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The API Model 500VPR is powered externally by a tri-polar power supply (included) and is designed to accept API standard format 5.25" X 1.5" modules. The 500VPR is internally wired for PIN 2 hot, and comes with the API L200PS. The input/output jacks are both XLRs. The 500VPR can hold up to ten API modules. API makes several modules to fit this rack, including the 550A, 550B, 560, 525, and 512C. Like all API products, the 500VPR rack enjoys API's standard 5 year warranty. Features
Holds 10 API Standard Format 5.25" X 1.5" Modules
XLR Jacks for Inputs and Outputs
Pre Wired Rack
Externally Powered
19" Rack Mount, 3U Tall
Rugged Chassis
Perfect for Outboard EQ / Mic Pre Modules
FREE if you purchase any (8) NEW 500 Series modules.*
The 500V can be ordered with an optional 48 volt phantom power supply, bussed to pin 15 for the API 512C to access. It must be noted that the older API 560A series equalizers used pin 15 for a "direct output" and must be disabled on the 560A circuit board edge connector by cutting a trace. This will eliminate 48 volts from damaging the 560A series equalizers.
API makes several modules to fit this rack, including the 550B, 560, 525, and 512C. These modules are designed to help expand existing limited input console configurations, allowing a facility an option to a larger console.
Multitrack Recording of Acoustic and Electronic Audio Sources.
Sound Reinforcement Systems and Recording Live to Multitrack formats.
Multiple facility projects where portability is a concern.
Broadcast and Audio for Video Production.
Custom Channel Input Strips.
ADAT Type Portable Recording Setups. *Tree Audio Meter Module is not included in the free rack special. Modules must be purchased at online price.
API 500VPR 10 Slot Rack w/PSU Free when you buy any (8) NEW 500 Series Modules!
3U Vertical Rack that holds up to 10 "500 Series Style" Modules. Includes external power supply. *When purchased at online price
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Solid State Logic XLogic Alpha-Link
The XLogic Alpha-Link Audio I/O range is a new family of fully featured multi-channel Audio Converters for Studio, Live and Broadcast Applications. The three different models each feature our high quality 24-channel AD/DA converter circuitry.
All Alpha-Link units can be used as standalone format converters, but used in combination with a Soundscape Mixpander PCI card they provide a powerful, highly flexible I/O solution for native PC-based audio workstations.
XLogic Alpha-Link MADI AX
Professional MADI to ADAT & AD DA converter
Featuring up to 64 channels of digital MADI I/O at 48kHz (or 32 channels at 96kHz), 24 ADAT Lightpipe digital inputs and outputs at up to 48kHz (12 ADAT Lightpipe digital inputs and outputs at up to 96kHz), 24 analogue I/O, TDM® Expansion Bus and much more, the Alpha link MADI SX delivers a dependable, versatile, high quality MADI to ADAT Lightpipe based conversion solution.
Alpha Link MADI SX & MADI AX Shared Features
Featuring up to 64 channels of digital MADI I/O at 48kHz (or 32 channels at 96kHz), 24 ADAT Lightpipe digital inputs and outputs at up to 48kHz (12 ADAT Lightpipe digital inputs and outputs at up to 96kHz), 24 analogue I/O, TDM® Expansion Bus and much more, the Alpha link MADI SX delivers a dependable, versatile, high quality MADI to ADAT Lightpipe based conversion solution.
56 or 64 MADI digital inputs and outputs at up to 48kHz, 28 or 32 MADI digital inputs and outputs at up to 96kHz.
24 analogue inputs and outputs with SSL enhanced AD DA at up to 96kHz on D-Sub connectors (for use with D-Sub to XLR looms).
Word/SuperClock input and output.
Video Sync input functionality for the WordClock input: the Video Sync. signal can be converted to WordClock internally and transmitted via the WordClock output.
MIDI input and output.
Connects to Mixpander via Expansion Bus port.
All input and output channels can be used simultaneously in any configuration.
