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The URS 1970 Classic Console Compressor features digital recreation of transformer input and diode bridge gain reduction amplifier characteristics.
Smooth and warm!
High Res 48 bit "Double Precision" processing
The URS Classic Console Compressors TDM versions feature Hi Resolution 48-bit TDM and 64-bit RTAS
"Double Precision" processing for increased clarity, headroom and unparalleled gain reduction. Hi Resolution "Double Precision" processing helps to avoid internal clipping in the Digital Domain.
Independent Compressor and Limiter sections
The Compressor and Limiter sections are totally independent of each other. Both feature separate variable Attack, Release and Threshold controls.
Built in Internal Side Chain Filtering
The Internal Side Chain High and Low Pass Filters fine tune how narrow or "Broad Band" the URS Classic Console Compressor will affect the program material. Both Filters completely overlap to dial in problem frequencies.
Listen Key
The Listen Key is after the Filters section. The Listen Key allows you to monitor the signal being sent to the Gain Reduction detection circuit.
Signal Flow explained
The URS Classic Console Compressors signal flow inserts the Gain Makeup control before the final Limiter. This is the secret to how hard you can hit the final "Brick Wall" Limiter. The URS Classic Console Compressors utilize Feed-back gain sensing. Feed-back gain sensing gives Compression and Limiting a servo type of control. See the detailed signal flow diagram below.
Classic Sound with Modern Features
The URS Classic Console Compressor adds other powerful modern features such as totally variable Compression Ratios, Attack and Release times.
Two Different Plug-ins
Two different URS 1970 Classic Console Compressor plug-ins are included in this bundle.
The 1970 version includes :
• Compressor/ Limiter / Side Chain version
• Compressor only version
The 1970 Compressor /Limiter / Side chain version has a "Brick Wall Limiter to smooth out the most difficult musical tracks. The 1970 Compressor /Limiter / Side chain version is well suited for Drum Sub Groups, Aux sends (TDM versions) and especially on the Mix Bus.
The 1970 Compressor only version is 3x more DSP efficient. The Compressor only version is very well suited on general instruments, such as vocals, guitars, bass and individual drums. The 1970 Compressor Only version will act as a Limiter when the ratio is set at 10:1 and above.
The URS 1975 Classic Compressor digitally recreates of a transformer input and voltage controlled gain reduction amplifier (VCA) characteristics. Warm and aggressive!
High Res 48 bit "Double Precision" processing The URS 1975 Classic Compressor TDM version features Hi Resolution 48-bit TDM and 64-bit RTAS
"Double Precision" processing for increased clarity, headroom and unparalleled gain reduction. Hi Resolution "Double Precision" processing helps to avoid internal clipping in the Digital Domain.
Adjustable Knee control
The Compressor’s Knee is fully adjustable from hard to soft. The Compressor/Limiter/Side Chain version has adjustable knee as well. This allows for:
Soft compression and soft knee limiting.
Soft compression and hard knee limiting.
Hard compression and hard knee limiting.
Hard compression and soft knee limiting.
Independent Compressor and Limiter sections
The Compressor and Limiter sections are totally independent of each other. Both feature separate variable Attack, Release and Threshold controls.
Built in Internal Side Chain Filtering
The Internal Side Chain High and Low Pass Filters fine tune how narrow or "Broad Band" the URS 1975 Classic Compressor will affect the program material. Both Filters completely overlap to dial in problem frequencies.
Listen Key
The Listen Key is after the Filters section. The Listen Key allows you to monitor the signal being sent to the Gain Reduction detection circuit.
Signal Flow explained
The URS 1975 Classic Compressor signal flow inserts the Gain Makeup control before the final Limiter. This is the secret to how hard you can hit the final "Brick Wall" Limiter. The URS Classic Compressor utilizes Feed-back gain sensing. Feed-back gain sensing gives Compression and Limiting a servo type of control. See the detailed signal flow diagram below.
Classic Sound with Modern Features
The URS 1975 Classic Compressor adds other powerful modern features such as totally variable Compression Ratios, Attack and Release times.
Two Different Plug-ins
Two different URS 1975 Classic Compressor plug-ins are included:
Compressor/Limiter/Side Chain version
Compressor only version
The 1975 Compressor/Limiter/Side chain version has a modern "Brick Wall Limiter that was not found on the vintage unit. The 1975 Compressor /Limiter / Side chain version is also well suited for drum Sub groups, Aux sends (TDM versions) and highly recommended especially on the Mix Bus.
The 1975 Compressor only version is also 3x more DSP efficient. The 1975 Compressor Only version will act as a Limiter when the ratio is set at 10:1 and above.
The URS 1975 Classic Compressor digitally recreates of a transformer input and voltage controlled gain reduction amplifier (VCA) characteristics. Warm and aggressive!
High Res 48 bit "Double Precision" processing The URS 1975 Classic Compressor TDM version features Hi Resolution 48-bit TDM and 64-bit RTAS
"Double Precision" processing for increased clarity, headroom and unparalleled gain reduction. Hi Resolution "Double Precision" processing helps to avoid internal clipping in the Digital Domain.
Adjustable Knee control
The Compressor’s Knee is fully adjustable from hard to soft. The Compressor/Limiter/Side Chain version has adjustable knee as well. This allows for:
Soft compression and soft knee limiting.
Soft compression and hard knee limiting.
Hard compression and hard knee limiting.
Hard compression and soft knee limiting.
Independent Compressor and Limiter sections
The Compressor and Limiter sections are totally independent of each other. Both feature separate variable Attack, Release and Threshold controls.
