Waves CLA Artist Signature Collection - Electronic Delivery Six application-specific audio plug-ins, created in collaboration with Grammy-winning mixing engineer Chris Lord-Alge. Native only.
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Product Description
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They call him Lord of the Mix.
For over 20 years, Chris Lord-Alge
has been the mixing engineer of choice for rock & roll royalty.
Green Day, U2, Nickelback, Creed, Nine Inch Nails, Foo Fighters, Goo Goo
Dolls, Alanis Morissette, Daughtry, Bon Jovi, Avril Lavigne, Snow
Patrol, Hoobastank, Lifehouse, Sum 41, Pink, Dave Matthews Band, All
American Rejects, My Chemical Romance, Santana, AFI, Rise Against,
P.O.D., Paramore, The Calling, Fastball and countless others.
The Waves Chris Lord-Alge Artist
Signature Collection gives you an all-access pass
to CLA’s hard-hitting, radio-ready sound.
Featuring
Complete all-in-one processing chains
Mono-to-stereo and
stereo components
Optimized control ranges
24bit/96kHz
resolution
Supports RTAS, Audio Suite, VST, AU
PC and
Mac compatible
Chris Lord-Alge on CLA Bass
"From sub-shaking smooth sounds to Mr. Buzzsaw, CLA Bass is just what
the doctor ordered. The plug-in was designed to help you lay down a
solid foundation for any song. It gives you six essential effects: bass,
treble, compression, sub, distortion, and chorus/flange. Whether you
want it to rip, roar, growl, bark, or cut, CLA Bass delivers."
Controls
Input Sensitivity is
used to achieve optimal plug-in input level.
Input Meter displays input signal peak
level.
Balance adjusts
the offset between left and right signals. (Stereo
component only)
Sensitivity
LED indicates the presence of proper levels.
Bass controls low frequency gain.
Bass Color toggles between low
frequency filters.
Treble
controls high frequency gain.
Treble
Color toggles between high frequency filters.
Compress controls the dynamic range.
Compress Color toggles between
compression characters.
Sub
enhances very low frequencies.
Sub
Color turns sub enhancement on/off.
Distortion controls the amount of
distortion.
Distortion Color
toggles between different distortion types.
Pitch controls the pitch modulation
wet mix.
Pitch Color
toggles between pitch modulation types.
Output controls the output level.
Output Meter displays output signal
peak level.
Clip LEDs
light up when levels exceed 0 dBFS.
Chris Lord-Alge on CLA Drums
"One of my favorite activities is to work on drums. When creating the
CLA Drums plug-in, I had one thing in mind: Anyone who uses it can get a
great drum sound for any song and any mix and just have fun! There are
six different modes: Kick, Snare, Toms, Overheads, Room and, of course,
my favorite, Cowbell. There are three color-coded presets for bass EQ,
treble EQ, compression, and reverb, plus a noise gate so you can even
get rid of leakage. The faders let you control the amount of each effect
and, especially important for drums, we’ve included a phase switch so
you can find the best setting for the kit."
Controls
Drum Mode toggles
between the six drum/mic’ing types: Kick, Snare,
Toms, Cowbell (cymbals, hi-hats & bells), Over Heads, Room
Input Sensitivity is used to achieve
optimal plug-in input level.
Input
Meter displays input signal peak level.
Balance adjusts the offset between
left and right signals. (Stereo
component only)
Sensitivity
LED indicates the presence of proper levels.
Phase Switch engages input phase
reversal.
Bass controls
low frequency gain.
Bass Color
toggles between low frequency filters.
Treble controls high frequency gain.
Treble Color toggles between high
frequency filters.
Compress
controls the dynamics range.
Compress
Color toggles different compression characters.
Reverb controls the reverb wet mix.
Reverb Color toggles between reverb
environments.
Gate
controls the gate threshold. (Not available in Cowbell mode)
Gate Color toggles between gating
shapes. (Not available in
Cowbell mode)
Delay
controls the delay wet mix. (Cowbell
mode only)
Delay Color
toggles delay times and character. (Cowbell
mode only)
Output controls
the output level.
Output Meter
displays output signal peak level.
Clip LEDs light up when levels exceed 0 dBFS.
Chris Lord-Alge on CLA Effects
"CLA Effects does it all. Filtered vocal? Check. Telephone FX? Check.
John Lennon "I Am the Walrus" vocal distortion? Check and double check.
Multiple delays with tape phasing? You got it. Reverb, tape slap, and
long echo all at once? Yes, yes, and yes. One of my favorite features is
the echo throw section: Hit the throw button and add long delays to
just the words you want, with one click! And to top it all off, all
tempos are matched to the session BPM, cutting out all the guesswork."
Controls
Input Sensitivity is
used to achieve optimal plug-in input level.
Input Meter displays input signal peak
level.
Balance adjusts
the offset between left and right signals. (Stereo
component only)
Sensitivity
LED indicates the presence of proper levels.
Send Long Delay un-mutes the send to
the Long Delay.
EQ
controls the high frequency shelf filter.
EQ Color toggles between different
filter effects.
Distortion
controls the amount of distortion in the wet mix.
Distortion Color toggles between
different distortion characters.
Reverb controls the reverb wet mix.
Reverb Color toggles between reverb
environments.
