Utility Plug-ins | Virtual Processors for Computer Audio | VintageKing.com

Utility

Digidesign's latest plug-in creation, SoundReplacer, is one of the new school: simple in interface and powerful in possibilities. It does exactly what the name implies, replacing particular sounds in a single audio selection with user-selected samples. To make things a bit more interesting, it has three separate threshold levels, each corresponding to a different sample, and various cross-fade, peak alignment, dynamics, and mixing functions. 
<p>
SoundReplacer runs under the file-based AudioSuite plug-in environment in Pro Tools and compatible software, rather than the real-time, DSP munching, TDM environment. To get started, just make an audio selection and choose the plug-in from the AudioSuite menu, as usual. Making a subsequent selection doesn't cause a problem for the waveform display in the plug-in window, as an update button and a latching auto-update button instigate the work of 're-learning' and re-drawing the waveform. 
<p>
The waveform display inside the plug-in window has its own scroll bars and zoom controls. The three coloured flags to the left of the waveform display are the threshold controls for each sample. Assigning samples to these thresholds is as simple as clicking on the disk icons at the base of each slider and navigating an 'open file' dialogue to find each one.

Avid Sound Replacer (AS)
Digidesign Sound Replacer Drum Hit & Sound Replacement for Pro Tools (AS)

<P> In the worlds of electronic music and sound design, a tool occasionally appears that promises to leave a permanent imprint. Digidesign's new Synchronic software instrument is such a device, providing musicians and sound sculptors with an intuitive, deep-featured means of developing truly distinctive loops and enhancing the originality of one's work. Whether in a studio environment or onstage, the Synchronic plug-in for Pro Tools gives you the power to substantially modify looped audio on the fly and, in the process, define your signature sound. <BR><BR><BR><B>Digidesign Synchronic at a Glance:</B><BR></P>
<UL>
<LI>Sculpt loops and create tempo-based effects in a live setting in real time.<BR></LI>
<LI>Five main sections, each of which can be edited, stored, and recalled. <BR></LI>
<LI>Perform complex beat manipulations, effects, and cross-modulations while remaining tightly synced to the Pro Tools MIDI Beat Clock.<BR></LI>
<LI>200 MB of royalty-free loops.<BR></LI>
<LI>Sample-rate support up to 96 kHz, SD II, WAV, and AIFF files can be easily imported.<BR></LI>
<LI>LE and HD Compatible, Win XP or Mac.</LI></UL>
<P><BR><BR><B>Spontaneous Composition and Improvisation</B><BR>An ideal instrument for spontaneous composition and improvisation, Synchronic offers performing electronic musicians and DJs the ability to sculpt loops and create tempo-based effects in a live setting in real time. With Synchronic, you can easily create rhythmic modifications and in-tempo effects with individual beats and beat subdivisions within a loop. With Synchronic's many possibilities and ease-of-use, you can achieve virtually any desired effect or something completely unexpected. When combined with a MIDI controller, all of its parameters can be controlled in real time, and individual presets within Synchronic's modules can be recalled simply by triggering a MIDI key. <BR><BR>Once audio loops are loaded into Synchronic, they can be controlled using Synchronic's user interface, Pro Tools MIDI tracks, an external MIDI controller, a qualified Digidesign control surface such as Command|8, and/or Pro Tools plug-in automation.<BR><BR>Multiple instances of Synchronic can run within the same Pro Tools LE or TDM session to meet your creative demands. Synchronic can even work alongside other music software products such as Ableton Live and Propellerhead Reason to bring a new breadth to your music. </P>

Avid Synchronic
Loop Manipulation Plug-in for Pro Tools - RTAS

BIAS Reveal
A robust suite of seven professional audio analysis plug-ins (Mac/PC)
Electronic Delivery Only

The <b>IK Multimedia ARC System</b> is the first (and only) acoustic room correction plug-in, and delivers the most advanced solution to acoustical problems for any Digidesign® Pro Tools® TDM-based studio. Combining a professional calibrated measurement microphone, standalone software that captures sound information and calculates proper room correction, and a multi-platform plug-in, this technology will improve how your studio sounds forever.
<br><br>
ARC features the revolutionary Audyssey MultEQ® technology, which measures acoustical information throughout the listening area in your studio. It then combines this information to provide an accurate representation of the room’s acoustical problems. The equalization solution then corrects for both time and frequency response problems more effectively and efficiently than any other room correction EQ on the market. The result is a clear and reliable representation of your mix. Regardless of the acoustical issues in your studio, what you are recording, mixing or mastering becomes immediately clear and reliable and your studio sound will improve forever.
<br><br>
<b>The IK Multimedia ARC System Features:</b>
<ul>
    <li> The first and only room correction system in a plug-in for Pro Tools® TDM-based studios
    <li> Includes a calibrated measurement microphone, measurement software and multi-platform correction plug-in
    <li> Improves clarity, stereo imaging and frequency response, for faster, more reliable mixing
    <li> Revolutionary Audyssey MultEQ® technology corrects frequency and phase response not only for the engineer’s ‘sweet spot’, but also multiple points in the room
    <li> Step by step setup measurement wizard will have you up and running in minutes
    <li> A convenient, unique, mobile correction solution for the traveling engineer
    <li> Sonically 'treat' your room so you can finally trust the sound of your studio
</ul>

