Waves Audio Plug-ins, Plugin Bundles | VintageKing.com

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Waves Audio

A comprehensive collection of audio processing tools, <B>Waves Diamond</B> brings unparalleled signal processing power to your studio, for tracking, mixing, mastering, creative sound design, and audio restoration. Diamond now includes Q-Clone, Waves Tune LT, L3 Multimaximizer, L3-LL Multimaximizer, and IR-L Convolution Reverb as well as all the plug-ins found in Waves Platinum, Restoration, and Transform bundles. From dynamics, equalization, and reverb to pitch correction, spatial imaging, and beyond, Diamond is a must-have for every serious studio.<BR><BR><B>Includes:</B>
<OL>
<LI>L1 Ultramaximizer<BR>
<LI>L2 Ultramaximizer<BR>
<LI>L3 Multimaximizer<BR>
<LI>L3 Ultramaximizer<BR>
<LI>L1 Ultramaximizer <BR>
<LI>L3-LL Multi<BR>
<LI>L3-LL Ultra<BR>
<LI>MaxxBass<BR>
<LI>Linear Phase Equalizer<BR>
<LI>Linear Phase Multiband<BR>
<LI>TrueVerb Room Emulator<BR>
<LI>S1<BR>
<LI>Renaissance Axx<BR>
<LI>Renaissance Bass<BR>
<LI>Renaissance Compressor<BR>
<LI>Renaissance Channel<BR>
<LI>Renaissance De-Esser<BR>
<LI>Renaissance Equalizer<BR>
<LI>Renaissance Reverb<BR>
<LI>Renaissance Vox<BR>
<LI>C1<BR>
<LI>C4<BR>
<LI>PS-22 (TDM Only)<br>
<LI>MetaFlanger<BR>
<LI>MondoMod<BR>
<LI>DeEsser<BR>
<LI>IR-L<BR>
<LI>Doubler<BR>
<LI>Doppler<BR>
<LI>DeEsser<BR>
<LI>Q10 Paragraphic Eq<BR>
<LI>Q-Clone<BR>
<LI>AudioTrack<BR>
<LI>PAZ Psychoacoustic Analyzer<BR>
<LI>Enigma<BR>
<LI>Supertap<BR>
<LI>Waves Tune LT<BR>
<LI>UltraPitch<BR>
<LI>SoundShifter<BR>
<LI>X-Click<BR>
<LI>X-Crackle<BR>
<LI>X-Hum<BR>
<LI>X-Noise<BR>
<LI>Morphoder<BR>
<LI>TransX Transient Shaper<BR>
<LI>MV2<BR>
<LI>AudioTrack<BR>
<LI>Maxx Volume<BR>
<LI>Z-Noise<BR>
<LI>Center<BR>
<LI>H-Comp<BR>
<LI>H-Delay<BR>
<LI>PuigTec EQP-1A<BR>
<LI>PuigTec MEQ-5<BR>
<LI>V-Comp<BR>
</LI></OL>

Waves Diamond Bundle - Native
Diamond Bundle including Platinum, Restoration, and Transform Bundles - Native
This product requires iLok authorization. For more information, give us a call at 248.591.9276

A comprehensive collection of audio processing tools, <B>Waves Diamond</B> brings unparalleled signal processing power to your studio, for tracking, mixing, mastering, creative sound design, and audio restoration. Diamond now includes Q-Clone, Waves Tune LT, L3 Multimaximizer, L3-LL Multimaximizer, and IR-L Convolution Reverb as well as all the plug-ins found in Waves Platinum, Restoration, and Transform bundles. From dynamics, equalization, and reverb to pitch correction, spatial imaging, and beyond, Diamond is a must-have for every serious studio.<BR><BR><B>Includes:</B>
<OL>
<LI>L1 Ultramaximizer<BR>
<LI>L2 Ultramaximizer<BR>
<LI>L3 Multimaximizer<BR>
<LI>L3 Ultramaximizer<BR>
<LI>L1 Ultramaximizer <BR>
<LI>L3-LL Multi<BR>
<LI>L3-LL Ultra<BR>
<LI>MaxxBass<BR>
<LI>Linear Phase Equalizer<BR>
<LI>Linear Phase Multiband<BR>
<LI>TrueVerb Room Emulator<BR>
<LI>S1<BR>
<LI>Renaissance Axx<BR>
<LI>Renaissance Bass<BR>
<LI>Renaissance Compressor<BR>
<LI>Renaissance Channel<BR>
<LI>Renaissance De-Esser<BR>
<LI>Renaissance Equalizer<BR>
<LI>Renaissance Reverb<BR>
<LI>Renaissance Vox<BR>
<LI>C1<BR>
<LI>C4<BR>
<LI>PS-22 (TDM Only)<br>
<LI>MetaFlanger<BR>
<LI>MondoMod<BR>
<LI>DeEsser<BR>
<LI>IR-L<BR>
<LI>Doubler<BR>
<LI>Doppler<BR>
<LI>DeEsser<BR>
<LI>Q10 Paragraphic Eq<BR>
<LI>Q-Clone<BR>
<LI>AudioTrack<BR>
<LI>PAZ Psychoacoustic Analyzer<BR>
<LI>Enigma<BR>
<LI>Supertap<BR>
<LI>Waves Tune LT<BR>
<LI>UltraPitch<BR>
<LI>SoundShifter<BR>
<LI>X-Click<BR>
<LI>X-Crackle<BR>
<LI>X-Hum<BR>
<LI>X-Noise<BR>
<LI>Morphoder<BR>
<LI>TransX Transient Shaper<BR>
<LI>MV2<BR>
<LI>AudioTrack<BR>
<LI>Maxx Volume<BR>
<LI>Z-Noise<BR>
<LI>Center<BR>
<LI>H-Comp<BR>
<LI>H-Delay<BR>
<LI>PuigTec EQP-1A<BR>
<LI>PuigTec MEQ-5<BR>
<LI>V-Comp<BR>
</LI></OL>

Waves Diamond Bundle - TDM
Diamond Bundle including Platinum, Restoration, and Transform Bundles - TDM
This product requires iLok authorization. For more information, give us a call at 248.591.9276

<span name="intelliTxt" id="intelliTXT">Developed in collaboration with world-renowned mixer/engineer Chris Lord-Alge, </span><span style="font-weight: bold;">Waves CLA Classic Compressors</span> consist of four plug-ins: the CLA-2A, the CLA-3A, the CLA-76 Blacky and the CLA-76 Bluey. These classic models grant users access to the same tools that Lord-Alge has used to help define hard-hitting rock and pop over the last several decades.<br><br><span style="font-weight: bold;">Waves CLA-2A Compressor/Limiter</span><br>Modeled on the world's first electro-optical tube compressor, the CLA-2A emulates the original's smooth, frequency-dependent behavior that has made it a favorite of engineers everywhere. Like the mid-60s classic, the CLA-2A sounds great on guitars and bass and particularly shines on vocals. Topping it off with Lord-Alge's personal presets and the zero-latency only a Native plug-in can provide, CLA-2A offers users a model that far surpasses its inspiration.<br><br><span style="font-weight: bold;">Features</span><br><ul><li>Compressor and Limiter modes</li><li>Zero latency</li><li>Sidechain frequency filter</li><li>Up to 24bit 192kHz resolution</li><li>Mono and Stereo components</li><li>Supports TDM, RTAS, Audio Suite, VST, AU</li><li>PC and Mac compatible</li></ul><br><span style="font-weight: bold;">Controls</span><br><ul><li><span style="font-weight: bold;">Gain</span> 0 to 100</li><li><span style="font-weight: bold;">Peak Reduction</span> 0 to 100</li><li><span style="font-weight: bold;">Compressor Mode</span> Comp, Limiter</li><li><span style="font-weight: bold;">HF Freq</span> 0 to 100</li><li><span style="font-weight: bold;">Analog</span> Off, 50Hz, 60Hz</li><li><span style="font-weight: bold;">VU Display</span> Input, Gain Reduction, Output</li></ul><br><span style="font-weight: bold;">Waves CLA-3A Compressor/Limiter</span><br>Based on the early 1970s solid-state unit known for its unique and highly transparent compression curve, the CLA-3A delivers the quick response and the subtle harmonic distortion for which the original is world-renowned. Just like the original, the CLA-3A is ideal for bass, guitars and vocals. Unlike the original, users can fire up as many instances as their systems can handle.<br><br><span style="font-weight: bold;">Features</span><br><ul><li>Compressor and Limiter modes</li><li>Zero latency</li><li>Sidechain frequency filter</li><li>Up to 24bit 192kHz resolution</li><li>Mono and Stereo components</li><li>Supports TDM, RTAS, Audio Suite, VST, AU</li><li>PC and Mac compatible</li></ul><br><span style="font-weight: bold;">Controls</span><br><ul><li><span style="font-weight: bold;">Gain</span> 0 to 10</li><li><span style="font-weight: bold;">Peak Reduction</span> 0 to 10</li><li><span style="font-weight: bold;">Compressor Mode</span> Comp, Limiter</li><li><span style="font-weight: bold;">HF Freq</span> 0 to 100</li><li><span style="font-weight: bold;">Analog</span> Off, 50Hz, 60Hz</li><li><span style="font-weight: bold;">VU Display</span> Input, Gain Reduction, Output</li></ul><br><span style="font-weight: bold;">Waves CLA-76 Bluey & Blacky Compressor/Limiter</span>s<br>Inspired by two highly-desirable revisions of the famed mid-60s Class A line level limiting amplifier, both versions of the CLA-76 ("Blacky" and "Bluey") offer the super-fast attack that made the originals studio legends. With an exclusive "All" control that recreates the original's explosive "All-Ratio-Buttons-In" mode, plus modeled pre-amp distortion for extra edge, the CLA-76 delivers some of the most powerful drum sounds imaginable.<br><br><span style="font-weight: bold;">Features</span><br><ul><li>Superfast attack</li><li>Exclusive ALL control</li><li>Pre-amp distortion modeling</li><li>Zero latency</li><li>Up to 24bit 192kHz resolution</li><li>Mono and Stereo components</li><li>Supports TDM, RTAS, Audio Suite, VST, AU</li><li>PC and Mac compatible</li></ul><br><span style="font-weight: bold;">Controls</span><br><ul><li><span style="font-weight: bold;">Input</span> Inf to 0</li><li><span style="font-weight: bold;">Output</span> Inf to 0</li><li><span style="font-weight: bold;">Attack</span> 1 to 7 (1 millisecond to 50 microseconds)</li><li><span style="font-weight: bold;">Release</span> 1 to 7 (1 second to 50 milliseconds)</li><li><span style="font-weight: bold;">Ratio</span> 4:1, 8:1, 12:1, 20:1, ALL</li><li><span style="font-weight: bold;">Comp Off</span> Comp On, Comp Off</li><li><span style="font-weight: bold;">Analog</span> Off, 50Hz, 60Hz</li><li><span style="font-weight: bold;">VU Display</span> Input, Gain Reduction, Output</li></ul><br>Waves Mercury owners covered by Waves Update Plan receive CLA Classic Compressors at no additional charge.

