Top 5 Monitors Feature

API Audio
Neve
Barefoot Sound
Shadow Hills Industries
Retro Instruments
Waves Audio
Coles Microphones
Endless Analog Clasp

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The predecessor to the Adam A7X, the A7, became the most famous of all ADAM monitors in a very short time. Not only has it been reviewed over three dozen times with outstanding results, it has also received numerous awards. The A7 quickly gained mass appeal, praised in many of the world’s largest internet forums. Still today, the A7 are the reference monitors in many smaller studios. With the A7X, ADAM Audio proudly presents the evolution of a legend. It takes everything that made the A7 such an outstanding speaker to a new level. Driver technology The first aspect that distiguishes the old from the new model is the X-ART tweeter. The ‘X’ stands for ‘eXtended frequency response’ and thus for one of the features of the Accelerating Ribbon Technology that has been drastically improved: the frequency response. It now extends all the way up to 50kHz. In addition, the X-ART tweeter has a higher efficiency and higher maximum sound pressure levels. The perfect integration with the lower frequencies has been achieved with a newly designed 7” midwoofer. It has been redesigned with a much bigger voice coil (1.5”) and is driven by an amplifier with twice the power compared to its predecessor. This combination produces an amazing sound and pressure levels with an almost distortion-free musical reproduction. Amplifiers / controls Each driver has its own dedicated amplifier. A 50W A/B amp is responsible for the X-ART tweeter, while the midwoofer is being driven by a 100W PWM amp. The front panel includes a power switch and a control for the volume that retains the volume setting independently from the on/off switch. On the rear panel are several additional controls: a gain for the high frequencies (± 4dB) and two shelf filters for high and low frequencies. To ensure greater compatibility, there are both XLR (balanced) and RCA (unbalanced) connectors.

Adam Audio A7X - Single
Nearfield Monitor, 2-way, 7" woofer

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Find out why the MicroMain27 is the most sought after speaker in pro audio. Call Vintage King and demo today! The Barefoot Sound MicroMain27 is a groundbreaking new monitor that is in a class all its own. It is quickly becoming the premier choice for top mixing and mastering engineers. The speaker is designed to address the demands of modern recording. It breaks down the barriers between nearfield, mastering and main monitors. No need to have multiple pairs of speakers crowding your studio; no need to guess what the mastering engineer is going to hear. The MM27 is compact and powerful, truly a "nearfield on steroids." While exceptionally neutral and designed for critical listening, the MM27 is still very capable of rocking the house. It redefines the definition of a main monitor -- a "Micro Mainª" monitor. The only monitor you may ever need. 1" soft dome tweeter, dual 5" midbass drivers and dual 10" subs housed in compact sealed enclosures yield high linearity and outstanding impulse response. With 500 Watts of power in the subwoofer channel alone, the dual 10" drivers cross over seamlessly from the midbass, reaching down to 33Hz and rolling off at 1/4 the rate of ported designs to reveal much more deep bass information. Since the sub motor structures are locked together the opposing forces cancel out and the cabinet remains rock steady even at very high output levels. There is no need for bass management in 5.1 systems because the MicroMain27 is truly a full-range monitor. The speaker can be placed either vertically or horizontally using the included pedestal (9" L x 13/8" W x 21/4 H). Hand Crafted in San Francisco, California *Note* The MM27 will have no problem operating at 100VAC in the 115VAC setting.

Barefoot Sound MicroMain27 - Pair Available and ready to ship!
Active three-way near-field, main and mastering monitor pair

