Telefunken Elektroakustik VintageKing.com

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Telefunken Elektroakustik

The <span style="font-weight: bold;">Telefunken AR-51</span> is designed in the tradition of the classic mics of the past, utilizing the same circuit design as the classic Telefunken ELA M 251E. The AR-51 employs new cost-efficient manufacturing methods to meet a price point suitable to any recording studio, from major World Class facilities to voiceover rooms and home project studios. The new R-F-T AR-51 utilizes only premium components, including a vintage New Old Stock (NOS) tube that has been rigidly tested for noise and microphonics, as in the ELA M 251E. The AR-51 also features a globally-sourced power supply and capsule, both rigorously tested prior to installation.<br><br>As with all products in the R-F-T range of Telefunken Elektroakustik microphones, the circuit board has been designed for superior current handling, permitting the amplifier to have full access to the necessary "power on demand" for handling low frequency and transient information. Modifications have been made to the amplifier circuit to optimize the performance of the capsule and a signal path that includes the same European manufactured output transformer found in every ELA M 251 E built since 1960.<br><br>At the Telefunken Elektroakustic studios in South Windsor, CT, audio engineers have successfully tested a wide range of applications for this new large diaphragm microphone. The microphone is especially suitable for recording acoustic and electric guitars, piano, percussion, for drum overheads and close miked drums, as well as for both male and female vocals. The perfect complement to the company's acclaimed AK-47, the AR-51 is a significant addition to any studio's microphone locker.

Telefunken Elektroakustik AR-51
Large Diaphragm Tube Condenser Microphone

The <span style="font-weight: bold;">Telefunken AR-51</span> is designed in the tradition of the classic mics of the past, utilizing the same circuit design as the classic Telefunken ELA M 251E. The AR-51 employs new cost-efficient manufacturing methods to meet a price point suitable to any recording studio, from major World Class facilities to voiceover rooms and home project studios. The new R-F-T AR-51 utilizes only premium components, including a vintage New Old Stock (NOS) tube that has been rigidly tested for noise and microphonics, as in the ELA M 251E. The AR-51 also features a globally-sourced power supply and capsule, both rigorously tested prior to installation.<br><br>As with all products in the R-F-T range of Telefunken Elektroakustik microphones, the circuit board has been designed for superior current handling, permitting the amplifier to have full access to the necessary "power on demand" for handling low frequency and transient information. Modifications have been made to the amplifier circuit to optimize the performance of the capsule and a signal path that includes the same European manufactured output transformer found in every ELA M 251 E built since 1960.<br><br>At the Telefunken Elektroakustic studios in South Windsor, CT, audio engineers have successfully tested a wide range of applications for this new large diaphragm microphone. The microphone is especially suitable for recording acoustic and electric guitars, piano, percussion, for drum overheads and close miked drums, as well as for both male and female vocals. The perfect complement to the company's acclaimed AK-47, the AR-51 is a significant addition to any studio's microphone locker.

Telefunken Elektroakustik AR-51 (Demo Deal)
Large Diaphragm Tube Condenser Microphone

If there were ever a microphone that was the epitome of classic, hi-fidelity sound, it would be the AKG C-12. The first of the AKG line of selectable pattern condenser mics, the <b>Telefunken C-12</b> is revered for its smooth, airy response. Considered by many to be the finest sounding microphone ever produced, original C-12 microphones are still in use in recording studios throughout the world.
<br><br>
Telefunken Elektroakustik is proud to manufacture the C-12 once again. Our new CK12 capsule is built from the original manufacturers technical specifications, and utilizes a Haufe (manufacturer of the original) output transformer built to match the original, and a microphone grade 6072a tube just like the original system.
<br><br>
Our new C-12 is incredibly detailed, capturing all the subtle nuances of a performance and transferring them back to the listener in a manner that is so realistic; you'll think you're listening to the source directly. Its silky smooth top end provides plenty of air without sounding harsh or artificial. Its midrange speaks clearly and articulately, capturing the source with a natural presence. Its low end is tight and focused, perfectly balanced with the rest of the frequency range. These qualities make the C-12 a fantastic choice for all types of instruments, lending itself especially well to drum overheads, acoustic guitar, and vocals.
<br><br>
Coveted by an extensive list of professional recording engineers, the Telefunken Elektroakustik C-12 historic reissue is an exceptional microphone that will be a treasured addition to your microphone collection for many decades to come.