Waves CLA Classic Compressors - Native
Impeccable models of four compressors considered true classics by audio engineers the world over
This product requires iLok authorization. For more information, give us a call at 248.591.9276

<span name="intelliTxt" id="intelliTXT">Developed in collaboration with world-renowned mixer/engineer Chris Lord-Alge, </span><span style="font-weight: bold;">Waves CLA Classic Compressors</span> consist of four plug-ins: the CLA-2A, the CLA-3A, the CLA-76 Blacky and the CLA-76 Bluey. These classic models grant users access to the same tools that Lord-Alge has used to help define hard-hitting rock and pop over the last several decades.<br><br><span style="font-weight: bold;">Waves CLA-2A Compressor/Limiter</span><br>Modeled on the world's first electro-optical tube compressor, the CLA-2A emulates the original's smooth, frequency-dependent behavior that has made it a favorite of engineers everywhere. Like the mid-60s classic, the CLA-2A sounds great on guitars and bass and particularly shines on vocals. Topping it off with Lord-Alge's personal presets and the zero-latency only a Native plug-in can provide, CLA-2A offers users a model that far surpasses its inspiration.<br><br><span style="font-weight: bold;">Features</span><br><ul><li>Compressor and Limiter modes</li><li>Zero latency</li><li>Sidechain frequency filter</li><li>Up to 24bit 192kHz resolution</li><li>Mono and Stereo components</li><li>Supports TDM, RTAS, Audio Suite, VST, AU</li><li>PC and Mac compatible</li></ul><br><span style="font-weight: bold;">Controls</span><br><ul><li><span style="font-weight: bold;">Gain</span> 0 to 100</li><li><span style="font-weight: bold;">Peak Reduction</span> 0 to 100</li><li><span style="font-weight: bold;">Compressor Mode</span> Comp, Limiter</li><li><span style="font-weight: bold;">HF Freq</span> 0 to 100</li><li><span style="font-weight: bold;">Analog</span> Off, 50Hz, 60Hz</li><li><span style="font-weight: bold;">VU Display</span> Input, Gain Reduction, Output</li></ul><br><span style="font-weight: bold;">Waves CLA-3A Compressor/Limiter</span><br>Based on the early 1970s solid-state unit known for its unique and highly transparent compression curve, the CLA-3A delivers the quick response and the subtle harmonic distortion for which the original is world-renowned. Just like the original, the CLA-3A is ideal for bass, guitars and vocals. Unlike the original, users can fire up as many instances as their systems can handle.<br><br><span style="font-weight: bold;">Features</span><br><ul><li>Compressor and Limiter modes</li><li>Zero latency</li><li>Sidechain frequency filter</li><li>Up to 24bit 192kHz resolution</li><li>Mono and Stereo components</li><li>Supports TDM, RTAS, Audio Suite, VST, AU</li><li>PC and Mac compatible</li></ul><br><span style="font-weight: bold;">Controls</span><br><ul><li><span style="font-weight: bold;">Gain</span> 0 to 10</li><li><span style="font-weight: bold;">Peak Reduction</span> 0 to 10</li><li><span style="font-weight: bold;">Compressor Mode</span> Comp, Limiter</li><li><span style="font-weight: bold;">HF Freq</span> 0 to 100</li><li><span style="font-weight: bold;">Analog</span> Off, 50Hz, 60Hz</li><li><span style="font-weight: bold;">VU Display</span> Input, Gain Reduction, Output</li></ul><br><span style="font-weight: bold;">Waves CLA-76 Bluey & Blacky Compressor/Limiter</span>s<br>Inspired by two highly-desirable revisions of the famed mid-60s Class A line level limiting amplifier, both versions of the CLA-76 ("Blacky" and "Bluey") offer the super-fast attack that made the originals studio legends. With an exclusive "All" control that recreates the original's explosive "All-Ratio-Buttons-In" mode, plus modeled pre-amp distortion for extra edge, the CLA-76 delivers some of the most powerful drum sounds imaginable.<br><br><span style="font-weight: bold;">Features</span><br><ul><li>Superfast attack</li><li>Exclusive ALL control</li><li>Pre-amp distortion modeling</li><li>Zero latency</li><li>Up to 24bit 192kHz resolution</li><li>Mono and Stereo components</li><li>Supports TDM, RTAS, Audio Suite, VST, AU</li><li>PC and Mac compatible</li></ul><br><span style="font-weight: bold;">Controls</span><br><ul><li><span style="font-weight: bold;">Input</span> Inf to 0</li><li><span style="font-weight: bold;">Output</span> Inf to 0</li><li><span style="font-weight: bold;">Attack</span> 1 to 7 (1 millisecond to 50 microseconds)</li><li><span style="font-weight: bold;">Release</span> 1 to 7 (1 second to 50 milliseconds)</li><li><span style="font-weight: bold;">Ratio</span> 4:1, 8:1, 12:1, 20:1, ALL</li><li><span style="font-weight: bold;">Comp Off</span> Comp On, Comp Off</li><li><span style="font-weight: bold;">Analog</span> Off, 50Hz, 60Hz</li><li><span style="font-weight: bold;">VU Display</span> Input, Gain Reduction, Output</li></ul><br>Waves Mercury owners covered by Waves Update Plan receive CLA Classic Compressors at no additional charge.

Waves CLA Classic Compressors - TDM
Impeccable models of four compressors considered true classics by audio engineers the world over
This product requires iLok authorization. For more information, give us a call at 248.591.9276

As a music production professional, there are certain things you just
can’t live without: A good room. Good mics. Good monitors. Good music.
And Waves.<br>
<br>
You need versatile mixing tools that bring out the
best of each and every performance. You need the warm, incomparable
sound of vintage compressors for punch and power. You need
precision-modeled EQs that add color and character. And you need
state-of-the-art mastering processors to give your projects that final
shimmer and shine.<br>
<br>
You need <span style="font-weight: bold;">Waves Horizon</span>.<br>