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The Focal CMS 65 is the reference of the CMS line. On its introduction at AES in San Francisco 2008, it immediately received the Excellence Award from the magazine Pro Audio Review due to its amazing size/price/performance ratio. Its extended response at 45Hz (-3dB) allows an installation without a subwoofer. Treble definition, midrange transparency and control of the midbass and bass registers are all key points of the CMS 65. The outstanding stability of the tonal balance, even at very high sound level, ensures very high quality when mastering. Exclusive Acoustical Technologies
 		<ul><li>Two-way bi-amplified near field professional monitoring systems</li><li> Neutral, dynamic and detailed sound for optimum reproduction</li><li> Deep, large and precise soundstage</li><li> Numerous settings and fixing accessories for acoustic and aesthetic integration without compromise</li><li> Acoustically treated aluminum box offering perfect sound transparency</li><li> Compact systems combining easy installation and irreproachable sound quality</li><li> Made in France</li></ul>Focal CMS Series Features <ul><li>Focal aluminum/magnesium inverted dome tweeter: deep, detailed and large soundstage</li><li>Focal woofer with Polyglass cone: neutral and dynamic sound</li><li>Rubber decoupling table stand supplied for vertical and horizontal use</li><li>Two adjustable, front spikes supplied for soundstage height control</li><li>Front large laminar port permitting on-wall installation without acoustic deterioration</li><li>Compatible with numerous K&M® and Omnimount fixing kits</li><li>Removable grilles on woofers and tweeters</li></ul>Specifications <ul><li>Frequency response (+/-3dB) - 45Hz - 28kHz</li><li>Maximum SPL - 112dB SPL (peak @ 1m)</li><li>Input: </li><ul><li>Balanced 20kOhms / Unbalanced 47 kOhms</li><li>Connector XLR / RCA</li></ul><li>HF amplifier stage - 60W RMS, class AB</li><li>LF amplifier stage - 100W RMS, class AB</li><li>Electric supply:</li><ul><li>Mains voltage: 220-230V (1.6A fuse rating)</li><li>120V (3.15A fuse rating)</li><li>100V (4A fuse rating)    </li><li>IEC inlet and detachable power cord</li></ul><li>Adjustment:</li><ul><li>Adjustable sensitivity, +4dBu / 0 / -10dBV</li><li>Adjustable volume, -66dB / 0dB</li><li>Adjustable high-pass filter, idle / 45 / 60 / 90Hz (12dB/oct.)</li><li>Adjustable LF Shelving, 0 / -4 / -2 / +2dB</li><li>Adjustable HF Shelving, 0 / -4 / -2 / +2dB</li><li>Parametric filter (160Hz), adjustable, 0 / -2 / -4 / -6dB</li><li>Power ON/OFF switch, mains voltage selector</li><li>STANDBY/ON switch</li></ul><li>Indicators:</li><ul><li>Power ON / OFF LED</li><li>Standby / ON LED</li><li>Audio Clip LED</li></ul><li>Woofer - 6.5" Focal drive unit, Polyglass cone</li><li>Tweeter - Aluminum/Magnesium inverted dome Focal tweeter</li><li>Shielding - Integral by cancellation magnet</li><li>Construction - Reinforced and damped Aluminum cabinet</li><li>Finish - Black powder coating</li><li>Dimensions with spikes - 358.5 x 241 x 231mm - (14.1" x 9.5" x 9.1")</li><li>Dimensions with table stand - 368.5 x 241 x 231mm - (14.5" x 9.5" x 9.1")</li></ul>

Focal CMS 65 - Single
Active two-way near-field shielded cabinet

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The Genelec 8260A 3-way DSP 
system is a masterpiece in electro-acoustic design which features major 
advances in audio driver technology integrated to a sophisticated 
enclosure design. 
 
Genelec MDC™ Minimum Diffraction Coaxial Mid/High driver technology 
takes a big step in perfecting audio quality in professional active 
studio monitors. This breakthrough in coaxial driver design provides 
more accurate imaging and improved sound quality both on the acoustical 
axis as well as off-axis. The extremely smooth frequency response leads 
to outstanding clarity and definition of the inner details of the music. 
 
The 8260A combines, for the first time, a coaxial driver (MDC™) with a 
modern waveguide technology (DCW™), ensuring drivers to couple 
coherently over their full operating bandwidth, as well as creating 
coincident mid-frequency/high frequency point source. 
 
As a new member of the TEC Award-winning 8200 Series, the 8260A features
 Genelec DSP signal processing responsible for all loudspeaker 
functions, such as the crossover filters, driver equalizers, driver 
position alignment, room response alignment, calibration, and 
equalization related filters as well as distance compensating delays. 
 
The Genelec Loudspeaker Manager™ (GLM™) software manages all these 
functions allowing the 8260A to be used together with other 8200 Series 
DSP monitors and 7200 Series subwoofers in the same setup. Genelec 
AutoCal™ automated room calibration and sound system alignment method 
provides consistent and accurate frequency response for a multichannel 
audio system in widely varying room environments. 
 