Telefunken Elektroakustik C 12
Large Diaphragm Tube Condenser Microphone

If you work in film scoring or classical recording then you should know 
what a Decca Tree is. If you don't, here is a brief synopsis. A Decca 
Tree is a stereo A/B configuration with a third channel acting as a 
"center fill" microphone that helps create a strong but very even stereo
 image. This microphone placement technique was pioneered in the early 
1950s by engineers from Decca Records for orchestral recording 
applications (hence the name Decca Tree). In addition to orchestral 
recording applications, the Decca Tree configuration can be an 
invaluable component to more contemporary recordings for drum 
applications and to gain an overall "band in a room" kind of atmosphere 
to your recording process.<br>
<br>
The technique features three omni-directional microphones placed in a 
reverse "T" configuration, roughly above the head of the conductor. The 
"left" and "right" are positioned behind the conductor while the 
"center" microphone hangs in front of the conductor. The most common 
Decca Tree setup employs 3x 1-meter bars from which the microphones hang
 in a triangle configuration, though larger and smaller bar sets can be 
used.<br>
<br>
While the most common configuration photographed of this technique 
employs Neumann M-50 microphones, there were many documented instances 
where Decca engineers employed Neumann KM-56's and Schoeps M-221b 
microphones. Hence the Telefunken Elektroakustik ELA M 260 system, 
utilizing its omni capsules, is absolutely appropriate for this 
technique.<br>
<br>
The <span style="font-weight: bold;">Telefunken Elektroakustik Tri-Mono</span>
 package for the ELA M 260 system consists of 3 ELA M 260 microphones (finished in black), a dedicated power supply with three-channel capability, three
 elastic shock mounts and a set of three 10-meter Gotham Audio GAC7 tube
 mic cables with right angle XLR connectors. In order to foster an 
element of creativity, all three capsule systems (TK60 cardioid, TK61 
omni-directional, and TK62 hyper-cardioid) are included in the package.

Telefunken Elektroakustik ELA M 260 Tri-Mono Set
Matched set of three ELA M 260 microphones

The original ELA M 250 and 251 were designed to conform to the power supply standards that were set by both German and Austrian national broadcast companies. This meant that they needed to be designed around the famous AC701/k vacuum tube and work with N52 power supplies made by TAB, Siemens, Telefunken, etc.
<br><br>
Like their ancestors, the new <b>Telefunken ELA M 250 and 251</b> from Telefunken Elektroakustik feature that same amplifier designed around the Telefunken AC701/k vacuum tube. Coupled with our newly manufactured CK-12 capsule [which is built from the original AKG Acoustics drawings] and the exact output transformer, custom made for us by the original manufacturer, and you have a microphone that is so amazing, you won't believe your ears.
<br><br>
The ELA M 250 and 251 still exhibit the same detail and presence as the ELA M 250E and 251E, yet they are slightly smoother sounding then their "E" version counterparts. This can be attributed to the AC701/k vacuum tube, which has a particularly pleasing musical quality. It has been stated by a couple of experts that the reason for this is the physical size of the tube. Since the tube is so small, it is possible to excite a lot of electrons very quickly, which contributes to the silky "top end" and slightly smoother midrange for which these microphones are known.
<br><br>
Both the ELA M 250 and 251 are available in very limited quantities, due to the rarity of the AC701/k tube. Contact your favorite Telefunken Elektroakustik reseller for pricing and availability.
<br><br>
<b>The Telefunken USA ELA-M 250 E Features:</b>
<ul>
<li>CK12 Capsule
<li>NOS 6072a tube
<li>Swivel Mount
<li>25' Gotham Audio GAC7 cable
<li>Wooden Mic Box
<li>Locking Flight Case
<li>Limited warranty
<li>Vintage style Power Supply
<li>Cardioid and Omni polar patterns. 
</ul>