<br>

<span style="font-weight: bold;">Includes over 50+ Waves Plug-ins</span><br>

<ul><li>AudioTrack</li><li>C1</li><li>C4</li><li>Center</li><li>CLA-2A</li><li>CLA-3A</li><li>CLA-76 Blackie</li><li>CLA-76 Bluey</li><li>DeBreath</li><li>DeEsser</li><li>Doppler</li><li>Doubler</li><li>Enigma</li><li>GTR 3</li><li>H-Comp</li><li>H-Delay</li><li>IR-L</li><li>L1 Ultramaximizer</li><li>L2 Ultramaximizer</li><li>L3 Multimaximizer</li><li>L3 Ultramaximizer</li><li>L3-LL Multimaximizer</li><li>L3-LL Ultramaximizer</li><li>L3-16 Multimaximizer</li><li>Liner Phase EQ</li><li>MaxxBass</li><li>MaxxVolume</li><li>MetaFlanger</li><li>MondoMod</li><li>Morphoder</li><li>MV2</li><li>Paz Psychoacoustic Analyzer</li><li>PS22 Stereo Maker (TDM only)</li><li>PuigChild 650/670</li><li>PuigTec EQP-1A</li><li>PuigTec MEQ-5</li><li>Q10 Paragraphic EQ</li><li>Q-Clone</li><li>Renaissance Axx</li><li>Renaissance Bass</li><li>Renaissance Channel</li><li>Renaissance Compressor</li><li>Renaissance DeEsser</li><li>Renaissance EQ</li><li>Renaissance Reverb</li><li>Renaissance Vox</li><li>S1</li><li>SoundShifter</li><li>SuperTap</li><li>TransX</li><li>TrueVerb</li><li>Waves Tune LT</li><li>UltraPitch UM225/UM226</li><li>V-Comp</li><li>Vocal Rider</li></ul>

Waves Horizon - Native
Bundle of over 50 plug-ins including all 30+ plug-ins from Waves Platinum, CLA, JJP, Vocal Rider, L3-16 Multimaximizer, GTR3, UM225/226 and more.
This product requires iLok authorization. For more information, give us a call at 248.591.9276

As a music production professional, there are certain things you just
can’t live without: A good room. Good mics. Good monitors. Good music.
And Waves.<br>
<br>
You need versatile mixing tools that bring out the
best of each and every performance. You need the warm, incomparable
sound of vintage compressors for punch and power. You need
precision-modeled EQs that add color and character. And you need
state-of-the-art mastering processors to give your projects that final
shimmer and shine.<br>
<br>
You need <span style="font-weight: bold;">Waves Horizon</span>.<br>

<br>

<span style="font-weight: bold;">Includes over 50+ Waves Plug-ins</span><br>

<ul><li>AudioTrack</li><li>C1</li><li>C4</li><li>Center</li><li>CLA-2A</li><li>CLA-3A</li><li>CLA-76 Blackie</li><li>CLA-76 Bluey</li><li>DeBreath</li><li>DeEsser</li><li>Doppler</li><li>Doubler</li><li>Enigma</li><li>GTR 3</li><li>H-Comp</li><li>H-Delay</li><li>IR-L</li><li>L1 Ultramaximizer</li><li>L2 Ultramaximizer</li><li>L3 Multimaximizer</li><li>L3 Ultramaximizer</li><li>L3-LL Multimaximizer</li><li>L3-LL Ultramaximizer</li><li>L3-16 Multimaximizer</li><li>Liner Phase EQ</li><li>MaxxBass</li><li>MaxxVolume</li><li>MetaFlanger</li><li>MondoMod</li><li>Morphoder</li><li>MV2</li><li>Paz Psychoacoustic Analyzer</li><li>PS22 Stereo Maker (TDM only)</li><li>PuigChild 650/670</li><li>PuigTec EQP-1A</li><li>PuigTec MEQ-5</li><li>Q10 Paragraphic EQ</li><li>Q-Clone</li><li>Renaissance Axx</li><li>Renaissance Bass</li><li>Renaissance Channel</li><li>Renaissance Compressor</li><li>Renaissance DeEsser</li><li>Renaissance EQ</li><li>Renaissance Reverb</li><li>Renaissance Vox</li><li>S1</li><li>SoundShifter</li><li>SuperTap</li><li>TransX</li><li>TrueVerb</li><li>Waves Tune LT</li><li>UltraPitch UM225/UM226</li><li>V-Comp</li><li>Vocal Rider</li></ul>

Waves Horizon - TDM
Bundle of over 50 plug-ins including all 30+ plug-ins from Waves Platinum, CLA, JJP, Vocal Rider, L3-16 Multimaximizer, GTR3, UM225/226 and more.
This product requires iLok authorization. For more information, give us a call at 248.591.9276

Developed in association with legendary producer/engineer Eddie Kramer, 
the <span style="font-weight: bold;">Waves PIE Compressor</span> was 
precision-modeled on a vintage Pye compressor like the ones he used in 
historic sessions at London’s acclaimed Olympic Studios. A mainstay in 
esteemed British studios throughout the classic rock era, the original 
Pye processors are considered by many to be among of the best buss 
compressors of all time. The Waves PIE plug-in features a meticulously 
modeled VU meter with superfast refresh rates that recreates the 
accuracy, sensitivity, and ballistic behavior of a physical analog 
meter.<br>
<br>
<span style="font-weight: bold;">Featuring</span><br>
<ul><li>Analog noise & hum for added realism</li><li>Compression and limiting modes</li><li>Auto-makeup gain</li><li>Up to 24bit 192kHz resolution</li><li>Mono and Stereo components</li><li>Supports TDM, RTAS, Audio Suite, VST, AU</li><li>PC and Mac compatible</li></ul>
<span style="font-weight: bold;">Controls</span><br>
<ul><li>Threshold sets the gain reference point beyond which compression 
begins.</li><li>Ratio controls the amount of gain reduction for signal above the 
threshold.</li><li>Decay Time (Release Time) sets the recovery speed of the gain 
attenuation when the input drops below the threshold.</li><li>Output sets the output level.</li><li>Meter Select toggles between Input, Output, and Gain Reduction 
metering.</li><li>Analog controls analog characteristics caused by noise floor and 
hum, based on the power supplies of the original units.</li><li>VU Meter displays input or output level in dBVU.</li><li>Clip LED lights up when levels exceed 0 dBFS.</li><li>VU Calibrate controls the VU meter headroom calibration.</li></ul>

Waves PIE Compressor - TDM
Compressor Plug-in based on the classic Pye Compressor. Modeled in association with Eddie Kramer.
This product requires iLok authorization. For more information, give us a call at 248.591.9276

Developed in association with legendary producer/engineer Eddie Kramer, 
the <span style="font-weight: bold;">Waves PIE Compressor</span> was 
precision-modeled on a vintage Pye compressor like the ones he used in 
historic sessions at London’s acclaimed Olympic Studios. A mainstay in 
esteemed British studios throughout the classic rock era, the original 
Pye processors are considered by many to be among of the best buss 
compressors of all time. The Waves PIE plug-in features a meticulously 
modeled VU meter with superfast refresh rates that recreates the 
accuracy, sensitivity, and ballistic behavior of a physical analog 
meter.<br>
<br>
<span style="font-weight: bold;">Featuring</span><br>
<ul><li>Analog noise & hum for added realism</li><li>Compression and limiting modes</li><li>Auto-makeup gain</li><li>Up to 24bit 192kHz resolution</li><li>Mono and Stereo components</li><li>Supports TDM, RTAS, Audio Suite, VST, AU</li><li>PC and Mac compatible</li></ul>
<span style="font-weight: bold;">Controls</span><br>
<ul><li>Threshold sets the gain reference point beyond which compression 
begins.</li><li>Ratio controls the amount of gain reduction for signal above the 
threshold.</li><li>Decay Time (Release Time) sets the recovery speed of the gain 
attenuation when the input drops below the threshold.</li><li>Output sets the output level.</li><li>Meter Select toggles between Input, Output, and Gain Reduction 
metering.</li><li>Analog controls analog characteristics caused by noise floor and 
hum, based on the power supplies of the original units.</li><li>VU Meter displays input or output level in dBVU.</li><li>Clip LED lights up when levels exceed 0 dBFS.</li><li>VU Calibrate controls the VU meter headroom calibration.</li></ul>

Waves PIE Compressor - Native
Compressor Plug-in based on the classic Pye Compressor. Modeled in association with Eddie Kramer.
This product requires iLok authorization. For more information, give us a call at 248.591.9276

Developed in association with legendary producer/engineer Eddie Kramer, the <span style="font-weight: bold;">Waves HLS Channel</span> was meticulously modeled on a Helios mixing console just like the one he used in historic sessions at London’s acclaimed Olympic Studios. (In fact, we actually managed to get our hands on the Helios from the Rolling Stones mobile truck, which was used on a slew of classic recordings during the early ‘70s.) In addition to modeling the Helios EQs with their sweet saturation, high-end presence, and fat low-frequency boost, we even modeled the unique behavior, coloration, and drive of the console’s preamps. To top it all off, the HLS Channel features a precision-modeled VU meter that recreates the sensitivity, ballistic behavior, look and feel of the original.<br><br><span style="font-weight: bold;">Featuring</span><br><ul><li>Modeled Mic & Line preamp drive</li><li>Analog noise & hum for added realism</li><li>EQ bypass mode</li><li>Up to 24bit 96kHz resolution</li><li>Mono and Stereo components</li><li>Supports TDM, RTAS, Audio Suite, VST, AU</li><li>PC and Mac compatible</li></ul><span style="font-weight: bold;">Controls</span><br><ul><li>Source Select toggles between Mic and Line levels.</li><li>Preamp determines the amount of preamp coloration.</li><li>High Frequency Gain controls high shelf gain at 10 kHz.</li><li>Mid Gain sets the amount of gain applied to the midrange bell filter.</li><li>Mid Frequency selects frequency for the midrange bell filter.</li><li>Mid Mode selects between boost (PK) and cut (TR).</li><li>Low Band Freq/Cut is used to select the boost frequency, or the amount of attenuation of the 50 Hz low shelf.</li><li>Low Band Boost sets the amount of boost (in dB) for the selected frequency.</li><li>EQ Cut turns the EQ on (in) and off (cut), while maintaining the analog and preamp characteristics.</li><li>Analog controls turns the analog noise and hum modeling on and off, and sets the pitch of the hum to match either European or American currents.</li><li>Noise pads the modeled noise and hum by 20 dB.</li><li>Meter toggles the meter display between input and output monitoring.</li><li>Clip LED lights up when levels exceed 0 dBFS.</li><li>VU Meter displays input or output level in dBVU.</li><li>VU Calibrate controls the VU meter headroom calibration.</li><li>Trim displays the maximum peak level of the output signal and its distance from 0 dBFS.</li><li>Input controls the input level.</li><li>Output controls the output level.</li></ul>