Built in Internal Side Chain Filtering
The Internal Side Chain High and Low Pass Filters fine tune how narrow or "Broad Band" the URS 1975 Classic Compressor will affect the program material. Both Filters completely overlap to dial in problem frequencies.
Listen Key
The Listen Key is after the Filters section. The Listen Key allows you to monitor the signal being sent to the Gain Reduction detection circuit.
Signal Flow explained
The URS 1975 Classic Compressor signal flow inserts the Gain Makeup control before the final Limiter. This is the secret to how hard you can hit the final "Brick Wall" Limiter. The URS Classic Compressor utilizes Feed-back gain sensing. Feed-back gain sensing gives Compression and Limiting a servo type of control. See the detailed signal flow diagram below.
Classic Sound with Modern Features
The URS 1975 Classic Compressor adds other powerful modern features such as totally variable Compression Ratios, Attack and Release times.
Two Different Plug-ins
Two different URS 1975 Classic Compressor plug-ins are included:
Compressor/Limiter/Side Chain version
Compressor only version
The 1975 Compressor/Limiter/Side chain version has a modern "Brick Wall Limiter that was not found on the vintage unit. The 1975 Compressor /Limiter / Side chain version is also well suited for drum Sub groups, Aux sends (TDM versions) and highly recommended especially on the Mix Bus.
The 1975 Compressor only version is also 3x more DSP efficient. The 1975 Compressor Only version will act as a Limiter when the ratio is set at 10:1 and above.
The URS 1980 Classic Console Compressor features digital recreation of the IC input and voltage controlled gain reduction amplifier (VCA) characteristics. Snappy and aggressive!
High Res 48 bit "Double Precision" processing
The URS Classic Console Compressors TDM versions feature Hi Resolution 48-bit TDM and 64-bit RTAS
"Double Precision" processing for increased clarity, headroom and unparalleled gain reduction. Hi Resolution "Double Precision" processing helps to avoid internal clipping in the Digital Domain.
Independent Compressor and Limiter sections
The Compressor and Limiter sections are totally independent of each other. Both feature separate variable Attack, Release and Threshold controls.
Built in Internal Side Chain Filtering
The Internal Side Chain High and Low Pass Filters fine tune how narrow or "Broad Band" the URS Classic Console Compressor will affect the program material. Both Filters completely overlap to dial in problem frequencies.
Listen Key
The Listen Key is after the Filters section. The Listen Key allows you to monitor the signal being sent to the Gain Reduction detection circuit.
Signal Flow explained
The URS Classic Console Compressors signal flow inserts the Gain Makeup control before the final Limiter. This is the secret to how hard you can hit the final "Brick Wall" Limiter. The URS Classic Console Compressors utilize Feed-back gain sensing. Feed-back gain sensing gives Compression and Limiting a servo type of control. See the detailed signal flow diagram below.
Classic Sound with Modern Features
The URS Classic Console Compressor adds other powerful modern features such as totally variable Compression Ratios, Attack and Release times.
Two Different Plug-ins
Two different URS 1980 Classic Console Compressor plug-ins are included in this bundle.
The 1980 version includes :
Compressor/ Limiter / Side Chain version
Compressor only version
The 1980 Compressor /Limiter / Side chain version has a modern "Brick Wall Limiter that was not found on the vintage unit. The 1980 Compressor /Limiter / Side chain version is also well suited for drum Sub groups, Aux sends (TDM versions) and highly recommended especially on the Mix Bus.
The 1980 Compressor only version is also 3x more DSP efficient. The 1980 Compressor Only version will act as a Limiter when the ratio is set at 10:1 and above
The URS 1980 Classic Console Compressor features digital recreation of the IC input and voltage controlled gain reduction amplifier (VCA) characteristics. Snappy and aggressive!
High Res 48 bit "Double Precision" processing
The URS Classic Console Compressors TDM versions feature Hi Resolution 48-bit TDM and 64-bit RTAS
"Double Precision" processing for increased clarity, headroom and unparalleled gain reduction. Hi Resolution "Double Precision" processing helps to avoid internal clipping in the Digital Domain.
Independent Compressor and Limiter sections
The Compressor and Limiter sections are totally independent of each other. Both feature separate variable Attack, Release and Threshold controls.
Built in Internal Side Chain Filtering
The Internal Side Chain High and Low Pass Filters fine tune how narrow or "Broad Band" the URS Classic Console Compressor will affect the program material. Both Filters completely overlap to dial in problem frequencies.
Listen Key
The Listen Key is after the Filters section. The Listen Key allows you to monitor the signal being sent to the Gain Reduction detection circuit.
Signal Flow explained
The URS Classic Console Compressors signal flow inserts the Gain Makeup control before the final Limiter. This is the secret to how hard you can hit the final "Brick Wall" Limiter. The URS Classic Console Compressors utilize Feed-back gain sensing. Feed-back gain sensing gives Compression and Limiting a servo type of control. See the detailed signal flow diagram below.
Classic Sound with Modern Features
The URS Classic Console Compressor adds other powerful modern features such as totally variable Compression Ratios, Attack and Release times.
Two Different Plug-ins
Two different URS 1980 Classic Console Compressor plug-ins are included in this bundle.
The 1980 version includes :
Compressor/ Limiter / Side Chain version
Compressor only version
The 1980 Compressor /Limiter / Side chain version has a modern "Brick Wall Limiter that was not found on the vintage unit. The 1980 Compressor /Limiter / Side chain version is also well suited for drum Sub groups, Aux sends (TDM versions) and highly recommended especially on the Mix Bus.
The 1980 Compressor only version is also 3x more DSP efficient. The 1980 Compressor Only version will act as a Limiter when the ratio is set at 10:1 and above
The URS BLT is a two band Program Equalizer.