Telefunken Elektroakustik ELA-M 250 E
Large Diaphragm Microphone

It all started with a switch. . .
<br><br>
8 years ago, Toni Fishman, owner and CEO of Telefunken Elektroakustik, had a brilliant idea. After speaking with numerous industry professionals about their historic Telefunken ELA M 250 and 251 microphones, he discovered that their polar pattern selector switch was notoriously fragile and often broke, leaving the mics unusable. As there were no available replacements, owners resorted to attempting to fix them on their own. Toni decided it was time that he did something about all these broken switches, so he set out to recreate it. However, it quickly became apparent to him that not only did he want to reverse engineer the switch, he wanted to recreate the whole thing. For the next two years, he was on a mission. He didn't just want to recreate the sound of the microphone; he wanted to recreate the look of the mic, the feel of the mic, the soul of the mic. He wanted to breath new life into a microphone that had been forgotten by a generation of recording engineers; bring it back from the dead. He located as many of the original blueprints as he could find. What was not available was re-drawn precisely from a multitude of pristine samples. What resulted from all this hard work and dedication was our flagship microphone, our proverbial phoenix: The <b>Telefunken ELA M 251E</b>.
<br><br>
So, what makes our ELA M 250 and 251 so special? The heart of these microphones, the CK-12 capsule, is hand built in our lab, constructed in the same manner it was more than 50 years ago. The output transformer is custom built for us by the original manufacturer (Haufe) and is wound to the original specifications. The tube is a New Old Stock GE 6072a, just like the original. We've even recreated all of the original plastics, the body tube, head grille, switch housing, capsule mount, side-strapsâ€¦ well, you get it. Every detail is there, meticulously reproduced, right down to the screws that hold the capsule together.
<br><br>
In use, the ELA M 250 and 251 are silky and smooth, open, airy, and incredibly detailed, with a sound that falls somewhere in between that of a U-47 and a C-12. Yet, it has it's own identity, it's own sonic fingerprint. It allows vocals to fit beautifully and effortlessly into a mix, conveys the natural sound of a drum kit when used on overheads, captures the tone and body of a steel string acoustic guitar with plenty of detail and clarity.
<br><br>
With everything these microphones have to offer, why settle for anything less? Telefunken Elektroakustik has made the acquisition of an ELA M 250E or 251E as simple as calling your favorite microphone supplier!!
<br><br>
<b>The Telefunken USA ELA-M 251 E Features:</b>
<ul>
<li>CK12 Capsule
<li>NOS 6072a tube, Swivel Mount
<li>25' Gotham Audio GAC7 cable
<li>Wooden Mic Box
<li>Locking Flight Case
<li>Limited warranty
<li>Vintage style Power Supply
<li>Cardioid, Omni and Figure 8 polar patterns.
</ul>