Comprehensive input/output routing & mode selection matrix
Analogue input/output metering via 24 tricolour LEDs The SSL MadiXtreme is a new family of
multichannel PCIe audio cards for Mac and PC from Solid State Logic.
Featuring our revolutionary PCIe-Core Audio Pipeline technology,
MadiXtreme is one of the first audio devices to take full advantage of
the high speeds and incredible bandwidth offered by the PCIe bus on
modern computers.
MadiXtreme 64
With one optical Madi connector for 64 simultaneous I/Os, the MADI
Xtreme 64 is the ideal interface for the SSL Alpha-Link MADI AX or SSL
Alpha-Link MADI SX. MADI Xtreme 64 is also the perfect partner for MADI
equipped consoles, live recording, installations and broadcast servers. PCIe half-length card, single-lane PCIe v1.1-3.0
1x MADI I/O (optical)
Channel count: 56/64 Ch@44.1/48k, 28/32 Ch@88.2/96k, 14/16 Ch@176.4/192k
1x Wordclock Connector (Software controlled as Input or Output)
Support for virtually any application
MadiXtreme supports a huge variety of applications through its
legendary SSL Soundscape Family Drivers. The drivers are fully
multi-client capable (allowing several applications to simultaneously
access the device) and allow seamless multi-card configurations (up to
6 Cards per System if enough PCIe Slots are available).
Windows: (XP or Vista 32 Bit): ASIO 2, WDM, MME, GSIF2, DWave
Mac OS: OS X (10.4 or 10.5): Core Audio.
Minimum System Requirements
Windows: Windows XP (SP2) or Vista (32-Bit) Intel or AMD Configuration with one free PCIe Slot
Mac OS: Mac OS X 10.4 (Tiger) or Mac OS X 10.5 (Leopard) G5 or Intel Mac with one free PCIe Slot
Note: PCIe (PCI Express) is not compatible with PCI or PCI-X
SSL X-Desk Built
from the same SuperAnalogue™ DNA as the AWS 900+, Duality and Matrix
consoles, Solid State Logic is proud to deliver the X-Desk. Meeting
the demand for a world class, compact SSL mixing desk, X-Desk combines
a 16 channel SSL SuperAnalogue™ summing mixer with a compact analogue
audio hub for your studio. Small enough to be easily transported,
X-Desk fulfills all the essentials of the audio mixing process, with
typical SSL attention to detail and depth, including smooth 100mm
faders, comprehensive artist & studio monitoring with Dim & Cut
buttons, Stereo and Mono Aux sends, channel and Master Bus Inserts and
accurate bar graph level metering.
For easy integration into your existing studio, X-Desk can be
used as an elegant and and ergonomically refined desktop mixer with
removable rack ears for standard 19" rack mounting (7U space required).
Like all Solid State Logic SuperAnalogue™ products, it is extremely
robust, hand-built in the UK with an all metal chassis and high quality
controls and components. Up to eight X-Desks or X-Desk & X-Rack
combinations can be cascaded via D-Sub connection to expand up to 160
inputs on mixdown. X-Desk brings benchmark audio performance to the compact mixer format.Key Features SuperAnalogue™ – analogue purity at the highest level 8x dual input Mono Line channels : 16 channel mixdown 8x Insert Send/Returns on channels Stereo CUE and 2 Mono Auxiliary Sends Cascade with X-Rack and other X-Desks for bigger systems Talkback – for artist communication Dim & Cut buttons Independent Main and Alternate stereo monitor outputs SSL Stereo Mix Bus with External summing and Inserts 2x Stereo Returns with Level, Pan and Bus assignment iJack front panel input for portable playback devices High quality internal PSU D-Sub Channel I/O connection for studio integration 19" Rack mount ears included Audio Accessories Shorti Patchbay to DB25 The next generation of Shorti Patchbays has arrived; this 2x48 audio patchbay is wired to DB25 connectors. This unit features exceptional flexibility with the Audio Accessories, Inc. exclusive Quick-Switch normalling system located on the rear of the panel. The Quick-Switch normalling allows you to set the individual normals on a per jack pair basis. This enables you to full-normal (FN), half-normal (HN) or non-normal (NN) by sliding the switches into the appropriate position. You also have grounding options: isolated, bussed, or grounds vertically strapped (GVS).Vintage King DB25-DB25 Our analog multi-pair cables are made of premium quality pure copper
wire with rugged nickel plated DB-25 connectors. Built for transparent
transmission of audio signals and built to last. Lifetime Warranty Vintage King cables come with a Lifetime Warranty. (As long as they're not cut in half, etc.)Redco/Mogami TT Patch Cable Professional Grade TT Patch Cable. Molded Strain relief. Nickel Plugs.