We've selected our favorite URS FullTec bass and treble curves for quick track or mix sweetening.
You could say the BLT is the URS FullTec's 'Lil Brother. Just add a little BLT for taste.
The URS BLT EQ Features:
One band of bass shevling fixed at 100hz with boost and attenuation.
One band of treble shelving fixed at 5kz with boost and attenuation.
A level control with boost and attenuation to adjust the right amount loudness.
Features:
Pro Tools 8.x and Leopard OSX 10.5.x compatibility
Pro Tools 7.4.x and Leopard OSX 10.5.x compatibility
Pro Tools 8.x and Tiger OSX 10.4.x compatibility
Pro Tools 7.x.x and Tiger OSX 10.4.x compatibility
Pro Tools 6.9.2 and Tiger OSX 10.4.x compatibility
Pro Tools 6.9.2 and Panther OSX 10.3.9 compatibility
Pro Tools 6.7 and Panther OSX 10.3.9 compatibility
Pro Tools 6.2.3 and Jaguar 10.2.8 compatibility
Pro Tools 7.x.x M-Powered version compatibility
Full Windows XP support!
Full Pro Tools TDM support for Pro Tools|HD Accel, Pro Tools|HD and Pro Tools 24|MIX systems
Full 192 kHz support for TDM, RTAS and AudioSuite versions
Full ProControl, Control|24, Command|8 and Digi 002 support
Full ICON Console Control Surface support — including center section Dynamics panel
Supports Mbox, Digi 001, Digi 002, Digi 002 Rack, Pro Tools|24 MIX, Pro Tools|HD and Pro Tools|HD Accel and M-Audio Interfaces.
Audio Units support for Logic Pro 8.x thru 6.x, Digital Performer 6.x thru 4.x, Bias Peak 6.x thru 4.x, Abelton Live 7.x through 6.x, Final Cut Pro and more!
VST support for Mac and PC Cubase, Nuendo, Sonar, Abelton Live, Acid, Sound Forge, Reaper, Wavelab, Bias Peak and more!
URS BLT EQ - Native
Equalizer Plug-in This product requires iLok authorization. For more information, give us a call at 248.591.9276
... Learn more
The URS A Series is a Class AB classic in every sense of the word. Each band offers 7 switchable filter frequencies spanning 4 to 5 octaves. The URS A series is unlike any other equalizer you will ever use.
Many EQ’s today offer a huge assortment of complex features, but the URS A series provides the engineer with just what is needed. The four bands overlap for track sweetening or specific problem solving. The low and high bands are selectable peak or shelving.
Features:
Pro Tools 7.x.x and Tiger OSX 10.4.6 compatibility
Pro Tools 6.9.2 and Tiger OSX 10.4.2 compatibility
Pro Tools 6.9.2 and Panther OSX 10.3.9 compatibility
Pro Tools 6.2.3 and Jaguar 10.2.8 compatibility
Pro Tools 5.3.1 and Mac OS9 compatibility
Pro Tools 7.x.x M-Powered version compatibility
Full Windows XP support!
Full Pro Tools TDM support for Pro Tools|HD Accel, Pro Tools|HD and Pro Tools 24|MIX systems
Full 192 kHz support for TDM, RTAS and AudioSuite versions
Full ProControl, Control|24, Command|8 and Digi 002 support
Full ICON Console Control Surface support — including center section EQ panel
Supports Mbox, Digi 001, Digi 002, Digi 002 Rack, Pro Tools|24 MIX, Pro Tools|HD and Pro Tools|HD Accel and M-Audio Interfaces.
Audio Units support for Logic Pro 7.x, Logic Audio 6.x, Digital Performer 4.x, Bias Peak 4.x, Abelton Live 4.x, Final Cut Pro and more!
VST support for Mac and PC Cubase, Nuendo, Sonar, Abelton Live, Acid, Sound Forge, Bias Peak and more!
The URS A series is a Class AB classic in every sense of the word.
Each band offers 7 switchable filter frequencies spanning 4 to 5 octaves.
The URS A series is unlike any other equalizer you will ever use.
Many EQ’s today offer a huge assortment of complex features,
but the URS A series provides the engineer with just what is needed.
The four bands overlap for track sweetening or specific problem solving.
The low and high bands are selectable peak or shelving.
Two Plug-ins included
The URS A series EQ includes the super URS A-MIX EQ is a seven band equalizer.
It features five bands of fully parametric EQ plus High and Low Pass filters with variable slope.
Each band offers overlapping frequencies spanning 4 to 5 octaves.
Features:
Pro Tools 8.x and Leopard OSX 10.5.x compatibility
Pro Tools 7.4.x and Leopard OSX 10.5.x compatibility
Pro Tools 8.x and Tiger OSX 10.4.x compatibility
Pro Tools 7.x.x and Tiger OSX 10.4.x compatibility
Pro Tools 6.9.2 and Tiger OSX 10.4.x compatibility
Pro Tools 6.9.2 and Panther OSX 10.3.9 compatibility
Pro Tools 6.7 and Panther OSX 10.3.9 compatibility
Pro Tools 6.2.3 and Jaguar 10.2.8 compatibility
Pro Tools 5.3.1 and Mac OS9 compatibility
Pro Tools 7.x.x M-Powered version compatibility
Full Windows XP support!
Full Pro Tools TDM support for Pro Tools|HD Accel, Pro Tools|HD and Pro Tools 24|MIX systems
Full 192 kHz support for TDM, RTAS and AudioSuite versions
Full ProControl, Control|24, Command|8 and Digi 002 support
Full ICON Console Control Surface support — including center section Dynamics panel
Supports Mbox, Digi 001, Digi 002, Digi 002 Rack, Pro Tools|24 MIX, Pro Tools|HD and Pro Tools|HD Accel and M-Audio Interfaces.