Telefunken Elektroakustik ELA-M 251 E
Large Diaphragm Microphone

Telefunken Elektroakustik introduces the new ELA M 251 T, a microphone featuring the new Telefunken Elektroakustik CK-13™ capsule. While based up the classic ELA M 251 models, the <span style="font-weight: bold;">Telefunken Elektroakustik ELA M 251 T</span> adds a very modern twist.<br><br>That twist is the implementation of Alloy 2213™ as the diaphragm membrane material for the CK-13™ capsule. Alloy 2213™ is an amalgam of Titanium and Aluminum, which was originally developed for the aerospace industry.<br><br>Traditionally gold has been sputtered onto Mylar™ for the diaphragms of the historic CK-12 capsule. By employing Alloy 2213™, which is far more rigid than gold, Telefunken Elektroakustik has developed a capsule that provides greater accuracy in the low frequency ranges of the audio spectrum by attaining a higher damping factor to the motion of the membrane.<br>Telefunken Elektroakustik CK-13 Capsule<br><br>Alloy 2213™ is lighter than gold, and when combined with the edge terminated CK-12 system provides an "airy" and "delicate" representation of the upper ranges of the audio spectrum. This affords the user a higher degree of detail in the recorded sound while still providing the depth of audio for which ELA M 251 microphones have been associated for decades.<br><br>After extensive R&D, the perfect diaphragm tuning and fabrication was achieved, resulting in a microphone capsule that can better withstand moisture, smoke, and extreme volume, thus requiring less maintenance over the years, and provides the user a superior capture of the sound to be recorded.<br><br>The amplifier is the same as the ELA M 251 E which features a New Old Stock [NOS] Telefunken 6072a tube, a European-made output transformer, but also can be fitted to the ELA M 251 amplifier which is fitted with a NOS Telefunken AC-701 tube. The CK-13™ capsule assembly will also be available through regular distribution channels for aftermarket retro-fit to all Telefunken Elektroakustik ELA M 250 and 251 models both new and vintage.<br><br>The ELA M 251T also sheds the classic mint green body color of the ELA M 250, 250E, 251 251E & ELA M 270 in favor of a sleek sulfamate nickel-plated finish to reflect the proprietary capsule technology. The ELA M 251 T System comes complete with capsule, amplifier, power supply, and 4-year warranty. Included in the package is a stand-mount cable connector, ruggedly-built power supply, wooden microphone box, and a classic leather bound locking tweed flight case.

Telefunken Elektroakustik ELA-M 251 T
Large Diaphragm Microphone

Prior to 1959, Telefunken GmbH distributed Neumann GmbH microphones throughout the world. When Neumann GmbH decided to take their distribution direct, Telefunken GmbH commissioned Austrian company AKG Acoustics GmbH to produce a series of 5 microphones. This series of microphones was comprised of the famous ELA M 251, the ELA M 250, the stereo ELA M 270, and two small capsule microphones, the ELA M 260 and the ELA M 261.
<br><br>
Telefunken Elektroakustik is pleased to offer the <b>Telefunken Elektroakustik  ELA M 260</b>, our first small diaphragm tube condenser. While not a historically accurate reproduction of the original ELA M 260 like the "Diamond Series" microphones, our version of the ELA M 260 is definitely built with the same attention to detail and level of quality as its Diamond Series brethren.
<br><br>
The ELA M 260 is supplied with a set of three interchangeable capsules (the 260 cardioid, 261 omni, and 262 hyper-cardioid), as well as a custom adaptor designed by our friend and fellow audio enthusiast Chip Machokas that permits the use of any of the AKG "CK" series of capsules (or capsules made by other manufacturers with the same thread) AND Neumann bayonet-style capsules. It also features a brand-new circuit design based around a Telefunken EF-732 vacuum tube and a custom wound output transformer made in the United States. The combination of these features yields a microphone that is unlike any other small diaphragm microphone that you have ever experienced.
<br><br>
In use, the ELA M 260 has plenty of tone with excellent detail and clarity. It captures sources with a natural presence, making it a fantastic tool for recording acoustic instruments of all types. Drum overheads, percussion, woodwinds, saxophones, strings, and especially acoustic guitar all sound amazing through the ELA M 260. Also, don't discount this for vocals just because it's small. Its unique tonal character is very well suited for a myriad of applications, both traditional and not.