Waves HLS Channel - TDM
Mic pre/EQ plug-in based on the classic Helios console - modeled in association with Eddie Kramer
This product requires iLok authorization. For more information, give us a call at 248.591.9276

Developed in association with legendary producer/engineer Eddie Kramer, the <span style="font-weight: bold;">Waves HLS Channel</span> was meticulously modeled on a Helios mixing console just like the one he used in historic sessions at London’s acclaimed Olympic Studios. (In fact, we actually managed to get our hands on the Helios from the Rolling Stones mobile truck, which was used on a slew of classic recordings during the early ‘70s.) In addition to modeling the Helios EQs with their sweet saturation, high-end presence, and fat low-frequency boost, we even modeled the unique behavior, coloration, and drive of the console’s preamps. To top it all off, the HLS Channel features a precision-modeled VU meter that recreates the sensitivity, ballistic behavior, look and feel of the original.<br><br><span style="font-weight: bold;">Featuring</span><br><ul><li>Modeled Mic & Line preamp drive</li><li>Analog noise & hum for added realism</li><li>EQ bypass mode</li><li>Up to 24bit 96kHz resolution</li><li>Mono and Stereo components</li><li>Supports TDM, RTAS, Audio Suite, VST, AU</li><li>PC and Mac compatible</li></ul><span style="font-weight: bold;">Controls</span><br><ul><li>Source Select toggles between Mic and Line levels.</li><li>Preamp determines the amount of preamp coloration.</li><li>High Frequency Gain controls high shelf gain at 10 kHz.</li><li>Mid Gain sets the amount of gain applied to the midrange bell filter.</li><li>Mid Frequency selects frequency for the midrange bell filter.</li><li>Mid Mode selects between boost (PK) and cut (TR).</li><li>Low Band Freq/Cut is used to select the boost frequency, or the amount of attenuation of the 50 Hz low shelf.</li><li>Low Band Boost sets the amount of boost (in dB) for the selected frequency.</li><li>EQ Cut turns the EQ on (in) and off (cut), while maintaining the analog and preamp characteristics.</li><li>Analog controls turns the analog noise and hum modeling on and off, and sets the pitch of the hum to match either European or American currents.</li><li>Noise pads the modeled noise and hum by 20 dB.</li><li>Meter toggles the meter display between input and output monitoring.</li><li>Clip LED lights up when levels exceed 0 dBFS.</li><li>VU Meter displays input or output level in dBVU.</li><li>VU Calibrate controls the VU meter headroom calibration.</li><li>Trim displays the maximum peak level of the output signal and its distance from 0 dBFS.</li><li>Input controls the input level.</li><li>Output controls the output level.</li></ul>

Waves HLS Channel - Native
Mic pre/EQ plug-in based on the classic Helios console - modeled in association with Eddie Kramer
This product requires iLok authorization. For more information, give us a call at 248.591.9276