IK Multimedia ARC System - TDM
Acoustic Room Correction System plug-in for Pro Tools|HD Accel

The <b>IK Multimedia ARC System</b> is the first (and only) acoustic room correction plug-in, and delivers the most advanced solution to acoustical problems for any Digidesign® Pro Tools® TDM-based studio. Combining a professional calibrated measurement microphone, standalone software that captures sound information and calculates proper room correction, and a multi-platform plug-in, this technology will improve how your studio sounds forever.
<br><br>
ARC features the revolutionary Audyssey MultEQ® technology, which measures acoustical information throughout the listening area in your studio. It then combines this information to provide an accurate representation of the room’s acoustical problems. The equalization solution then corrects for both time and frequency response problems more effectively and efficiently than any other room correction EQ on the market. The result is a clear and reliable representation of your mix. Regardless of the acoustical issues in your studio, what you are recording, mixing or mastering becomes immediately clear and reliable and your studio sound will improve forever.
<br><br>
<b>The IK Multimedia ARC System Features:</b>
<ul>
    <li> The first and only room correction system in a plug-in for Pro Tools® TDM-based studios
    <li> Includes a calibrated measurement microphone, measurement software and multi-platform correction plug-in
    <li> Improves clarity, stereo imaging and frequency response, for faster, more reliable mixing
    <li> Revolutionary Audyssey MultEQ® technology corrects frequency and phase response not only for the engineer’s ‘sweet spot’, but also multiple points in the room
    <li> Step by step setup measurement wizard will have you up and running in minutes
    <li> A convenient, unique, mobile correction solution for the traveling engineer
    <li> Sonically 'treat' your room so you can finally trust the sound of your studio
</ul>

IK Multimedia ARC System - TDM Crossgrade
Acoustic Room Correction System plug-in for Pro Tools|HD Accel - Crossgrade

The <b>IK Multimedia ARC System</b> is the first (and only) acoustic room correction plug-in, and delivers the most advanced solution to acoustical problems for any Digidesign® Pro Tools® TDM-based studio. Combining a professional calibrated measurement microphone, standalone software that captures sound information and calculates proper room correction, and a multi-platform plug-in, this technology will improve how your studio sounds forever.
<br><br>
ARC features the revolutionary Audyssey MultEQ® technology, which measures acoustical information throughout the listening area in your studio. It then combines this information to provide an accurate representation of the room’s acoustical problems. The equalization solution then corrects for both time and frequency response problems more effectively and efficiently than any other room correction EQ on the market. The result is a clear and reliable representation of your mix. Regardless of the acoustical issues in your studio, what you are recording, mixing or mastering becomes immediately clear and reliable and your studio sound will improve forever.
<br><br>
<b>The IK Multimedia ARC System Features:</b>
<ul>
    <li> The first and only room correction system in a plug-in for Pro Tools® TDM-based studios
    <li> Includes a calibrated measurement microphone, measurement software and multi-platform correction plug-in
    <li> Improves clarity, stereo imaging and frequency response, for faster, more reliable mixing
    <li> Revolutionary Audyssey MultEQ® technology corrects frequency and phase response not only for the engineer’s ‘sweet spot’, but also multiple points in the room
    <li> Step by step setup measurement wizard will have you up and running in minutes
    <li> A convenient, unique, mobile correction solution for the traveling engineer
    <li> Sonically 'treat' your room so you can finally trust the sound of your studio
</ul>

IK Multimedia ARC System - TDM Software Only Upgrade
Acoustic Room Correction System plug-in for Pro Tools|HD Accel - Upgrade

The <b>IK Multimedia ARC System</b> is the first (and only) acoustic room correction plug-in, and delivers the most advanced solution to acoustical problems for any Digidesign® Pro Tools® TDM-based studio. Combining a professional calibrated measurement microphone, standalone software that captures sound information and calculates proper room correction, and a multi-platform plug-in, this technology will improve how your studio sounds forever.
<br><br>
ARC features the revolutionary Audyssey MultEQ® technology, which measures acoustical information throughout the listening area in your studio. It then combines this information to provide an accurate representation of the room’s acoustical problems. The equalization solution then corrects for both time and frequency response problems more effectively and efficiently than any other room correction EQ on the market. The result is a clear and reliable representation of your mix. Regardless of the acoustical issues in your studio, what you are recording, mixing or mastering becomes immediately clear and reliable and your studio sound will improve forever.
<br><br>
<b>The IK Multimedia ARC System Features:</b>
<ul>
    <li> The first and only room correction system in a plug-in for Pro Tools® TDM-based studios
    <li> Includes a calibrated measurement microphone, measurement software and multi-platform correction plug-in
    <li> Improves clarity, stereo imaging and frequency response, for faster, more reliable mixing
    <li> Revolutionary Audyssey MultEQ® technology corrects frequency and phase response not only for the engineer’s ‘sweet spot’, but also multiple points in the room
    <li> Step by step setup measurement wizard will have you up and running in minutes
    <li> A convenient, unique, mobile correction solution for the traveling engineer
    <li> Sonically 'treat' your room so you can finally trust the sound of your studio
</ul>