Telefunken Elektroakustik ELA-M 260
Small Diaphragm Condenser Microphone

The <b>Telefunken Elektroakustik ELA M 260 Field Recording Set</b> was 
designed for the concert taper and on-location field recording 
enthusiast. The system was developed based around a rechargeable battery
 solution capable of powering the high voltages of the ELA M 260's 
vacuum tubes for over 20 hours.<br>
<br>
Each ELA M 260 Stereo Field Recording Set system comes complete with two
 matched ELA M 260 tube microphones, a set of 3 interchangeable capsules
 (including the TK60 cardioid, TK61 omni and TK62 hyper-cardioid 
capsules.), two elastic shock mounts, two 12' Gotham Audio GAC7 tube 
microphone cables with right angle XLR connectors, two wooden microphone
 boxes to protect each mic, and the rechargeable battery power supply 
system.*<br>
<br>
In the concert field (or in the taper section) the ELA M 260 Field 
Recording Set can deliver a multitude of stereo recording techniques. 
With the modular capsules a variety of coincidental and 
near-coincidental pairs can be achieved including the 90 degree DIN 
(German), the 110 degree ORTF (France), and the 120 degree NOS (Dutch), 
not to mention both A/B and baffled pairs including spaced omnis and the
 Jecklin Disk.<br>
<br>
Whether you're recording bird songs in the Amazon or your favorite music
 concert, the ELA M 260 Field Recording Set will deliver the highest 
standard of audio opulence in a convenient and flexible package.<br>
<br>
Like the microphones of the Stereo Set, the Field Recording Set is 
finished in a "Flint Gray" color. All you need to supply if you own 
stereo bar, microphone stand and recording device with preamp and you 
will be field recording in no time....<br>
<br>
*Includes Novuscell E Series rechargeable Li-ion Battery Pack with charger and carrying case.

Telefunken Elektroakustik ELA-M 260 Field Set
Stereo set of ELA M 260 microphones for field recording

The Stereo Set was first introduced in 1958 by Gotham Audio as a package  for the Neumann U-47 and U-48 microphones that were distributed in the  United States by Gotham Audio. Telefunken Elektroakustik liked the idea,  so 53 years later, the concept was reborn.<br> <br> The <b>Telefunken Elektroakustik ELA-M 260 Tube Stereo Set</b> is  delivered with a single dual power supply capable of powering both ELA M  260s at once, and a standard leather bound locking flight case. This  insures that your microphones will have the ability to travel together  [reducing potential environmental conditions which could add variance to  the microphone's sonic character].<br> <br> The Stereo Set features all 3 capsules [260 cardioid, 261  omni-directional, and 262 hyper-cardioid], microphone shock mounts, a  dual power supply and of course, a flight case for the safe transit from  gig to gig. The microphones will also feature the same "flint gray"  finish made popular by the R-F-T AR-51, so you will be able to know in  an instant — which mics are from your Stereo Set, and which are your  individual ELA M 260 systems.

Telefunken Elektroakustik ELA-M 260 Tube Stereo Set
Stereo set of ELA M 260 microphones

One of the rarest microphones made by the original Telefunken GmbH was the stereo <b>Telefunken ELA M 270</b>. Serial number 101 was discovered in the early 1980's in Europe and brought to the shores of America where it lived in Ocean Way Studios for many years as the crowned jewel in their world famous microphone collection.
<br><br>
Telefunken Elektroakustik obtained this extraordinary piece of recording technology in order to recreate the design and offer it to the recording industry. Today, the original ELA M 270 resides at Blackbird studios in Nashville, but thanks to Telefunken Elektroakustik, you can have your very own.
<br><br>
Essentially a stereo version of the ELA M 251E, the ELA M 270 is available on a very limited, custom ordered basis, for the most discriminating of audio recordists.
<br><br>
The ELA M 251E is widely revered as a benchmark of hi-fidelity recording technology, and our ELA M 270 offers the same exceptional sonic performance in a stereo package. Perfectly suited for XY, M/S, or Blumlein techniques. Each capsule of the ELA M 270 offers selectable cardioid, bidirectional, or omni polar patterns.
<br><br>
Each Telefunken ELA M 270 stereo microphone is made to order. Exact custom matching of each component and capsules assures optimal stereo performance. Plus, utilizing either output of the microphone yields the same exceptional results as our Telefunken ELA M 251E.