<span style="font-weight: bold;">They call him Lord of the Mix.</span><br>
<br>
For over 20 years, <span style="font-weight: bold;">Chris Lord-Alge</span>
 has been the mixing engineer of choice for rock & roll royalty.<br>
<br>
Green Day, U2, Nickelback, Creed, Nine Inch Nails, Foo Fighters, Goo Goo
 Dolls, Alanis Morissette, Daughtry, Bon Jovi, Avril Lavigne, Snow 
Patrol, Hoobastank, Lifehouse, Sum 41, Pink, Dave Matthews Band, All 
American Rejects, My Chemical Romance, Santana, AFI, Rise Against, 
P.O.D., Paramore, The Calling, Fastball and countless others.<br>
<br>
The <span style="font-weight: bold;">Waves Chris Lord-Alge Artist 
Signature Collection</span> gives you an all-access pass<br>
to CLA’s hard-hitting, radio-ready sound.<br>
<br>
<span style="font-weight: bold;">Featuring</span><br>
<ul><li>Complete all-in-one processing chains</li><li>Mono-to-stereo and
 stereo components</li><li>Optimized control ranges</li><li>24bit/96kHz 
resolution</li><li>Supports RTAS, Audio Suite, VST, AU</li><li>PC and 
Mac compatible</li></ul>
<br>
<span style="font-weight: bold;">Chris Lord-Alge on CLA Bass</span><br>
"From sub-shaking smooth sounds to Mr. Buzzsaw, CLA Bass is just what 
the doctor ordered. The plug-in was designed to help you lay down a 
solid foundation for any song. It gives you six essential effects: bass,
 treble, compression, sub, distortion, and chorus/flange. Whether you 
want it to rip, roar, growl, bark, or cut, CLA Bass delivers."<br>
<br>
<span style="font-weight: bold;">Controls</span><br>
<ul><li><span style="font-weight: bold;">Input Sensitivity</span> is 
used to achieve optimal plug-in input level.</li><li><span style="font-weight: bold;">Input Meter</span> displays input signal peak
 level.</li><li><span style="font-weight: bold;">Balance</span> adjusts 
the offset between left and right signals. (Stereo
 component only)</li><li><span style="font-weight: bold;">Sensitivity 
LED</span> indicates the presence of proper levels.</li><li><span style="font-weight: bold;">Bass</span> controls low frequency gain.</li><li><span style="font-weight: bold;">Bass Color</span> toggles between low 
frequency filters.</li><li><span style="font-weight: bold;">Treble</span>
 controls high frequency gain.</li><li><span style="font-weight: bold;">Treble
 Color</span> toggles between high frequency filters.</li><li><span style="font-weight: bold;">Compress</span> controls the dynamic range.</li><li><span style="font-weight: bold;">Compress Color</span> toggles between 
compression characters.</li><li><span style="font-weight: bold;">Sub</span>
 enhances very low frequencies.</li><li><span style="font-weight: bold;">Sub
 Color</span> turns sub enhancement on/off.</li><li><span style="font-weight: bold;">Distortion</span> controls the amount of 
distortion.</li><li><span style="font-weight: bold;">Distortion Color</span>
 toggles between different distortion types.</li><li><span style="font-weight: bold;">Pitch</span> controls the pitch modulation 
wet mix.</li><li><span style="font-weight: bold;">Pitch Color</span> 
toggles between pitch modulation types.</li><li><span style="font-weight: bold;">Output</span> controls the output level.</li><li><span style="font-weight: bold;">Output Meter</span> displays output signal 
peak level.</li><li><span style="font-weight: bold;">Clip LEDs</span> 
light up when levels exceed 0 dBFS.</li></ul>
<br>
<span style="font-weight: bold;">Chris Lord-Alge on CLA Drums</span><br>
"One of my favorite activities is to work on drums. When creating the 
CLA Drums plug-in, I had one thing in mind: Anyone who uses it can get a
 great drum sound for any song and any mix and just have fun! There are 
six different modes: Kick, Snare, Toms, Overheads, Room and, of course, 
my favorite, Cowbell. There are three color-coded presets for bass EQ, 
treble EQ, compression, and reverb, plus a noise gate so you can even 
get rid of leakage. The faders let you control the amount of each effect
 and, especially important for drums, we’ve included a phase switch so 
you can find the best setting for the kit."<br>
<br>
<span style="font-weight: bold;">Controls</span><br>
<ul><li><span style="font-weight: bold;">Drum Mode</span> toggles 
between the six drum/mic’ing types: Kick, Snare,
 Toms, Cowbell (cymbals, hi-hats & bells), Over Heads, Room</li><li><span style="font-weight: bold;">Input Sensitivity</span> is used to achieve 
optimal plug-in input level.</li><li><span style="font-weight: bold;">Input
 Meter</span> displays input signal peak level.</li><li><span style="font-weight: bold;">Balance</span> adjusts the offset between 
left and right signals. <span style="font-style: italic;">(Stereo
 component only)</span></li><li><span style="font-weight: bold;">Sensitivity
 LED</span> indicates the presence of proper levels.</li><li><span style="font-weight: bold;">Phase Switch</span> engages input phase 
reversal.</li><li><span style="font-weight: bold;">Bass</span> controls 
low frequency gain.</li><li><span style="font-weight: bold;">Bass Color</span>
 toggles between low frequency filters.</li><li><span style="font-weight: bold;">Treble</span> controls high frequency gain.</li><li><span style="font-weight: bold;">Treble Color</span> toggles between high 
frequency filters.</li><li><span style="font-weight: bold;">Compress</span>
 controls the dynamics range.</li><li><span style="font-weight: bold;">Compress
 Color</span> toggles different compression characters.</li><li><span style="font-weight: bold;">Reverb</span> controls the reverb wet mix.</li><li><span style="font-weight: bold;">Reverb Color</span> toggles between reverb 
environments.</li><li><span style="font-weight: bold;">Gate</span> 
controls the gate threshold. (Not available in Cowbell mode)</li><li><span style="font-weight: bold;">Gate Color</span> toggles between gating 
shapes. <span style="font-style: italic;">(Not available in 
Cowbell mode)</span></li><li><span style="font-weight: bold;">Delay</span>
 controls the delay wet mix. <span style="font-style: italic;">(Cowbell 
mode only)</span></li><li><span style="font-weight: bold;">Delay Color</span>
 toggles delay times and character. <span style="font-style: italic;">(Cowbell
 mode only)</span></li><li><span style="font-weight: bold;">Output </span>controls
 the output level.</li><li><span style="font-weight: bold;">Output Meter</span>
 displays output signal peak level.</li><li><span style="font-weight: bold;">Clip LEDs</span> light up when levels exceed 0 dBFS.</li></ul>
<br style="font-weight: bold;">
<span style="font-weight: bold;">Chris Lord-Alge on CLA Effects</span><br>
"CLA Effects does it all. Filtered vocal? Check. Telephone FX? Check. 
John Lennon "I Am the Walrus" vocal distortion? Check and double check. 
Multiple delays with tape phasing? You got it. Reverb, tape slap, and 
long echo all at once? Yes, yes, and yes. One of my favorite features is
 the echo throw section: Hit the throw button and add long delays to 
just the words you want, with one click! And to top it all off, all 
tempos are matched to the session BPM, cutting out all the guesswork."<br>
<br>
<span style="font-weight: bold;">Controls</span><br>
<ul><li><span style="font-weight: bold;">Input Sensitivity</span> is 
used to achieve optimal plug-in input level.</li><li><span style="font-weight: bold;">Input Meter</span> displays input signal peak
 level.</li><li><span style="font-weight: bold;">Balance</span> adjusts 
the offset between left and right signals. <span style="font-style: italic;">(Stereo
 component only)</span></li><li><span style="font-weight: bold;">Sensitivity
 LED</span> indicates the presence of proper levels.</li><li><span style="font-weight: bold;">Send Long Delay</span> un-mutes the send to 
the Long Delay.</li><li><span style="font-weight: bold;">EQ</span> 
controls the high frequency shelf filter.</li><li><span style="font-weight: bold;">EQ Color </span>toggles between different 
filter effects.</li><li><span style="font-weight: bold;">Distortion</span>
 controls the amount of distortion in the wet mix.</li><li><span style="font-weight: bold;">Distortion Color</span> toggles between 
different distortion characters.</li><li><span style="font-weight: bold;">Reverb</span> controls the reverb wet mix.</li><li><span style="font-weight: bold;">Reverb Color</span> toggles between reverb 
environments.</li><li><span style="font-weight: bold;">Short Delay</span>
 controls the delay wet mix.</li><li><span style="font-weight: bold;">Short
 Delay Color</span> toggles delay times and characters. <span style="font-style: italic;">(Syncs to 
session BPM, Slap excluded)</span></li><li><span style="font-weight: bold;">Long Delay</span> controls the delay wet mix.</li><li><span style="font-weight: bold;">Long Delay Color</span> toggles between delay
 times and characters. 
<span style="font-style: italic;">(Syncs to session BPM)</span></li><li><span style="font-weight: bold;">Pitch</span> controls the pitch modulation 
wet mix.</li><li><span style="font-weight: bold;">Pitch Color</span> 
toggles between pitch modulation types.</li><li><span style="font-weight: bold;">Direct</span> controls unprocessed signal 
throughput, determining whether
 or not the dry signal is combined with the processed output.</li><li><span style="font-weight: bold;">Output</span> controls the output level.</li><li><span style="font-weight: bold;">Output Meter</span> displays output signal 
peak level.</li><li><span style="font-weight: bold;">Clip LED</span> 
lights up when levels exceed 0 dBFS. </li></ul>
<br>
<span style="font-weight: bold;">Chris Lord-Alge on CLA Vocals</span><br>
"The most important part of any song is the vocals. The CLA Vocals 
plug-in makes this part of mixing an absolute joy. I have taken the very
 best settings which I use in my everyday mixes and crafted them into 
this chain. It works great on all styles of singers and, best of all, 
they will want that sound every time! You also get three flavors of the 
top six effects you need: the right amount of bass, treble, compression,
 reverb, delay, and chorusing/doubling."<br>
<br>
<span style="font-weight: bold;">Controls</span><br>
<ul><li><span style="font-weight: bold;">Input Sensitivity</span> is 
used to achieve optimal plug-in input level.</li><li><span style="font-weight: bold;">Input Meter</span> displays input signal peak
 level.</li><li><span style="font-weight: bold;">Balance</span> adjusts 
the offset between left and right signals. <span style="font-style: italic;">(Stereo
 component only)</span></li><li><span style="font-weight: bold;">Sensitivity
 LED</span> indicates the presence of proper levels.</li><li><span style="font-weight: bold;">Bass</span> controls low frequency gain.</li><li><span style="font-weight: bold;">Bass Color</span> toggles between low 
frequency filters.</li><li><span style="font-weight: bold;">Treble</span>
 controls high frequency gain.</li><li><span style="font-weight: bold;">Treble
 Color</span> toggles between high frequency filters.</li><li><span style="font-weight: bold;">Compress</span> controls the dynamic range.</li><li><span style="font-weight: bold;">Compress Color</span> toggles between 
compression characters.</li><li><span style="font-weight: bold;">Reverb</span>
 controls the reverb wet mix.</li><li><span style="font-weight: bold;">Reverb
 Color</span> toggles between reverb environments.</li><li><span style="font-weight: bold;">Delay</span> controls the delay wet mix.</li><li><span style="font-weight: bold;">Delay Color</span> toggles between delay 
times and characters. <span style="font-style: italic;">(Syncs to 
session BPM)</span></li><li><span style="font-weight: bold;">Pitch</span>
 controls the pitch modulation wet mix.</li><li><span style="font-weight: bold;">Pitch Color</span> toggles between pitch 
modulation types.</li><li><span style="font-weight: bold;">Output</span>
 controls the output level.</li><li><span style="font-weight: bold;">Output
 Meter</span> displays output signal peak level.</li><li><span style="font-weight: bold;">Clip LEDs</span> light up when levels exceed 0
 dBFS.</li></ul>
<br>
<span style="font-weight: bold;">Chris Lord-Alge on CLA Guitars</span><br>
"Two words describe the CLA Guitars plug-in: Instant Gratification. 
Every time I plug in my axe, I just can’t stop playing! It delivers the 
guitar sounds I’ve used on tracks from Green Day to Daughtry, quickly 
and easily. It’s like a guitar toolbox with all the necessary 
combinations. The plug-in features three modes—Clean, Crunch, and 
Heavy—with DI and Re-amping modes for each. You get three color-coded 
presets for the six most important effects, for the perfect blend of 
bass, treble, compression, reverb, delay, and chorusing/doubling."<br>
<br>
<span style="font-weight: bold;">Controls</span><br>
<ul><li><span style="font-weight: bold;">Guitar Mode</span> toggles 
between guitar modes: Clean, Crunch, Heavy, 
Bypass.</li><li><span style="font-weight: bold;">Re-Amplify</span> 
engages a modeled guitar amp, tailored for the current 
guitar mode.</li><li><span style="font-weight: bold;">Input Sensitivity</span>
 is used to achieve optimal plug-in input level.</li><li><span style="font-weight: bold;">Input Meter</span> displays input signal peak
 level.</li><li><span style="font-weight: bold;">Balance</span> adjusts 
the offset between left and right signals. (Stereo
 component only)</li><li><span style="font-weight: bold;">Sensitivity 
LED</span> indicates the presence of proper levels.</li><li><span style="font-weight: bold;">Bass</span> controls low frequency gain.</li><li><span style="font-weight: bold;">Bass Color</span> toggles between low 
frequency filters.</li><li><span style="font-weight: bold;">Treble</span>
 controls high frequency gain.</li><li><span style="font-weight: bold;">Treble
 Color</span> toggles between high frequency filters.</li><li><span style="font-weight: bold;">Compress</span> controls the dynamic range.</li><li><span style="font-weight: bold;">Compress Color</span> toggles between 
compression characters.</li><li><span style="font-weight: bold;">Reverb</span>
 controls the reverb wet mix.</li><li><span style="font-weight: bold;">Reverb
 Color</span> toggles reverb types.</li><li><span style="font-weight: bold;">Delay</span> controls the delay wet mix.</li><li><span style="font-weight: bold;">Delay Color</span> toggles between delay 
times and characters. (Syncs to 
session BPM)</li><li><span style="font-weight: bold;">Pitch</span> 
controls the pitch modulation wet mix.</li><li><span style="font-weight: bold;">Pitch Color</span> toggles between pitch modulation types.</li><li><span style="font-weight: bold;">Output</span> controls the output level.</li><li><span style="font-weight: bold;">Output Meter</span> displays output signal 
peak level.</li><li><span style="font-weight: bold;">Clip LEDs</span> 
light up when levels exceed 0 dBFS.</li></ul>
<br>
<span style="font-weight: bold;">Chris Lord-Alge on CLA Unplugged</span><br>
"CLA Unplugged is a dream box of reverb effects plus great hi-res EQ and
 compression for complex sounds. I always loved the Aerosmith "Dream On"
 vocal reverb with the really long pre-delay. And I wanted a plug-in 
that you could also put on strings, piano, acoustic guitars, and nylon 
guitar solos. This plug-in was designed to give you limitless reverb and
 delay possibilities, and the smoothest EQ curve around."<br>
<br>
<span style="font-weight: bold;">Controls</span><br>
<ul><li><span style="font-weight: bold;">Input Sensitivity</span> is 
used to achieve optimal plug-in input level.</li><li><span style="font-weight: bold;">Input Meter</span> displays input signal peak
 level.</li><li><span style="font-weight: bold;">Balance</span> adjusts 
the offset between left and right signals. (Stereo
 component only)</li><li><span style="font-weight: bold;">Sensitivity 
LED</span> indicates the presence of proper levels.</li><li><span style="font-weight: bold;">Bass</span> controls low frequency gain.</li><li><span style="font-weight: bold;">Bass Color</span> toggles between low 
frequency filters.</li><li><span style="font-weight: bold;">Treble</span>
 controls high frequency gain.</li><li><span style="font-weight: bold;">Treble
 Color</span> toggles between high frequency filters.</li><li><span style="font-weight: bold;">Compress</span> controls the dynamic range.</li><li><span style="font-weight: bold;">Compress Color</span> toggles between 
compression characters.</li><li><span style="font-weight: bold;">Reverb 1</span>
 controls reverb 1 wet mix.</li><li><span style="font-weight: bold;">Reverb
 1 Color</span> toggles between reverb environments.</li><li><span style="font-weight: bold;">Pre Delay</span> 1 controls the pre-delay 
timing of Reverb 1. (Syncs to 
session BPM)</li><li><span style="font-weight: bold;">Pre Delay 1 On</span>
 turns Reverb 1 pre-delay on or off.</li><li><span style="font-weight: bold;">Reverb 2</span> controls Reverb 2 wet mix.</li><li><span style="font-weight: bold;">Reverb 2 Color</span> toggles between reverb 
environments.</li><li><span style="font-weight: bold;">Pre Delay 2</span>
 controls the pre-delay timing of Reverb 2. (Syncs to 
session BPM)</li><li><span style="font-weight: bold;">Pre Delay 2 On</span>
 turns Reverb 2 pre-delay on or off.</li><li><span style="font-weight: bold;">Delay</span> controls the delay wet mix.</li><li><span style="font-weight: bold;">Delay Color</span> toggles between delay 
times and characters. (Syncs to 
session BPM)</li><li><span style="font-weight: bold;">Direct</span> 
controls unprocessed signal throughput, determining whether
 or not the dry signal is combined with the processed output.</li><li><span style="font-weight: bold;">Output</span> controls the output level.</li><li><span style="font-weight: bold;">Clip LEDs</span> light up when levels exceed
 0 dBFS.</li></ul>