Audio Units support for Logic Pro 8.x thru 6.x, Digital Performer 6.x thru 4.x, Bias Peak 6.x thru 4.x, Abelton Live 7.x through 6.x, Final Cut Pro and more!
VST support for Mac and PC Cubase, Nuendo, Sonar, Abelton Live, Acid, Sound Forge, Reaper, Wavelab, Bias Peak and more!
The URS A10 is our easiest equalizer to operate. It combines vintage sound with modern features.
The Ten Bands are spread over four octaves. Getting the right EQ with the URS A10 series is fast!
The URS A10 series provides the engineer with ten bands of EQ
for quick adjustments for track sweetening or specific problem solving.
Features:
Pro Tools 7.4.x and Leopard OSX 10.5.x compatibility
Pro Tools 7.x.x and Tiger OSX 10.4.x compatibility
Pro Tools 6.9.2 and Tiger OSX 10.4.x compatibility
Pro Tools 6.9.2 and Panther OSX 10.3.9 compatibility
Pro Tools 6.7 and Panther OSX 10.3.9 compatibility
Pro Tools 6.2.3 and Jaguar 10.2.8 compatibility
Pro Tools 5.3.1 and Mac OS9 compatibility
Pro Tools 7.x.x M-Powered version compatibility
Full Windows XP support!
Full Pro Tools TDM support for Pro Tools|HD Accel, Pro Tools|HD and Pro Tools 24|MIX systems
Full 192 kHz support for TDM, RTAS and AudioSuite versions
Full ProControl, Control|24, Command|8 and Digi 002 support
Full ICON Console Control Surface support — including center section Dynamics panel
Supports Mbox, Digi 001, Digi 002, Digi 002 Rack, Pro Tools|24 MIX, Pro Tools|HD and Pro Tools|HD Accel and M-Audio Interfaces.
Audio Units support for Logic Pro 7.x, Logic Audio 6.x, Digital Performer 4.x, Bias Peak 4.x, Abelton Live 4.x, Final Cut Pro and more!
VST support for Mac and PC Cubase, Nuendo, Sonar, Abelton Live, Acid, Sound Forge, Bias Peak and more!
The URS A10 Series equalizer digitally recreates the sound of of API's 560B vintage 10-band Equalizer. Using hi-resolution 48-bit "double precision" processing, the A10 Series is able to minimize internal clipping in the digital domain for the purest sound, optimum clarity, and lots of headroom. The URS A10 is easy to operate, combining vintage sound with modern features. Getting the right EQ with the URS A10 series is fast! The URS A10 provides the engineer with ten bands of EQ for quick adjustments for track sweetening or specific problem solving.
URS A10 Series EQ Features:
Number of Bands: Ten spread over four octaves
Frequencies : 31Hz, 63Hz, 125Hz, 250Hz, 500Hz, 1Khz, 2K, 4K, 8K, 16K
Numeric Display displays Cut and Boost to .1db
Click Numeric Display to enter amount of Gain in .1db increments
Filter Boost/Cut: +/- 12dB
Filter Slope: 12dB per Octave
Input and Output Meters with Gain clipping indicator
Phase reverse switch
* In / Out Bypass switch
Input and Output Line Trim -12db to +4db
The URS BLT is a two band Program Equalizer.
We've selected our favorite URS FullTec bass and treble curves for quick track or mix sweetening.
You could say the BLT is the URS FullTec's 'Lil Brother. Just add a little BLT for taste.
Features:
One band of bass shevling fixed at 100hz with boost and attenuation.
One band of treble shelving fixed at 5kz with boost and attenuation.
A level control with boost and attenuation to adjust the right amount loudness.
Features:
Pro Tools 8.x and Leopard OSX 10.5.x compatibility
Pro Tools 7.4.x and Leopard OSX 10.5.x compatibility
Pro Tools 8.x and Tiger OSX 10.4.x compatibility
Pro Tools 7.x.x and Tiger OSX 10.4.x compatibility
Pro Tools 6.9.2 and Tiger OSX 10.4.x compatibility
Pro Tools 6.9.2 and Panther OSX 10.3.9 compatibility
Pro Tools 6.7 and Panther OSX 10.3.9 compatibility
Pro Tools 6.2.3 and Jaguar 10.2.8 compatibility
Pro Tools 7.x.x M-Powered version compatibility
Full Windows XP support!
Full Pro Tools TDM support for Pro Tools|HD Accel, Pro Tools|HD and Pro Tools 24|MIX systems
Full 192 kHz support for TDM, RTAS and AudioSuite versions
Full ProControl, Control|24, Command|8 and Digi 002 support
Full ICON Console Control Surface support — including center section Dynamics panel
Supports Mbox, Digi 001, Digi 002, Digi 002 Rack, Pro Tools|24 MIX, Pro Tools|HD and Pro Tools|HD Accel and M-Audio Interfaces.
Audio Units support for Logic Pro 8.x thru 6.x, Digital Performer 6.x thru 4.x, Bias Peak 6.x thru 4.x, Abelton Live 7.x through 6.x, Final Cut Pro and more!
VST support for Mac and PC Cubase, Nuendo, Sonar, Abelton Live, Acid, Sound Forge, Reaper, Wavelab, Bias Peak and more!
The URS Classic Console Compressor Bundle is a suite of 4 Classic Console Compressor plug-ins.
They feature 48-bit Double Precision Processing and support 192K sampling.