IK Multimedia ARC System Crossgrade
Acoustic Room Correction System plug-in - Crossgrade

Metric Halo SpectraFoo Complete SA OSX
The complete toolset in the Standard version, plus a collection of highly advanced metering tools

<span class="strongText">The <span style="font-weight: bold;">Metric Halo SpectraFoo</span></span> provides all of the tools
today's digital projects demand. Whether you are a live sound engineer
or a studio mixer, you need the power that Foo provides. Including
standards-based level metering, high-speed, high-resolution spectral
analysis, the unique Phase Torch, correlation metering, triggerable
waveform display, power balancing and a variety of power, envelope and
spectral histories and phase analysis on any number of input or output
channels, the SpectraFoo range is absolutely essential for broadcast
production and critical mixing & mastering.<br>
<br><span style="font-weight: bold;" class="strongText">SpectraFoo Standard</span> is an award-winning
collection of high resolution metering tools in both standalone and DAW
Plug-In configurations. SpectraFoo includes basic, sample-accurate
metering, triggerable waveform display, power balancing and phase
analysis.<br><br><span style="font-weight: bold;">The Metric Halo SpectraFoo Features:</span><br>
<ul><li>Lissajous phase scopes (X-Y, vectorscope and stereo field display modes)</li><li>Full featured audio frequency oscilloscopes</li><li>Power balance meters</li><li>Full featured level meters with physical unit calibration</li><li>Full featured audio spectrum analyzers</li><li>Spectragram spectral history meters</li><li>Correlation meters</li><li>Correlation history meters</li><li>Phase Torch frequency-sensitive phase meters</li><li>Envelope history meters</li><li>Band Limited history meters</li><br><li>Intelligent window Management</li><li>Instrument linking</li><li>Up to 24 channels of simultaneous analysis</li><li>SpectraFoo Complete adds tools for mastering and acoustic measurement </li></ul>

Metric Halo SpectraFoo Standard SA OSX
Award-winning collection of high-resolution metering tools in both standalone and DAW plug-in configurations

A new concept is born – a simple and intuitive De-Esser, PLUS access to a much more sophisticated frequency specific compressor, giving complete control over aggressive frequencies wherever they may be in the audio spectrum. With the <B>Oxford SuprEsser</B> you can take out unwanted frequency peaks as and when they occur - unlike applying a fixed EQ to the whole channel. <BR><BR>As a De-Esser, the Oxford SuprEsser is designed for the treatment of sibilance and fricatives in vocals, and the treatment of unwanted whistles and 'spirant' artefacts associated with wind instruments. However, it can equally be applied to removing low-end 'plosives' and thuds from over-close vocal work, without affecting components nearby in the frequency spectrum, keeping the low-end in tact. For the most natural sounding results, the SuprEsser de-esses only the frequency band you set - so you won't end up with an over-de-essed lisp-like voice with all the top end gone! <BR><BR>Detailed visual feedback is provided thanks to the highly intuitive graphical display, allowing quick identification of the frequencies that need treatment and where to set the threshold. The threshold level and peak hold levels of the user-definable band are shown on the graph, alongside the FFT display of the narrow band signal, which includes retention of the peak level and the frequency containing the most energy. <BR><BR>At the heart of the Oxford SuprEsser is an enhanced version of the compressor section of the Oxford Dynamics plug-in, which is renowned amongst professional users for delivering precise and transparent control of peaks. Around this is built a pair of cross-over filters to make the compressor react only to the defined frequency band. These linear phase filters are modelled on the filters from the Oxford EQ, making the SuprEsser useful for precise mastering work as well as mixing work. <BR><BR>Three listen modes allow the user to listen to the mix, the output of the band-pass filter ('Inside') or the output of the band-reject filter ('Outside'). <BR><BR><B>Features:</B>
<UL>
<LI>Highly featured professional De-Esser 
<LI>Linear Phase Dynamic EQ 
<LI>Transparently controls aggressive frequencies 
<LI>Automatic Level Tracking follows energy levels (no need to automate threshold) 
<LI>Large intuitive graphic display makes finding frequencies very easy 
<LI>Full Spectrum Operation (20Hz -20KHz) 
<LI>Three different 'Listen' modes 
<LI>Very easy to use 
<LI>Advanced Mode for ultimate control of the Dynamic EQ 
<LI>Many creative as well as corrective uses 
<LI>Presets giving good starting points </LI></UL><B>Platforms Supported</B> <BR>Pro Tools LE (RTAS), M-Powered (RTAS), AU, VST