The next generation of Shorti Patchbays has arrived; this 2x48 audio patchbay is wired to DB25 connectors. This unit features exceptional flexibility with the Audio Accessories, Inc. exclusive Quick-Switch normalling system located on the rear of the panel. The Quick-Switch normalling allows you to set the individual normals on a per jack pair basis. This enables you to full-normal (FN), half-normal (HN) or non-normal (NN) by sliding the switches into the appropriate position. You also have grounding options: isolated, bussed, or grounds vertically strapped (GVS).
We have an excel template that most people find useful for labelling the db25
shorti.
The Apogee Symphony System
Legendary Quality. Lowest Latency. Maximum Performance.
What makes Symphony the best sounding, most powerful, most affordable pro audio production system ever?
Up to 64 Channels of I/O per card with the Symphony 64
Ultra low latency... 1.6 Milliseconds at 96kHz
Maximum Plug-in Processing with Apple's 8 Core Mac Pro
Cutting-edge Music Production with Apple's Logic Pro
SBus and VBus for Extended Audio Routing
Apogee X-Series Converters
Apogee’s award-winning X-Series and Rosetta Series converters are legendary for their ability to capture that instant in time when music and performance are most important. Your audio, your performance... defined by a converter that is an instrument of precision and art. Apogee technology delivers the most accurate representation of audio with all of the elusive subtleties which are so critical when mixing.
Apple's Mac Pro
Apple’s 8-Core Intel Mac Pro is the muscle of The Symphony System and surpasses any combination of multi-DSP card-based systems in capability, affordability and value. The dynamic allocation of processor power, on an “as needed basis” means resources as and when you need them with processors and power to spare. If you are building a workstation, which will demand hundreds of plug-ins, power hungry reverbs and huge sampled instruments, The Apple “Mac Tower Of Power” is key and Symphony 64 is built to perform with the Mac Pro.
Symphony 64 PCIe card
The core of the Symphony System is the Symphony 64 PCIe card. With the flexibility of up to 64 channels of input and output Symphony 64 doubles the amount of I/O previously available on one Symphony card. And, the Symphony PCIe driver design provides and elegant and rock solid connection capable of delivering incredibly low latency. The pairing of Symphony’s superior driver performance and the brute strength of Apple’s Mac Pro provides a superior foundation for any Core Audio based studio and sets the stage for advanced technologies like Symphony’s SBus and VBus.
Logic, the all-in-one DAW
Apple’s Logic is the creative center of The Symphony System and the provides the ultimate all-in-one DAW for music production, editing and mixing. With the included studio instruments, effects, and sound library you can create and build any sound you desire and record and edit live performances quickly and with precision. When it comes time to mix, Logic offers advanced and comprehensive tools to put the professional finish on any musical project. And even though Symphony is optimized for Logic, it's Native, so you can use Symphony with any Core Audio compliant application.
Apogee The Symphony System Package Special Bundle Pricing!