While digitally recreating the Classic Console analog Bus Compressor
sound, we added modern features and found the compressors to be even
more powerful on individual tracks.
They are super DSP efficient so they can be used across all of your tracks.
They will instantly improve the sound of your mixes in the box
The Classic Console Compressor Bundle's Compressors are :
1970 Compressor- Limiter Side Chain version
1970 Compressor only version
1980 Compressor- Limiter Side Chain version
1980 Compressor only version
The URS 1970 Classic Console Compressor features digital recreation of transformer input and diode bridge gain reduction amplifier characteristics.
Smooth and warm!
High Res 48 bit "Double Precision" processing
The URS Classic Console Compressors TDM versions feature Hi Resolution
48-bit TDM and 64-bit RTAS "Double Precision" processing for increased
clarity, headroom and unparalleled gain reduction. Hi Resolution
"Double Precision" processing helps to avoid internal clipping in the
Digital Domain.
Independent Compressor and Limiter sections
The Compressor and Limiter sections are totally independent of each
other. Both feature separate variable Attack, Release and Threshold
controls.
Built in Internal Side Chain Filtering
The Internal Side Chain High and Low Pass Filters fine tune how narrow
or "Broad Band" the URS Classic Console Compressor will affect the
program material. Both Filters completely overlap to dial in problem
frequencies.
Listen Key
The Listen Key is after the Filters section. The Listen Key allows you
to monitor the signal being sent to the Gain Reduction detection
circuit.
Signal Flow explained
The URS Classic Console Compressors signal flow inserts the Gain Makeup
control before the final Limiter. This is the secret to how hard you
can hit the final "Brick Wall" Limiter. The URS Classic Console
Compressors utilize Feed-back gain sensing. Feed-back gain sensing
gives Compression and Limiting a servo type of control. See the
detailed signal flow diagram below.
Classic Sound with Modern Features
The URS Classic Console Compressor adds other powerful modern features
such as totally variable Compression Ratios, Attack and Release times.
Two Different Plug-ins
Two different URS 1970 Classic Console Compressor plug-ins are included in this bundle.
The 1970 version includes :
Compressor/ Limiter / Side Chain version Compressor only version
The 1970 Compressor /Limiter / Side chain version has a "Brick Wall
Limiter to smooth out the most difficult musical tracks. The 1970
Compressor /Limiter / Side chain version is well suited for Drum Sub
Groups, Aux sends (TDM versions) and especially on the Mix Bus.
The 1970 Compressor only version is 3x more DSP efficient. The
Compressor only version is very well suited on general instruments,
such as vocals, guitars, bass and individual drums. The 1970 Compressor
Only version will act as a Limiter when the ratio is set at 10:1 and
above.
The URS 1970 Classic Console Compressor features digital recreation of transformer input and diode bridge gain reduction amplifier characteristics. Smooth and warm!
High Res 48 bit "Double Precision" processing
The URS Classic Console Compressors TDM versions feature Hi Resolution
48-bit TDM and 64-bit RTAS "Double Precision" processing for increased
clarity, headroom and unparalleled gain reduction. Hi Resolution
"Double Precision" processing helps to avoid internal clipping in the
Digital Domain.
Independent Compressor and Limiter sections
The Compressor and Limiter sections are totally independent of each
other. Both feature separate variable Attack, Release and Threshold
controls.
Built in Internal Side Chain Filtering
The Internal Side Chain High and Low Pass Filters fine tune how narrow
or "Broad Band" the URS Classic Console Compressor will affect the
program material. Both Filters completely overlap to dial in problem
frequencies.
Listen Key
The Listen Key is after the Filters section. The Listen Key allows you
to monitor the signal being sent to the Gain Reduction detection
circuit.
Signal Flow explained
The URS Classic Console Compressors signal flow inserts the Gain Makeup
control before the final Limiter. This is the secret to how hard you
can hit the final "Brick Wall" Limiter. The URS Classic Console
Compressors utilize Feed-back gain sensing. Feed-back gain sensing
gives Compression and Limiting a servo type of control. See the
detailed signal flow diagram below.
Classic Sound with Modern Features
The URS Classic Console Compressor adds other powerful modern features
such as totally variable Compression Ratios, Attack and Release times.
Two Different Plug-ins
Two different URS 1970 Classic Console Compressor plug-ins are included in this bundle.
The 1970 version includes :
Compressor/ Limiter / Side Chain version Compressor only version
The 1970 Compressor /Limiter / Side chain version has a "Brick Wall
Limiter to smooth out the most difficult musical tracks. The 1970
Compressor /Limiter / Side chain version is well suited for Drum Sub
Groups, Aux sends (TDM versions) and especially on the Mix Bus.
The 1970 Compressor only version is 3x more DSP efficient. The
Compressor only version is very well suited on general instruments,
such as vocals, guitars, bass and individual drums. The 1970 Compressor
Only version will act as a Limiter when the ratio is set at 10:1 and
above.
The URS 1980 Classic Console Compressor features
digital recreation of the IC input and voltage controlled gain
reduction amplifier (VCA) characteristics. Snappy and aggressive!
High Res 48 bit "Double Precision" processing
The URS Classic Console Compressors TDM versions feature Hi Resolution
48-bit TDM and 64-bit RTAS "Double Precision" processing for increased
clarity, headroom and unparalleled gain reduction. Hi Resolution
"Double Precision" processing helps to avoid internal clipping in the
Digital Domain.
Independent Compressor and Limiter sections
The Compressor and Limiter sections are totally independent of each
other. Both feature separate variable Attack, Release and Threshold
controls.