Sonnox Oxford SuprEsser
Highly-featured professional De-Esser and a Dynamic EQ

Change the tempo of drum loops. Shift the key of a bass line. <span style="font-weight: bold;">SoundToys Speed</span> is the utility that lets you take control of the tempo and the pitch with three different modes to make it easy to get what you need fast and without glitchy pitch artifacts.<br><br><span style="font-weight: bold;">Simple</span><br>In the Simple Mode, the first screen you see, you can easily speed up or slow down tempo or raise and lower pitch. Audition in real-time and see if it's the sound you want. You can even use your ear to tune a loop to your song. Or try slowing down the tempo while raising the pitch or visa-versa for interesting effects. By the way, SPEED also works with DigiDesign's TCE (Time compression expansion) Tool to integrate right into Pro Tools. Simple, fast, and great sound.<br><br><span style="font-weight: bold;">Getting Graphic</span><br>The second mode is Graphic mode. Perhaps the most creative of the three, Graphic Mode lets you draw lines to slowly change pitch or tempo or both, independent of each other, over time. You can even see your waveform behind the graph to make it easy to do interesting effects, or subtle time shifting to fixing tempo errors in a file. You can even use it to make minor tempo shifts on overly quantized files to add a bit more humanity.<br><br><span style="font-weight: bold;">Calculated Effort</span><br>In the Calculator Mode there is no effort. Simply enter in the tempo of your beat and the new tempo you want and "voila". Same for the key, enter the current key, then the one you need and it's just that easy. Whatever suits your needs there's a mode that make's it easy.

SoundToys Speed - TDM Only
Professional Tempo and Pitch Control Plug-in
Electronic Delivery Only

The <B>URS Saturation plug-in </B>digitally recreates four different and distinct pre amplifiers each featuring: a different type of input stage saturation, even and odd ordered harmonics and soft clipping. The initial four Mic Pre Amplifiers models include:<UL>

<LI><B>Class A Tube Mic Pre Amplifier - Vintage Motorcity
<LI>Class A Tube Mic Pre Amplifier - German
<LI>Class A Discrete Pre Amplifier - British
<LI>Class A Discrete JFet Pre Amplifier - Modern</B></UL>
Try the different URS Saturation algorithms on all your favorite tracks - Drums, Guitars, Bass, Keyboards and Vocals. Hear the added warmth!
<BR><BR>
<B>About each model:</B>
<UL>
 <LI>   <B>Class A Tube Mic Pre Amplifier - MotorCity</B><BR>
    This algorithm digitally recreates the characteristics of a American tube mic pre amplifier that was popular in recording studios during the 1960's Motown era. Setting the drive control higher will add desired harmonics and tube soft clipping for a much more pronounced effect.
<LI> 
  <B>  Class A Tube Mic Pre Amplifier - German</B><BR>
    This algorithm digitally recreates a German tube mic pre amplifier that was popular in European recording studios during early 1960's Beatles era. This type of tube pre amplifier is coveted for it's unique distortion, presence and authority in the treble ranges.
<LI> 
   <B> Class A Discrete Mic Pre Amplifier - British</B><BR>
    This algorithm digitally recreates the sought after classic British console all discrete mic pre saturation. This vintage amplifier was also used for the console's summing buss amplifiers. The added harmonics create the edge that is desired in both Rock and R&B music. 
<LI> 
    <B>Class A Discrete JFet Mic Pre Amplifier - Modern</B><BR>
    This algorithm digitally recreates a modern JFet mic pre amplifier that comes the closest of any discrete device to tube saturation. Although similar to a tube it has its own unique harmonic structure and sound.
</UL>
<B>Mix blend Control</B><BR>
Allows you to blend the right amount of Saturation with your source material. No need to use an additional parallel track or Aux send to get blend effects.  At the 100 % Wet setting the Mix Blend Control is disabled.
<BR><BR>
<B>Adjustable output control</B><BR>
The URS Saturation plug-in features an adjustable output control after the Mix Blend control to balance the final effect with your insert chain.
<BR><BR>
<B>Plasma Style VU metering</B><BR>
Allows you to view both the input and output signal. The phenomena of added harmonics, soft clipping and saturation is that it sounds louder even when the meters do not indicate changes in level. 
<BR><BR>
<B>High Res 64 bit Floating point "Double Precision" processing</B><BR>
The URS Saturation plug-in Hi Resolution 64-bit floating point  "Double Precision" processing for increased clarity and headroom. Why mention this clarity for a plug-in that reduces saturation? 
Because, we designed the URS Saturation plug-in to reproduce Analog style saturation not Digital!
<BR><BR>
<B>Native Support only</B><BR>
The URS Saturation plug-in currently supports Audio Units and VST for both Mac OSX.
RTAS is currently supported with a VST to RTAS Wrapper only (not included).
<BR><BR>
<B>TDM Support Planned</B><BR>
A TDM version is planned and will be released at a later time for an additional charge.
<BR><BR>
<B>Features</B><UL>
  <LI>Pro Tools 7.x.x and Leopard OSX 10.5.1 compatibility
  <LI>Pro Tools 7.x.x and Tiger OSX 10.4.x compatibility
  <LI>Pro Tools 6.9.2 and Tiger OSX 10.4.6 compatibility
  <LI>Pro Tools 6.9.2 and Panther OSX 10.4.6 compatibility 
  <LI>Pro Tools 6.7 and Panther OSX 10.3.9 compatibility 
  <LI>Pro Tools 6.2.3 and Jaguar 10.2.8 compatibility 
  <LI>Pro Tools M-Powered version 7.x.x compatibility
  <LI>Full 192 kHz support
  <LI>Logic Studio 8.x, Logic Audio 7.x, Digital Performer 5.x, Cubase, Nuendo, Bias Peak, Abelton Live - fully supported for Mac OSX Leopard 10.5.x and Tiger 10.4.x. 
  <LI>Full ProControl, Control|24, Command|8 and Digi 002 support 
   <LI>Full ICON Console Control Surface support — including center section Dynamics panel 
  <LI>Supports Mbox, Digi 001, Digi 002, Digi 002 Rack, Pro Tools|24 MIX, Pro Tools|HD and Pro Tools|HD Accel and M-Audio Interfaces.</UL>