Waves CLA Artist Signature Collection - Download
Six application-specific audio plug-ins, created in collaboration with Grammy-winning mixing engineer Chris Lord-Alge. Native only.
This product requires iLok authorization. For more information, give us a call at 248.591.9276

All the plug-ins you need for professional surround production are right here. And it's by Waves, a company that knows a thing or two (or several dozen) about plug-ins for computer-based audio. The <b>Waves 360 Surround </b>plug-in package is destined to take its place with best-sellers like Waves Gold and Renaissance as an essential bundle. Inside, you'll find a whopping nine new plug-ins, eight of which support sample rates up to 96kHz, and all of them specifically designed to handle the task of surround sound!
<br><br>
<b>Waves 360 Surround Bundle Includes:</b><ul><li><b>Surround Manager:</b> Calibrate your studio monitoring for standard compliant mixes. Includes flexible bass management.

</li><li><b>Surround Panner: </b>Precise control of rotation and width to any input.

</li><li><b>Surround Imager: </b>Rotation, Width and Distance panning generating Early Reflections and Shuffling greater Low Frequency Spatialization.

</li><li><b>Surround Reverb: </b>6 channels of perfectly de-correlated rich, smooth and warm reverberation, and special surround controls for the front and rear.

</li><li><b>Surround Compressor: </b>Dynamic Compression offering flexible channel coupling and grouping.
</li><li><b>Surround Limiter: </b>The L2 goes surround!

</li><li><b>Surround Mixdown: </b>Derive Quad, LCR, Stereo and Mono Mixes directly from the Surround mix.

</li><li><b>Low-Pass Filter: </b>High quality, extra steep Low-Pass to filter your LFE channel.

</li><li> <b>Bit Requantizer: </b>Increased Digital Resolution technology for optimal bit depth reduction</li><li><span style="font-weight: bold;">New! UM225 and UM226 Stereo to Surround Processors:</span>
Using patented center and rear channel extraction processes, together
with a unique LFE channel generation process, the UM225 for 5.0 and the
UM226 for 5.1 deliver improved sound imaging, for a wider soundscape
with better separation<br>
  </li></ul>

Waves 360 Degree Surround Tools Bundle - Native
360 Surround Plug-In Bundle - Now with UM225 and UM226 Stereo to Surround Processors
This product requires iLok authorization. For more information, give us a call at 248.591.9276

All the plug-ins you need for professional surround production are right here. And it's by Waves, a company that knows a thing or two (or several dozen) about plug-ins for computer-based audio. The <b>Waves 360 Surround </b>plug-in package is destined to take its place with best-sellers like Waves Gold and Renaissance as an essential bundle. Inside, you'll find a whopping nine new plug-ins, eight of which support sample rates up to 96kHz, and all of them specifically designed to handle the task of surround sound!
<br><br>
<b>Waves 360 Surround Bundle Includes:</b><ul>
<li><b>Surround Manager:</b> Calibrate your studio monitoring for standard compliant mixes. Includes flexible bass management.

</li><li><b>Surround Panner: </b>Precise control of rotation and width to any input.

</li><li><b>Surround Imager: </b>Rotation, Width and Distance panning generating Early Reflections and Shuffling greater Low Frequency Spatialization.

</li><li><b>Surround Reverb: </b>6 channels of perfectly de-correlated rich, smooth and warm reverberation, and special surround controls for the front and rear.

</li><li><b>Surround Compressor: </b>Dynamic Compression offering flexible channel coupling and grouping.
</li><li><b>Surround Limiter: </b>The L2 goes surround!

</li><li><b>Surround Mixdown: </b>Derive Quad, LCR, Stereo and Mono Mixes directly from the Surround mix.

</li><li><b>Low-Pass Filter: </b>High quality, extra steep Low-Pass to filter your LFE channel.