Includes Apogee DA-16x, Apogee AD-16x, Apogee Symphony 64 PCIe card, Apogee X-Symphony Expansion Card, Apple Mac Pro Quad-Core and Apple Logic Studio
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The Dangerous D-Box is perfect for the modern workflow and compact environment of the mobile and small-footprint DAW studio setup
Analog Summing
Monitor Control
On-board D/A conversion
Talkback
Headphone Cue
Simultaneous Input Monitoring More and more records are being tracked and mixed in remote or temporary locations with mobile DAW rigs. Control room setups can be tight. A reliable and flexible audio environment is a must. No need to sacrifice mix quality or struggle with monitor control! For integrated monitoring, mixing, and input selection for the computer musician on the go, the Dangerous D-Box is the uncompromising and affordable solution for all DAW-based musicians and engineers who need to trust what they hear.
Unmatched Analog Summing Section
Superb Onboard D/A Converter
2 Speaker Outputs
Affordable for all DAW studio owners Summing Section:
8 input dedicated fixed-gain analog summing buss
Master output trim with 10 dB range
Inputs 7-8 with pan control
Signal present indicators for all inputs Monitor Section:
Analog and digital capable input selector designed specifically to facilitate the analog summing workflow
Programmable exclusive/additive function- listen to selected inputs individually or combined
High-quality onboard D/A conversion 2 digital inputs - AES or PDIF 32kHZ - 100kHz sample rate
Auxiliary stereo analog input- +4 dBU or - 10 dBV programmable
2 sets of speaker outputs
Mono function Cue/Talkback Section:
Built-in talkback microphone with "momentoggle" switching
2 headphone outputs with independent level controls
Auxiliary talkback switch input
Digidesign 003 Rack
With an extensive range of audio and MIDI I/O, high-definition audio resolution, the creativity and speed of industry-standard Pro Tools® software, FireWire connectivity, and a big, comprehensive bundle of powerful software included free, 003™ Rack enables you to attain the same high audio production quality as commercial facilities in your own personal or project studio. Take advantage of the plethora of I/O to connect and monitor all of your studio equipment. Its streamlined design will help save space in even the most gear-packed studio, and give you the freedom to take a professional Pro Tools system anywhere your creative skills are needed — or inspired. And with over 60 powerful plug-ins, virtual instruments, compatible applications, and artist promotion services included, you have everything you need (and then some) to compose, perform, record, edit, mix, and master audio for music and desktop post production projects — with truly professional results. The Hub of Your Personal Studio 003 Rack offers an extensive array of analog and digital audio and MIDI I/O, making it the ideal hub of any home or project studio, or a powerful complement to an existing setup. You can connect just about any instrument and device found in your studio to 003 Rack. Plug in your guitar or bass for direct recording, connect line-level instruments such as synths or samplers, or capture sound from any source though a connected microphone — the interface’s premium mic preamps deliver the utmost sound clarity. And with its studio-grade 24-bit/96 kHz audio resolution, you can expect stunning, high-definition sound every time. In addition, 003 Rack provides the I/O you need to connect your MIDI gear, optical devices (such as ADAT), and S/PDIF digital equipment, and also features BNC Word Clock I/O to sync 003 Rack to other external devices in your studio. Plus, its FireWire connectivity ensures high-speed data transfers between the interface and your Windows- or Mac-based computer system — just plug 003 Rack in and it’s ready to go. Everything You Need - Now 003 Rack comes with Digidesign’s most powerful and comprehensive software bundle yet, providing everything you need to create music, perform a composition, record audio, sequence MIDI, edit sounds, fix problems, mix tracks, enhance audio, master projects, and promote your creations. At the core is award-winning Pro Tools LE® software, which offers the ultimate in recording, editing, and mixing power and flexibility. And to help you get started, the indispensable Pro Tools Method One™ instructional DVD teaches you Pro Tools system essentials, from setting up sessions and recording audio to editing MIDI, working with loops and plug-ins, automating mixes, and more. In addition, 003 Rack comes bundled with over 60 signal-processing and effects plug-ins, amazing virtual instruments, professional sounds, creativity-inspiring compatible applications, and special artist promotion services. The software bundle includes seven powerful Bomb Factory plug-ins, 39 essential DigiRack™ plug-ins, and the enhanced Pro Tools Ignition Pack 2 bundle. No instrument? No problem! 003 Rack includes a range of versatile audio applications, sounds, and virtual instruments that work with Pro Tools to compose music or to simply play — no real instrument (or musical knowledge) required. It also provides a hefty treasure trove of powerful effects and signal-processing plug-ins to enhance and perfect your mixes with truly professional results. Create optimal balance, correct pitch problems, dial up the perfect guitar tone, fix timing, boost the sonic qualities of an instrument, warm up your mixes, and more.