<B>  URS Saturation Specifications</B><UL>
  <LI>Input Level Control
  <LI>Output Level Control
   <LI>Drive 0-100%
  <LI>Mix Blend Control - Wet / Dry Saturation effect
    <LI>In / Out Bypass switch 
      <LI>Phase Reverse switch
    <LI>Plasma Style Input and Output VU Meters

URS Saturation Plug-in - Native On sale!
Four different and distinct pre amplifiers digitally recreated
This product requires iLok authorization. For more information, give us a call at 248.591.9276

For over a decade, Waves has been a leader in the digital audio revolution, modeling console components, vintage amplifiers, and rare outboard compressors and equalizers. Now, with the <span style="font-weight: bold;">Waves Dorrough Meter Collection</span>, they have modeled the world's finest hardware meters. These precision models of classic Dorrough Meters offer the same readability, musicality and accuracy of the original units. Clear and comprehensive, Dorrough Meters are renowned for their unique ability to paint a detailed picture of true loudness, which is why more Dorroughs are used in advanced production facilities than those of any other brand. Displaying both average and peak levels in a single readout, Waves Dorrough Meters are the only meters which actually let users see the density of the sound.
<br><br>The Waves Dorrough Meter Collection features models of Dorrough’s most popular loudness meters: 280D/240D, 380D/340D, and 40AES/EBU. Developed in association with Dorrough Electronics, they provide precision loudness monitoring for every conceivable audio scenario. As Input Meters to attain optimal recording levels, as Group/Auxiliary Meters to achieve optimal group loudness, or as Master Output meters, the Waves Dorrough Meters do it all! <br><br><span style="font-weight: bold;">Features</span><br><ul><li>Superfast Peak Response</li><li>Sum and Difference Energies for Optimal Stereo-to-Mono Compatibility</li><li>Left/Right Phase Correlation</li><li>Displays Number of Overs</li><li>Peak and Average Level Relations</li><li>Three Selectable Styles: Horizontal (280D/240D), Vertical (380D/340D), and Arc (40AES/EBU)</li><li>Three Selectable Sizes: Extra Large, Large, and Small</li><li>Selectable Reference Levels</li><li>Switch Between Display Sizes and Styles with the Click of a Mouse</li><li>40dB Scale in 1 dB steps</li><li>Mono & Stereo Components</li></ul><br>When it comes to meters, you want readability. You want musicality. And most of all, you want accuracy. You want The Waves Dorrough Meter Collection.<br><br><span style="font-weight: bold;">Controls</span><br><ul><li>Meter Style Vertical, Horizontal, Arc</li><li>Meter Size S, L, XL</li><li>Reference Level 20dB AES, 18dB EBU, 14dB</li><li>Peak Auto, Hold, Reset</li><li>Overs Display, Reset</li><li>Meter Mode Phase, Sum/Diff, Left/Right</li><li>Phase Error LED</li><li>Overs Error LED </li></ul>

Waves Dorrough Meter Collection - Native
Metering Plugin Bundle
This product requires iLok authorization. For more information, give us a call at 248.591.9276