Built in Internal Side Chain Filtering
The Internal Side Chain High and Low Pass Filters fine tune how narrow
or "Broad Band" the URS Classic Console Compressor will affect the
program material. Both Filters completely overlap to dial in problem
frequencies.
Listen Key
The Listen Key is after the Filters section. The Listen Key allows you
to monitor the signal being sent to the Gain Reduction detection
circuit.
Signal Flow explained
The URS Classic Console Compressors signal flow inserts the Gain Makeup
control before the final Limiter. This is the secret to how hard you
can hit the final "Brick Wall" Limiter. The URS Classic Console
Compressors utilize Feed-back gain sensing. Feed-back gain sensing
gives Compression and Limiting a servo type of control. See the
detailed signal flow diagram below.
Classic Sound with Modern Features
The URS Classic Console Compressor adds other powerful modern features
such as totally variable Compression Ratios, Attack and Release times.
Two Different Plug-ins
Two different URS 1980 Classic Console Compressor plug-ins are included in this bundle.
The 1980 version includes :
Compressor/ Limiter / Side Chain version Compressor only version
The 1980 Compressor /Limiter / Side chain version has a modern "Brick
Wall Limiter that was not found on the vintage unit. The 1980
Compressor /Limiter / Side chain version is also well suited for drum
Sub groups, Aux sends (TDM versions) and highly recommended especially
on the Mix Bus.
The 1980 Compressor only version is also 3x more DSP efficient. The
1980 Compressor Only version will act as a Limiter when the ratio is
set at 10:1 and above
The URS Classic Console Compressor Bundle is a suite of 4 Classic Console Compressor plug-ins.
They feature 48-bit Double Precision Processing and support 192K sampling.
While digitally recreating the Classic Console analog Bus Compressor
sound, we added modern features and found the compressors to be even
more powerful on individual tracks.
They are super DSP efficient so they can be used across all of your tracks.
They will instantly improve the sound of your mixes in the box
The Classic Console Compressor Bundle's Compressors are :
1970 Compressor- Limiter Side Chain version
1970 Compressor only version
1980 Compressor- Limiter Side Chain version
1980 Compressor only version
The URS 1970 Classic Console Compressor features digital recreation of transformer input and diode bridge gain reduction amplifier characteristics.
Smooth and warm!
High Res 48 bit "Double Precision" processing
The URS Classic Console Compressors TDM versions feature Hi Resolution
48-bit TDM and 64-bit RTAS "Double Precision" processing for increased
clarity, headroom and unparalleled gain reduction. Hi Resolution
"Double Precision" processing helps to avoid internal clipping in the
Digital Domain.
Independent Compressor and Limiter sections
The Compressor and Limiter sections are totally independent of each
other. Both feature separate variable Attack, Release and Threshold
controls.
Built in Internal Side Chain Filtering
The Internal Side Chain High and Low Pass Filters fine tune how narrow
or "Broad Band" the URS Classic Console Compressor will affect the
program material. Both Filters completely overlap to dial in problem
frequencies.
Listen Key
The Listen Key is after the Filters section. The Listen Key allows you
to monitor the signal being sent to the Gain Reduction detection
circuit.
Signal Flow explained
The URS Classic Console Compressors signal flow inserts the Gain Makeup
control before the final Limiter. This is the secret to how hard you
can hit the final "Brick Wall" Limiter. The URS Classic Console
Compressors utilize Feed-back gain sensing. Feed-back gain sensing
gives Compression and Limiting a servo type of control. See the
detailed signal flow diagram below.
Classic Sound with Modern Features
The URS Classic Console Compressor adds other powerful modern features
such as totally variable Compression Ratios, Attack and Release times.
Two Different Plug-ins
Two different URS 1970 Classic Console Compressor plug-ins are included in this bundle.
The 1970 version includes :
Compressor/ Limiter / Side Chain version Compressor only version
The 1970 Compressor /Limiter / Side chain version has a "Brick Wall
Limiter to smooth out the most difficult musical tracks. The 1970
Compressor /Limiter / Side chain version is well suited for Drum Sub
Groups, Aux sends (TDM versions) and especially on the Mix Bus.
The 1970 Compressor only version is 3x more DSP efficient. The
Compressor only version is very well suited on general instruments,
such as vocals, guitars, bass and individual drums. The 1970 Compressor
Only version will act as a Limiter when the ratio is set at 10:1 and
above.
The URS 1970 Classic Console Compressor features digital recreation of transformer input and diode bridge gain reduction amplifier characteristics. Smooth and warm!
High Res 48 bit "Double Precision" processing
The URS Classic Console Compressors TDM versions feature Hi Resolution
48-bit TDM and 64-bit RTAS "Double Precision" processing for increased
clarity, headroom and unparalleled gain reduction. Hi Resolution
"Double Precision" processing helps to avoid internal clipping in the
Digital Domain.
Independent Compressor and Limiter sections
The Compressor and Limiter sections are totally independent of each
other. Both feature separate variable Attack, Release and Threshold
controls.
Built in Internal Side Chain Filtering
The Internal Side Chain High and Low Pass Filters fine tune how narrow
or "Broad Band" the URS Classic Console Compressor will affect the
program material. Both Filters completely overlap to dial in problem
frequencies.
Listen Key
The Listen Key is after the Filters section. The Listen Key allows you
to monitor the signal being sent to the Gain Reduction detection
circuit.
Signal Flow explained
The URS Classic Console Compressors signal flow inserts the Gain Makeup
control before the final Limiter. This is the secret to how hard you
can hit the final "Brick Wall" Limiter. The URS Classic Console
Compressors utilize Feed-back gain sensing. Feed-back gain sensing
gives Compression and Limiting a servo type of control. See the
detailed signal flow diagram below.