Dangerous D-Box + Digidesign 003 Rack Special package pricing. Save $345!
Includes 2x Mogami 15' Microphone, 2x Mogami 3' TRS-XLRF, 1x Vintage King 5' DB25-TRS and 1x Vintage King 3' AES/XLRM to RCA Coaxial Cable Vintage King Exclusive
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The D.W. Fearn VT-2 recreates the sound of classic tube preamps of the 1960s. Modern components and computer-optimized circuitry, unavailable during the vacuum tube era, elevate this design to a new level of performance. The transparency is astounding. Vocals sound smoother, warmer, more
intimate, with a compelling presence. Any microphone and any sound will
benefit from the improved clarity, definition, and lack of solid-state
artifacts.Design Philosophy In designing the VT-2, no compromise in sonic quality, reliability, or ruggedness were permitted. Like the best tube equipment of the 1950s and '60s, the VT-2 is built on a heavy-guage aluminum chassis, utilizing point-to-point wiring. Each vacuum tube is selected for minimum noise and microphonics, and maximum sonic clarity. The front panel switches control sealed, gold-contact precision relays for all audio switching, eliminating the possibility of dirty contacts degrading the sound and minimizing the internal audio path. Four class-A triode amplifier sections (in two tubes) in each channel comprise the entire active circuit. This surprisingly simple circuit, along with top-quality components and careful design optimization, results in the sonic superiority that the VT-2 has become known for. All over the globe, VT-2 preamps are in daily use in the world's best studios, as well as in home project studios, helping many top recording artists achieve the best possible sound.Features All vacuum-tube design Clean and airy high end Fat low end Unsurpassed warmth, transparency, and musicality Lo-Z input position for superior performance with transformerless mics +48 volt phantom power (completely disconnected when off) Custom-design Jensen input and output transformers for superb sonics - 20 dB input pad (switchable) True VU meters (amplifier isolated) All point-to-point audio wiring High-performance, fully-regulated power supplies with exceptional reserve Gold input and output XLR connectors Polypropylene and polystyrene coupling capacitors All audio switching through gold-contact, sealed precision relays International operation on 100, 120, or 220 VAC, 50/60 Hz CE certified, RoHS-compliant +4 dBm output Conservatively rated precision components and rugged construction for stability and long life Line-level processing with the LP-1 Line Padaccessory Single-channel version D.W. Fearn VT-1 also available Direct recording of electric instruments with the D.W. Fearn VT-3 Vacuum Tube DI or PDB Passive Direct Box
The D.W. Fearn LP-1 Line Pad
is a two-channel accessory for use with the VT-1 or VT-2 Vacuum Tube
Microphone Preamplifiers. It is simply a high-quality bridging-type pad
that accepts line-level inputs (+4 dBm nominal) and produces a mic
level output. The actual pad loss is 45 dB. When used in conjunction
with the VT-1 or VT-2 Input Pad (-20 dB), it allows the mic preamp to
accomodate line-level signals from consumer-level (-10 dBV) to high
professional levels (+10 dBm or more).
The LP-1 is packaged in a heavy-duty die-cast aluminum box, painted
with the same high-quality red paint and gold silk-screened labels as
the other D.W. Fearn products. The Input and Output connectors are
gold-contact XLR.
The LP-1 is typically used when the subtle signal-modifying
characteristics of the VT-1 or VT-2 are needed on a line-level source,
such as a previously-recorded track, or at the end of a processing
chain. Several LP-1/VT-2 owners use the combination on the overall mix.