For over a decade, Waves has been a leader in the digital audio revolution, modeling console components, vintage amplifiers, and rare outboard compressors and equalizers. Now, with the <span style="font-weight: bold;">Waves Dorrough Meter Collection</span>, they have modeled the world's finest hardware meters. These precision models of classic Dorrough Meters offer the same readability, musicality and accuracy of the original units. Clear and comprehensive, Dorrough Meters are renowned for their unique ability to paint a detailed picture of true loudness, which is why more Dorroughs are used in advanced production facilities than those of any other brand. Displaying both average and peak levels in a single readout, Waves Dorrough Meters are the only meters which actually let users see the density of the sound.
<br><br>The Waves Dorrough Meter Collection features models of Dorrough’s most popular loudness meters: 280D/240D, 380D/340D, and 40AES/EBU. Developed in association with Dorrough Electronics, they provide precision loudness monitoring for every conceivable audio scenario. As Input Meters to attain optimal recording levels, as Group/Auxiliary Meters to achieve optimal group loudness, or as Master Output meters, the Waves Dorrough Meters do it all! <br><br><span style="font-weight: bold;">Features</span><br><ul><li>Superfast Peak Response</li><li>Sum and Difference Energies for Optimal Stereo-to-Mono Compatibility</li><li>Left/Right Phase Correlation</li><li>Displays Number of Overs</li><li>Peak and Average Level Relations</li><li>Three Selectable Styles: Horizontal (280D/240D), Vertical (380D/340D), and Arc (40AES/EBU)</li><li>Three Selectable Sizes: Extra Large, Large, and Small</li><li>Selectable Reference Levels</li><li>Switch Between Display Sizes and Styles with the Click of a Mouse</li><li>40dB Scale in 1 dB steps</li><li>Mono & Stereo Components</li></ul><br>When it comes to meters, you want readability. You want musicality. And most of all, you want accuracy. You want The Waves Dorrough Meter Collection.<br><br><span style="font-weight: bold;">Controls</span><br><ul><li>Meter Style Vertical, Horizontal, Arc</li><li>Meter Size S, L, XL</li><li>Reference Level 20dB AES, 18dB EBU, 14dB</li><li>Peak Auto, Hold, Reset</li><li>Overs Display, Reset</li><li>Meter Mode Phase, Sum/Diff, Left/Right</li><li>Phase Error LED</li><li>Overs Error LED </li></ul>

Waves Dorrough Meter Collection - TDM
Metering Plugin Bundle
This product requires iLok authorization. For more information, give us a call at 248.591.9276

The <B>Waves Dorrough Meter Collection -Surround Edition</B> includes the Waves Dorrough stereo meters with all their advanced display features and functions, plus customized meters engineered especially for Surround production environments.<BR>
 <BR>
These precision models of classic Dorrough Meters offer the same readability, musicality and accuracy of the original units. Clear and comprehensive, Dorrough Meters are renowned for their unique ability to paint a detailed picture of true loudness, which is why more Dorroughs are used in advanced production facilities than those of any other brand. Displaying both average and peak levels in a single readout, Waves Dorrough Meters are the only meters which actually let users see the density of the sound. <BR><BR>The Waves Dorrough Meter Collection features models of Dorrough’s most popular loudness meters: 280D/240D, 380D/340D, and 40AES/EBU. Developed in association with Dorrough Electronics, they provide precision loudness monitoring for every conceivable audio scenario. As Input Meters to attain optimal recording levels, as Group/Auxiliary Meters to achieve optimal group loudness, or as Master Output meters, the Waves Dorrough Meters do it all! <BR><BR><SPAN style="FONT-WEIGHT: bold">Features</SPAN><BR>
<UL>
<LI>Superfast Peak Response
<LI>Sum and Difference Energies for Optimal Stereo-to-Mono Compatibility
<LI>Left/Right Phase Correlation
<LI>Displays Number of Overs
<LI>Peak and Average Level Relations
<LI>Three Selectable Styles: Horizontal (280D/240D), Vertical (380D/340D), and Arc (40AES/EBU)
<LI>Three Selectable Sizes: Extra Large, Large, and Small
<LI>Selectable Reference Levels
<LI>Switch Between Display Sizes and Styles with the Click of a Mouse
<LI>40dB Scale in 1 dB steps
<LI>Mono & Stereo Components
</ul>When it comes to meters, you want readability. You want musicality. And most of all, you want accuracy. You want The Waves Dorrough Meter Collection.<BR><BR><SPAN style="FONT-WEIGHT: bold">Controls</SPAN><BR>
<LI>Meter Style Vertical, Horizontal, Arc
<LI>Meter Size S, L, XL
<LI>Reference Level 20dB AES, 18dB EBU, 14dB
<LI>Peak Auto, Hold, Reset
<LI>Overs Display, Reset
<LI>Meter Mode Phase, Sum/Diff, Left/Right
<LI>Phase Error LED
<LI>Overs Error LED </LI></UL>

Waves Dorrough Surround Collection - Native
Displaying average & Peak Levels, Surround 360, Mono & Stereo, 3 style view.
This product requires iLok authorization. For more information, give us a call at 248.591.9276