Classic Sound with Modern Features
The URS Classic Console Compressor adds other powerful modern features
such as totally variable Compression Ratios, Attack and Release times.
Two Different Plug-ins
Two different URS 1970 Classic Console Compressor plug-ins are included in this bundle.
The 1970 version includes :
Compressor/ Limiter / Side Chain version Compressor only version
The 1970 Compressor /Limiter / Side chain version has a "Brick Wall
Limiter to smooth out the most difficult musical tracks. The 1970
Compressor /Limiter / Side chain version is well suited for Drum Sub
Groups, Aux sends (TDM versions) and especially on the Mix Bus.
The 1970 Compressor only version is 3x more DSP efficient. The
Compressor only version is very well suited on general instruments,
such as vocals, guitars, bass and individual drums. The 1970 Compressor
Only version will act as a Limiter when the ratio is set at 10:1 and
above.
The URS 1980 Classic Console Compressor features
digital recreation of the IC input and voltage controlled gain
reduction amplifier (VCA) characteristics. Snappy and aggressive!
High Res 48 bit "Double Precision" processing
The URS Classic Console Compressors TDM versions feature Hi Resolution
48-bit TDM and 64-bit RTAS "Double Precision" processing for increased
clarity, headroom and unparalleled gain reduction. Hi Resolution
"Double Precision" processing helps to avoid internal clipping in the
Digital Domain.
Independent Compressor and Limiter sections
The Compressor and Limiter sections are totally independent of each
other. Both feature separate variable Attack, Release and Threshold
controls.
Built in Internal Side Chain Filtering
The Internal Side Chain High and Low Pass Filters fine tune how narrow
or "Broad Band" the URS Classic Console Compressor will affect the
program material. Both Filters completely overlap to dial in problem
frequencies.
Listen Key
The Listen Key is after the Filters section. The Listen Key allows you
to monitor the signal being sent to the Gain Reduction detection
circuit.
Signal Flow explained
The URS Classic Console Compressors signal flow inserts the Gain Makeup
control before the final Limiter. This is the secret to how hard you
can hit the final "Brick Wall" Limiter. The URS Classic Console
Compressors utilize Feed-back gain sensing. Feed-back gain sensing
gives Compression and Limiting a servo type of control. See the
detailed signal flow diagram below.
Classic Sound with Modern Features
The URS Classic Console Compressor adds other powerful modern features
such as totally variable Compression Ratios, Attack and Release times.
Two Different Plug-ins
Two different URS 1980 Classic Console Compressor plug-ins are included in this bundle.
The 1980 version includes :
Compressor/ Limiter / Side Chain version Compressor only version
The 1980 Compressor /Limiter / Side chain version has a modern "Brick
Wall Limiter that was not found on the vintage unit. The 1980
Compressor /Limiter / Side chain version is also well suited for drum
Sub groups, Aux sends (TDM versions) and highly recommended especially
on the Mix Bus.
The 1980 Compressor only version is also 3x more DSP efficient. The
1980 Compressor Only version will act as a Limiter when the ratio is
set at 10:1 and above
The URS Classic Console EQ and Compressor Bundle is an 8 plug-in comprehensive suite of:4 Classic Console Parametric Equalizers 4 Classic Console Compressors The Classic Console EQ and Compressor Bundle plugins: Parametric Equalizers A series - 4 Band N series - 5 Band A MIX - 7 Band N MIX - 7 Band Classic Console Compressors: 1970 Compressor- Limiter Side Chain version 1970 Compressor only version 1980 Compressor- Limiter Side Chain version 1980 Compressor only version
The URS Classic Console EQ and Compressor Bundle is an 8 plug-in comprehensive suite of:
4 Classic Console Parametric Equalizers 4 Classic Console Compressors
The Classic Console EQ and Compressor Bundle plugins:
Parametric Equalizers
A series - 4 Band N series - 5 Band A MIX - 7 Band N MIX - 7 Band
Classic Console Compressors:
1970 Compressor- Limiter Side Chain version 1970 Compressor only version 1980 Compressor- Limiter Side Chain version 1980 Compressor only version
The URS Classic Console Equalizer Bundle incorporates digital emulations of the most sought after musical vintage classic console equalizers ever made. Designed for Digidesign's ICON console, the URS A-Mix and N-Mix EQs align perfectly with D-Control's master section EQ plug-in control panel. All of the URS A-Mix and N-Mix EQ parameters map logically to all of Digidesign's other control surfaces including: ProControl, Control|24, Command|8, and Digi 002.
The Classic Console Equalizer Bundle goes beyond just reproducing the sonic characteristics and has added features such as total reset automation, true phase alignment when used on a stereo bus in dual mono mode, input gain adjust, gain clipping led and phase reverse switch.
The URS Classic Console Equalizers use high-resolution 48 bit "Double Precision" processing for increased clarity and headroom. High-resolution 48 bit "Double Precision" processing helps to avoid internal clipping in the Digital Domain.
The Classic Console Equalizer Bundle Includes:
URS A Series - 4-band parametric EQ - Digitally recreates the sound of API's 550B vintage Four Band Equalizer. The URS A series is a Class AB classic in every sense of the word. Each band offers 7 switchable filter frequencies spanning 4 to 5 octaves. The URS A series is unlike any other equalizer you will ever use!
URS N Series - 5-band parametric EQ - Digitally recreates the sound of of Neve's 1084 vintage Five Band Equalizer (3 bands plus HP/LP Filters). The URS N series equalizer is very broad banded and musical. It is a must-have tool for recording and sweetening drums and bass!