At least one CD mastering facility uses the LP-1/VT-2 in the mastering
chain.
The LP-1/VT-2 combination can also often be used to
effectively salvage tracks that are otherwise too distorted or "edgy"
for master use.
Mercury EQH1 & EQP1 - Program Equalizers
The Mercury EQ-H Program Equalizer has transformer balanced input and output, with a single ended gain make up amplifier. The EQ-H’s passive EQ/gain make up amp topology provides a musically satisfying result unobtainable with active and parametric EQ’s, since it does not rely upon negative feedback (and all it’s associated phase and dynamic distortions) to achieve equalization. Our new Mercury production utilizes only the highest quality passive components, while remaining true to the original production.
The Mercury EQ-H1 has a different amplifier than the Mercury EQ-P1 thus it has a different tone. The EQ-H1 and EQ-P1 sound different on the same application. The EQ-H1 is more punchy and robust and the EQ-P1 is more open and silky.
The Mercury EQ-P1 also has transformer balanced input and output, with a fully balanced (push-pull) gain make up amplifier. The only modernization feature on the unit is a user switchable (in/out) interstage transformer. In the original Pultec EQP this transformer was always in the signal path, however, realizing that some of today’s engineers might want to remove it with the Mercury EQP1 Program Equalizer it is possible to do so with in/out switch on the Front Panel. This takes the middle (interstage) transformer out of the circuit Up, in the "in" position, it is more "vintage" like the original Pultec. Down, in the "out" position, it is a little more "open" and "airy." Either way, the input and output transformers are always in the circuit. Our new Mercury production utilizes only the highest quality passive components, while remaining true to the original production.
The Mercury EQ-H1 and EQ-P1 Program Equalizers have realized all of the original Pultec specification in a modern production. We have not "improved" this unit, rather, we have kept all elements in line with the original designer’s ideas. The Mercury EQ-H1 and EQ-P1 is truly built to be a new classic, and work its magic today or in 50 years! Mercury 66). next 50 years!
The Purple Audio MC77 supercedes the MC76 re-engineered 1176 type FET Limiter. The MC77 recreates the audio circuitry of the revision E 1176, using modern components matched to the original. One significant component is the input attenuator. The input attenuator that was custom made for the original revisions A-F 1176 and for the Purple MC76 by Clarostat was discontinued in 2002. It was a J series T-pad attenuator with two 600Ω "build out" resistors to keep a constant 600Ω load on the source and primary of the input transformer. Clarostat changed carbon manufacturers and the new carbon manufacturer was unwilling or unable to make the part. Purple temporarily stopped making the MC76 to find a solution. We tried several three deck Clarostat 70 series pots in different configurations to achieve the same loading and to match the taper. We found a solution that matched the original; both the originals and replacement parts are drawn in the schematic that you can download below. At the same time, we looked at feedback gathered from the hundreds of satisfied MC76 users. Based on that feedback, we incorporated useful new features into the revised unit, which was designated the MC77. NEW features in the MC77:
True Bypass via sealed relay with front panel switch
Improved stereo linking with front panel switch
Sidechain insert loop or key input with front panel switch
Buffered VU meter can monitor input or output level at +4dBu
LED meter lights that don't burn out as incandescents do
Heavy gauge black stainless steel enclosure
115v/230v operation switchable from rear panel (serial# 600) Features inherited from the MC76:
Discrete Transistor Audio Path Electronics
Single Element Class A Output Amplifier
Transformer Balanced XLR Inputs and Outputs
Zener Shunt Regulated Audio Power Supply
Compression Ratios - 4:1, 8:1, 12:1 and 20:1
Fast Attack Time - 20 microseconds to 800 microseconds
Release Time - 50 milliseconds to 1.1 second
Gain of 45dB (full gain with no limiting)
Ruggedized Design - PCB stiffener, chassis mount transformers
Purple Anodized Aluminum Front Panel
3 year warranty
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