The <B>Waves Dorrough Meter Collection -Surround Edition</B> includes the Waves Dorrough stereo meters with all their advanced display features and functions, plus customized meters engineered especially for Surround production environments.<BR>
 <BR>
These precision models of classic Dorrough Meters offer the same readability, musicality and accuracy of the original units. Clear and comprehensive, Dorrough Meters are renowned for their unique ability to paint a detailed picture of true loudness, which is why more Dorroughs are used in advanced production facilities than those of any other brand. Displaying both average and peak levels in a single readout, Waves Dorrough Meters are the only meters which actually let users see the density of the sound. <BR><BR>The Waves Dorrough Meter Collection features models of Dorrough’s most popular loudness meters: 280D/240D, 380D/340D, and 40AES/EBU. Developed in association with Dorrough Electronics, they provide precision loudness monitoring for every conceivable audio scenario. As Input Meters to attain optimal recording levels, as Group/Auxiliary Meters to achieve optimal group loudness, or as Master Output meters, the Waves Dorrough Meters do it all! <BR><BR><SPAN style="FONT-WEIGHT: bold">Features</SPAN><BR>
<UL>
<LI>Superfast Peak Response
<LI>Sum and Difference Energies for Optimal Stereo-to-Mono Compatibility
<LI>Left/Right Phase Correlation
<LI>Displays Number of Overs
<LI>Peak and Average Level Relations
<LI>Three Selectable Styles: Horizontal (280D/240D), Vertical (380D/340D), and Arc (40AES/EBU)
<LI>Three Selectable Sizes: Extra Large, Large, and Small
<LI>Selectable Reference Levels
<LI>Switch Between Display Sizes and Styles with the Click of a Mouse
<LI>40dB Scale in 1 dB steps
<LI>Mono & Stereo Components
</ul>When it comes to meters, you want readability. You want musicality. And most of all, you want accuracy. You want The Waves Dorrough Meter Collection.<BR><BR><SPAN style="FONT-WEIGHT: bold">Controls</SPAN><BR>
<LI>Meter Style Vertical, Horizontal, Arc
<LI>Meter Size S, L, XL
<LI>Reference Level 20dB AES, 18dB EBU, 14dB
<LI>Peak Auto, Hold, Reset
<LI>Overs Display, Reset
<LI>Meter Mode Phase, Sum/Diff, Left/Right
<LI>Phase Error LED
<LI>Overs Error LED </LI></UL>

Waves Dorrough Surround Collection - TDM
Displaying average & Peak Levels, Surround 360, Mono & Stereo, 3 style view.
This product requires iLok authorization. For more information, give us a call at 248.591.9276

From music to movie soundtracks and beyond, audio engineers are upmixing all sorts of content from stereo to surround, to capture the excitement of today’s full, multi-speaker environments. And when the original multi-track sessions aren’t available, they have to work with stereo mixes.<br><br>Presenting the <span style="font-weight: bold;">Waves UM225 and UM226</span> stereo-to-surround processors, two new tools which bring Waves quality to the new surround soundscape.<br><br>Available separately or in 360º Surround Tools and Waves Mercury.<br><br><span style="font-weight: bold;">From 2 to 5.0 or 5.1</span><br>Experienced engineers know that in order to achieve optimal surround from stereo, they need to maintain the character of the original mix, including absolute levels, relative levels, and relative positions in space. At the same time, they want to realize the potential of the center, rear, and LFE channels, for a rich, enveloping 360˚ mix.<br><br>Using patented center and rear channel extraction processes, together with a unique LFE channel enrichment process, the UM225 for 5.0 and the UM226 for 5.1 deliver improved surround imaging, for a wider soundscape with better separation.<br><br>For sound designers who want to use stereo effects on surround soundtracks; for engineers updating archive material to the new HDTV surround standard; for keyboardists who need 5.0 or 5.1 output for virtual instruments; for post-production specialists who want to enhance LFE effects like explosions, earthquakes, and street rumble; and for recordists that require creative conversion of stereo sources to surround in real time, the UM225 and UM226 are the most versatile, best sounding stereo-to-surround processors out there.<br><br><span style="font-weight: bold;">Featuring</span><br><ul><li>Profile modes for music and movies</li><li>Enhanced clarity and separation of frontal center</li><li>LFE channel LoAir enrichment with cutoff-frequency control</li><li>Adjustable rear channel ambience and delay</li><li>Intuitive surround graph </li></ul><br><span style="font-weight: bold;">Controls</span><br><ul><li>Profile Mode 1 to 8</li><li>LF Profile L/R to C Balance</li><li>HF Profile L/R to C Balance</li><li>Punch L/R to C Balance</li><li>L/R Width 1 to 2</li><li>UpMix Amount 0 to 100 (2.0 to 5.0/5.1)</li><li>Rear LPF 20kHz to 1kHz</li><li>Rear Ambience 0 to 100</li><li>Rear Delay 3 to 75</li><li>LFE LPF 40Hz to 120Hz</li><li>LFE LoAir On/Off</li><li>Output Trims: L-R/Center/LsRs/LFE +/- 12dB</li><li>Master Output 0 to -24 dB</li><li>Left/Center/Right/Ls/Rs/LFE Speaker On/Off</li><li>Left/Right Input Meters -60dBFS to 0dBFS</li><li>Left/ Center/Right /Ls /Rs/LFE Output Meters -60dBFS to 0dBFS</li><li>Surround Graph</li></ul>