</li><li> <b>Bit Requantizer: </b>Increased Digital Resolution technology for optimal bit depth reduction</li><li><span style="font-weight: bold;">New! UM225 and UM226 Stereo to Surround Processors:</span> Using patented center and rear channel extraction processes, together with a unique LFE channel generation process, the UM225 for 5.0 and the UM226 for 5.1 deliver improved sound imaging, for a wider soundscape with better separation<br></li></ul>

Waves 360 Degree Surround Tools Bundle - TDM
360 Surround Plug-In Bundle - Now with UM225 and UM 226 Stereo to Surround Processors
This product requires iLok authorization. For more information, give us a call at 248.591.9276

The <span style="font-weight: bold;">Waves API Collection</span> is a bundle of four plug-ins, co-developed with API that recreate the EQ and dynamics sections of API's legendary vintage consoles. The plug-ins do more than emulate the hardware of these modules - they capture the sound that is API, a sound much in demand by engineers, producers and artist alike.
<br><br>
The bundle includes three EQ modules and a stereo compressor. The API 550A provides reciprocal equalization at fifteen-points in five-steps of boost/cut, divided into three overlapping ranges. The API550B provides four overlapping bands with seven switchable filter frequencies, spanning up to five-octaves per band.
<br><br>
Based on API's 1967 classic, the 560 ten-band graphic equalizer features precision filtering and very high headroom. Since boost and cut characteristics are identical, previous equalization actions can be easily undone. The 2500 stereo compressor can function as either a dual mono or linked compressor, and features both "feed back" and "feed forward" designs for added flexibility.
<br><br>
Note:	Software requires an iLock license. User must purchase an iLock if one is not present on their system.
<br><br>
<b>Features:<br><br>

API 550A 3-Band Equalizer:</b><ul>
<li>

Five frequency centers per band
</li><li>

Reciprocal and repeatable filtering
</li><li>

Maximum of 12dB of boost/cut per band in 2 to 3dB steps
</li><li>

"Proportional Q" narrows filter bandwidth at extremes of boost/cut
</li><li>

High headroom with +30dB clip level
  	
API 550B 4-Band Equalizer
</li><li>

Seven frequency centers per band
</li><li>

Reciprocal and repeatable filtering
</li><li>

Maximum of 12dB of boost/cut per band in 2 to 3dB steps
</li><li>
Bands 1 and 4 offer shelf/peak switching
</li><li>

"Proportional Q" narrows filter bandwidth at extremes of boost/cut
</li><li>

High headroom with +30dB clip level</li></ul><br>
  	<b>
API 560 10-Band Graphic Equalizer:</b><ul>
<li>

One-octave centered frequencies from 31Hz to 16kHz
</li><li>

12dB of boost/cut per band
</li><li>

"Proportional Q" narrows filter bandwidth at extremes of boost/cut
</li><li>

Provides additional resolution in the critical +/-4dB region
</li><li>

Clip level greater than +28dBu
  	</li></ul><b><br>
API 2500 Stereo Compressor</b><ul>
<li>
Three-position "Thrust" high-pass filter
</li><li>

"Variable Link" of left and right channels, ranging from independent operation through to 100% link
</li><li>

Three "Variable Link" filter types
</li><li>

Three compression modes include Soft, Medium and Hard Knee
</li><li>
Six release settings - five fixed and one continuous variable from 50ms to 3s
</li><li>
Includes "Feed-Forward" or "Feed-Backward" selector switch </li></ul>

Waves API Bundle - Native
550A 3- band equalizer, 550B 4- band EQ, 560 10-band graphic and 2500 stereo compressor
This product requires iLok authorization. For more information, give us a call at 248.591.9276

The <span style="font-weight: bold;">Waves API Collection</span> is a bundle of four plug-ins, co-developed with API that recreate the EQ and dynamics sections of API's legendary vintage consoles. The plug-ins do more than emulate the hardware of these modules - they capture the sound that is API, a sound much in demand by engineers, producers and artist alike.

The bundle includes three EQ modules and a stereo compressor. The API 550A provides reciprocal equalization at fifteen-points in five-steps of boost/cut, divided into three overlapping ranges. The API550B provides four overlapping bands with seven switchable filter frequencies, spanning up to five-octaves per band.

Based on API's 1967 classic, the 560 ten-band graphic equalizer features precision filtering and very high headroom. Since boost and cut characteristics are identical, previous equalization actions can be easily undone. The 2500 stereo compressor can function as either a dual mono or linked compressor, and features both "feed back" and "feed forward" designs for added flexibility.
<br><br>
Note:	Software requires an iLock license. User must purchase an iLock if one is not present on their system.
<br><br>
<b>Features:<br><br>

API 550A 3-Band Equalizer:</b><ul>
<li>

Five frequency centers per band
</li><li>

Reciprocal and repeatable filtering
</li><li>

Maximum of 12dB of boost/cut per band in 2 to 3dB steps
</li><li>

"Proportional Q" narrows filter bandwidth at extremes of boost/cut
</li><li>

High headroom with +30dB clip level
  	
API 550B 4-Band Equalizer
</li><li>

Seven frequency centers per band
</li><li>

Reciprocal and repeatable filtering
</li><li>

Maximum of 12dB of boost/cut per band in 2 to 3dB steps
</li><li>
Bands 1 and 4 offer shelf/peak switching
</li><li>

"Proportional Q" narrows filter bandwidth at extremes of boost/cut
</li><li>

High headroom with +30dB clip level</li></ul><br>
  	<b>
API 560 10-Band Graphic Equalizer:</b><ul>
<li>

One-octave centered frequencies from 31Hz to 16kHz
</li><li>

12dB of boost/cut per band
</li><li>

"Proportional Q" narrows filter bandwidth at extremes of boost/cut
</li><li>

Provides additional resolution in the critical +/-4dB region
</li><li>

Clip level greater than +28dBu
  	</li></ul><b><br>
API 2500 Stereo Compressor</b><ul>
<li>
Three-position "Thrust" high-pass filter
</li><li>

"Variable Link" of left and right channels, ranging from independent operation through to 100% link
</li><li>

Three "Variable Link" filter types
</li><li>

Three compression modes include Soft, Medium and Hard Knee
</li><li>
Six release settings - five fixed and one continuous variable from 50ms to 3s
</li><li>
Includes "Feed-Forward" or "Feed-Backward" selector switch </li></ul>

Waves API Bundle - TDM
550A 3- band equalizer, 550B 4- band EQ, 560 10-band graphic and 2500 stereo compressor
This product requires iLok authorization. For more information, give us a call at 248.591.9276

From major television networks to Hollywood soundstages, <B>Waves Broadcast & Production </B>is the collection audio professionals turn to when they want to give their projects the finishing touches of power and perfection. With 18 state-of-the-art tools for audio restoration, mixing, mastering, and more, B&P gives you everything you need to take it to the airwaves.
<BR><BR>
<B>Waves Broadcast and Production Bundle Includes:</B><UL>

<LI> <B>L2 Ultramaximizer:</B> For mixing, mastering, and more, the L2’s legendary combination of look-ahead brickwall peak limiting, level maximization, and ultra high resolution give you the power and extra gain you need with crystal-clear results every single time.
<LI><B> Linear Phase Equalizer:</B> Conceived and created with Mastering in mind, Linear Phase EQ preserves your original musical balance while providing precision control over the harmonic spectrum with absolutely zero phase shift.
<LI><B>Linear Phase MultiBand:</B> Utilizing unique technologies like Adaptive Thresholds, Automatic Makeup Gain, and Finite Response Filters, Linear Phase Multiband features five user-definable bands with linear phase crossovers for phase distortion-free Multiband Compression.
<LI><B>Doubler:</B> When professional engineers need superior double-tracking effects, they turn to Doubler. Using delay and pitch modulation, Doubler delivers extraordinary richness and texture on vocals and polyphonic instruments as well as full mixes.
<LI><B>IR-L:</B> When you need to recreate the authentic sound of actual acoustic spaces, there’s no alternative to the realism and flexibility of convolution reverb. The IR-L offers the same great sound and performance as our IR1, using a simple, streamlined interface for maximum ease and efficiency.
<LI><B>Renaissance Axx:</B>  Engineered especially for guitar, Renaissance Axx is the ideal compressor for musicians and engineers who need to dial in dynamic levels quickly. With its three efficient controls, Renaissance Axx features a fixed ratio curve, automatic release value, and an output limiter to prevent clipping.
<LI><B>Renaissance Bass:</B>  Renaissance Bass delivers Waves patented MaxxBass® psycho-acoustic technology using simplified controls for quick, intuitive operation. Tightening up your bass has never been easier!

<LI><B>Renaissance Channel:</B> A precision channel strip combining the finest equalization, compression, limiting, and gating in one convenient plug-in, Renaissance Channel is a complete audio mixing chain that delivers unsurpassed flexibility and performance.
<LI><B>Renaissance Compressor:</B> Featuring a streamlined, optimized interface, the Renaissance Compressor delivers classic warm compression and expansion utilizing technologies from our renowned C1 Parametric Compander and the legendary L1 Ultramaximizer™.
<LI><B>Renaissance DeEsser:</B> Nothing ruins a great vocal track like excess “ess” and “shh” sounds. The solution is Renaissance DeEsser, a state-of-the-art sibilance attenuator which reduces undesirable high frequencies while preserving the integrity of your source. With a variety of presets for both male and female voices, Renaissance DeEsser makes it simple to zero in on the problem spots and clean them up with accuracy and ease.
<LI><B>Renaissance Equalizer:</B> Featuring real-time EQ graphing, vintage-modeled filter curves, and extended internal headroom, the Renaissance Equalizer is a versatile Paragraphic EQ with warm, analog-style sound.
<LI><B>Renaissance Reverb:</B> With rich reverb tails, an advanced early reflection system, and dual-band EQ and damping controls, Renaissance Reverb delivers unsurpassed sound and performance with extraordinary density and texture.
<LI><B>Renaissance Vox:</B> A uniquely powerful dynamics processor optimized especially for vocal tracks, Renaissance Vox features simple streamlined controls for compression, gate/expansion, limiting, and level maximization.