The 8260A is housed in a die-cast aluminum Minimum Diffraction 
Enclosure™ (MDE™) with acoustically optimized rounded edges to prevent 
diffractions and yielding superb sound stage imaging. The robust 
enclosure is also completely immune to vibrations. Each 8260A also comes
 with an Iso-Pod™ (Isolation Positioner/Decoupler™) which eliminates 
coloration of the sound by decoupling the monitor from its mounting 
surface. For ideal mounting in differing environments, the 8260A 
includes integrated rear support points for various floor and wall 
stands.

Genelec 8260A DSP Monitor - Producer Black
Digital tri-amped monitoring system with analog & AES/EBU input - 10” woofer, 5” mid driver, .75” tweeter - producer black finish

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The ProAc Studio 100 is consistently selected by top recording engineers for near-field monitoring in major studios - ample testimony to its overall sound quality and neutrality at monitor reference levels.
Few compact loudspeakers offer such a clean uncolored performance and remarkable transparency. With virtually flat frequency response and negligible distortion, the Studio 100 is one of the most accomplished compact performers on the market today.
The bass unit is unique. Manufactured exclusively for ProAc, it has a particularly linear motor assembly, superb magnet and chassis construction and a special center pole plug. When precisely tuned in the cabinet, this driver gives an incredibly natural bass quality and definition, combined with generous power handling.
The tweeter is a featherlight one-inch soft dome unit, once again specially manufactured for ProAc. Made from a new impregnated fabric, the dome itself is exceptionally light in construction giving the Studio 100 a distinctively uncolored and transparent high frequency.
The high quality crossover network marries the two drive units seamlessly giving a spacious sound stage with almost tangible imagery. Only the finest components are used and the speaker is wired throughout with our own high-quality multi-strand wire. The cabinet itself is made from a composite material with walls of differing thicknesses and a new and more efficient heavy damping material ensures that the cabinets are practically inert.
 Although the Studio 100 can be shelf-mounted, high mass stands with good rigidity are preferable for optimum results. The full potential of these thoroughbred designs will only be realised through the use of the highest quality partnering equipment.Specifications <ul><li>Nominal Impedance: 8 ohms</li><li>Recommended Amplifiers: 30 to 150 watts</li><li>Frequency Response: 35hz to 30Khz</li><li>Sensitivity: 88db linear for 1 watt at 1 meter</li><li>Bass/Midrange Driver: 6 1/2" treated cone with special center pole plug.</li><li>Tweeter: 1" (25mm) soft fabric dome with ferrofluid and rear loading. Mirror image offset.</li><li>Crossover: Finest components on dedicated circuit board. Multi-strand oxygen-free copper cable throughout. Split for optional bi-wiring and bi-amping.</li><li>Dimensions: 16" (406mm) high x 8" (203mm) wide x 10" (254mm) deep</li><li>Weight: 24 lbs (11kg) /cabinet</li><li>Mode: Stand-mounted</li><li>Grille: Acoustically transparent crimplene</li><li>Finish: Available in the following real wood veneers: Black Ash, Mahogany.</li></ul> ProAc Studio 100 Users <ul><li>Bose Automotive Group</li><li>Jack White</li><li>Rich Costey</li><li>John O'Mahony </li><li>Brendan Benson</li><li>Michael Marquart</li><li>Peter Frampton</li><li>University of Michigan</li><li>Michael A Sapone</li><li>Bob Ludwig (Gateway Mastering)</li><li>Greg Calbi (Sterling Sound)</li><li>Tony Maserati</li><li>Rick Rubin</li><li>Joe Gastwirt</li><li>311</li><li>Neil Diamond</li><li>John Scofield</li><li>Bill Frisell</li><li>David Sanborn</li><li>Genesis/The Farm</li><li>Jean Marie Horvat</li><li>Kevin Killen</li><li>Michael Brauer</li><li>Ron Saint Germain</li><li>Husky Huskolds</li><li>Troy Germano Studios</li><li>Ryan Hewitt</li><li>Craig Street</li><li>Bob Ezrin</li><li>Mike Campbell</li><li>EastWest Studios</li><li>Blackbird Studios</li><li>Ryan Freeland</li><li>Richard Dodd</li><li>Ben Fowler</li><li>Neil Dorfsman</li><li>Metallica  </li><li>Red Hot Chili Peppers</li><li>Avatar</li><li>Right Track</li><li>Looking Glass</li><li>Bear Tracks</li><li>Hit Factory Miami</li><li>Chung King</li><li>Village Recorder</li></ul>

ProAc Studio 100 Pair
Monitor-level performance from an established compact design

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