Waves UM225/UM226 - Native
Stereo to Surround Processor - 5.0
This product requires iLok authorization. For more information, give us a call at 248.591.9276

From music to movie soundtracks and beyond, audio engineers are upmixing all sorts of content from stereo to surround, to capture the excitement of today’s full, multi-speaker environments. And when the original multi-track sessions aren’t available, they have to work with stereo mixes.<br><br>Presenting the <span style="font-weight: bold;">Waves UM225 and UM226</span> stereo-to-surround processors, two new tools which bring Waves quality to the new surround soundscape.<br><br>Available separately or in 360º Surround Tools and Waves Mercury.<br><br><span style="font-weight: bold;">From 2 to 5.0 or 5.1</span><br>Experienced engineers know that in order to achieve optimal surround from stereo, they need to maintain the character of the original mix, including absolute levels, relative levels, and relative positions in space. At the same time, they want to realize the potential of the center, rear, and LFE channels, for a rich, enveloping 360˚ mix.<br><br>Using patented center and rear channel extraction processes, together with a unique LFE channel enrichment process, the UM225 for 5.0 and the UM226 for 5.1 deliver improved surround imaging, for a wider soundscape with better separation.<br><br>For sound designers who want to use stereo effects on surround soundtracks; for engineers updating archive material to the new HDTV surround standard; for keyboardists who need 5.0 or 5.1 output for virtual instruments; for post-production specialists who want to enhance LFE effects like explosions, earthquakes, and street rumble; and for recordists that require creative conversion of stereo sources to surround in real time, the UM225 and UM226 are the most versatile, best sounding stereo-to-surround processors out there.<br><br><span style="font-weight: bold;">Featuring</span><br><ul><li>Profile modes for music and movies</li><li>Enhanced clarity and separation of frontal center</li><li>LFE channel LoAir enrichment with cutoff-frequency control</li><li>Adjustable rear channel ambience and delay</li><li>Intuitive surround graph </li></ul><br><span style="font-weight: bold;">Controls</span><br><ul><li>Profile Mode 1 to 8</li><li>LF Profile L/R to C Balance</li><li>HF Profile L/R to C Balance</li><li>Punch L/R to C Balance</li><li>L/R Width 1 to 2</li><li>UpMix Amount 0 to 100 (2.0 to 5.0/5.1)</li><li>Rear LPF 20kHz to 1kHz</li><li>Rear Ambience 0 to 100</li><li>Rear Delay 3 to 75</li><li>LFE LPF 40Hz to 120Hz</li><li>LFE LoAir On/Off</li><li>Output Trims: L-R/Center/LsRs/LFE +/- 12dB</li><li>Master Output 0 to -24 dB</li><li>Left/Center/Right/Ls/Rs/LFE Speaker On/Off</li><li>Left/Right Input Meters -60dBFS to 0dBFS</li><li>Left/ Center/Right /Ls /Rs/LFE Output Meters -60dBFS to 0dBFS</li><li>Surround Graph</li></ul>

Waves UM225/UM226 - TDM
Stereo to Surround Processor - 5.0
This product requires iLok authorization. For more information, give us a call at 248.591.9276




API Audio Neve Barefoot Sound Shadow Hills Industries Retro Instruments Waves Audio Coles Microphones Endless Analog Clasp		Read what people are saying about Vintage King Audio Sales & Service from around the world. Read them here!		How about recycling your used gear for something different or just a change? When speaking to a sales representative, make sure to indicate that you are interested in trading your gear for a new purchase or please send an email to info@vintageking.com.

SALES		CUSTOMER SERVICE
888.653.1184 ext 3 +1.248.591.9276 ext 3 Sales Hours: M-F 10 to 8 (ET) Sat 12 to 4 (ET) Sun Closed More Information		888.653.1184 ext 2 +1.248.591.9276 ext 2 Customer Service Hours M-F 10 to 6 (ET) Sat Closed Sun Closed More Information

WHY SHOP KING?

Privacy and Security

Satisfaction Guaranteed

Warranty Information

Shipping and Delivery

Lifetime Customer Support

RESOURCES

Frequently Asked Questions

Terms and Conditions

Infrasonic Sound

Article Archives

Tax Exempt Forms

NEWS ROOM

ENTER EMAIL FOR
SPECIAL OFFERS

OUR NETWORKS

CATEGORIES

QUICK LINKS

Producers Corner

Trade Your Gear

Pensado's Place

Facebook Giveaways

OUR NETWORKS