Telefunken Elektroakustik ELA-M 270
Large Diaphragm Stereo Microphone

Telefunken Elektroakustik FC01 Flight Case for R-F-T Series
Leather bound latching flight case for all R-F-T Series microphone systems

Telefunken Elektroakustik FC10
Leather bound Cordora - combination locking flight case - fits C12

Telefunken Elektroakustik FC40
Leather bound Cordora - combination locking flight case - fits U47/U48

Telefunken Elektroakustik FC40S
Leather bound Cordora - combination locking flight case for Studio set (2 mics, wooden boxes and cables, one psu)

Telefunken Elektroakustik FC50
Leather bound Cordora - combination locking flight case - fits ELA M250/251

Telefunken Elektroakustik FC70
Leather bound Cordora - combination locking flight case - fits ELA M270

Telefunken Elektroakustik FC99
NANUK brand hardshell plastic case

The <span style="font-weight: bold;">Telefunken Elektroakustik M80</span> gives the user a superior alternative to the midrange-laden character of the "industry standard microphone."<br>Featuring a wider frequency response and higher SPL capabilities the M80 delivers condenser-like performance in a rugged dynamic design, producing a microphone equally suitable for voice, instruments or drums on both stage and in the studio.<br><br>Due to its low mass capsule and super thin (yet surprisingly rugged) capsule membrane the M80 presents a wider range of emotion from a live vocal with an intimacy that has been traditionally reserved for studio quality condenser microphones.<br>The head and capsule assembly has been designed to reduce proximity effect to which nets added low end clarity for vocals, while still providing "strength" and "authority" and an "open," "airy" character without adding danger of upper midrange feedback or "honk."<br><br>The M80 also features American made custom wound impedance matching transformer which is where the magic really takes place. When coupled with our proprietary capsule assembly, the results have won hearts and minds in far less time since it's introduction than we ever imagined possible.<br><br>The M80 is available in two versions: the "Standard Version" which includes a mic clip and bag; and the "Studio Set" which includes a mic clip, wooden box, and an additional black head grille.<br><br>Visit the <a href="http://www.m80mic.com/" target="blank">M 80 website</a> for full description, audio samples, photo gallery and much more.

Telefunken Elektroakustik M-80
Hand-held Dynamic mic

The <b>Telefunken Elektroakustik M81 </b>is the latest installment in their dynamic microphone range. Designed with the goal to develop a microphone that would not only complement the M80, Telefunken Elektroakustik's first dynamic offering, but to also stand out in a universe filled with dynamic microphone options.<br><br>When the M80 was first introduced in 2008, it quickly became a favorite in both live and studio environments. Its clear and detailed top end, articulate mid-range, and minimal proximity effect won the hearts (and ears) of thousands of new users, making it a staple for vocal and snare drum applications, as well as the most popular microphone in the Telefunken product line.<br><br>Building off many of the strengths of the M80, the Telefunken M81 retains the same minimal proximity effect, superior feedback rejection, and articulate mid-range. However, with the M81, the top end is pulled back a bit, yielding a flatter overall frequency response. This combination results in a microphone with a wealth of body and clarity, making it a great tool for taming brighter vocals and guitar tones and for fattening up percussion, horns and thinner sounding sources.<br><br>The Telefunken M81's tailored frequency response makes the microphone exceptional on electric guitars, percussion, rack and floor toms, and brass instruments. This microphone's wide range of uses and rugged reliability make it the workhorse for the new generation.<br><br>Finished in the same flint gray body tube and tri-chrome head grill styling as the R-F-T AR-51, the M81 is readily identifiable when reaching for the microphone. The M81 was very much designed with the AR-51 in mind. Great care was taken to tune the M81's overall response to be complimentary to the AR-51 when recording electric guitars.<br>Basically, the Telefunken M81 is designed to be used on... well, anything and everything! It truly is a "Universal Dynamic Microphone."<br><b><br>Specifications:</b><br><ul><li>Type: Dynamic Moving Coil</li><li>Capsule: N/A</li><li>Frequency Range: 30Hz / 18kHz </li><li>Polar Pattern: Cardioid </li><li>Impedance200 ohms </li><li>Weight: 13.1 oz (371g) </li><li>Size: 7.25" (184mm) length x 1.88" (48mm) diameter</li><li>Connector: 3-pin male XLR</li><li> Extras: Wooden box, additional black head grille, mic clip</li></ul>

Telefunken Elektroakustik M-81
Universal dynamic microphone

Results 1-20 of 32

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