URS A-Mix - 7-band parametric EQ - Digitally recreates the classic analog mixing console sound with powerful new features. It features five bands of fully parametric EQ plus high- and low-pass filters with variable slope. Each band offers overlapping frequencies spanning 4 to 5 octaves.
URS N-Mix - 7-band parametric EQ - The URS N-MIX EQ features five bands of fully parametric EQ plus high- and low-pass filters with variable slope. Each band offers overlapping frequencies spanning 4 to 5 octaves.
The URS Classic Console Equalizer Bundle incorporates digital emulations of the most sought after musical vintage classic console equalizers ever made. Designed for Digidesign's ICON console, the URS A-Mix and N-Mix EQs align perfectly with D-Control's master section EQ plug-in control panel. All of the URS A-Mix and N-Mix EQ parameters map logically to all of Digidesign's other control surfaces including: ProControl, Control|24, Command|8, and Digi 002.
The Classic Console Equalizer Bundle goes beyond just reproducing the sonic characteristics and has added features such as total reset automation, true phase alignment when used on a stereo bus in dual mono mode, input gain adjust, gain clipping led and phase reverse switch.
The URS Classic Console Equalizers use high-resolution 48 bit "Double Precision" processing for increased clarity and headroom. High-resolution 48 bit "Double Precision" processing helps to avoid internal clipping in the Digital Domain.
The Classic Console Equalizer Bundle Includes:
URS A Series - 4-band parametric EQ - Digitally recreates the sound of API's 550B vintage Four Band Equalizer. The URS A series is a Class AB classic in every sense of the word. Each band offers 7 switchable filter frequencies spanning 4 to 5 octaves. The URS A series is unlike any other equalizer you will ever use!
URS N Series - 5-band parametric EQ - Digitally recreates the sound of of Neve's 1084 vintage Five Band Equalizer (3 bands plus HP/LP Filters). The URS N series equalizer is very broad banded and musical. It is a must-have tool for recording and sweetening drums and bass!
URS A-Mix - 7-band parametric EQ - Digitally recreates the classic analog mixing console sound with powerful new features. It features five bands of fully parametric EQ plus high- and low-pass filters with variable slope. Each band offers overlapping frequencies spanning 4 to 5 octaves.
URS N-Mix - 7-band parametric EQ - The URS N-MIX EQ features five bands of fully parametric EQ plus high- and low-pass filters with variable slope. Each band offers overlapping frequencies spanning 4 to 5 octaves.
The URS Classic Console EQ Bundle w/FullTEC+BLT Features:
Pro Tools 7.4.x and Leopard OSX 10.5.x compatibility
Pro Tools 7.x.x and Tiger OSX 10.4.x compatibility
Pro Tools 6.9.2 and Tiger OSX 10.4.x compatibility
Pro Tools 6.9.2 and Panther OSX 10.3.9 compatibility
Pro Tools 6.7 and Panther OSX 10.3.9 compatibility
Pro Tools 6.2.3 and Jaguar 10.2.8 compatibility
Pro Tools 5.3.1 and Mac OS9 compatibility
Pro Tools 7.x.x M-Powered version compatibility
Full Windows XP support!
Full Pro Tools TDM support for Pro Tools|HD Accel, Pro Tools|HD and Pro Tools 24|MIX systems
Full 192 kHz support for TDM, RTAS and AudioSuite versions
Full ProControl, Control|24, Command|8 and Digi 002 support
Full ICON Console Control Surface support — including center section Dynamics panel
Supports Mbox, Digi 001, Digi 002, Digi 002 Rack, Pro Tools|24 MIX, Pro Tools|HD and Pro Tools|HD Accel and M-Audio Interfaces.
Audio Units support for Logic Pro 8.x thru 6.x, Digital Performer 6.x thru 4.x, Bias Peak 6.x thru 4.x, Abelton Live 7.x through 6.x, Final Cut Pro and more!
VST support for Mac and PC Cubase, Nuendo, Sonar, Abelton Live, Acid, Sound Forge, Reaper, Wavelab, Bias Peak and more!
The URS Classic Console EQ Bundle w/FullTEC+BLT - TDM Features:
Pro Tools 7.4.x and Leopard OSX 10.5.x compatibility
Pro Tools 7.x.x and Tiger OSX 10.4.x compatibility
Pro Tools 6.9.2 and Tiger OSX 10.4.x compatibility
Pro Tools 6.9.2 and Panther OSX 10.3.9 compatibility
Pro Tools 6.7 and Panther OSX 10.3.9 compatibility
Pro Tools 6.2.3 and Jaguar 10.2.8 compatibility
Pro Tools 5.3.1 and Mac OS9 compatibility
Pro Tools 7.x.x M-Powered version compatibility
Full Windows XP support!
Full Pro Tools TDM support for Pro Tools|HD Accel, Pro Tools|HD and Pro Tools 24|MIX systems
Full 192 kHz support for TDM, RTAS and AudioSuite versions
Full ProControl, Control|24, Command|8 and Digi 002 support
Full ICON Console Control Surface support — including center section Dynamics panel
Supports Mbox, Digi 001, Digi 002, Digi 002 Rack, Pro Tools|24 MIX, Pro Tools|HD and Pro Tools|HD Accel and M-Audio Interfaces.
Audio Units support for Logic Pro 8.x thru 6.x, Digital Performer 6.x thru 4.x, Bias Peak 6.x thru 4.x, Abelton Live 7.x through 6.x, Final Cut Pro and more!
VST support for Mac and PC Cubase, Nuendo, Sonar, Abelton Live, Acid, Sound Forge, Reaper, Wavelab, Bias Peak and more!
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