Short Delay
controls the delay wet mix.
Short
Delay Color toggles delay times and characters. (Syncs to
session BPM, Slap excluded)
Long Delay controls the delay wet mix.
Long Delay Color toggles between delay
times and characters.
(Syncs to session BPM)
Pitch controls the pitch modulation
wet mix.
Pitch Color
toggles between pitch modulation types.
Direct controls unprocessed signal
throughput, determining whether
or not the dry signal is combined with the processed output.
Output controls the output level.
Output Meter displays output signal
peak level.
Clip LED
lights up when levels exceed 0 dBFS.
Chris Lord-Alge on CLA Vocals
"The most important part of any song is the vocals. The CLA Vocals
plug-in makes this part of mixing an absolute joy. I have taken the very
best settings which I use in my everyday mixes and crafted them into
this chain. It works great on all styles of singers and, best of all,
they will want that sound every time! You also get three flavors of the
top six effects you need: the right amount of bass, treble, compression,
reverb, delay, and chorusing/doubling."
Controls
Input Sensitivity is
used to achieve optimal plug-in input level.
Input Meter displays input signal peak
level.
Balance adjusts
the offset between left and right signals. (Stereo
component only)
Sensitivity
LED indicates the presence of proper levels.
Bass controls low frequency gain.
Bass Color toggles between low
frequency filters.
Treble
controls high frequency gain.
Treble
Color toggles between high frequency filters.
Compress controls the dynamic range.
Compress Color toggles between
compression characters.
Reverb
controls the reverb wet mix.
Reverb
Color toggles between reverb environments.
Delay controls the delay wet mix.
Delay Color toggles between delay
times and characters. (Syncs to
session BPM)
Pitch
controls the pitch modulation wet mix.
Pitch Color toggles between pitch
modulation types.
Output
controls the output level.
Output
Meter displays output signal peak level.
Clip LEDs light up when levels exceed 0
dBFS.
Chris Lord-Alge on CLA Guitars
"Two words describe the CLA Guitars plug-in: Instant Gratification.
Every time I plug in my axe, I just can’t stop playing! It delivers the
guitar sounds I’ve used on tracks from Green Day to Daughtry, quickly
and easily. It’s like a guitar toolbox with all the necessary
combinations. The plug-in features three modes—Clean, Crunch, and
Heavy—with DI and Re-amping modes for each. You get three color-coded
presets for the six most important effects, for the perfect blend of
bass, treble, compression, reverb, delay, and chorusing/doubling."
Controls
Guitar Mode toggles
between guitar modes: Clean, Crunch, Heavy,
Bypass.
Re-Amplify
engages a modeled guitar amp, tailored for the current
guitar mode.
Input Sensitivity
is used to achieve optimal plug-in input level.
Input Meter displays input signal peak
level.
Balance adjusts
the offset between left and right signals. (Stereo
component only)
Sensitivity
LED indicates the presence of proper levels.
Bass controls low frequency gain.
Bass Color toggles between low
frequency filters.
Treble
controls high frequency gain.
Treble
Color toggles between high frequency filters.
Compress controls the dynamic range.
Compress Color toggles between
compression characters.
Reverb
controls the reverb wet mix.
Reverb
Color toggles reverb types.
Delay controls the delay wet mix.
Delay Color toggles between delay
times and characters. (Syncs to
session BPM)
Pitch
controls the pitch modulation wet mix.
Pitch Color toggles between pitch modulation types.
Output controls the output level.
Output Meter displays output signal
peak level.
Clip LEDs
light up when levels exceed 0 dBFS.
Chris Lord-Alge on CLA Unplugged
"CLA Unplugged is a dream box of reverb effects plus great hi-res EQ and
compression for complex sounds. I always loved the Aerosmith "Dream On"
vocal reverb with the really long pre-delay. And I wanted a plug-in
that you could also put on strings, piano, acoustic guitars, and nylon
guitar solos. This plug-in was designed to give you limitless reverb and
delay possibilities, and the smoothest EQ curve around."
Controls
Input Sensitivity is
used to achieve optimal plug-in input level.
Input Meter displays input signal peak
level.
Balance adjusts
the offset between left and right signals. (Stereo
component only)
Sensitivity
LED indicates the presence of proper levels.
Bass controls low frequency gain.
Bass Color toggles between low
frequency filters.
Treble
controls high frequency gain.
Treble
Color toggles between high frequency filters.
Compress controls the dynamic range.
Compress Color toggles between
compression characters.
Reverb 1
controls reverb 1 wet mix.
Reverb
1 Color toggles between reverb environments.
Pre Delay 1 controls the pre-delay
timing of Reverb 1. (Syncs to
session BPM)
Pre Delay 1 On
turns Reverb 1 pre-delay on or off.
Reverb 2 controls Reverb 2 wet mix.
Reverb 2 Color toggles between reverb
environments.
Pre Delay 2
controls the pre-delay timing of Reverb 2. (Syncs to
session BPM)
Pre Delay 2 On
turns Reverb 2 pre-delay on or off.
Delay controls the delay wet mix.
Delay Color toggles between delay
times and characters. (Syncs to
session BPM)
Direct
controls unprocessed signal throughput, determining whether
or not the dry signal is combined with the processed output.
