OFF LED Standby / ON LED Audio Clip LED Woofer - 6.5" Focal drive unit, Polyglass cone Tweeter - Aluminum/Magnesium inverted dome Focal tweeter Shielding - Integral by cancellation magnet Construction - Reinforced and damped Aluminum cabinet Finish - Black powder coating Dimensions with spikes - 358.5 x 241 x 231mm - (14.1" x 9.5" x 9.1") Dimensions with table stand - 368.5 x 241 x 231mm - (14.5" x 9.5" x 9.1")
The Genelec 8260A 3-way DSP
system is a masterpiece in electro-acoustic design which features major
advances in audio driver technology integrated to a sophisticated
enclosure design.
Genelec MDC™ Minimum Diffraction Coaxial Mid/High driver technology
takes a big step in perfecting audio quality in professional active
studio monitors. This breakthrough in coaxial driver design provides
more accurate imaging and improved sound quality both on the acoustical
axis as well as off-axis. The extremely smooth frequency response leads
to outstanding clarity and definition of the inner details of the music.
The 8260A combines, for the first time, a coaxial driver (MDC™) with a
modern waveguide technology (DCW™), ensuring drivers to couple
coherently over their full operating bandwidth, as well as creating
coincident mid-frequency/high frequency point source.
As a new member of the TEC Award-winning 8200 Series, the 8260A features
Genelec DSP signal processing responsible for all loudspeaker
functions, such as the crossover filters, driver equalizers, driver
position alignment, room response alignment, calibration, and
equalization related filters as well as distance compensating delays.
The Genelec Loudspeaker Manager™ (GLM™) software manages all these
functions allowing the 8260A to be used together with other 8200 Series
DSP monitors and 7200 Series subwoofers in the same setup. Genelec
AutoCal™ automated room calibration and sound system alignment method
provides consistent and accurate frequency response for a multichannel
audio system in widely varying room environments.
The 8260A is housed in a die-cast aluminum Minimum Diffraction
Enclosure™ (MDE™) with acoustically optimized rounded edges to prevent
diffractions and yielding superb sound stage imaging. The robust
enclosure is also completely immune to vibrations. Each 8260A also comes
with an Iso-Pod™ (Isolation Positioner/Decoupler™) which eliminates
coloration of the sound by decoupling the monitor from its mounting
surface. For ideal mounting in differing environments, the 8260A
includes integrated rear support points for various floor and wall
stands.
The ProAc Studio 100 is consistently selected by top recording engineers for near-field monitoring in major studios - ample testimony to its overall sound quality and neutrality at monitor reference levels.
Few compact loudspeakers offer such a clean uncolored performance and remarkable transparency. With virtually flat frequency response and negligible distortion, the Studio 100 is one of the most accomplished compact performers on the market today.
The bass unit is unique. Manufactured exclusively for ProAc, it has a particularly linear motor assembly, superb magnet and chassis construction and a special center pole plug. When precisely tuned in the cabinet, this driver gives an incredibly natural bass quality and definition, combined with generous power handling.
The tweeter is a featherlight one-inch soft dome unit, once again specially manufactured for ProAc. Made from a new impregnated fabric, the dome itself is exceptionally light in construction giving the Studio 100 a distinctively uncolored and transparent high frequency.
The high quality crossover network marries the two drive units seamlessly giving a spacious sound stage with almost tangible imagery. Only the finest components are used and the speaker is wired throughout with our own high-quality multi-strand wire. The cabinet itself is made from a composite material with walls of differing thicknesses and a new and more efficient heavy damping material ensures that the cabinets are practically inert.
Although the Studio 100 can be shelf-mounted, high mass stands with good rigidity are preferable for optimum results. The full potential of these thoroughbred designs will only be realised through the use of the highest quality partnering equipment.
Specifications
Nominal Impedance: 8 ohms Recommended Amplifiers: 30 to 150 watts Frequency Response: 35hz to 30Khz Sensitivity: 88db linear for 1 watt at 1 meter Bass/Midrange Driver: 6 1/2" treated cone with special center pole plug. Tweeter: 1" (25mm) soft fabric dome with ferrofluid and rear loading. Mirror image offset. Crossover: Finest components on dedicated circuit board. Multi-strand oxygen-free copper cable throughout. Split for optional bi-wiring and bi-amping. Dimensions: 16" (406mm) high x 8" (203mm) wide x 10" (254mm) deep Weight: 24 lbs (11kg) /cabinet Mode: Stand-mounted Grille: Acoustically transparent crimplene Finish: Available in the following real wood veneers: Black Ash, Mahogany. ProAc Studio 100 Users
Bose Automotive Group Jack White Rich Costey John O'Mahony Brendan Benson Michael Marquart Peter Frampton University of Michigan Michael A Sapone Bob Ludwig (Gateway Mastering) Greg Calbi (Sterling Sound) Tony Maserati Rick Rubin Joe Gastwirt 311 Neil Diamond John Scofield Bill Frisell David Sanborn Genesis/The Farm Jean Marie Horvat Kevin Killen Michael Brauer Ron Saint Germain Husky Huskolds Troy Germano Studios Ryan Hewitt Craig Street Bob Ezrin Mike Campbell EastWest Studios Blackbird Studios Ryan Freeland Richard Dodd Ben Fowler Neil Dorfsman Metallica Red Hot Chili Peppers Avatar Right Track Looking Glass Bear Tracks Hit Factory Miami Chung King Village Recorder