<LI><B>X-Click:</B> Ideal for restoring vintage vinyl and shellac records, X-Click removes strong transient noise like clicks, spikes, switching noise, and digital crosstalk while preserving the sonic integrity of your source material.
<LI><B>X-Crackle:</B> X-Crackle employs the latest psycho-acoustic algorithms to remove crackles and surface noise from vinyl records and damaged recordings, with results equal to or better than more expensive dedicated hardware solutions.

<LI><B>X-Hum:</B> Featuring a friendly interface that’s a snap to learn and use, X-Hum uses eight harmonically linked notch filters to attenuate ground loop hum, DC offset, and low-frequency rumble caused by turntables and tape machines.
<LI><B>X-Noise:</B> With simple, intuitive controls similar to those found on traditional dynamics processors, X-Noise is perfect for removing tape hiss as well as air conditioner and computer noise from individual tracks, complete mixes, or damaged recordings.
<LI><B>Waves Tune LT:</B> A special edition of Waves Tune which is included with selected bundles covered by Waves Update Plan. It delivers the same great sound as Waves Tune, using an intuitive interface, and simplified controls.

Waves Broadcast & Production Bundle - Native
18 state-of-the-art tools for audio restoration, mixing, mastering, and more
This product requires iLok authorization. For more information, give us a call at 248.591.9276

From major television networks to Hollywood soundstages, <B>Waves Broadcast & Production </B>is the collection audio professionals turn to when they want to give their projects the finishing touches of power and perfection. With 18 state-of-the-art tools for audio restoration, mixing, mastering, and more, B&P gives you everything you need to take it to the airwaves.
<BR><BR>
<B>Waves Broadcast and Production Bundle Includes:</B><UL>

<LI> <B>L2 Ultramaximizer:</B> For mixing, mastering, and more, the L2’s legendary combination of look-ahead brickwall peak limiting, level maximization, and ultra high resolution give you the power and extra gain you need with crystal-clear results every single time.
<LI><B> Linear Phase Equalizer:</B> Conceived and created with Mastering in mind, Linear Phase EQ preserves your original musical balance while providing precision control over the harmonic spectrum with absolutely zero phase shift.
<LI><B>Linear Phase MultiBand:</B> Utilizing unique technologies like Adaptive Thresholds, Automatic Makeup Gain, and Finite Response Filters, Linear Phase Multiband features five user-definable bands with linear phase crossovers for phase distortion-free Multiband Compression.
<LI><B>Doubler:</B> When professional engineers need superior double-tracking effects, they turn to Doubler. Using delay and pitch modulation, Doubler delivers extraordinary richness and texture on vocals and polyphonic instruments as well as full mixes.
<LI><B>IR-L:</B> When you need to recreate the authentic sound of actual acoustic spaces, there’s no alternative to the realism and flexibility of convolution reverb. The IR-L offers the same great sound and performance as our IR1, using a simple, streamlined interface for maximum ease and efficiency.
<LI><B>Renaissance Axx:</B>  Engineered especially for guitar, Renaissance Axx is the ideal compressor for musicians and engineers who need to dial in dynamic levels quickly. With its three efficient controls, Renaissance Axx features a fixed ratio curve, automatic release value, and an output limiter to prevent clipping.
<LI><B>Renaissance Bass:</B>  Renaissance Bass delivers Waves patented MaxxBass® psycho-acoustic technology using simplified controls for quick, intuitive operation. Tightening up your bass has never been easier!

<LI><B>Renaissance Channel:</B> A precision channel strip combining the finest equalization, compression, limiting, and gating in one convenient plug-in, Renaissance Channel is a complete audio mixing chain that delivers unsurpassed flexibility and performance.
<LI><B>Renaissance Compressor:</B> Featuring a streamlined, optimized interface, the Renaissance Compressor delivers classic warm compression and expansion utilizing technologies from our renowned C1 Parametric Compander and the legendary L1 Ultramaximizer™.
<LI><B>Renaissance DeEsser:</B> Nothing ruins a great vocal track like excess “ess” and “shh” sounds. The solution is Renaissance DeEsser, a state-of-the-art sibilance attenuator which reduces undesirable high frequencies while preserving the integrity of your source. With a variety of presets for both male and female voices, Renaissance DeEsser makes it simple to zero in on the problem spots and clean them up with accuracy and ease.
<LI><B>Renaissance Equalizer:</B> Featuring real-time EQ graphing, vintage-modeled filter curves, and extended internal headroom, the Renaissance Equalizer is a versatile Paragraphic EQ with warm, analog-style sound.
<LI><B>Renaissance Reverb:</B> With rich reverb tails, an advanced early reflection system, and dual-band EQ and damping controls, Renaissance Reverb delivers unsurpassed sound and performance with extraordinary density and texture.
<LI><B>Renaissance Vox:</B> A uniquely powerful dynamics processor optimized especially for vocal tracks, Renaissance Vox features simple streamlined controls for compression, gate/expansion, limiting, and level maximization.

<LI><B>X-Click:</B> Ideal for restoring vintage vinyl and shellac records, X-Click removes strong transient noise like clicks, spikes, switching noise, and digital crosstalk while preserving the sonic integrity of your source material.
<LI><B>X-Crackle:</B> X-Crackle employs the latest psycho-acoustic algorithms to remove crackles and surface noise from vinyl records and damaged recordings, with results equal to or better than more expensive dedicated hardware solutions.

<LI><B>X-Hum:</B> Featuring a friendly interface that’s a snap to learn and use, X-Hum uses eight harmonically linked notch filters to attenuate ground loop hum, DC offset, and low-frequency rumble caused by turntables and tape machines.
<LI><B>X-Noise:</B> With simple, intuitive controls similar to those found on traditional dynamics processors, X-Noise is perfect for removing tape hiss as well as air conditioner and computer noise from individual tracks, complete mixes, or damaged recordings.
<LI><B>Waves Tune LT:</B> A special edition of Waves Tune which is included with selected bundles covered by Waves Update Plan. It delivers the same great sound as Waves Tune, using an intuitive interface, and simplified controls.

Waves Broadcast & Production Bundle - TDM
18 state-of-the-art tools for audio restoration, mixing, mastering, and more
This product requires iLok authorization. For more information, give us a call at 248.591.9276

Waves Center - Native
Center Balance Software, AU, VST, RTAS - Mac/PC
This purchase is fulfilled via electronic delivery from the Waves website. You will receive an email with an authorization code and download instructions after your purchase has been processed. This product requires iLok authorization. For more information, give us a call at 248.591.9276

Waves Center - TDM
Center Balance Software, AU, VST, RTAS - Mac/PC
This purchase is fulfilled via electronic delivery from the Waves website. You will receive an email with an authorization code and download instructions after your purchase has been processed. This product requires iLok authorization. For more information, give us a call at 248.591.9276

<B>SSL 4000 Collection</B><BR>
To faithfully recreate the extraordinary SSL sound, Waves engineers spent more than a year analyzing and modeling the distinctive sonic characteristics of SL 4000 factory reference consoles and components provided by Solid State Logic. Extensive testing reveals that the Waves SSL 4000 plug-ins sound virtually identical to their hardware counterparts. Now, the classic sound of the SSL 4000 Series can be your sound.
<BR><BR>
<B>API Collection</B><BR>
The Waves API Collection brings four classic processors from Automated Processes Incorporated to the masses. API is used by engineers worldwide, and has been heard on countless records. Their sound is like no other. The API Collection from Waves captures every nuance of their unique sonic signatures. Developed in association with API, this plug-in bundle recreates the magic of four of API's most renowned modules: the 550A 3-Band Equalizer, the 550B 4-Band Equalizer, the 560 Graphic Equalizer, and the 2500 Stereo Compressor.
<BR><BR>
<B>V-Series</B><BR>
The Waves V-Series plug-in bundle features three exceptional vintage-style signal processors for classic tone-shaping and dynamics, each based on sought-after Neve hardware console units. Included in the V-Series bundle are V-Comp, a responsive compressor, the versatile V-EQ3 3-band EQ, and V-EQ4, a 4-band equalizer modeled on the sought-after 1081. All three units feature the classic sound you want from vintage gear, with all the modern versatility and convenience of digital plug-ins.
<BR><BR>
<B>Waves Studio Classics Native Bundle Features:</B><UL>

<LI>API 550A - 3-band Equalizer
<LI>API 550B - 4-band Equalizer
<LI>API 560 - 10-band Graphic EQ
<LI>API 2500 - Stereo Compressor
<LI>SSL Master Buss Compressor
<LI>SSL 4-band Equalizer
<LI>SSL E-Channel
<LI>V-4 EQ 4-band equalizer
<LI>V-Comp compressor
<LI>V-EQ3 3-band equalizer
<LI>TDM and RTAS
<LI>Mac/Win</UL>

Waves Classic Studio Collection - Native
Waves Studio Classics Collection packages their hugely successful emulations of API, SSL, and Neve-inspired classics into a single bundle.
This product requires iLok authorization. For more information, give us a call at 248.591.9276

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